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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #80CE30 it is the complementary color #7F31CF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #80CE30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #80CE30 shade: #85CE2B, #96E03E, #A7F251, #B8FF64 and #C9FF77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #80CE30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #80CE30 shade: #80CE30, #6FBC1D, #5EAA0A, #4D9800 and #3C8600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #80CE30 shade: #80CE30, #ABCE30, #CEC730, #CE9C30 and #CE7230

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #80CE30 shade: #80CE30, #55CE30, #30CE35, #30CE60 and #30CE8A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #80CE30 shade matches the following richer shades: #80CE30, #80E31B and #81F707

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #80CE30 shade: #80CE30, #80B945, #7FA559, #7F906E and #7F7C82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #80CE30 shade: #CEC630, #ACCE30, #82CE30, #57CE30 and #30CE33

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #80CE30 shade: #568B20, #6BAD28, #80CE30, #94D651 and #A9DE73

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #80CE30 shade: #80CE30, #30CE9C and #CE30C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #80CE30 shade: #80CE30, #3082CE and #CE3082

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #80CE30 shade: #80CE30, #30CE9C, #7C30CE and #CE3062

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #80CE30 shade: #80CE30, #30CECB, #7C30CE and #CE3033

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 77 / 19

HEX #80CE30

RGB 128 206 48

HSL 89.62, 0.62%, 0.5%

LAB 75.42, -48, 65.66

 

Complementary color

CMYK 39 / 76 / 0 / 19

HEX #7F31CF

RGB 127 49 207

HSL 269.62, 0.62%, 0.5%

LAB 39.94, 61.7, -67.6

 

CMYK 35 / 0 / 79 / 19

HEX #85CE2B

RGB 133 206 43

HSL 86.87, 0.65%, 0.49%

LAB 75.64, -46.51, 67.45

 

CMYK 33 / 0 / 72 / 12

HEX #96E03E

RGB 150 224 62

HSL 87.41, 0.72%, 0.56%

LAB 81.92, -47.04, 67.75

 

CMYK 31 / 0 / 67 / 5

HEX #A7F251

RGB 167 242 81

HSL 87.95, 0.86%, 0.63%

LAB 88.12, -47.4, 67.46

 

CMYK 28 / 0 / 61 / 0

HEX #B8FF64

RGB 184 255 100

HSL 87.48, 1%, 0.7%

LAB 92.85, -45.51, 65.28

 

CMYK 21 / 0 / 53 / 0

HEX #C9FF77

RGB 201 255 119

HSL 83.82, 1%, 0.73%

LAB 94, -37.78, 58.68

 

CMYK 38 / 0 / 77 / 19

HEX #80CE30

RGB 128 206 48

HSL 89.62, 0.62%, 0.5%

LAB 75.42, -48, 65.66

 

CMYK 41 / 0 / 85 / 26

HEX #6FBC1D

RGB 111 188 29

HSL 89.06, 0.73%, 0.43%

LAB 69.06, -47.33, 64.79

 

CMYK 45 / 0 / 94 / 33

HEX #5EAA0A

RGB 94 170 10

HSL 88.5, 0.89%, 0.35%

LAB 62.63, -46.36, 62.57

 

CMYK 49 / 0 / 100 / 40

HEX #4D9800

RGB 77 152 0

HSL 89.61, 1%, 0.3%

LAB 56.12, -45.01, 58.5

 

CMYK 55 / 0 / 100 / 47

HEX #3C8600

RGB 60 134 0

HSL 93.13, 1%, 0.26%

LAB 49.51, -43.31, 53.02

 

CMYK 38 / 0 / 77 / 19

HEX #80CE30

RGB 128 206 48

HSL 89.62, 0.62%, 0.5%

LAB 75.42, -48, 65.66

 

CMYK 17 / 0 / 77 / 19

HEX #ABCE30

RGB 171 206 48

HSL 73.29, 0.62%, 0.5%

LAB 77.88, -31.86, 68.85

 

