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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #80B7DA it is the complementary color #7F4825. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #80B7DA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #80B7DA shade: #85B7D5, #96C9E8, #A7DBFB, #B8EDFF and #C9FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #80B7DA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #80B7DA shade: #80B7DA, #6FA5C7, #5E93B4, #4D81A1 and #3C6F8E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #80B7DA shade: #80B7DA, #809FDA, #8086DA, #9280DA and #AA80DA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #80B7DA shade: #80B7DA, #809FDA, #8086DA and #8080DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #80B7DA shade matches the following richer shades: #80B7DA, #73BAE7 and #66BDF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #80B7DA shade: #80B7DA, #8DB4CD, #9AB1BF, #A8AEB2 and #B5ABA5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #80B7DA shade: #80DACC, #80CFDA, #80B7DA, #809FDA and #8088DA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #80B7DA shade: #4093C7, #60A5D0, #80B7DA, #A0C9E3 and #C0DBEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #80B7DA shade: #80B7DA, #B480DA and #DAD880

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #80B7DA shade: #80B7DA, #DA80B7 and #B7DA80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #80B7DA shade: #80B7DA, #B480DA, #DAA280 and #A5DA80

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #80B7DA shade: #80B7DA, #CF80DA, #DAA280 and #8ADA80

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 16 / 0 / 15

HEX #80B7DA

RGB 128 183 218

HSL 203.33, 0.55%, 0.68%

LAB 71.91, -8.98, -23.25

 

Complementary color

CMYK 0 / 43 / 71 / 50

HEX #7F4825

RGB 127 72 37

HSL 23.33, 0.55%, 0.32%

LAB 36.52, 20.23, 30.54

 

CMYK 38 / 14 / 0 / 16

HEX #85B7D5

RGB 133 183 213

HSL 202.5, 0.49%, 0.68%

LAB 72, -8.98, -20.35

 

CMYK 35 / 13 / 0 / 9

HEX #96C9E8

RGB 150 201 232

HSL 202.68, 0.64%, 0.75%

LAB 78.51, -9.12, -20.66

 

CMYK 33 / 13 / 0 / 2

HEX #A7DBFB

RGB 167 219 251

HSL 202.86, 0.91%, 0.82%

LAB 84.92, -9.23, -20.98

 

CMYK 28 / 7 / 0 / 0

HEX #B8EDFF

RGB 184 237 255

HSL 195.21, 1%, 0.86%

LAB 90.77, -12.8, -14.18

 

CMYK 21 / 0 / 0 / 0

HEX #C9FFFF

RGB 201 255 255

HSL 180, 1%, 0.89%

LAB 96.47, -16.89, -5.6

 

CMYK 41 / 16 / 0 / 15

HEX #80B7DA

RGB 128 183 218

HSL 203.33, 0.55%, 0.68%

LAB 71.91, -8.98, -23.25

 

CMYK 44 / 17 / 0 / 22

HEX #6FA5C7

RGB 111 165 199

HSL 203.18, 0.44%, 0.61%

LAB 65.29, -8.75, -22.97

 

CMYK 48 / 18 / 0 / 29

HEX #5E93B4

RGB 94 147 180

HSL 203.02, 0.36%, 0.54%

LAB 58.55, -8.46, -22.7

 

CMYK 52 / 20 / 0 / 37

HEX #4D81A1

RGB 77 129 161

HSL 202.86, 0.35%, 0.47%

LAB 51.67, -8.08, -22.44

 

CMYK 58 / 22 / 0 / 44

HEX #3C6F8E

RGB 60 111 142

HSL 202.68, 0.41%, 0.4%

LAB 44.64, -7.56, -22.17

 

CMYK 41 / 16 / 0 / 15

HEX #80B7DA

RGB 128 183 218

HSL 203.33, 0.55%, 0.68%

LAB 71.91, -8.98, -23.25

 

CMYK 41 / 27 / 0 / 15

HEX #809FDA

RGB 128 159 218

HSL 219.33, 0.55%, 0.68%

LAB 65.32, 4.28, -33.39

 

