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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #80F726 it is the complementary color #7F08D9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #80F726. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #80F726 shade: #85F721, #96FF34, #A7FF47, #B8FF5A and #C9FF6D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #80F726. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #80F726 shade: #80F726, #6FE513, #5ED300, #4DC100 and #3CAF00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #80F726 shade: #80F726, #B8F726, #F0F726, #F7C526 and #F78C26

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #80F726 shade: #80F726, #48F726, #26F73D, #26F775 and #26F7AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #80F726 shade matches the following richer shades: #80F726

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #80F726 shade: #80F726, #82E438, #85D24A, #87C05C and #8AAE6F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #80F726 shade: #F0F726, #B8F726, #80F726, #49F726 and #26F73B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #80F726 shade: #58C307, #6AEB08, #80F726, #97F84E and #AEFA76

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #80F726 shade: #80F726, #26F7C6 and #F726D4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #80F726 shade: #80F726, #2680F7 and #F72680

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #80F726 shade: #80F726, #26F7C6, #9C26F7 and #F72657

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #80F726 shade: #80F726, #26E9F7, #9C26F7 and #F73426

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 85 / 3

HEX #80F726

RGB 128 247 38

HSL 94.16, 0.93%, 0.56%

LAB 87.61, -64.2, 79.28

 

Complementary color

CMYK 41 / 96 / 0 / 15

HEX #7F08D9

RGB 127 8 217

HSL 274.16, 0.93%, 0.44%

LAB 37.29, 74.31, -77.72

 

CMYK 46 / 0 / 87 / 3

HEX #85F721

RGB 133 247 33

HSL 91.96, 0.93%, 0.55%

LAB 87.78, -62.89, 80.49

 

CMYK 41 / 0 / 80 / 0

HEX #96FF34

RGB 150 255 52

HSL 91.03, 1%, 0.6%

LAB 90.89, -59.95, 79.26

 

CMYK 35 / 0 / 72 / 0

HEX #A7FF47

RGB 167 255 71

HSL 88.7, 1%, 0.64%

LAB 91.77, -53.41, 74.73

 

CMYK 28 / 0 / 65 / 0

HEX #B8FF5A

RGB 184 255 90

HSL 85.82, 1%, 0.68%

LAB 92.77, -46.28, 69.19

 

CMYK 21 / 0 / 57 / 0

HEX #C9FF6D

RGB 201 255 109

HSL 82.19, 1%, 0.71%

LAB 93.9, -38.67, 62.94

 

CMYK 48 / 0 / 85 / 3

HEX #80F726

RGB 128 247 38

HSL 94.16, 0.93%, 0.56%

LAB 87.61, -64.2, 79.28

 

CMYK 52 / 0 / 92 / 10

HEX #6FE513

RGB 111 229 19

HSL 93.71, 0.85%, 0.49%

LAB 81.55, -63.13, 77.16

 

CMYK 55 / 0 / 100 / 17

HEX #5ED300

RGB 94 211 0

HSL 93.27, 1%, 0.41%

LAB 75.43, -61.76, 73.94

 

CMYK 60 / 0 / 100 / 24

HEX #4DC100

RGB 77 193 0

HSL 96.06, 1%, 0.38%

LAB 69.27, -59.93, 68.85

 

CMYK 66 / 0 / 100 / 31

HEX #3CAF00

RGB 60 175 0

HSL 99.43, 1%, 0.34%

LAB 63.03, -57.86, 63.71

 

CMYK 48 / 0 / 85 / 3

HEX #80F726

RGB 128 247 38

HSL 94.16, 0.93%, 0.56%

LAB 87.61, -64.2, 79.28

 

CMYK 26 / 0 / 85 / 3

HEX #B8F726

RGB 184 247 38

HSL 78.09, 0.93%, 0.56%

LAB 90.25, -45.47, 82.6

 

CMYK 3 / 0 / 85 / 3

HEX #F0F726

RGB 240 247 38

HSL 62.01, 0.93%, 0.56%

LAB 93.96, -23.43, 87.2

 

CMYK 0 / 20 / 85 / 3

HEX #F7C526

RGB 247 197 38

HSL 45.65, 0.93%, 0.56%

LAB 81.75, 4.38, 77.44

 

CMYK 0 / 43 / 85 / 3

HEX #F78C26

RGB 247 140 38

HSL 29.28, 0.93%, 0.56%

LAB 68.51, 34.13, 66.5

 

CMYK 48 / 0 / 85 / 3

HEX #80F726

RGB 128 247 38

HSL 94.16, 0.93%, 0.56%

LAB 87.61, -64.2, 79.28

 

CMYK 71 / 0 / 85 / 3

HEX #48F726

RGB 72 247 38

HSL 110.24, 0.93%, 0.56%

LAB 86.03, -77.06, 77.29

 

CMYK 85 / 0 / 75 / 3

HEX #26F73D

RGB 38 247 61

HSL 126.6, 0.93%, 0.56%

LAB 85.64, -80.06, 70.68

 

CMYK 85 / 0 / 53 / 3

HEX #26F775

RGB 38 247 117

HSL 142.68, 0.93%, 0.56%

LAB 86.12, -74.18, 48.83

 

CMYK 85 / 0 / 30 / 3

HEX #26F7AD

RGB 38 247 173

HSL 158.76, 0.93%, 0.56%

LAB 86.97, -64.21, 22.38

 

CMYK 48 / 0 / 85 / 3

HEX #80F726

RGB 128 247 38

HSL 94.16, 0.93%, 0.56%

LAB 87.61, -64.2, 79.28

 

CMYK 48 / 0 / 85 / 3

HEX #80F726

RGB 128 247 38

HSL 94.16, 0.93%, 0.56%

LAB 87.61, -64.2, 79.28

 

