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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #80DFAA it is the complementary color #7F2055. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #80DFAA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #80DFAA shade: #85DFA5, #96F1B8, #A7FFCB, #B8FFDE and #C9FFF1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #80DFAA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #80DFAA shade: #80DFAA, #6FCD97, #5EBB84, #4DA971 and #3C975E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #80DFAA shade: #80DFAA, #80DF90, #89DF80, #A3DF80 and #BCDF80

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #80DFAA shade: #80DFAA, #80DFC4, #80DFDD, #80C7DF and #80ADDF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #80DFAA shade matches the following richer shades: #80DFAA, #73ECA8 and #66F8A7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #80DFAA shade: #80DFAA, #8DD2AB, #9AC5AD, #A6B9AE and #B3ACB0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #80DFAA shade: #8ADF80, #80DF90, #80DFA9, #80DFC2 and #80DFDC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #80DFAA shade: #3ECE7E, #5FD794, #80DFAA, #A1E7C0 and #C2EFD6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #80DFAA shade: #80DFAA, #80A3DF and #DF8380

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #80DFAA shade: #80DFAA, #A980DF and #DFA980

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #80DFAA shade: #80DFAA, #80A3DF, #DF80B6 and #DFBC80

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #80DFAA shade: #80DFAA, #8086DF, #DF80B6 and #DFD980

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 24 / 13

HEX #80DFAA

RGB 128 223 170

HSL 146.53, 0.6%, 0.69%

LAB 81.98, -39.86, 17.34

 

Complementary color

CMYK 0 / 75 / 33 / 50

HEX #7F2055

RGB 127 32 85

HSL 326.53, 0.6%, 0.31%

LAB 29.91, 45.08, -8.65

 

CMYK 40 / 0 / 26 / 13

HEX #85DFA5

RGB 133 223 165

HSL 141.33, 0.58%, 0.7%

LAB 82.1, -39.44, 20.14

 

CMYK 38 / 0 / 24 / 5

HEX #96F1B8

RGB 150 241 184

HSL 142.42, 0.76%, 0.77%

LAB 88.38, -39.18, 19.12

 

CMYK 35 / 0 / 20 / 0

HEX #A7FFCB

RGB 167 255 203

HSL 144.55, 1%, 0.83%

LAB 93.47, -37.12, 16.6

 

CMYK 28 / 0 / 13 / 0

HEX #B8FFDE

RGB 184 255 222

HSL 152.11, 1%, 0.86%

LAB 94.73, -28.54, 8.75

 

CMYK 21 / 0 / 5 / 0

HEX #C9FFF1

RGB 201 255 241

HSL 164.44, 1%, 0.89%

LAB 96.12, -19.74, 1.09

 

CMYK 43 / 0 / 24 / 13

HEX #80DFAA

RGB 128 223 170

HSL 146.53, 0.6%, 0.69%

LAB 81.98, -39.86, 17.34

 

CMYK 46 / 0 / 26 / 20

HEX #6FCD97

RGB 111 205 151

HSL 145.53, 0.48%, 0.62%

LAB 75.62, -40.09, 18.41

 

CMYK 50 / 0 / 29 / 27

HEX #5EBB84

RGB 94 187 132

HSL 144.52, 0.41%, 0.55%

LAB 69.17, -40.28, 19.56

 

CMYK 54 / 0 / 33 / 34

HEX #4DA971

RGB 77 169 113

HSL 143.48, 0.37%, 0.48%

LAB 62.63, -40.4, 20.81

 

CMYK 60 / 0 / 38 / 41

HEX #3C975E

RGB 60 151 94

HSL 142.42, 0.43%, 0.41%

LAB 55.99, -40.4, 22.19

 

CMYK 43 / 0 / 24 / 13

HEX #80DFAA

RGB 128 223 170

HSL 146.53, 0.6%, 0.69%

LAB 81.98, -39.86, 17.34

 

CMYK 43 / 0 / 35 / 13

HEX #80DF90

RGB 128 223 144

HSL 130.11, 0.6%, 0.69%

LAB 81.5, -44.55, 30.16

 

