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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #80E730 it is the complementary color #7F18CF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #80E730. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #80E730 shade: #85E72B, #96F93E, #A7FF51, #B8FF64 and #C9FF77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #80E730. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #80E730 shade: #80E730, #6FD51D, #5EC30A, #4DB100 and #3C9F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #80E730 shade: #80E631, #B1E631, #E2E631, #E6BA31 and #E68931

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #80E730 shade: #80E631, #4FE631, #31E644, #31E675 and #31E6A5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #80E730 shade matches the following richer shades: #80E631 and #7EF91F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #80E730 shade: #80E631, #83D444, #85C156, #87AF69 and #8A9C7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #80E730 shade: #E3E631, #B3E631, #83E631, #52E631 and #31E640

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #80E730 shade: #59B114, #6BD619, #80E631, #97EB56 and #AEEF7B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #80E730 shade: #80E730, #31E6B9 and #E631CB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #80E730 shade: #80E730, #3183E6 and #E63183

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #80E730 shade: #80E730, #31E6B9, #9531E6 and #E6315E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #80E730 shade: #80E730, #31DDE6, #9531E6 and #E63A31

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 79 / 9

HEX #80E730

RGB 128 231 48

HSL 93.77, 0.79%, 0.55%

LAB 82.89, -57.87, 72.65

 

Complementary color

CMYK 39 / 88 / 0 / 19

HEX #7F18CF

RGB 127 24 207

HSL 273.77, 0.79%, 0.45%

LAB 37.24, 69.58, -72.01

 

CMYK 42 / 0 / 81 / 9

HEX #85E72B

RGB 133 231 43

HSL 91.28, 0.8%, 0.54%

LAB 83.08, -56.52, 74.21

 

CMYK 40 / 0 / 75 / 2

HEX #96F93E

RGB 150 249 62

HSL 91.76, 0.94%, 0.61%

LAB 89.2, -57.15, 74.83

 

CMYK 35 / 0 / 68 / 0

HEX #A7FF51

RGB 167 255 81

HSL 90.34, 1%, 0.66%

LAB 91.83, -52.78, 71.31

 

CMYK 28 / 0 / 61 / 0

HEX #B8FF64

RGB 184 255 100

HSL 87.48, 1%, 0.7%

LAB 92.85, -45.51, 65.28

 

CMYK 21 / 0 / 53 / 0

HEX #C9FF77

RGB 201 255 119

HSL 83.82, 1%, 0.73%

LAB 94, -37.78, 58.68

 

CMYK 45 / 0 / 79 / 9

HEX #80E730

RGB 128 231 48

HSL 93.77, 0.79%, 0.55%

LAB 82.89, -57.87, 72.65

 

CMYK 48 / 0 / 86 / 16

HEX #6FD51D

RGB 111 213 29

HSL 93.26, 0.76%, 0.47%

LAB 76.71, -57.05, 71.44

 

CMYK 52 / 0 / 95 / 24

HEX #5EC30A

RGB 94 195 10

HSL 92.76, 0.9%, 0.4%

LAB 70.48, -55.9, 68.94

 

CMYK 56 / 0 / 100 / 31

HEX #4DB100

RGB 77 177 0

HSL 93.9, 1%, 0.35%

LAB 64.18, -54.36, 64.83

 

CMYK 62 / 0 / 100 / 38

HEX #3C9F00

RGB 60 159 0

HSL 97.36, 1%, 0.31%

LAB 57.81, -52.43, 59.57

 

CMYK 44 / 0 / 79 / 10

HEX #80E631

RGB 128 230 49

HSL 93.81, 0.78%, 0.55%

LAB 82.6, -57.44, 72.1

 

CMYK 23 / 0 / 79 / 10

HEX #B1E631

RGB 177 230 49

HSL 77.57, 0.78%, 0.55%

LAB 85.08, -40.35, 75.29

 