CMYK 41 / 39 / 0 / 15

HEX #8086DA

RGB 128 134 218

HSL 236, 0.55%, 0.68%

LAB 58.7, 18.77, -43.74

 

CMYK 33 / 41 / 0 / 15

HEX #9280DA

RGB 146 128 218

HSL 252, 0.55%, 0.68%

LAB 58.61, 27.05, -43.78

 

CMYK 22 / 41 / 0 / 15

HEX #AA80DA

RGB 170 128 218

HSL 268, 0.55%, 0.68%

LAB 60.82, 33.79, -40.15

 

CMYK 41 / 16 / 0 / 15

HEX #80B7DA

RGB 128 183 218

HSL 203.33, 0.55%, 0.68%

LAB 71.91, -8.98, -23.25

 

CMYK 41 / 27 / 0 / 15

HEX #809FDA

RGB 128 159 218

HSL 219.33, 0.55%, 0.68%

LAB 65.32, 4.28, -33.39

 

CMYK 41 / 39 / 0 / 15

HEX #8086DA

RGB 128 134 218

HSL 236, 0.55%, 0.68%

LAB 58.7, 18.77, -43.74

 

CMYK 41 / 41 / 0 / 15

HEX #8080DA

RGB 128 128 218

HSL 240, 0.55%, 0.68%

LAB 57.16, 22.32, -46.17

 

CMYK 41 / 16 / 0 / 15

HEX #80B7DA

RGB 128 183 218

HSL 203.33, 0.55%, 0.68%

LAB 71.91, -8.98, -23.25

 

CMYK 50 / 19 / 0 / 9

HEX #73BAE7

RGB 115 186 231

HSL 203.28, 0.71%, 0.68%

LAB 72.58, -10.11, -29.34

 

CMYK 58 / 23 / 0 / 4

HEX #66BDF4

RGB 102 189 244

HSL 203.24, 0.87%, 0.68%

LAB 73.38, -10.56, -35.18

 

CMYK 41 / 16 / 0 / 15

HEX #80B7DA

RGB 128 183 218

HSL 203.33, 0.55%, 0.68%

LAB 71.91, -8.98, -23.25

 

CMYK 31 / 12 / 0 / 20

HEX #8DB4CD

RGB 141 180 205

HSL 203.44, 0.39%, 0.68%

LAB 71.36, -7.16, -16.9

 

CMYK 19 / 7 / 0 / 25

HEX #9AB1BF

RGB 154 177 191

HSL 202.7, 0.22%, 0.68%

LAB 70.92, -4.87, -9.78

 

CMYK 6 / 2 / 0 / 30

HEX #A8AEB2

RGB 168 174 178

HSL 204, 0.06%, 0.68%

LAB 70.74, -1.32, -2.79

 

CMYK 0 / 6 / 9 / 29

HEX #B5ABA5

RGB 181 171 165

HSL 22.5, 0.1%, 0.68%

LAB 70.64, 2.52, 4.36

 

CMYK 41 / 0 / 6 / 15

HEX #80DACC

RGB 128 218 204

HSL 170.67, 0.55%, 0.68%

LAB 81.34, -30.25, -1.57

 

CMYK 41 / 5 / 0 / 15

HEX #80CFDA

RGB 128 207 218

HSL 187.33, 0.55%, 0.68%

LAB 78.62, -21.45, -13.09

 

CMYK 41 / 16 / 0 / 15

HEX #80B7DA

RGB 128 183 218

HSL 203.33, 0.55%, 0.68%

LAB 71.91, -8.98, -23.25

 

CMYK 41 / 27 / 0 / 15

HEX #809FDA

RGB 128 159 218

HSL 219.33, 0.55%, 0.68%

LAB 65.32, 4.28, -33.39

 

CMYK 41 / 38 / 0 / 15

HEX #8088DA

RGB 128 136 218

HSL 234.67, 0.55%, 0.68%

LAB 59.21, 17.6, -42.93

 