CMYK 0 / 3 / 77 / 19

HEX #CEC730

RGB 206 199 48

HSL 57.34, 0.62%, 0.5%

LAB 78.57, -13.89, 70.44

 

CMYK 0 / 24 / 77 / 19

HEX #CE9C30

RGB 206 156 48

HSL 41.01, 0.62%, 0.5%

LAB 67.36, 8.62, 60.09

 

CMYK 0 / 45 / 77 / 19

HEX #CE7230

RGB 206 114 48

HSL 25.06, 0.62%, 0.5%

LAB 57.43, 31.33, 50.48

 

CMYK 38 / 0 / 77 / 19

HEX #80CE30

RGB 128 206 48

HSL 89.62, 0.62%, 0.5%

LAB 75.42, -48, 65.66

 

CMYK 59 / 0 / 77 / 19

HEX #55CE30

RGB 85 206 48

HSL 105.95, 0.62%, 0.5%

LAB 73.73, -60.74, 63.46

 

CMYK 77 / 0 / 74 / 19

HEX #30CE35

RGB 48 206 53

HSL 121.9, 0.62%, 0.5%

LAB 72.91, -67.5, 60.72

 

CMYK 77 / 0 / 53 / 19

HEX #30CE60

RGB 48 206 96

HSL 138.23, 0.62%, 0.5%

LAB 73.3, -62.83, 43.12

 

CMYK 77 / 0 / 33 / 19

HEX #30CE8A

RGB 48 206 138

HSL 154.18, 0.62%, 0.5%

LAB 73.94, -55.45, 22.69

 

CMYK 38 / 0 / 77 / 19

HEX #80CE30

RGB 128 206 48

HSL 89.62, 0.62%, 0.5%

LAB 75.42, -48, 65.66

 

CMYK 44 / 0 / 88 / 11

HEX #80E31B

RGB 128 227 27

HSL 89.7, 0.79%, 0.5%

LAB 81.62, -57.13, 76.27

 

CMYK 48 / 0 / 97 / 3

HEX #81F707

RGB 129 247 7

HSL 89.5, 0.94%, 0.5%

LAB 87.58, -64.58, 83.48

 

CMYK 38 / 0 / 77 / 19

HEX #80CE30

RGB 128 206 48

HSL 89.62, 0.62%, 0.5%

LAB 75.42, -48, 65.66

 

CMYK 31 / 0 / 63 / 27

HEX #80B945

RGB 128 185 69

HSL 89.48, 0.46%, 0.5%

LAB 69.27, -37.53, 51.51

 

CMYK 23 / 0 / 46 / 35

HEX #7FA559

RGB 127 165 89

HSL 90, 0.3%, 0.5%

LAB 63.46, -26.43, 35.13

 

CMYK 12 / 0 / 24 / 44

HEX #7F906E

RGB 127 144 110

HSL 90, 0.13%, 0.5%

LAB 57.64, -12.57, 16.08

 

CMYK 2 / 5 / 0 / 49

HEX #7F7C82

RGB 127 124 130

HSL 270, 0.02%, 0.5%

LAB 52.44, 2.34, -2.86

 

CMYK 0 / 4 / 77 / 19

HEX #CEC630

RGB 206 198 48

HSL 56.96, 0.62%, 0.5%

LAB 78.3, -13.39, 70.2

 

CMYK 17 / 0 / 77 / 19

HEX #ACCE30

RGB 172 206 48

HSL 72.91, 0.62%, 0.5%

LAB 77.95, -31.46, 68.94

 

CMYK 37 / 0 / 77 / 19

HEX #82CE30

RGB 130 206 48

HSL 88.86, 0.62%, 0.5%

LAB 75.51, -47.31, 65.79

 

CMYK 58 / 0 / 77 / 19

HEX #57CE30

RGB 87 206 48

HSL 105.19, 0.62%, 0.5%

LAB 73.79, -60.25, 63.54

 

