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Color name
HEX #80BF30

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #80BF30 it is the complementary color #7F40CF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #80BF30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #80BF30 shade: #85BF2B, #96D13E, #A7E351, #B8F564 and #C9FF77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #80BF30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #80BF30 shade: #80BF30, #6FAD1D, #5E9B0A, #4D8900 and #3C7700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #80BF30 shade: #80BF2F, #A7BF2F, #BFB12F, #BF8A2F and #BF632F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #80BF30 shade: #80BF2F, #59BF2F, #32BF2F, #2FBF53 and #2FBF7A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #80BF30 shade matches the following richer shades: #80BF2F, #82D31C and #85E609

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #80BF30 shade: #80BF2F, #7EAC43, #7B9856, #79856A and #77727D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #80BF30 shade: #BFB12F, #A7BF2F, #81BF2F, #5BBF2F and #34BF2F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #80BF30 shade: #547D1F, #6A9E27, #80BF2F, #94D147 and #A7D968

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #80BF30 shade: #80BF30, #2FBF8B and #BF2FBA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #80BF30 shade: #80BF30, #2F81BF and #BF2F81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #80BF30 shade: #80BF30, #2FBF8B, #6E2FBF and #BF2F64

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #80BF30 shade: #80BF30, #2FBFB6, #6E2FBF and #BF2F39

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 75 / 25

HEX #80BF30

RGB 128 191 48

HSL 86.43, 0.6%, 0.47%

LAB 70.92, -41.68, 61.35

 

Complementary color

CMYK 39 / 69 / 0 / 19

HEX #7F40CF

RGB 127 64 207

HSL 266.43, 0.6%, 0.53%

LAB 42.28, 55.07, -63.78

 

CMYK 30 / 0 / 77 / 25

HEX #85BF2B

RGB 133 191 43

HSL 83.51, 0.63%, 0.46%

LAB 71.16, -40.1, 63.29

 

CMYK 28 / 0 / 70 / 18

HEX #96D13E

RGB 150 209 62

HSL 84.08, 0.62%, 0.53%

LAB 77.54, -40.59, 63.38

 

CMYK 26 / 0 / 64 / 11

HEX #A7E351

RGB 167 227 81

HSL 84.66, 0.72%, 0.6%

LAB 83.83, -40.94, 62.93

 

CMYK 25 / 0 / 59 / 4

HEX #B8F564

RGB 184 245 100

HSL 85.24, 0.88%, 0.68%

LAB 90.05, -41.17, 62.17

 

CMYK 21 / 0 / 53 / 0

HEX #C9FF77

RGB 201 255 119

HSL 83.82, 1%, 0.73%

LAB 94, -37.78, 58.68

 

CMYK 33 / 0 / 75 / 25

HEX #80BF30

RGB 128 191 48

HSL 86.43, 0.6%, 0.47%

LAB 70.92, -41.68, 61.35

 

CMYK 36 / 0 / 83 / 32

HEX #6FAD1D

RGB 111 173 29

HSL 85.83, 0.71%, 0.4%

LAB 64.45, -41.07, 60.71

 

CMYK 39 / 0 / 94 / 39

HEX #5E9B0A

RGB 94 155 10

HSL 85.24, 0.88%, 0.32%

LAB 57.89, -40.17, 58.7

 

CMYK 44 / 0 / 100 / 46

HEX #4D8900

RGB 77 137 0

HSL 86.28, 1%, 0.27%

LAB 51.23, -38.92, 54.68

 

CMYK 50 / 0 / 100 / 53

HEX #3C7700

RGB 60 119 0

HSL 89.75, 1%, 0.23%

LAB 44.45, -37.33, 49.05

 

CMYK 33 / 0 / 75 / 25

HEX #80BF2F

RGB 128 191 47

HSL 86.25, 0.61%, 0.47%

LAB 70.91, -41.74, 61.67

 

CMYK 13 / 0 / 75 / 25

HEX #A7BF2F

RGB 167 191 47

HSL 70, 0.61%, 0.47%

LAB 73.34, -26.43, 64.84

 