CMYK 68 / 26 / 0 / 22

HEX #4093C7

RGB 64 147 199

HSL 203.11, 0.55%, 0.52%

LAB 58.11, -8.53, -34.22

 

CMYK 54 / 21 / 0 / 18

HEX #60A5D0

RGB 96 165 208

HSL 203.04, 0.54%, 0.6%

LAB 64.92, -9.65, -28.59

 

CMYK 41 / 16 / 0 / 15

HEX #80B7DA

RGB 128 183 218

HSL 203.33, 0.55%, 0.68%

LAB 71.91, -8.98, -23.25

 

CMYK 30 / 11 / 0 / 11

HEX #A0C9E3

RGB 160 201 227

HSL 203.28, 0.54%, 0.76%

LAB 78.92, -7.55, -17.3

 

CMYK 19 / 7 / 0 / 7

HEX #C0DBEC

RGB 192 219 236

HSL 203.18, 0.54%, 0.84%

LAB 85.97, -5.4, -11.32

 

CMYK 41 / 16 / 0 / 15

HEX #80B7DA

RGB 128 183 218

HSL 203.33, 0.55%, 0.68%

LAB 71.91, -8.98, -23.25

 

CMYK 17 / 41 / 0 / 15

HEX #B480DA

RGB 180 128 218

HSL 274.67, 0.55%, 0.68%

LAB 61.83, 36.7, -38.5

 

CMYK 0 / 1 / 41 / 15

HEX #DAD880

RGB 218 216 128

HSL 58.67, 0.55%, 0.68%

LAB 84.78, -11.85, 43.54

 

CMYK 41 / 16 / 0 / 15

HEX #80B7DA

RGB 128 183 218

HSL 203.33, 0.55%, 0.68%

LAB 71.91, -8.98, -23.25

 

CMYK 0 / 41 / 16 / 15

HEX #DA80B7

RGB 218 128 183

HSL 323.33, 0.55%, 0.68%

LAB 64.77, 42.05, -13.93

 

CMYK 16 / 0 / 41 / 15

HEX #B7DA80

RGB 183 218 128

HSL 83.33, 0.55%, 0.68%

LAB 82.79, -26.28, 40.49

 

CMYK 41 / 16 / 0 / 15

HEX #80B7DA

RGB 128 183 218

HSL 203.33, 0.55%, 0.68%

LAB 71.91, -8.98, -23.25

 

CMYK 17 / 41 / 0 / 15

HEX #B480DA

RGB 180 128 218

HSL 274.67, 0.55%, 0.68%

LAB 61.83, 36.7, -38.5

 

CMYK 0 / 26 / 41 / 15

HEX #DAA280

RGB 218 162 128

HSL 22.67, 0.55%, 0.68%

LAB 71.08, 16.45, 25.78

 

CMYK 24 / 0 / 41 / 15

HEX #A5DA80

RGB 165 218 128

HSL 95.33, 0.55%, 0.68%

LAB 81.68, -32.81, 38.84

 

CMYK 41 / 16 / 0 / 15

HEX #80B7DA

RGB 128 183 218

HSL 203.33, 0.55%, 0.68%

LAB 71.91, -8.98, -23.25

 

CMYK 5 / 41 / 0 / 15

HEX #CF80DA

RGB 207 128 218

HSL 292.67, 0.55%, 0.68%

LAB 64.78, 44.69, -33.69

 

CMYK 0 / 26 / 41 / 15

HEX #DAA280

RGB 218 162 128

HSL 22.67, 0.55%, 0.68%

LAB 71.08, 16.45, 25.78

 

CMYK 37 / 0 / 41 / 15

HEX #8ADA80

RGB 138 218 128

HSL 113.33, 0.55%, 0.68%

LAB 80.24, -41.85, 36.71

 

Description

Color code: HEX #80B7DA | qconv.com Color code: HEX #80B7DA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 183 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 183 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 16 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 16% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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