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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #80E69B it is the complementary color #7F1964. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #80E69B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #80E69B shade: #85E696, #96F8A9, #A7FFBC, #B8FFCF and #C9FFE2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #80E69B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #80E69B shade: #80E69B, #6FD488, #5EC275, #4DB062 and #3C9E4F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #80E69B shade: #7FE59A, #7FE57F, #9BE57F, #B7E57F and #D2E57F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #80E69B shade: #7FE59A, #7FE5B6, #7FE5D1, #7FDEE5 and #7FC2E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #80E69B shade matches the following richer shades: #7FE59A, #72F294 and #66FE8E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #80E69B shade: #7FE59A, #8BD9A0, #98CCA6, #A4C0AB and #B0B4B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #80E69B shade: #9CE57F, #80E57F, #7FE598, #7FE5B4 and #7FE5CF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #80E69B shade: #3AD864, #5CDE7F, #7FE59A, #A1ECB5 and #C4F3D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #80E69B shade: #80E69B, #7FB7E5 and #E57F8E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #80E69B shade: #80E69B, #987FE5 and #E5987F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #80E69B shade: #80E69B, #7FB7E5, #E57FCC and #E5AD7F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #80E69B shade: #80E69B, #7F98E5, #E57FCC and #E5CC7F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 33 / 10

HEX #80E69B

RGB 128 230 155

HSL 135.88, 0.67%, 0.7%

LAB 83.73, -45.69, 27.52

 

Complementary color

CMYK 0 / 80 / 21 / 50

HEX #7F1964

RGB 127 25 100

HSL 315.88, 0.67%, 0.3%

LAB 29.73, 49.46, -18.71

 

CMYK 42 / 0 / 35 / 10

HEX #85E696

RGB 133 230 150

HSL 130.52, 0.66%, 0.71%

LAB 83.85, -45.15, 30.28

 

CMYK 40 / 0 / 32 / 3

HEX #96F8A9

RGB 150 248 169

HSL 131.63, 0.88%, 0.78%

LAB 90.08, -44.92, 29.13

 

CMYK 35 / 0 / 26 / 0

HEX #A7FFBC

RGB 167 255 188

HSL 134.32, 1%, 0.83%

LAB 93.17, -39.83, 23.84

 

CMYK 28 / 0 / 19 / 0

HEX #B8FFCF

RGB 184 255 207

HSL 139.44, 1%, 0.86%

LAB 94.4, -31.36, 15.99

 

CMYK 21 / 0 / 11 / 0

HEX #C9FFE2

RGB 201 255 226

HSL 147.78, 1%, 0.89%

LAB 95.76, -22.63, 8.29

 

CMYK 44 / 0 / 33 / 10

HEX #80E69B

RGB 128 230 155

HSL 135.88, 0.67%, 0.7%

LAB 83.73, -45.69, 27.52

 

CMYK 48 / 0 / 36 / 17

HEX #6FD488

RGB 111 212 136

HSL 134.85, 0.54%, 0.63%

LAB 77.43, -45.89, 28.73

 

CMYK 52 / 0 / 40 / 24

HEX #5EC275

RGB 94 194 117

HSL 133.8, 0.45%, 0.56%

LAB 71.04, -46.01, 30.01

 

CMYK 56 / 0 / 44 / 31

HEX #4DB062

RGB 77 176 98

HSL 132.73, 0.39%, 0.5%

LAB 64.57, -46.03, 31.38

 

CMYK 62 / 0 / 50 / 38

HEX #3C9E4F

RGB 60 158 79

HSL 131.63, 0.45%, 0.43%

LAB 58.02, -45.86, 32.82

 

CMYK 45 / 0 / 33 / 10

HEX #7FE59A

RGB 127 229 154

HSL 135.88, 0.66%, 0.7%

LAB 83.38, -45.71, 27.56

 

CMYK 45 / 0 / 45 / 10

HEX #7FE57F

RGB 127 229 127

HSL 120, 0.66%, 0.7%

LAB 82.96, -49.97, 40.59

 