CMYK 39 / 0 / 43 / 13

HEX #89DF80

RGB 137 223 128

HSL 114.32, 0.6%, 0.69%

LAB 81.65, -44.34, 38.51

 

CMYK 27 / 0 / 43 / 13

HEX #A3DF80

RGB 163 223 128

HSL 97.89, 0.6%, 0.69%

LAB 82.98, -35.81, 40.48

 

CMYK 16 / 0 / 43 / 13

HEX #BCDF80

RGB 188 223 128

HSL 82.11, 0.6%, 0.69%

LAB 84.5, -26.81, 42.72

 

CMYK 43 / 0 / 24 / 13

HEX #80DFAA

RGB 128 223 170

HSL 146.53, 0.6%, 0.69%

LAB 81.98, -39.86, 17.34

 

CMYK 43 / 0 / 12 / 13

HEX #80DFC4

RGB 128 223 196

HSL 162.95, 0.6%, 0.69%

LAB 82.57, -34.43, 4.46

 

CMYK 43 / 0 / 1 / 13

HEX #80DFDD

RGB 128 223 221

HSL 178.74, 0.6%, 0.69%

LAB 83.22, -28.58, -7.83

 

CMYK 43 / 11 / 0 / 13

HEX #80C7DF

RGB 128 199 223

HSL 195.16, 0.6%, 0.69%

LAB 76.54, -16.08, -18.92

 

CMYK 43 / 22 / 0 / 13

HEX #80ADDF

RGB 128 173 223

HSL 211.58, 0.6%, 0.69%

LAB 69.33, -2.18, -29.93

 

CMYK 43 / 0 / 24 / 13

HEX #80DFAA

RGB 128 223 170

HSL 146.53, 0.6%, 0.69%

LAB 81.98, -39.86, 17.34

 

CMYK 51 / 0 / 29 / 7

HEX #73ECA8

RGB 115 236 168

HSL 146.28, 0.76%, 0.69%

LAB 85.23, -49.16, 22.8

 

CMYK 59 / 0 / 33 / 3

HEX #66F8A7

RGB 102 248 167

HSL 146.71, 0.91%, 0.69%

LAB 88.33, -57.06, 27.48

 

CMYK 43 / 0 / 24 / 13

HEX #80DFAA

RGB 128 223 170

HSL 146.53, 0.6%, 0.69%

LAB 81.98, -39.86, 17.34

 

CMYK 33 / 0 / 19 / 18

HEX #8DD2AB

RGB 141 210 171

HSL 146.09, 0.43%, 0.69%

LAB 78.87, -29.94, 12.51

 

CMYK 22 / 0 / 12 / 23

HEX #9AC5AD

RGB 154 197 173

HSL 146.51, 0.27%, 0.69%

LAB 75.96, -19.09, 7.4

 

CMYK 10 / 0 / 6 / 27

HEX #A6B9AE

RGB 166 185 174

HSL 145.26, 0.12%, 0.69%

LAB 73.46, -8.67, 3.35

 

CMYK 0 / 4 / 2 / 30

HEX #B3ACB0

RGB 179 172 176

HSL 325.71, 0.04%, 0.69%

LAB 71.02, 3.24, -1.17

 

CMYK 38 / 0 / 43 / 13

HEX #8ADF80

RGB 138 223 128

HSL 113.68, 0.6%, 0.69%

LAB 81.7, -44.03, 38.58

 

CMYK 43 / 0 / 35 / 13

HEX #80DF90

RGB 128 223 144

HSL 130.11, 0.6%, 0.69%

LAB 81.5, -44.55, 30.16

 

CMYK 43 / 0 / 24 / 13

HEX #80DFA9

RGB 128 223 169

HSL 145.89, 0.6%, 0.69%

LAB 81.96, -40.06, 17.83

 

CMYK 43 / 0 / 13 / 13

HEX #80DFC2

RGB 128 223 194

HSL 161.68, 0.6%, 0.69%

LAB 82.52, -34.87, 5.45

 

