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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #80A0CB it is the complementary color #7F5F34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #80A0CB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #80A0CB shade: #85A0C6, #96B2D9, #A7C4EC, #B8D6FF and #C9E8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #80A0CB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #80A0CB shade: #80A0CB, #6F8EB8, #5E7CA5, #4D6A92 and #3C587F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #80A0CB shade: #80A0CB, #808CCB, #8880CB, #9C80CB and #B180CB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #80A0CB shade: #80A0CB, #808CCB and #8080CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #80A0CB shade matches the following richer shades: #80A0CB, #719ED9, #639CE8 and #5499F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #80A0CB shade: #80A0CB, #8EA2BC, #9DA4AE, #ABA69F and #BAA891

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #80A0CB shade: #80C8CB, #80B4CB, #80A0CB, #808CCB and #8780CB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #80A0CB shade: #4874B0, #628ABF, #80A0CB, #9DB6D7 and #BACCE3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #80A0CB shade: #80A0CB, #B980CB and #BECB80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #80A0CB shade: #80A0CB, #CB80A0 and #A0CB80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #80A0CB shade: #80A0CB, #B980CB, #CBAA80 and #91CB80

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #80A0CB shade: #80A0CB, #CB80C6, #CBAA80 and #80CB85

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 21 / 0 / 20

HEX #80A0CB

RGB 128 160 203

HSL 214.4, 0.42%, 0.65%

LAB 65, -0.37, -25.56

 

Complementary color

CMYK 0 / 25 / 59 / 50

HEX #7F5F34

RGB 127 95 52

HSL 34.4, 0.42%, 0.35%

LAB 42.68, 7.72, 29.37

 

CMYK 33 / 19 / 0 / 22

HEX #85A0C6

RGB 133 160 198

HSL 215.08, 0.36%, 0.65%

LAB 65.13, -0.27, -22.55

 

CMYK 31 / 18 / 0 / 15

HEX #96B2D9

RGB 150 178 217

HSL 214.93, 0.47%, 0.72%

LAB 71.78, -0.51, -22.77

 

CMYK 29 / 17 / 0 / 7

HEX #A7C4EC

RGB 167 196 236

HSL 214.78, 0.64%, 0.79%

LAB 78.32, -0.72, -23.01

 

CMYK 28 / 16 / 0 / 0

HEX #B8D6FF

RGB 184 214 255

HSL 214.65, 1%, 0.86%

LAB 84.74, -0.92, -23.26

 

CMYK 21 / 9 / 0 / 0

HEX #C9E8FF

RGB 201 232 255

HSL 205.56, 1%, 0.89%

LAB 90.48, -5.32, -14.5

 

CMYK 37 / 21 / 0 / 20

HEX #80A0CB

RGB 128 160 203

HSL 214.4, 0.42%, 0.65%

LAB 65, -0.37, -25.56

 

CMYK 40 / 23 / 0 / 28

HEX #6F8EB8

RGB 111 142 184

HSL 214.52, 0.34%, 0.58%

LAB 58.21, -0.04, -25.4

 

CMYK 43 / 25 / 0 / 35

HEX #5E7CA5

RGB 94 124 165

HSL 214.65, 0.28%, 0.51%

LAB 51.28, 0.36, -25.28

 

CMYK 47 / 27 / 0 / 43

HEX #4D6A92

RGB 77 106 146

HSL 214.78, 0.31%, 0.44%

LAB 44.18, 0.87, -25.2

 

CMYK 53 / 31 / 0 / 50

HEX #3C587F

RGB 60 88 127

HSL 214.93, 0.36%, 0.37%

LAB 36.88, 1.51, -25.15

 

CMYK 37 / 21 / 0 / 20

HEX #80A0CB

RGB 128 160 203

HSL 214.4, 0.42%, 0.65%

LAB 65, -0.37, -25.56

 

CMYK 37 / 31 / 0 / 20

HEX #808CCB

RGB 128 140 203

HSL 230.4, 0.42%, 0.65%

LAB 59.58, 11.07, -33.94

 