CMYK 32 / 0 / 45 / 10

HEX #9BE57F

RGB 155 229 127

HSL 103.53, 0.66%, 0.7%

LAB 84.25, -41.34, 42.49

 

CMYK 20 / 0 / 45 / 10

HEX #B7E57F

RGB 183 229 127

HSL 87.06, 0.66%, 0.7%

LAB 85.83, -31.6, 44.81

 

CMYK 8 / 0 / 45 / 10

HEX #D2E57F

RGB 210 229 127

HSL 71.18, 0.66%, 0.7%

LAB 87.62, -21.49, 47.42

 

CMYK 45 / 0 / 33 / 10

HEX #7FE59A

RGB 127 229 154

HSL 135.88, 0.66%, 0.7%

LAB 83.38, -45.71, 27.56

 

CMYK 45 / 0 / 21 / 10

HEX #7FE5B6

RGB 127 229 182

HSL 152.35, 0.66%, 0.7%

LAB 83.93, -40.41, 13.77

 

CMYK 45 / 0 / 9 / 10

HEX #7FE5D1

RGB 127 229 209

HSL 168.24, 0.66%, 0.7%

LAB 84.56, -34.52, 0.48

 

CMYK 45 / 3 / 0 / 10

HEX #7FDEE5

RGB 127 222 229

HSL 184.12, 0.66%, 0.7%

LAB 83.13, -26.33, -12.22

 

CMYK 45 / 15 / 0 / 10

HEX #7FC2E5

RGB 127 194 229

HSL 200.59, 0.66%, 0.7%

LAB 75.3, -12.12, -24.05

 

CMYK 45 / 0 / 33 / 10

HEX #7FE59A

RGB 127 229 154

HSL 135.88, 0.66%, 0.7%

LAB 83.38, -45.71, 27.56

 

CMYK 53 / 0 / 39 / 5

HEX #72F294

RGB 114 242 148

HSL 135.94, 0.83%, 0.7%

LAB 86.61, -55.4, 34.81

 

CMYK 60 / 0 / 44 / 0

HEX #66FE8E

RGB 102 254 142

HSL 135.79, 0.99%, 0.7%

LAB 89.7, -63.61, 41.7

 

CMYK 45 / 0 / 33 / 10

HEX #7FE59A

RGB 127 229 154

HSL 135.88, 0.66%, 0.7%

LAB 83.38, -45.71, 27.56

 

CMYK 36 / 0 / 26 / 15

HEX #8BD9A0

RGB 139 217 160

HSL 136.15, 0.51%, 0.7%

LAB 80.55, -35.89, 20.66

 

CMYK 25 / 0 / 19 / 20

HEX #98CCA6

RGB 152 204 166

HSL 136.15, 0.34%, 0.7%

LAB 77.65, -24.56, 13.54

 

CMYK 15 / 0 / 11 / 25

HEX #A4C0AB

RGB 164 192 171

HSL 135, 0.18%, 0.7%

LAB 75.16, -13.58, 7.42

 

CMYK 2 / 0 / 2 / 29

HEX #B0B4B1

RGB 176 180 177

HSL 135, 0.03%, 0.7%

LAB 72.92, -1.96, 1.03

 

CMYK 32 / 0 / 45 / 10

HEX #9CE57F

RGB 156 229 127

HSL 102.94, 0.66%, 0.7%

LAB 84.3, -41.01, 42.56

 

CMYK 44 / 0 / 45 / 10

HEX #80E57F

RGB 128 229 127

HSL 119.41, 0.66%, 0.7%

LAB 83, -49.69, 40.65

 

CMYK 45 / 0 / 34 / 10

HEX #7FE598

RGB 127 229 152

HSL 134.71, 0.66%, 0.7%

LAB 83.35, -46.06, 28.53

 

CMYK 45 / 0 / 21 / 10

HEX #7FE5B4

RGB 127 229 180

HSL 151.18, 0.66%, 0.7%

LAB 83.89, -40.81, 14.76

 

