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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #80E493 it is the complementary color #7F1B6C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #80E493. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #80E493 shade: #85E48E, #96F6A1, #A7FFB4, #B8FFC7 and #C9FFDA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #80E493. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #80E493 shade: #80E493, #6FD280, #5EC06D, #4DAE5A and #3C9C47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #80E493 shade: #80E493, #88E480, #A3E480, #BEE480 and #D9E480

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #80E493 shade: #80E493, #80E4AE, #80E4C9, #80E4E4 and #80C9E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #80E493 shade matches the following richer shades: #80E493, #74F08B and #68FC84

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #80E493 shade: #80E493, #8DD79B, #99CBA3, #A5BFAA and #B2B2B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #80E493 shade: #A3E480, #89E480, #80E493, #80E4AD and #80E4C8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #80E493 shade: #3CD559, #5EDD76, #80E493, #A2EBB0 and #C4F2CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #80E493 shade: #80E493, #80BEE4 and #E48096

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #80E493 shade: #80E493, #9380E4 and #E49380

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #80E493 shade: #80E493, #80BEE4, #E480D1 and #E4A680

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #80E493 shade: #80E493, #80A0E4, #E480D1 and #E4C480

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 36 / 11

HEX #80E493

RGB 128 228 147

HSL 131.4, 0.65%, 0.7%

LAB 83.01, -46.2, 30.64

 

Complementary color

CMYK 0 / 79 / 15 / 50

HEX #7F1B6C

RGB 127 27 108

HSL 311.4, 0.65%, 0.3%

LAB 30.35, 50.01, -22.91

 

CMYK 42 / 0 / 38 / 11

HEX #85E48E

RGB 133 228 142

HSL 125.68, 0.64%, 0.71%

LAB 83.14, -45.59, 33.39

 

CMYK 39 / 0 / 35 / 4

HEX #96F6A1

RGB 150 246 161

HSL 126.88, 0.84%, 0.78%

LAB 89.38, -45.37, 32.22

 

CMYK 35 / 0 / 29 / 0

HEX #A7FFB4

RGB 167 255 180

HSL 128.86, 1%, 0.83%

LAB 93.03, -41.19, 27.69

 

CMYK 28 / 0 / 22 / 0

HEX #B8FFC7

RGB 184 255 199

HSL 132.68, 1%, 0.86%

LAB 94.24, -32.78, 19.85

 

CMYK 21 / 0 / 15 / 0

HEX #C9FFDA

RGB 201 255 218

HSL 138.89, 1%, 0.89%

LAB 95.58, -24.1, 12.14

 

CMYK 44 / 0 / 36 / 11

HEX #80E493

RGB 128 228 147

HSL 131.4, 0.65%, 0.7%

LAB 83.01, -46.2, 30.64

 

CMYK 47 / 0 / 39 / 18

HEX #6FD280

RGB 111 210 128

HSL 130.3, 0.52%, 0.63%

LAB 76.7, -46.38, 31.88

 

CMYK 51 / 0 / 43 / 25

HEX #5EC06D

RGB 94 192 109

HSL 129.18, 0.44%, 0.56%

LAB 70.3, -46.49, 33.18

 

CMYK 56 / 0 / 48 / 32

HEX #4DAE5A

RGB 77 174 90

HSL 128.04, 0.39%, 0.49%

LAB 63.83, -46.47, 34.55

 

CMYK 62 / 0 / 54 / 39

HEX #3C9C47

RGB 60 156 71

HSL 126.88, 0.44%, 0.42%

LAB 57.26, -46.25, 35.96

 

CMYK 44 / 0 / 36 / 11

HEX #80E493

RGB 128 228 147

HSL 131.4, 0.65%, 0.7%

LAB 83.01, -46.2, 30.64

 

CMYK 40 / 0 / 44 / 11

HEX #88E480

RGB 136 228 128

HSL 115.2, 0.65%, 0.7%

LAB 83.06, -46.78, 40.31

 