CMYK 2 / 0 / 79 / 10

HEX #E2E631

RGB 226 230 49

HSL 61.33, 0.78%, 0.55%

LAB 88.44, -20.74, 79.56

 

CMYK 0 / 19 / 79 / 10

HEX #E6BA31

RGB 230 186 49

HSL 45.41, 0.78%, 0.55%

LAB 77.38, 3.13, 69.87

 

CMYK 0 / 40 / 79 / 10

HEX #E68931

RGB 230 137 49

HSL 29.17, 0.78%, 0.55%

LAB 65.7, 29.09, 59.14

 

CMYK 44 / 0 / 79 / 10

HEX #80E631

RGB 128 230 49

HSL 93.81, 0.78%, 0.55%

LAB 82.6, -57.44, 72.1

 

CMYK 66 / 0 / 79 / 10

HEX #4FE631

RGB 79 230 49

HSL 110.06, 0.78%, 0.55%

LAB 81, -70.01, 70.04

 

CMYK 79 / 0 / 70 / 10

HEX #31E644

RGB 49 230 68

HSL 126.3, 0.78%, 0.55%

LAB 80.55, -73.46, 63.21

 

CMYK 79 / 0 / 49 / 10

HEX #31E675

RGB 49 230 117

HSL 142.54, 0.78%, 0.55%

LAB 81.03, -67.63, 42.59

 

CMYK 79 / 0 / 28 / 10

HEX #31E6A5

RGB 49 230 165

HSL 158.45, 0.78%, 0.55%

LAB 81.82, -58.68, 19.4

 

CMYK 44 / 0 / 79 / 10

HEX #80E631

RGB 128 230 49

HSL 93.81, 0.78%, 0.55%

LAB 82.6, -57.44, 72.1

 

CMYK 49 / 0 / 88 / 2

HEX #7EF91F

RGB 126 249 31

HSL 93.85, 0.95%, 0.55%

LAB 88.11, -65.71, 81.02

 

CMYK 44 / 0 / 79 / 10

HEX #80E631

RGB 128 230 49

HSL 93.81, 0.78%, 0.55%

LAB 82.6, -57.44, 72.1

 

CMYK 38 / 0 / 68 / 17

HEX #83D444

RGB 131 212 68

HSL 93.75, 0.63%, 0.55%

LAB 77.48, -48.17, 60.75

 

CMYK 31 / 0 / 55 / 24

HEX #85C156

RGB 133 193 86

HSL 93.64, 0.46%, 0.55%

LAB 72.09, -37.69, 47.11

 

CMYK 23 / 0 / 40 / 31

HEX #87AF69

RGB 135 175 105

HSL 94.29, 0.3%, 0.55%

LAB 67.15, -26.22, 31.59

 

CMYK 12 / 0 / 21 / 39

HEX #8A9C7B

RGB 138 156 123

HSL 92.73, 0.14%, 0.55%

LAB 62.18, -12.63, 15.2

 

CMYK 1 / 0 / 79 / 10

HEX #E3E631

RGB 227 230 49

HSL 60.99, 0.78%, 0.55%

LAB 88.52, -20.33, 79.66

 

CMYK 22 / 0 / 79 / 10

HEX #B3E631

RGB 179 230 49

HSL 76.91, 0.78%, 0.55%

LAB 85.2, -39.58, 75.44

 

CMYK 43 / 0 / 79 / 10

HEX #83E631

RGB 131 230 49

HSL 92.82, 0.78%, 0.55%

LAB 82.72, -56.5, 72.26

 

CMYK 64 / 0 / 79 / 10

HEX #52E631

RGB 82 230 49

HSL 109.06, 0.78%, 0.55%

LAB 81.08, -69.4, 70.13

 

CMYK 79 / 0 / 72 / 10

HEX #31E640

RGB 49 230 64

HSL 124.97, 0.78%, 0.55%

LAB 80.53, -73.79, 64.61

 