CMYK 45 / 0 / 10 / 10

HEX #7FE5CF

RGB 127 229 207

HSL 167.06, 0.66%, 0.7%

LAB 84.51, -34.98, 1.46

 

CMYK 73 / 0 / 54 / 15

HEX #3AD864

RGB 58 216 100

HSL 135.95, 0.67%, 0.54%

LAB 76.64, -64.24, 45.31

 

CMYK 59 / 0 / 43 / 13

HEX #5CDE7F

RGB 92 222 127

HSL 136.15, 0.66%, 0.62%

LAB 79.64, -56.05, 36.09

 

CMYK 45 / 0 / 33 / 10

HEX #7FE59A

RGB 127 229 154

HSL 135.88, 0.66%, 0.7%

LAB 83.38, -45.71, 27.56

 

CMYK 32 / 0 / 23 / 7

HEX #A1ECB5

RGB 161 236 181

HSL 136, 0.66%, 0.78%

LAB 87.44, -34.22, 19.44

 

CMYK 19 / 0 / 14 / 5

HEX #C4F3D0

RGB 196 243 208

HSL 135.32, 0.66%, 0.86%

LAB 91.86, -21.7, 11.96

 

CMYK 44 / 0 / 33 / 10

HEX #80E69B

RGB 128 230 155

HSL 135.88, 0.67%, 0.7%

LAB 83.73, -45.69, 27.52

 

CMYK 45 / 20 / 0 / 10

HEX #7FB7E5

RGB 127 183 229

HSL 207.06, 0.66%, 0.7%

LAB 72.25, -6.24, -28.71

 

CMYK 0 / 45 / 38 / 10

HEX #E57F8E

RGB 229 127 142

HSL 351.18, 0.66%, 0.7%

LAB 64.8, 40.82, 9.52

 

CMYK 44 / 0 / 33 / 10

HEX #80E69B

RGB 128 230 155

HSL 135.88, 0.67%, 0.7%

LAB 83.73, -45.69, 27.52

 

CMYK 34 / 45 / 0 / 10

HEX #987FE5

RGB 152 127 229

HSL 254.71, 0.66%, 0.7%

LAB 59.44, 32.1, -48.58

 

CMYK 0 / 34 / 45 / 10

HEX #E5987F

RGB 229 152 127

HSL 14.71, 0.66%, 0.7%

LAB 69.93, 26.05, 24.99

 

CMYK 44 / 0 / 33 / 10

HEX #80E69B

RGB 128 230 155

HSL 135.88, 0.67%, 0.7%

LAB 83.73, -45.69, 27.52

 

CMYK 45 / 20 / 0 / 10

HEX #7FB7E5

RGB 127 183 229

HSL 207.06, 0.66%, 0.7%

LAB 72.25, -6.24, -28.71

 

CMYK 0 / 45 / 11 / 10

HEX #E57FCC

RGB 229 127 204

HSL 314.71, 0.66%, 0.7%

LAB 66.67, 49.44, -22.73

 

CMYK 0 / 24 / 45 / 10

HEX #E5AD7F

RGB 229 173 127

HSL 27.06, 0.66%, 0.7%

LAB 74.87, 14.84, 31.55

 

CMYK 44 / 0 / 33 / 10

HEX #80E69B

RGB 128 230 155

HSL 135.88, 0.67%, 0.7%

LAB 83.73, -45.69, 27.52

 

CMYK 45 / 34 / 0 / 10

HEX #7F98E5

RGB 127 152 229

HSL 225.29, 0.66%, 0.7%

LAB 63.86, 11.16, -41.75

 

CMYK 0 / 45 / 11 / 10

HEX #E57FCC

RGB 229 127 204

HSL 314.71, 0.66%, 0.7%

LAB 66.67, 49.44, -22.73

 

CMYK 0 / 11 / 45 / 10

HEX #E5CC7F

RGB 229 204 127

HSL 45.29, 0.66%, 0.7%

LAB 82.58, -1.46, 41.46

 

Description

Color code: HEX #80E69B | qconv.com Color code: HEX #80E69B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 230 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 230 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 33 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 33% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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