CMYK 29 / 0 / 44 / 11

HEX #A3E480

RGB 163 228 128

HSL 99, 0.65%, 0.7%

LAB 84.4, -38.08, 42.28

 

CMYK 17 / 0 / 44 / 11

HEX #BEE480

RGB 190 228 128

HSL 82.8, 0.65%, 0.7%

LAB 86, -28.45, 44.64

 

CMYK 5 / 0 / 44 / 11

HEX #D9E480

RGB 217 228 128

HSL 66.6, 0.65%, 0.7%

LAB 87.87, -18.19, 47.37

 

CMYK 44 / 0 / 36 / 11

HEX #80E493

RGB 128 228 147

HSL 131.4, 0.65%, 0.7%

LAB 83.01, -46.2, 30.64

 

CMYK 44 / 0 / 24 / 11

HEX #80E4AE

RGB 128 228 174

HSL 147.6, 0.65%, 0.7%

LAB 83.51, -41.31, 17.38

 

CMYK 44 / 0 / 12 / 11

HEX #80E4C9

RGB 128 228 201

HSL 163.8, 0.65%, 0.7%

LAB 84.12, -35.63, 4.06

 

CMYK 44 / 0 / 0 / 11

HEX #80E4E4

RGB 128 228 228

HSL 180, 0.65%, 0.7%

LAB 84.83, -29.25, -9.15

 

CMYK 44 / 12 / 0 / 11

HEX #80C9E4

RGB 128 201 228

HSL 196.2, 0.65%, 0.7%

LAB 77.26, -15.8, -20.52

 

CMYK 44 / 0 / 36 / 11

HEX #80E493

RGB 128 228 147

HSL 131.4, 0.65%, 0.7%

LAB 83.01, -46.2, 30.64

 

CMYK 52 / 0 / 42 / 6

HEX #74F08B

RGB 116 240 139

HSL 131.13, 0.81%, 0.7%

LAB 85.96, -55.56, 38.44

 

CMYK 59 / 0 / 48 / 1

HEX #68FC84

RGB 104 252 132

HSL 131.35, 0.96%, 0.7%

LAB 89.03, -63.94, 45.66

 

CMYK 44 / 0 / 36 / 11

HEX #80E493

RGB 128 228 147

HSL 131.4, 0.65%, 0.7%

LAB 83.01, -46.2, 30.64

 

CMYK 34 / 0 / 28 / 16

HEX #8DD79B

RGB 141 215 155

HSL 131.35, 0.48%, 0.7%

LAB 79.97, -35.26, 22.5

 

CMYK 25 / 0 / 20 / 20

HEX #99CBA3

RGB 153 203 163

HSL 132, 0.32%, 0.7%

LAB 77.36, -24.29, 14.75

 

CMYK 14 / 0 / 11 / 25

HEX #A5BFAA

RGB 165 191 170

HSL 131.54, 0.17%, 0.7%

LAB 74.93, -12.9, 7.64

 

CMYK 0 / 0 / 0 / 30

HEX #B2B2B2

RGB 178 178 178

HSL 0, 0%, 0.7%

LAB 72.57, 0, -0.01

 

CMYK 29 / 0 / 44 / 11

HEX #A3E480

RGB 163 228 128

HSL 99, 0.65%, 0.7%

LAB 84.4, -38.08, 42.28

 

CMYK 40 / 0 / 44 / 11

HEX #89E480

RGB 137 228 128

HSL 114.6, 0.65%, 0.7%

LAB 83.11, -46.48, 40.37

 

CMYK 44 / 0 / 36 / 11

HEX #80E493

RGB 128 228 147

HSL 131.4, 0.65%, 0.7%

LAB 83.01, -46.2, 30.64

 

CMYK 44 / 0 / 24 / 11

HEX #80E4AD

RGB 128 228 173

HSL 147, 0.65%, 0.7%

LAB 83.49, -41.5, 17.87

 

