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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #81037C it is the complementary color #7EFC83. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #81037C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #81037C shade: #860377, #97158A, #A8279D, #B939B0 and #CA4BC3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #81037C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #81037C shade: #81037C, #700069, #5F0056, #4E0043 and #3D0030

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #81037C shade: #81037C, #81035A, #810338, #810316 and #810303

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #81037C shade: #81037C, #640381, #420381, #200381 and #030381

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #81037C shade matches the following richer shades: #81037C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #81037C shade: #81037C, #760E72, #6B1868, #61235E and #562E54

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #81037C shade: #420381, #630381, #81037D, #81035B and #810339

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #81037C shade: #30012E, #590255, #81037C, #A904A2 and #D105C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #81037C shade: #81037C, #812003 and #038153

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #81037C shade: #81037C, #7D8103 and #037D81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #81037C shade: #81037C, #812003, #038107 and #036381

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #81037C shade: #81037C, #814603, #038107 and #033E81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 98 / 4 / 49

HEX #81037C

RGB 129 3 124

HSL 302.38, 0.95%, 0.26%

LAB 29.88, 58.02, -33.81

 

Complementary color

CMYK 50 / 0 / 48 / 1

HEX #7EFC83

RGB 126 252 131

HSL 122.38, 0.95%, 0.74%

LAB 89.72, -58.86, 47.15

 

CMYK 0 / 98 / 11 / 47

HEX #860377

RGB 134 3 119

HSL 306.87, 0.96%, 0.27%

LAB 30.56, 58.21, -29.51

 

CMYK 0 / 86 / 9 / 41

HEX #97158A

RGB 151 21 138

HSL 306, 0.76%, 0.34%

LAB 35.89, 61.43, -32.75

 

CMYK 0 / 77 / 7 / 34

HEX #A8279D

RGB 168 39 157

HSL 305.12, 0.62%, 0.41%

LAB 41.55, 63.34, -35.18

 

CMYK 0 / 69 / 5 / 27

HEX #B939B0

RGB 185 57 176

HSL 304.22, 0.53%, 0.47%

LAB 47.46, 64.24, -36.96

 

CMYK 0 / 63 / 3 / 21

HEX #CA4BC3

RGB 202 75 195

HSL 303.31, 0.55%, 0.54%

LAB 53.52, 64.5, -38.29

 

CMYK 0 / 98 / 4 / 49

HEX #81037C

RGB 129 3 124

HSL 302.38, 0.95%, 0.26%

LAB 29.88, 58.02, -33.81

 

CMYK 0 / 100 / 6 / 56

HEX #700069

RGB 112 0 105

HSL 303.75, 1%, 0.22%

LAB 25.15, 52.46, -29.36

 

CMYK 0 / 100 / 9 / 63

HEX #5F0056

RGB 95 0 86

HSL 305.68, 1%, 0.19%

LAB 20.46, 46.26, -24.47

 

CMYK 0 / 100 / 14 / 69

HEX #4E0043

RGB 78 0 67

HSL 308.46, 1%, 0.15%

LAB 15.62, 39.85, -19.34

 

CMYK 0 / 100 / 21 / 76

HEX #3D0030

RGB 61 0 48

HSL 312.79, 1%, 0.12%

LAB 10.6, 33.21, -13.87

 

CMYK 0 / 98 / 4 / 49

HEX #81037C

RGB 129 3 124

HSL 302.38, 0.95%, 0.26%

LAB 29.88, 58.02, -33.81

 

CMYK 0 / 98 / 30 / 49

HEX #81035A

RGB 129 3 90

HSL 318.57, 0.95%, 0.26%

LAB 28.04, 53.35, -14.77

 

CMYK 0 / 98 / 57 / 49

HEX #810338

RGB 129 3 56

HSL 334.76, 0.95%, 0.26%

LAB 26.79, 50.04, 6.23

 

CMYK 0 / 98 / 83 / 49

HEX #810316

RGB 129 3 22

HSL 350.95, 0.95%, 0.26%

LAB 26.13, 48.24, 28.16

 

CMYK 0 / 98 / 98 / 49

HEX #810303

RGB 129 3 3

HSL 0, 0.95%, 0.26%

LAB 25.98, 47.82, 37.34

 

CMYK 0 / 98 / 4 / 49

HEX #81037C

RGB 129 3 124

HSL 302.38, 0.95%, 0.26%

LAB 29.88, 58.02, -33.81

 

CMYK 22 / 98 / 0 / 49

HEX #640381

RGB 100 3 129

HSL 286.19, 0.95%, 0.26%

LAB 24.83, 54.02, -45.39

 

CMYK 49 / 98 / 0 / 49

HEX #420381

RGB 66 3 129

HSL 270, 0.95%, 0.26%

LAB 19.26, 49.74, -54.73

 

CMYK 75 / 98 / 0 / 49

HEX #200381

RGB 32 3 129

HSL 253.81, 0.95%, 0.26%

LAB 15.26, 47.34, -61.48

 

CMYK 98 / 98 / 0 / 49

HEX #030381

RGB 3 3 129

HSL 240, 0.95%, 0.26%

LAB 13.65, 46.6, -64.21

 

CMYK 0 / 98 / 4 / 49

HEX #81037C

RGB 129 3 124

HSL 302.38, 0.95%, 0.26%

LAB 29.88, 58.02, -33.81

 

CMYK 0 / 98 / 4 / 49

HEX #81037C

RGB 129 3 124

HSL 302.38, 0.95%, 0.26%

LAB 29.88, 58.02, -33.81

 

