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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #80D0B4 it is the complementary color #7F2F4B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #80D0B4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #80D0B4 shade: #85D0AF, #96E2C2, #A7F4D5, #B8FFE8 and #C9FFFB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #80D0B4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #80D0B4 shade: #80D0B4, #6FBEA1, #5EAC8E, #4D9A7B and #3C8868

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #80D0B4 shade: #80D0B4, #80D09E, #80D089, #8DD080 and #A2D080

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #80D0B4 shade: #80D0B4, #80D0C9, #80C1D0, #80ABD0 and #8096D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #80D0B4 shade matches the following richer shades: #80D0B4, #72DEB8, #64ECBC and #56FAC0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #80D0B4 shade: #80D0B4, #8EC2B0, #9CB4AB, #AAA6A7 and #B898A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #80D0B4 shade: #80D089, #80D09E, #80D0B4, #80D0C9 and #80C1D0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #80D0B4 shade: #44B990, #62C5A2, #80D0B4, #9EDBC6 and #BCE6D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #80D0B4 shade: #80D0B4, #808CD0 and #D09480

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #80D0B4 shade: #80D0B4, #B480D0 and #D0B480

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #80D0B4 shade: #80D0B4, #808CD0, #D0809C and #D0C480

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #80D0B4 shade: #80D0B4, #8C80D0, #D0809C and #C4D080

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 13 / 18

HEX #80D0B4

RGB 128 208 180

HSL 159, 0.46%, 0.66%

LAB 77.87, -30.88, 6.21

 

Complementary color

CMYK 0 / 63 / 41 / 50

HEX #7F2F4B

RGB 127 47 75

HSL 339, 0.46%, 0.34%

LAB 31.93, 37.37, 0.88

 

CMYK 36 / 0 / 16 / 18

HEX #85D0AF

RGB 133 208 175

HSL 153.6, 0.44%, 0.67%

LAB 77.99, -30.54, 9.08

 

CMYK 34 / 0 / 14 / 11

HEX #96E2C2

RGB 150 226 194

HSL 154.74, 0.57%, 0.74%

LAB 84.37, -30.3, 8.23

 

CMYK 32 / 0 / 13 / 4

HEX #A7F4D5

RGB 167 244 213

HSL 155.84, 0.78%, 0.81%

LAB 90.65, -30.08, 7.43

 

CMYK 28 / 0 / 9 / 0

HEX #B8FFE8

RGB 184 255 232

HSL 160.56, 1%, 0.86%

LAB 94.97, -26.57, 3.94

 

CMYK 21 / 0 / 2 / 0

HEX #C9FFFB

RGB 201 255 251

HSL 175.56, 1%, 0.89%

LAB 96.37, -17.72, -3.69

 

CMYK 38 / 0 / 13 / 18

HEX #80D0B4

RGB 128 208 180

HSL 159, 0.46%, 0.66%

LAB 77.87, -30.88, 6.21

 

CMYK 42 / 0 / 15 / 25

HEX #6FBEA1

RGB 111 190 161

HSL 157.97, 0.38%, 0.59%

LAB 71.41, -31.09, 7.08

 

CMYK 45 / 0 / 17 / 33

HEX #5EAC8E

RGB 94 172 142

HSL 156.92, 0.32%, 0.52%

LAB 64.83, -31.29, 8.02

 

CMYK 50 / 0 / 20 / 40

HEX #4D9A7B

RGB 77 154 123

HSL 155.84, 0.33%, 0.45%

LAB 58.15, -31.47, 9.04

 

CMYK 56 / 0 / 24 / 47

HEX #3C8868

RGB 60 136 104

HSL 154.74, 0.39%, 0.38%

LAB 51.35, -31.57, 10.18

 

CMYK 38 / 0 / 13 / 18

HEX #80D0B4

RGB 128 208 180

HSL 159, 0.46%, 0.66%

LAB 77.87, -30.88, 6.21

 

CMYK 38 / 0 / 24 / 18

HEX #80D09E

RGB 128 208 158

HSL 142.5, 0.46%, 0.66%

LAB 77.38, -35.37, 17.25

 