CMYK 50 / 0 / 89 / 31

HEX #59B114

RGB 89 177 20

HSL 93.63, 0.8%, 0.39%

LAB 64.66, -50.43, 62.55

 

CMYK 50 / 0 / 88 / 16

HEX #6BD619

RGB 107 214 25

HSL 93.97, 0.79%, 0.47%

LAB 76.85, -58.72, 72.26

 

CMYK 44 / 0 / 79 / 10

HEX #80E631

RGB 128 230 49

HSL 93.81, 0.78%, 0.55%

LAB 82.6, -57.44, 72.1

 

CMYK 36 / 0 / 63 / 8

HEX #97EB56

RGB 151 235 86

HSL 93.83, 0.79%, 0.63%

LAB 85.34, -49.56, 62.28

 

CMYK 27 / 0 / 49 / 6

HEX #AEEF7B

RGB 174 239 123

HSL 93.62, 0.78%, 0.71%

LAB 88.05, -39.81, 49.35

 

CMYK 45 / 0 / 79 / 9

HEX #80E730

RGB 128 231 48

HSL 93.77, 0.79%, 0.55%

LAB 82.89, -57.87, 72.65

 

CMYK 79 / 0 / 20 / 10

HEX #31E6B9

RGB 49 230 185

HSL 165.08, 0.78%, 0.55%

LAB 82.24, -54.09, 9.52

 

CMYK 0 / 79 / 12 / 10

HEX #E631CB

RGB 230 49 203

HSL 308.95, 0.78%, 0.55%

LAB 55.41, 80.47, -39.61

 

CMYK 45 / 0 / 79 / 9

HEX #80E730

RGB 128 231 48

HSL 93.77, 0.79%, 0.55%

LAB 82.89, -57.87, 72.65

 

CMYK 79 / 43 / 0 / 10

HEX #3183E6

RGB 49 131 230

HSL 212.82, 0.78%, 0.55%

LAB 54.66, 10, -57.12

 

CMYK 0 / 79 / 43 / 10

HEX #E63183

RGB 230 49 131

HSL 332.82, 0.78%, 0.55%

LAB 52.57, 72.21, -1.68

 

CMYK 45 / 0 / 79 / 9

HEX #80E730

RGB 128 231 48

HSL 93.77, 0.79%, 0.55%

LAB 82.89, -57.87, 72.65

 

CMYK 79 / 0 / 20 / 10

HEX #31E6B9

RGB 49 230 185

HSL 165.08, 0.78%, 0.55%

LAB 82.24, -54.09, 9.52

 

CMYK 35 / 79 / 0 / 10

HEX #9531E6

RGB 149 49 230

HSL 273.15, 0.78%, 0.55%

LAB 44.66, 70.34, -72.95

 

CMYK 0 / 79 / 59 / 10

HEX #E6315E

RGB 230 49 94

HSL 345.08, 0.78%, 0.55%

LAB 51.64, 69.37, 19.34

 

CMYK 45 / 0 / 79 / 9

HEX #80E730

RGB 128 231 48

HSL 93.77, 0.79%, 0.55%

LAB 82.89, -57.87, 72.65

 

CMYK 79 / 4 / 0 / 10

HEX #31DDE6

RGB 49 221 230

HSL 182.98, 0.78%, 0.55%

LAB 80.78, -38.13, -16.48

 

CMYK 35 / 79 / 0 / 10

HEX #9531E6

RGB 149 49 230

HSL 273.15, 0.78%, 0.55%

LAB 44.66, 70.34, -72.95

 

CMYK 0 / 75 / 79 / 10

HEX #E63A31

RGB 230 58 49

HSL 2.98, 0.78%, 0.55%

LAB 51.92, 64.61, 45.71

 

Description

Color code: HEX #80E730 | qconv.com Color code: HEX #80E730 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 231 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 231 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 79 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 79% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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