CMYK 44 / 0 / 12 / 11

HEX #80E4C8

RGB 128 228 200

HSL 163.2, 0.65%, 0.7%

LAB 84.09, -35.85, 4.55

 

CMYK 72 / 0 / 58 / 16

HEX #3CD559

RGB 60 213 89

HSL 131.37, 0.65%, 0.54%

LAB 75.62, -64.37, 49.2

 

CMYK 57 / 0 / 47 / 13

HEX #5EDD76

RGB 94 221 118

HSL 131.34, 0.65%, 0.62%

LAB 79.27, -56.61, 40.09

 

CMYK 44 / 0 / 36 / 11

HEX #80E493

RGB 128 228 147

HSL 131.4, 0.65%, 0.7%

LAB 83.01, -46.2, 30.64

 

CMYK 31 / 0 / 25 / 8

HEX #A2EBB0

RGB 162 235 176

HSL 131.51, 0.65%, 0.78%

LAB 87.11, -34.34, 21.58

 

CMYK 19 / 0 / 15 / 5

HEX #C4F2CD

RGB 196 242 205

HSL 131.74, 0.64%, 0.86%

LAB 91.53, -21.75, 13.04

 

CMYK 44 / 0 / 36 / 11

HEX #80E493

RGB 128 228 147

HSL 131.4, 0.65%, 0.7%

LAB 83.01, -46.2, 30.64

 

CMYK 44 / 17 / 0 / 11

HEX #80BEE4

RGB 128 190 228

HSL 202.8, 0.65%, 0.7%

LAB 74.2, -10.03, -25.17

 

CMYK 0 / 44 / 34 / 11

HEX #E48096

RGB 228 128 150

HSL 346.8, 0.65%, 0.7%

LAB 65.07, 40.89, 5.35

 

CMYK 44 / 0 / 36 / 11

HEX #80E493

RGB 128 228 147

HSL 131.4, 0.65%, 0.7%

LAB 83.01, -46.2, 30.64

 

CMYK 36 / 44 / 0 / 11

HEX #9380E4

RGB 147 128 228

HSL 251.4, 0.65%, 0.7%

LAB 59.2, 29.95, -48.44

 

CMYK 0 / 36 / 44 / 11

HEX #E49380

RGB 228 147 128

HSL 11.4, 0.65%, 0.7%

LAB 68.69, 28.43, 22.76

 

CMYK 44 / 0 / 36 / 11

HEX #80E493

RGB 128 228 147

HSL 131.4, 0.65%, 0.7%

LAB 83.01, -46.2, 30.64

 

CMYK 44 / 17 / 0 / 11

HEX #80BEE4

RGB 128 190 228

HSL 202.8, 0.65%, 0.7%

LAB 74.2, -10.03, -25.17

 

CMYK 0 / 44 / 8 / 11

HEX #E480D1

RGB 228 128 209

HSL 311.4, 0.65%, 0.7%

LAB 66.93, 49.45, -25.14

 

CMYK 0 / 27 / 44 / 11

HEX #E4A680

RGB 228 166 128

HSL 22.8, 0.65%, 0.7%

LAB 73.11, 18.28, 28.67

 

CMYK 44 / 0 / 36 / 11

HEX #80E493

RGB 128 228 147

HSL 131.4, 0.65%, 0.7%

LAB 83.01, -46.2, 30.64

 

CMYK 44 / 30 / 0 / 11

HEX #80A0E4

RGB 128 160 228

HSL 220.8, 0.65%, 0.7%

LAB 66.01, 6.52, -37.83

 

CMYK 0 / 44 / 8 / 11

HEX #E480D1

RGB 228 128 209

HSL 311.4, 0.65%, 0.7%

LAB 66.93, 49.45, -25.14

 

CMYK 0 / 14 / 44 / 11

HEX #E4C480

RGB 228 196 128

HSL 40.8, 0.65%, 0.7%

LAB 80.48, 2.39, 38.26

 

Description

Color code: HEX #80E493 | qconv.com Color code: HEX #80E493 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 228 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 228 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 36 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 36% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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