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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #81187B it is the complementary color #7EE784. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #81187B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #81187B shade: #861876, #972A89, #A83C9C, #B94EAF and #CA60C2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #81187B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #81187B shade: #81187B, #700668, #5F0055, #4E0042 and #3D002F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #81187B shade: #81177B, #81175E, #811742, #811725 and #811717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #81187B shade: #81177B, #6A1781, #4E1781, #311781 and #171781

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #81187B shade matches the following richer shades: #81177B and #8D0B86

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #81187B shade: #81177B, #742470, #683065, #5C3C5A and #4F494F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #81187B shade: #4E1781, #6A1781, #81177C, #81175F and #811743

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #81187B shade: #3B0A38, #5E115A, #81177B, #A41E9C and #C724BD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #81187B shade: #81187B, #813217 and #17815C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #81187B shade: #81187B, #7C8117 and #177C81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #81187B shade: #81187B, #813217, #17811C and #176681

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #81187B shade: #81187B, #815117, #17811C and #174781

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 5 / 49

HEX #81187B

RGB 129 24 123

HSL 303.43, 0.69%, 0.3%

LAB 31.23, 53.73, -31.03

 

Complementary color

CMYK 45 / 0 / 43 / 9

HEX #7EE784

RGB 126 231 132

HSL 123.43, 0.69%, 0.7%

LAB 83.58, -50.36, 38.9

 

CMYK 0 / 82 / 12 / 47

HEX #861876

RGB 134 24 118

HSL 308.73, 0.7%, 0.31%

LAB 31.87, 54.06, -26.79

 

CMYK 0 / 72 / 9 / 41

HEX #972A89

RGB 151 42 137

HSL 307.71, 0.56%, 0.38%

LAB 37.92, 55.29, -28.94

 

CMYK 0 / 64 / 7 / 34

HEX #A83C9C

RGB 168 60 156

HSL 306.67, 0.47%, 0.45%

LAB 44.17, 55.64, -30.46

 

CMYK 0 / 58 / 5 / 27

HEX #B94EAF

RGB 185 78 175

HSL 305.61, 0.43%, 0.52%

LAB 50.52, 55.47, -31.58

 

CMYK 0 / 52 / 4 / 21

HEX #CA60C2

RGB 202 96 194

HSL 304.53, 0.5%, 0.58%

LAB 56.9, 55.03, -32.44

 

CMYK 0 / 81 / 5 / 49

HEX #81187B

RGB 129 24 123

HSL 303.43, 0.69%, 0.3%

LAB 31.23, 53.73, -31.03

 

CMYK 0 / 95 / 7 / 56

HEX #700668

RGB 112 6 104

HSL 304.53, 0.9%, 0.23%

LAB 25.49, 51.13, -28.18

 

CMYK 0 / 100 / 11 / 63

HEX #5F0055

RGB 95 0 85

HSL 306.32, 1%, 0.19%

LAB 20.4, 46.1, -23.9

 

CMYK 0 / 100 / 15 / 69

HEX #4E0042

RGB 78 0 66

HSL 309.23, 1%, 0.15%

LAB 15.56, 39.7, -18.73

 

CMYK 0 / 100 / 23 / 76

HEX #3D002F

RGB 61 0 47

HSL 313.77, 1%, 0.12%

LAB 10.54, 33.06, -13.22

 

CMYK 0 / 82 / 5 / 49

HEX #81177B

RGB 129 23 123

HSL 303.4, 0.7%, 0.3%

LAB 31.14, 54.01, -31.18

 

CMYK 0 / 82 / 27 / 49

HEX #81175E

RGB 129 23 94

HSL 319.81, 0.7%, 0.3%

LAB 29.63, 49.74, -14.93

 

CMYK 0 / 82 / 49 / 49

HEX #811742

RGB 129 23 66

HSL 335.66, 0.7%, 0.3%

LAB 28.57, 46.59, 2.01

 

CMYK 0 / 82 / 71 / 49

HEX #811725

RGB 129 23 37

HSL 352.08, 0.7%, 0.3%

LAB 27.88, 44.46, 20.5

 

CMYK 0 / 82 / 82 / 49

HEX #811717

RGB 129 23 23

HSL 0, 0.7%, 0.3%

LAB 27.69, 43.85, 29.14

 

CMYK 0 / 82 / 5 / 49

HEX #81177B

RGB 129 23 123

HSL 303.4, 0.7%, 0.3%

LAB 31.14, 54.01, -31.18

 

CMYK 18 / 82 / 0 / 49

HEX #6A1781

RGB 106 23 129

HSL 286.98, 0.7%, 0.3%

LAB 27.47, 50.34, -41.06

 

CMYK 40 / 82 / 0 / 49

HEX #4E1781

RGB 78 23 129

HSL 271.13, 0.7%, 0.3%

LAB 23.06, 45.25, -48.42

 

CMYK 62 / 82 / 0 / 49

HEX #311781

RGB 49 23 129

HSL 254.72, 0.7%, 0.3%

LAB 19.44, 41.07, -54.51

 

CMYK 82 / 82 / 0 / 49

HEX #171781

RGB 23 23 129

HSL 240, 0.7%, 0.3%

LAB 17.37, 38.68, -58

 

CMYK 0 / 82 / 5 / 49

HEX #81177B

RGB 129 23 123

HSL 303.4, 0.7%, 0.3%

LAB 31.14, 54.01, -31.18

 

CMYK 0 / 92 / 5 / 45

HEX #8D0B86

RGB 141 11 134

HSL 303.23, 0.86%, 0.3%

LAB 33.19, 60.62, -34.68

 