CMYK 33 / 37 / 0 / 20

HEX #8880CB

RGB 136 128 203

HSL 246.4, 0.42%, 0.65%

LAB 57.06, 20.34, -37.83

 

CMYK 23 / 37 / 0 / 20

HEX #9C80CB

RGB 156 128 203

HSL 262.4, 0.42%, 0.65%

LAB 58.81, 26.15, -34.97

 

CMYK 13 / 37 / 0 / 20

HEX #B180CB

RGB 177 128 203

HSL 279.2, 0.42%, 0.65%

LAB 60.87, 32.54, -31.61

 

CMYK 37 / 21 / 0 / 20

HEX #80A0CB

RGB 128 160 203

HSL 214.4, 0.42%, 0.65%

LAB 65, -0.37, -25.56

 

CMYK 37 / 31 / 0 / 20

HEX #808CCB

RGB 128 140 203

HSL 230.4, 0.42%, 0.65%

LAB 59.58, 11.07, -33.94

 

CMYK 37 / 37 / 0 / 20

HEX #8080CB

RGB 128 128 203

HSL 240, 0.42%, 0.65%

LAB 56.43, 18.12, -38.87

 

CMYK 37 / 21 / 0 / 20

HEX #80A0CB

RGB 128 160 203

HSL 214.4, 0.42%, 0.65%

LAB 65, -0.37, -25.56

 

CMYK 48 / 27 / 0 / 15

HEX #719ED9

RGB 113 158 217

HSL 214.04, 0.58%, 0.65%

LAB 64.14, 0.81, -34.73

 

CMYK 57 / 33 / 0 / 9

HEX #639CE8

RGB 99 156 232

HSL 214.29, 0.74%, 0.65%

LAB 63.55, 3.47, -43.99

 

CMYK 66 / 38 / 0 / 4

HEX #5499F6

RGB 84 153 246

HSL 214.44, 0.9%, 0.65%

LAB 62.78, 7.12, -52.95

 

CMYK 37 / 21 / 0 / 20

HEX #80A0CB

RGB 128 160 203

HSL 214.4, 0.42%, 0.65%

LAB 65, -0.37, -25.56

 

CMYK 24 / 14 / 0 / 26

HEX #8EA2BC

RGB 142 162 188

HSL 213.91, 0.26%, 0.65%

LAB 65.92, -1.15, -15.71

 

CMYK 10 / 6 / 0 / 32

HEX #9DA4AE

RGB 157 164 174

HSL 215.29, 0.09%, 0.65%

LAB 67.11, -0.46, -6.02

 

CMYK 0 / 3 / 7 / 33

HEX #ABA69F

RGB 171 166 159

HSL 35, 0.07%, 0.65%

LAB 68.34, 0.53, 4.25

 

CMYK 0 / 10 / 22 / 27

HEX #BAA891

RGB 186 168 145

HSL 33.66, 0.23%, 0.65%

LAB 69.82, 2.8, 14.26

 

CMYK 37 / 1 / 0 / 20

HEX #80C8CB

RGB 128 200 203

HSL 182.4, 0.42%, 0.65%

LAB 76.2, -21.66, -8.63

 

CMYK 37 / 11 / 0 / 20

HEX #80B4CB

RGB 128 180 203

HSL 198.4, 0.42%, 0.65%

LAB 70.56, -11.31, -17.09

 

CMYK 37 / 21 / 0 / 20

HEX #80A0CB

RGB 128 160 203

HSL 214.4, 0.42%, 0.65%

LAB 65, -0.37, -25.56

 

CMYK 37 / 31 / 0 / 20

HEX #808CCB

RGB 128 140 203

HSL 230.4, 0.42%, 0.65%

LAB 59.58, 11.07, -33.94

 

CMYK 33 / 37 / 0 / 20

HEX #8780CB

RGB 135 128 203

HSL 245.6, 0.42%, 0.65%

LAB 56.98, 20.06, -37.96

 