CMYK 43 / 0 / 1 / 13

HEX #80DFDC

RGB 128 223 220

HSL 178.11, 0.6%, 0.69%

LAB 83.2, -28.82, -7.34

 

CMYK 70 / 0 / 39 / 19

HEX #3ECE7E

RGB 62 206 126

HSL 146.67, 0.6%, 0.53%

LAB 73.98, -55.85, 29.05

 

CMYK 56 / 0 / 31 / 16

HEX #5FD794

RGB 95 215 148

HSL 146.5, 0.6%, 0.61%

LAB 77.98, -48.87, 23.13

 

CMYK 43 / 0 / 24 / 13

HEX #80DFAA

RGB 128 223 170

HSL 146.53, 0.6%, 0.69%

LAB 81.98, -39.86, 17.34

 

CMYK 30 / 0 / 17 / 9

HEX #A1E7C0

RGB 161 231 192

HSL 146.57, 0.59%, 0.77%

LAB 86.27, -29.84, 12.08

 

CMYK 19 / 0 / 10 / 6

HEX #C2EFD6

RGB 194 239 214

HSL 146.67, 0.58%, 0.85%

LAB 90.81, -19.29, 7.33

 

CMYK 43 / 0 / 24 / 13

HEX #80DFAA

RGB 128 223 170

HSL 146.53, 0.6%, 0.69%

LAB 81.98, -39.86, 17.34

 

CMYK 43 / 27 / 0 / 13

HEX #80A3DF

RGB 128 163 223

HSL 217.89, 0.6%, 0.69%

LAB 66.6, 3.41, -34.15

 

CMYK 0 / 41 / 43 / 13

HEX #DF8380

RGB 223 131 128

HSL 1.89, 0.6%, 0.69%

LAB 64.55, 34.99, 16.98

 

CMYK 43 / 0 / 24 / 13

HEX #80DFAA

RGB 128 223 170

HSL 146.53, 0.6%, 0.69%

LAB 81.98, -39.86, 17.34

 

CMYK 24 / 43 / 0 / 13

HEX #A980DF

RGB 169 128 223

HSL 265.89, 0.6%, 0.69%

LAB 60.96, 34.68, -42.74

 

CMYK 0 / 24 / 43 / 13

HEX #DFA980

RGB 223 169 128

HSL 25.89, 0.6%, 0.69%

LAB 73.3, 14.68, 28.83

 

CMYK 43 / 0 / 24 / 13

HEX #80DFAA

RGB 128 223 170

HSL 146.53, 0.6%, 0.69%

LAB 81.98, -39.86, 17.34

 

CMYK 43 / 27 / 0 / 13

HEX #80A3DF

RGB 128 163 223

HSL 217.89, 0.6%, 0.69%

LAB 66.6, 3.41, -34.15

 

CMYK 0 / 43 / 18 / 13

HEX #DF80B6

RGB 223 128 182

HSL 325.89, 0.6%, 0.69%

LAB 65.36, 43.55, -12.42

 

CMYK 0 / 16 / 43 / 13

HEX #DFBC80

RGB 223 188 128

HSL 37.89, 0.6%, 0.69%

LAB 78, 4.58, 34.98

 

CMYK 43 / 0 / 24 / 13

HEX #80DFAA

RGB 128 223 170

HSL 146.53, 0.6%, 0.69%

LAB 81.98, -39.86, 17.34

 

CMYK 43 / 40 / 0 / 13

HEX #8086DF

RGB 128 134 223

HSL 236.21, 0.6%, 0.69%

LAB 58.94, 20.2, -46.15

 

CMYK 0 / 43 / 18 / 13

HEX #DF80B6

RGB 223 128 182

HSL 325.89, 0.6%, 0.69%

LAB 65.36, 43.55, -12.42

 

CMYK 0 / 3 / 43 / 13

HEX #DFD980

RGB 223 217 128

HSL 56.21, 0.6%, 0.69%

LAB 85.44, -10.38, 44.45

 

Description

Color code: HEX #80DFAA | qconv.com Color code: HEX #80DFAA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 223 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 223 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 24 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 24% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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