CMYK 43 / 0 / 75 / 11

HEX #82E438

RGB 130 228 56

HSL 94.19, 0.76%, 0.56%

LAB 82.12, -55.68, 69.6

 

CMYK 37 / 0 / 65 / 18

HEX #85D24A

RGB 133 210 74

HSL 93.97, 0.6%, 0.56%

LAB 77.03, -46.19, 57.92

 

CMYK 30 / 0 / 52 / 25

HEX #87C05C

RGB 135 192 92

HSL 94.2, 0.44%, 0.56%

LAB 71.98, -35.87, 44.15

 

CMYK 21 / 0 / 36 / 32

HEX #8AAE6F

RGB 138 174 111

HSL 94.29, 0.28%, 0.56%

LAB 67.14, -23.77, 28.45

 

CMYK 3 / 0 / 85 / 3

HEX #F0F726

RGB 240 247 38

HSL 62.01, 0.93%, 0.56%

LAB 93.96, -23.43, 87.2

 

CMYK 26 / 0 / 85 / 3

HEX #B8F726

RGB 184 247 38

HSL 78.09, 0.93%, 0.56%

LAB 90.25, -45.47, 82.6

 

CMYK 48 / 0 / 85 / 3

HEX #80F726

RGB 128 247 38

HSL 94.16, 0.93%, 0.56%

LAB 87.61, -64.2, 79.28

 

CMYK 70 / 0 / 85 / 3

HEX #49F726

RGB 73 247 38

HSL 109.95, 0.93%, 0.56%

LAB 86.05, -76.89, 77.31

 

CMYK 85 / 0 / 76 / 3

HEX #26F73B

RGB 38 247 59

HSL 126.03, 0.93%, 0.56%

LAB 85.63, -80.19, 71.29

 

CMYK 55 / 0 / 96 / 24

HEX #58C307

RGB 88 195 7

HSL 94.15, 0.93%, 0.4%

LAB 70.26, -57.64, 69.01

 

CMYK 55 / 0 / 97 / 8

HEX #6AEB08

RGB 106 235 8

HSL 94.1, 0.93%, 0.48%

LAB 83.18, -66.75, 79.54

 

CMYK 48 / 0 / 85 / 3

HEX #80F726

RGB 128 247 38

HSL 94.16, 0.93%, 0.56%

LAB 87.61, -64.2, 79.28

 

CMYK 39 / 0 / 69 / 3

HEX #97F84E

RGB 151 248 78

HSL 94.24, 0.92%, 0.64%

LAB 89.05, -55.43, 69.3

 

CMYK 30 / 0 / 53 / 2

HEX #AEFA76

RGB 174 250 118

HSL 94.55, 0.93%, 0.72%

LAB 91.09, -45.16, 55.32

 

CMYK 48 / 0 / 85 / 3

HEX #80F726

RGB 128 247 38

HSL 94.16, 0.93%, 0.56%

LAB 87.61, -64.2, 79.28

 

CMYK 85 / 0 / 20 / 3

HEX #26F7C6

RGB 38 247 198

HSL 165.93, 0.93%, 0.56%

LAB 87.49, -58.55, 10.2

 

CMYK 0 / 85 / 14 / 3

HEX #F726D4

RGB 247 38 212

HSL 310.05, 0.93%, 0.56%

LAB 57.96, 87.35, -40.55

 

CMYK 48 / 0 / 85 / 3

HEX #80F726

RGB 128 247 38

HSL 94.16, 0.93%, 0.56%

LAB 87.61, -64.2, 79.28

 

CMYK 85 / 48 / 0 / 3

HEX #2680F7

RGB 38 128 247

HSL 214.16, 0.93%, 0.56%

LAB 54.62, 17.26, -66.64

 

CMYK 0 / 85 / 48 / 3

HEX #F72680

RGB 247 38 128

HSL 334.16, 0.93%, 0.56%

LAB 54.78, 78.59, 3.72

 

CMYK 48 / 0 / 85 / 3

HEX #80F726

RGB 128 247 38

HSL 94.16, 0.93%, 0.56%

LAB 87.61, -64.2, 79.28

 

CMYK 85 / 0 / 20 / 3

HEX #26F7C6

RGB 38 247 198

HSL 165.93, 0.93%, 0.56%

LAB 87.49, -58.55, 10.2

 

CMYK 37 / 85 / 0 / 3

HEX #9C26F7

RGB 156 38 247

HSL 273.88, 0.93%, 0.56%

LAB 45.87, 78.22, -80.53

 

CMYK 0 / 85 / 65 / 3

HEX #F72657

RGB 247 38 87

HSL 345.93, 0.93%, 0.56%

LAB 53.87, 75.94, 27.07

 

CMYK 48 / 0 / 85 / 3

HEX #80F726

RGB 128 247 38

HSL 94.16, 0.93%, 0.56%

LAB 87.61, -64.2, 79.28

 

CMYK 85 / 6 / 0 / 3

HEX #26E9F7

RGB 38 233 247

HSL 184.02, 0.93%, 0.56%

LAB 84.69, -39.4, -19.6

 

CMYK 37 / 85 / 0 / 3

HEX #9C26F7

RGB 156 38 247

HSL 273.88, 0.93%, 0.56%

LAB 45.87, 78.22, -80.53

 

CMYK 0 / 79 / 85 / 3

HEX #F73426

RGB 247 52 38

HSL 4.02, 0.93%, 0.56%

LAB 54.42, 70.97, 54.67

 

Description

Color code: HEX #80F726 | qconv.com Color code: HEX #80F726 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 247 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 247 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 85 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 85% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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