CMYK 59 / 34 / 0 / 31

HEX #4874B0

RGB 72 116 176

HSL 214.62, 0.42%, 0.49%

LAB 48.26, 3.35, -36.47

 

CMYK 49 / 28 / 0 / 25

HEX #628ABF

RGB 98 138 191

HSL 214.19, 0.42%, 0.57%

LAB 56.62, 0.93, -31.91

 

CMYK 37 / 21 / 0 / 20

HEX #80A0CB

RGB 128 160 203

HSL 214.4, 0.42%, 0.65%

LAB 65, -0.37, -25.56

 

CMYK 27 / 15 / 0 / 16

HEX #9DB6D7

RGB 157 182 215

HSL 214.14, 0.42%, 0.73%

LAB 73.24, -1.12, -19.42

 

CMYK 18 / 10 / 0 / 11

HEX #BACCE3

RGB 186 204 227

HSL 213.66, 0.42%, 0.81%

LAB 81.39, -1.33, -13.43

 

CMYK 37 / 21 / 0 / 20

HEX #80A0CB

RGB 128 160 203

HSL 214.4, 0.42%, 0.65%

LAB 65, -0.37, -25.56

 

CMYK 9 / 37 / 0 / 20

HEX #B980CB

RGB 185 128 203

HSL 285.6, 0.42%, 0.65%

LAB 61.71, 35.02, -30.23

 

CMYK 6 / 0 / 37 / 20

HEX #BECB80

RGB 190 203 128

HSL 70.4, 0.42%, 0.65%

LAB 79.17, -16.25, 35.95

 

CMYK 37 / 21 / 0 / 20

HEX #80A0CB

RGB 128 160 203

HSL 214.4, 0.42%, 0.65%

LAB 65, -0.37, -25.56

 

CMYK 0 / 37 / 21 / 20

HEX #CB80A0

RGB 203 128 160

HSL 334.4, 0.42%, 0.65%

LAB 62.23, 33.37, -4.86

 

CMYK 21 / 0 / 37 / 20

HEX #A0CB80

RGB 160 203 128

HSL 94.4, 0.42%, 0.65%

LAB 77.13, -27.5, 32.91

 

CMYK 37 / 21 / 0 / 20

HEX #80A0CB

RGB 128 160 203

HSL 214.4, 0.42%, 0.65%

LAB 65, -0.37, -25.56

 

CMYK 9 / 37 / 0 / 20

HEX #B980CB

RGB 185 128 203

HSL 285.6, 0.42%, 0.65%

LAB 61.71, 35.02, -30.23

 

CMYK 0 / 16 / 37 / 20

HEX #CBAA80

RGB 203 170 128

HSL 33.6, 0.42%, 0.65%

LAB 71.56, 6.13, 26.15

 

CMYK 29 / 0 / 37 / 20

HEX #91CB80

RGB 145 203 128

HSL 106.4, 0.42%, 0.65%

LAB 76.25, -32.77, 31.59

 

CMYK 37 / 21 / 0 / 20

HEX #80A0CB

RGB 128 160 203

HSL 214.4, 0.42%, 0.65%

LAB 65, -0.37, -25.56

 

CMYK 0 / 37 / 2 / 20

HEX #CB80C6

RGB 203 128 198

HSL 304, 0.42%, 0.65%

LAB 63.52, 39.72, -24.47

 

CMYK 0 / 16 / 37 / 20

HEX #CBAA80

RGB 203 170 128

HSL 33.6, 0.42%, 0.65%

LAB 71.56, 6.13, 26.15

 

CMYK 37 / 0 / 34 / 20

HEX #80CB85

RGB 128 203 133

HSL 124, 0.42%, 0.65%

LAB 75.45, -37.53, 27.77

 

Description

Color code: HEX #80A0CB | qconv.com Color code: HEX #80A0CB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 160 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 160 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 21 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 21% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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