CMYK 38 / 0 / 34 / 18

HEX #80D089

RGB 128 208 137

HSL 126.75, 0.46%, 0.66%

LAB 76.99, -39.12, 27.75

 

CMYK 32 / 0 / 38 / 18

HEX #8DD080

RGB 141 208 128

HSL 110.25, 0.46%, 0.66%

LAB 77.48, -36.42, 33.16

 

CMYK 22 / 0 / 38 / 18

HEX #A2D080

RGB 162 208 128

HSL 94.5, 0.46%, 0.66%

LAB 78.67, -29.17, 34.93

 

CMYK 38 / 0 / 13 / 18

HEX #80D0B4

RGB 128 208 180

HSL 159, 0.46%, 0.66%

LAB 77.87, -30.88, 6.21

 

CMYK 38 / 0 / 3 / 18

HEX #80D0C9

RGB 128 208 201

HSL 174.75, 0.46%, 0.66%

LAB 78.41, -26.12, -4.27

 

CMYK 38 / 7 / 0 / 18

HEX #80C1D0

RGB 128 193 208

HSL 191.25, 0.46%, 0.66%

LAB 74.37, -16.85, -14.07

 

CMYK 38 / 18 / 0 / 18

HEX #80ABD0

RGB 128 171 208

HSL 207.75, 0.46%, 0.66%

LAB 68.22, -5.14, -23.39

 

CMYK 38 / 28 / 0 / 18

HEX #8096D0

RGB 128 150 208

HSL 223.5, 0.46%, 0.66%

LAB 62.47, 6.65, -32.25

 

CMYK 38 / 0 / 13 / 18

HEX #80D0B4

RGB 128 208 180

HSL 159, 0.46%, 0.66%

LAB 77.87, -30.88, 6.21

 

CMYK 49 / 0 / 17 / 13

HEX #72DEB8

RGB 114 222 184

HSL 158.89, 0.62%, 0.66%

LAB 81.45, -40.06, 9.12

 

CMYK 58 / 0 / 20 / 7

HEX #64ECBC

RGB 100 236 188

HSL 158.82, 0.78%, 0.66%

LAB 85.17, -48.31, 12.26

 

CMYK 66 / 0 / 23 / 2

HEX #56FAC0

RGB 86 250 192

HSL 158.78, 0.94%, 0.66%

LAB 89, -55.68, 15.55

 

CMYK 38 / 0 / 13 / 18

HEX #80D0B4

RGB 128 208 180

HSL 159, 0.46%, 0.66%

LAB 77.87, -30.88, 6.21

 

CMYK 27 / 0 / 9 / 24

HEX #8EC2B0

RGB 142 194 176

HSL 159.23, 0.3%, 0.66%

LAB 74.49, -20.78, 3.57

 

CMYK 13 / 0 / 5 / 29

HEX #9CB4AB

RGB 156 180 171

HSL 157.5, 0.14%, 0.66%

LAB 71.32, -10.03, 1.8

 

CMYK 0 / 2 / 2 / 33

HEX #AAA6A7

RGB 170 166 167

HSL 345, 0.02%, 0.66%

LAB 68.47, 1.62, -0.02

 

CMYK 0 / 17 / 11 / 28

HEX #B898A3

RGB 184 152 163

HSL 339.38, 0.18%, 0.66%

LAB 65.97, 13.73, -1.28

 

CMYK 38 / 0 / 34 / 18

HEX #80D089

RGB 128 208 137

HSL 126.75, 0.46%, 0.66%

LAB 76.99, -39.12, 27.75

 

CMYK 38 / 0 / 24 / 18

HEX #80D09E

RGB 128 208 158

HSL 142.5, 0.46%, 0.66%

LAB 77.38, -35.37, 17.25

 

CMYK 38 / 0 / 13 / 18

HEX #80D0B4

RGB 128 208 180

HSL 159, 0.46%, 0.66%

LAB 77.87, -30.88, 6.21

 

CMYK 38 / 0 / 3 / 18

HEX #80D0C9

RGB 128 208 201

HSL 174.75, 0.46%, 0.66%

LAB 78.41, -26.12, -4.27

 