CMYK 0 / 7 / 75 / 25

HEX #BFB12F

RGB 191 177 47

HSL 54.17, 0.61%, 0.47%

LAB 71.37, -9.15, 63.68

 

CMYK 0 / 28 / 75 / 25

HEX #BF8A2F

RGB 191 138 47

HSL 37.92, 0.61%, 0.47%

LAB 61.18, 11.81, 53.97

 

CMYK 0 / 48 / 75 / 25

HEX #BF632F

RGB 191 99 47

HSL 21.67, 0.61%, 0.47%

LAB 52.07, 33.08, 44.82

 

CMYK 33 / 0 / 75 / 25

HEX #80BF2F

RGB 128 191 47

HSL 86.25, 0.61%, 0.47%

LAB 70.91, -41.74, 61.67

 

CMYK 53 / 0 / 75 / 25

HEX #59BF2F

RGB 89 191 47

HSL 102.5, 0.61%, 0.47%

LAB 69.18, -54.38, 59.4

 

CMYK 74 / 0 / 75 / 25

HEX #32BF2F

RGB 50 191 47

HSL 118.75, 0.61%, 0.47%

LAB 68.13, -62.96, 58.01

 

CMYK 75 / 0 / 57 / 25

HEX #2FBF53

RGB 47 191 83

HSL 135, 0.61%, 0.47%

LAB 68.38, -59.7, 43.38

 

CMYK 75 / 0 / 36 / 25

HEX #2FBF7A

RGB 47 191 122

HSL 151.25, 0.61%, 0.47%

LAB 68.95, -53.15, 24.38

 

CMYK 33 / 0 / 75 / 25

HEX #80BF2F

RGB 128 191 47

HSL 86.25, 0.61%, 0.47%

LAB 70.91, -41.74, 61.67

 

CMYK 38 / 0 / 87 / 17

HEX #82D31C

RGB 130 211 28

HSL 86.56, 0.77%, 0.47%

LAB 76.93, -50.18, 72.15

 

CMYK 42 / 0 / 96 / 10

HEX #85E609

RGB 133 230 9

HSL 86.33, 0.92%, 0.47%

LAB 82.7, -57.03, 79.5

 

CMYK 33 / 0 / 75 / 25

HEX #80BF2F

RGB 128 191 47

HSL 86.25, 0.61%, 0.47%

LAB 70.91, -41.74, 61.67

 

CMYK 27 / 0 / 61 / 33

HEX #7EAC43

RGB 126 172 67

HSL 86.29, 0.44%, 0.47%

LAB 65.24, -32.51, 47.9

 

CMYK 19 / 0 / 43 / 40

HEX #7B9856

RGB 123 152 86

HSL 86.36, 0.28%, 0.47%

LAB 59.29, -21.88, 31.4

 

CMYK 9 / 0 / 20 / 48

HEX #79856A

RGB 121 133 106

HSL 86.67, 0.11%, 0.47%

LAB 53.9, -9.59, 13.11

 

CMYK 5 / 9 / 0 / 51

HEX #77727D

RGB 119 114 125

HSL 267.27, 0.05%, 0.47%

LAB 48.81, 4.17, -5.37

 

CMYK 0 / 7 / 75 / 25

HEX #BFB12F

RGB 191 177 47

HSL 54.17, 0.61%, 0.47%

LAB 71.37, -9.15, 63.68

 

CMYK 13 / 0 / 75 / 25

HEX #A7BF2F

RGB 167 191 47

HSL 70, 0.61%, 0.47%

LAB 73.34, -26.43, 64.84

 

CMYK 32 / 0 / 75 / 25

HEX #81BF2F

RGB 129 191 47

HSL 85.83, 0.61%, 0.47%

LAB 70.96, -41.37, 61.74

 

CMYK 52 / 0 / 75 / 25

HEX #5BBF2F

RGB 91 191 47

HSL 101.67, 0.61%, 0.47%

LAB 69.25, -53.82, 59.49

 