CMYK 0 / 88 / 3 / 54

HEX #760E72

RGB 118 14 114

HSL 302.31, 0.79%, 0.26%

LAB 27.79, 52.41, -30.9

 

CMYK 0 / 78 / 3 / 58

HEX #6B1868

RGB 107 24 104

HSL 302.17, 0.63%, 0.26%

LAB 26.09, 45.51, -27.28

 

CMYK 0 / 64 / 3 / 62

HEX #61235E

RGB 97 35 94

HSL 302.9, 0.47%, 0.26%

LAB 25.42, 36.42, -21.94

 

CMYK 0 / 47 / 2 / 66

HEX #562E54

RGB 86 46 84

HSL 303, 0.3%, 0.26%

LAB 25.48, 24.78, -15.38

 

CMYK 49 / 98 / 0 / 49

HEX #420381

RGB 66 3 129

HSL 270, 0.95%, 0.26%

LAB 19.26, 49.74, -54.73

 

CMYK 23 / 98 / 0 / 49

HEX #630381

RGB 99 3 129

HSL 285.71, 0.95%, 0.26%

LAB 24.65, 53.87, -45.69

 

CMYK 0 / 98 / 3 / 49

HEX #81037D

RGB 129 3 125

HSL 301.9, 0.95%, 0.26%

LAB 29.94, 58.17, -34.34

 

CMYK 0 / 98 / 29 / 49

HEX #81035B

RGB 129 3 91

HSL 318.1, 0.95%, 0.26%

LAB 28.08, 53.47, -15.36

 

CMYK 0 / 98 / 56 / 49

HEX #810339

RGB 129 3 57

HSL 334.29, 0.95%, 0.26%

LAB 26.81, 50.11, 5.58

 

CMYK 0 / 98 / 4 / 81

HEX #30012E

RGB 48 1 46

HSL 302.55, 0.96%, 0.1%

LAB 7.65, 29.39, -17.23

 

CMYK 0 / 98 / 4 / 65

HEX #590255

RGB 89 2 85

HSL 302.76, 0.96%, 0.18%

LAB 19.32, 44.39, -25.69

 

CMYK 0 / 98 / 4 / 49

HEX #81037C

RGB 129 3 124

HSL 302.38, 0.95%, 0.26%

LAB 29.88, 58.02, -33.81

 

CMYK 0 / 98 / 4 / 34

HEX #A904A2

RGB 169 4 162

HSL 302.55, 0.95%, 0.34%

LAB 39.8, 70.73, -40.96

 

CMYK 0 / 98 / 4 / 18

HEX #D105C9

RGB 209 5 201

HSL 302.35, 0.95%, 0.42%

LAB 49.35, 83.04, -48.29

 

CMYK 0 / 98 / 4 / 49

HEX #81037C

RGB 129 3 124

HSL 302.38, 0.95%, 0.26%

LAB 29.88, 58.02, -33.81

 

CMYK 0 / 75 / 98 / 49

HEX #812003

RGB 129 32 3

HSL 13.81, 0.95%, 0.26%

LAB 28.66, 40.24, 39.65

 

CMYK 98 / 0 / 36 / 49

HEX #038153

RGB 3 129 83

HSL 158.1, 0.95%, 0.26%

LAB 47.42, -41.75, 16.65

 

CMYK 0 / 98 / 4 / 49

HEX #81037C

RGB 129 3 124

HSL 302.38, 0.95%, 0.26%

LAB 29.88, 58.02, -33.81

 

CMYK 3 / 0 / 98 / 49

HEX #7D8103

RGB 125 129 3

HSL 61.9, 0.95%, 0.26%

LAB 51.91, -14.8, 56.03

 

CMYK 98 / 3 / 0 / 49

HEX #037D81

RGB 3 125 129

HSL 181.9, 0.95%, 0.26%

LAB 47.33, -26.87, -10.46

 

CMYK 0 / 98 / 4 / 49

HEX #81037C

RGB 129 3 124

HSL 302.38, 0.95%, 0.26%

LAB 29.88, 58.02, -33.81

 

CMYK 0 / 75 / 98 / 49

HEX #812003

RGB 129 32 3

HSL 13.81, 0.95%, 0.26%

LAB 28.66, 40.24, 39.65

 

CMYK 98 / 0 / 95 / 49

HEX #038107

RGB 3 129 7

HSL 121.9, 0.95%, 0.26%

LAB 46.63, -51.49, 48.8

 

CMYK 98 / 23 / 0 / 49

HEX #036381

RGB 3 99 129

HSL 194.29, 0.95%, 0.26%

LAB 38.77, -12.83, -23.55

 

CMYK 0 / 98 / 4 / 49

HEX #81037C

RGB 129 3 124

HSL 302.38, 0.95%, 0.26%

LAB 29.88, 58.02, -33.81

 

CMYK 0 / 46 / 98 / 49

HEX #814603

RGB 129 70 3

HSL 31.9, 0.95%, 0.26%

LAB 36.09, 21.05, 44.81

 

CMYK 98 / 0 / 95 / 49

HEX #038107

RGB 3 129 7

HSL 121.9, 0.95%, 0.26%

LAB 46.63, -51.49, 48.8

 

CMYK 98 / 52 / 0 / 49

HEX #033E81

RGB 3 62 129

HSL 211.9, 0.95%, 0.26%

LAB 26.88, 11.16, -42.44

 

Description

Color code: HEX #81037C | qconv.com Color code: HEX #81037C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 3 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 3 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 98 magenta, 4 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 98% 4% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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