CMYK 0 / 82 / 5 / 49

HEX #81177B

RGB 129 23 123

HSL 303.4, 0.7%, 0.3%

LAB 31.14, 54.01, -31.18

 

CMYK 0 / 69 / 3 / 55

HEX #742470

RGB 116 36 112

HSL 303, 0.53%, 0.3%

LAB 29.77, 44.56, -26.5

 

CMYK 0 / 54 / 3 / 59

HEX #683065

RGB 104 48 101

HSL 303.21, 0.37%, 0.3%

LAB 29.4, 33.16, -20.17

 

CMYK 0 / 35 / 2 / 64

HEX #5C3C5A

RGB 92 60 90

HSL 303.75, 0.21%, 0.3%

LAB 30.02, 19.6, -12.26

 

CMYK 0 / 8 / 0 / 69

HEX #4F494F

RGB 79 73 79

HSL 300, 0.04%, 0.3%

LAB 31.79, 3.78, -2.67

 

CMYK 40 / 82 / 0 / 49

HEX #4E1781

RGB 78 23 129

HSL 271.13, 0.7%, 0.3%

LAB 23.06, 45.25, -48.42

 

CMYK 18 / 82 / 0 / 49

HEX #6A1781

RGB 106 23 129

HSL 286.98, 0.7%, 0.3%

LAB 27.47, 50.34, -41.06

 

CMYK 0 / 82 / 4 / 49

HEX #81177C

RGB 129 23 124

HSL 302.83, 0.7%, 0.3%

LAB 31.2, 54.17, -31.71

 

CMYK 0 / 82 / 26 / 49

HEX #81175F

RGB 129 23 95

HSL 319.25, 0.7%, 0.3%

LAB 29.68, 49.87, -15.52

 

CMYK 0 / 82 / 48 / 49

HEX #811743

RGB 129 23 67

HSL 335.09, 0.7%, 0.3%

LAB 28.6, 46.68, 1.39

 

CMYK 0 / 83 / 5 / 77

HEX #3B0A38

RGB 59 10 56

HSL 303.67, 0.71%, 0.14%

LAB 12.17, 29.72, -17.24

 

CMYK 0 / 82 / 4 / 63

HEX #5E115A

RGB 94 17 90

HSL 303.12, 0.69%, 0.22%

LAB 22.01, 42.31, -24.7

 

CMYK 0 / 82 / 5 / 49

HEX #81177B

RGB 129 23 123

HSL 303.4, 0.7%, 0.3%

LAB 31.14, 54.01, -31.18

 

CMYK 0 / 82 / 5 / 36

HEX #A41E9C

RGB 164 30 156

HSL 303.58, 0.69%, 0.38%

LAB 39.95, 64.78, -37.15

 

CMYK 0 / 82 / 5 / 22

HEX #C724BD

RGB 199 36 189

HSL 303.68, 0.69%, 0.46%

LAB 48.36, 75.32, -43.01

 

CMYK 0 / 81 / 5 / 49

HEX #81187B

RGB 129 24 123

HSL 303.43, 0.69%, 0.3%

LAB 31.23, 53.73, -31.03

 

CMYK 0 / 61 / 82 / 49

HEX #813217

RGB 129 50 23

HSL 15.28, 0.7%, 0.3%

LAB 31.83, 32.59, 33.29

 

CMYK 82 / 0 / 29 / 49

HEX #17815C

RGB 23 129 92

HSL 159.06, 0.7%, 0.3%

LAB 47.82, -38, 12.05

 

CMYK 0 / 81 / 5 / 49

HEX #81187B

RGB 129 24 123

HSL 303.43, 0.69%, 0.3%

LAB 31.23, 53.73, -31.03

 

CMYK 4 / 0 / 82 / 49

HEX #7C8117

RGB 124 129 23

HSL 62.83, 0.7%, 0.3%

LAB 51.89, -14.74, 51.58

 

CMYK 82 / 4 / 0 / 49

HEX #177C81

RGB 23 124 129

HSL 182.83, 0.7%, 0.3%

LAB 47.21, -25, -10.61

 

CMYK 0 / 81 / 5 / 49

HEX #81187B

RGB 129 24 123

HSL 303.43, 0.69%, 0.3%

LAB 31.23, 53.73, -31.03

 

CMYK 0 / 61 / 82 / 49

HEX #813217

RGB 129 50 23

HSL 15.28, 0.7%, 0.3%

LAB 31.83, 32.59, 33.29

 

CMYK 82 / 0 / 78 / 49

HEX #17811C

RGB 23 129 28

HSL 122.83, 0.7%, 0.3%

LAB 46.93, -48.42, 43.51

 

CMYK 82 / 21 / 0 / 49

HEX #176681

RGB 23 102 129

HSL 195.28, 0.7%, 0.3%

LAB 40.03, -13.05, -21.58

 

CMYK 0 / 81 / 5 / 49

HEX #81187B

RGB 129 24 123

HSL 303.43, 0.69%, 0.3%

LAB 31.23, 53.73, -31.03

 

CMYK 0 / 37 / 82 / 49

HEX #815117

RGB 129 81 23

HSL 32.83, 0.7%, 0.3%

LAB 38.92, 15.14, 40.06

 

CMYK 82 / 0 / 78 / 49

HEX #17811C

RGB 23 129 28

HSL 122.83, 0.7%, 0.3%

LAB 46.93, -48.42, 43.51

 

CMYK 82 / 45 / 0 / 49

HEX #174781

RGB 23 71 129

HSL 212.83, 0.7%, 0.3%

LAB 30.09, 6.52, -37.23

 

Description

Color code: HEX #81187B | qconv.com Color code: HEX #81187B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 24 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 24 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 5 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 5% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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