CMYK 73 / 0 / 75 / 25

HEX #34BF2F

RGB 52 191 47

HSL 117.92, 0.61%, 0.47%

LAB 68.17, -62.64, 58.06

 

CMYK 33 / 0 / 75 / 51

HEX #547D1F

RGB 84 125 31

HSL 86.17, 0.6%, 0.31%

LAB 47.82, -29.67, 44

 

CMYK 33 / 0 / 75 / 38

HEX #6A9E27

RGB 106 158 39

HSL 86.22, 0.6%, 0.39%

LAB 59.58, -35.84, 53.04

 

CMYK 33 / 0 / 75 / 25

HEX #80BF2F

RGB 128 191 47

HSL 86.25, 0.61%, 0.47%

LAB 70.91, -41.74, 61.67

 

CMYK 29 / 0 / 66 / 18

HEX #94D147

RGB 148 209 71

HSL 86.52, 0.6%, 0.55%

LAB 77.49, -40.71, 59.86

 

CMYK 23 / 0 / 52 / 15

HEX #A7D968

RGB 167 217 104

HSL 86.55, 0.6%, 0.63%

LAB 81.2, -34.41, 49.92

 

CMYK 33 / 0 / 75 / 25

HEX #80BF30

RGB 128 191 48

HSL 86.43, 0.6%, 0.47%

LAB 70.92, -41.68, 61.35

 

CMYK 75 / 0 / 27 / 25

HEX #2FBF8B

RGB 47 191 139

HSL 158.33, 0.61%, 0.47%

LAB 69.28, -49.52, 15.73

 

CMYK 0 / 75 / 3 / 25

HEX #BF2FBA

RGB 191 47 186

HSL 302.08, 0.61%, 0.47%

LAB 47.82, 70.43, -42.19

 

CMYK 33 / 0 / 75 / 25

HEX #80BF30

RGB 128 191 48

HSL 86.43, 0.6%, 0.47%

LAB 70.92, -41.68, 61.35

 

CMYK 75 / 32 / 0 / 25

HEX #2F81BF

RGB 47 129 191

HSL 205.83, 0.61%, 0.47%

LAB 51.91, -3.34, -39.43

 

CMYK 0 / 75 / 32 / 25

HEX #BF2F81

RGB 191 47 129

HSL 325.83, 0.61%, 0.47%

LAB 45.21, 62.65, -12.19

 

CMYK 33 / 0 / 75 / 25

HEX #80BF30

RGB 128 191 48

HSL 86.43, 0.6%, 0.47%

LAB 70.92, -41.68, 61.35

 

CMYK 75 / 0 / 27 / 25

HEX #2FBF8B

RGB 47 191 139

HSL 158.33, 0.61%, 0.47%

LAB 69.28, -49.52, 15.73

 

CMYK 42 / 75 / 0 / 25

HEX #6E2FBF

RGB 110 47 191

HSL 266.25, 0.61%, 0.47%

LAB 36.19, 55.91, -64.47

 

CMYK 0 / 75 / 48 / 25

HEX #BF2F64

RGB 191 47 100

HSL 337.92, 0.61%, 0.47%

LAB 44.28, 59.71, 4.3

 

CMYK 33 / 0 / 75 / 25

HEX #80BF30

RGB 128 191 48

HSL 86.43, 0.6%, 0.47%

LAB 70.92, -41.68, 61.35

 

CMYK 75 / 0 / 5 / 25

HEX #2FBFB6

RGB 47 191 182

HSL 176.25, 0.61%, 0.47%

LAB 70.35, -38.51, -6.17

 

CMYK 42 / 75 / 0 / 25

HEX #6E2FBF

RGB 110 47 191

HSL 266.25, 0.61%, 0.47%

LAB 36.19, 55.91, -64.47

 

CMYK 0 / 75 / 70 / 25

HEX #BF2F39

RGB 191 47 57

HSL 355.83, 0.61%, 0.47%

LAB 43.37, 56.77, 29.64

 

Description

Color code: HEX #80BF30 | qconv.com Color code: HEX #80BF30 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 191 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 191 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 75 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 75% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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