CMYK 77 / 0 / 75 / 19

HEX #30CE33

RGB 48 206 51

HSL 121.14, 0.62%, 0.5%

LAB 72.9, -67.65, 61.38

 

CMYK 38 / 0 / 77 / 45

HEX #568B20

RGB 86 139 32

HSL 89.72, 0.63%, 0.34%

LAB 52.45, -35.26, 48.21

 

CMYK 38 / 0 / 77 / 32

HEX #6BAD28

RGB 107 173 40

HSL 89.77, 0.62%, 0.42%

LAB 64.3, -41.97, 57.26

 

CMYK 38 / 0 / 77 / 19

HEX #80CE30

RGB 128 206 48

HSL 89.62, 0.62%, 0.5%

LAB 75.42, -48, 65.66

 

CMYK 31 / 0 / 62 / 16

HEX #94D651

RGB 148 214 81

HSL 89.77, 0.62%, 0.58%

LAB 79.03, -42.1, 57.42

 

CMYK 24 / 0 / 48 / 13

HEX #A9DE73

RGB 169 222 115

HSL 89.72, 0.62%, 0.66%

LAB 82.87, -34.8, 46.75

 

CMYK 38 / 0 / 77 / 19

HEX #80CE30

RGB 128 206 48

HSL 89.62, 0.62%, 0.5%

LAB 75.42, -48, 65.66

 

CMYK 77 / 0 / 24 / 19

HEX #30CE9C

RGB 48 206 156

HSL 161.01, 0.62%, 0.5%

LAB 74.3, -51.49, 13.64

 

CMYK 0 / 77 / 6 / 19

HEX #CE30C1

RGB 206 48 193

HSL 304.94, 0.62%, 0.5%

LAB 50.79, 74.34, -41.41

 

CMYK 38 / 0 / 77 / 19

HEX #80CE30

RGB 128 206 48

HSL 89.62, 0.62%, 0.5%

LAB 75.42, -48, 65.66

 

CMYK 77 / 37 / 0 / 19

HEX #3082CE

RGB 48 130 206

HSL 208.86, 0.62%, 0.5%

LAB 53, 1.65, -46.25

 

CMYK 0 / 77 / 37 / 19

HEX #CE3082

RGB 206 48 130

HSL 328.86, 0.62%, 0.5%

LAB 48.07, 66.31, -8.24

 

CMYK 38 / 0 / 77 / 19

HEX #80CE30

RGB 128 206 48

HSL 89.62, 0.62%, 0.5%

LAB 75.42, -48, 65.66

 

CMYK 77 / 0 / 24 / 19

HEX #30CE9C

RGB 48 206 156

HSL 161.01, 0.62%, 0.5%

LAB 74.3, -51.49, 13.64

 

CMYK 40 / 77 / 0 / 19

HEX #7C30CE

RGB 124 48 206

HSL 268.86, 0.62%, 0.5%

LAB 39.34, 61.39, -68.02

 

CMYK 0 / 77 / 52 / 19

HEX #CE3062

RGB 206 48 98

HSL 341.01, 0.62%, 0.5%

LAB 47.13, 63.4, 9.98

 

CMYK 38 / 0 / 77 / 19

HEX #80CE30

RGB 128 206 48

HSL 89.62, 0.62%, 0.5%

LAB 75.42, -48, 65.66

 

CMYK 77 / 0 / 1 / 19

HEX #30CECB

RGB 48 206 203

HSL 178.86, 0.62%, 0.5%

LAB 75.5, -39.23, -9.93

 

CMYK 40 / 77 / 0 / 19

HEX #7C30CE

RGB 124 48 206

HSL 268.86, 0.62%, 0.5%

LAB 39.34, 61.39, -68.02

 

CMYK 0 / 77 / 75 / 19

HEX #CE3033

RGB 206 48 51

HSL 358.86, 0.62%, 0.5%

LAB 46.28, 60.68, 37.27

 

Description

Color code: HEX #80CE30 | qconv.com Color code: HEX #80CE30 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 206 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 206 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 77 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 77% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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