CMYK 38 / 7 / 0 / 18

HEX #80C1D0

RGB 128 193 208

HSL 191.25, 0.46%, 0.66%

LAB 74.37, -16.85, -14.07

 

CMYK 63 / 0 / 22 / 27

HEX #44B990

RGB 68 185 144

HSL 158.97, 0.46%, 0.5%

LAB 67.98, -42.61, 11.26

 

CMYK 50 / 0 / 18 / 23

HEX #62C5A2

RGB 98 197 162

HSL 158.79, 0.46%, 0.58%

LAB 72.98, -37.44, 8.72

 

CMYK 38 / 0 / 13 / 18

HEX #80D0B4

RGB 128 208 180

HSL 159, 0.46%, 0.66%

LAB 77.87, -30.88, 6.21

 

CMYK 28 / 0 / 10 / 14

HEX #9EDBC6

RGB 158 219 198

HSL 159.34, 0.46%, 0.74%

LAB 82.92, -23.76, 4.09

 

CMYK 18 / 0 / 7 / 10

HEX #BCE6D7

RGB 188 230 215

HSL 158.57, 0.46%, 0.82%

LAB 88.06, -16.54, 2.79

 

CMYK 38 / 0 / 13 / 18

HEX #80D0B4

RGB 128 208 180

HSL 159, 0.46%, 0.66%

LAB 77.87, -30.88, 6.21

 

CMYK 38 / 33 / 0 / 18

HEX #808CD0

RGB 128 140 208

HSL 231, 0.46%, 0.66%

LAB 59.8, 12.45, -36.41

 

CMYK 0 / 29 / 38 / 18

HEX #D09480

RGB 208 148 128

HSL 15, 0.46%, 0.66%

LAB 66.63, 20.07, 19.57

 

CMYK 38 / 0 / 13 / 18

HEX #80D0B4

RGB 128 208 180

HSL 159, 0.46%, 0.66%

LAB 77.87, -30.88, 6.21

 

CMYK 13 / 38 / 0 / 18

HEX #B480D0

RGB 180 128 208

HSL 279, 0.46%, 0.66%

LAB 61.39, 34.52, -33.58

 

CMYK 0 / 13 / 38 / 18

HEX #D0B480

RGB 208 180 128

HSL 39, 0.46%, 0.66%

LAB 74.58, 2.79, 30.25

 

CMYK 38 / 0 / 13 / 18

HEX #80D0B4

RGB 128 208 180

HSL 159, 0.46%, 0.66%

LAB 77.87, -30.88, 6.21

 

CMYK 38 / 33 / 0 / 18

HEX #808CD0

RGB 128 140 208

HSL 231, 0.46%, 0.66%

LAB 59.8, 12.45, -36.41

 

CMYK 0 / 38 / 25 / 18

HEX #D0809C

RGB 208 128 156

HSL 339, 0.46%, 0.66%

LAB 62.72, 34.56, -1.79

 

CMYK 0 / 6 / 38 / 18

HEX #D0C480

RGB 208 196 128

HSL 51, 0.46%, 0.66%

LAB 78.72, -5.61, 35.66

 

CMYK 38 / 0 / 13 / 18

HEX #80D0B4

RGB 128 208 180

HSL 159, 0.46%, 0.66%

LAB 77.87, -30.88, 6.21

 

CMYK 33 / 38 / 0 / 18

HEX #8C80D0

RGB 140 128 208

HSL 249, 0.46%, 0.66%

LAB 57.62, 22.78, -39.75

 

CMYK 0 / 38 / 25 / 18

HEX #D0809C

RGB 208 128 156

HSL 339, 0.46%, 0.66%

LAB 62.72, 34.56, -1.79

 

CMYK 6 / 0 / 38 / 18

HEX #C4D080

RGB 196 208 128

HSL 69, 0.46%, 0.66%

LAB 80.96, -16.44, 38.35

 

Description

Color code: HEX #80D0B4 | qconv.com Color code: HEX #80D0B4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 208 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 208 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 13 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 13% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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