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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8111E2 it is the complementary color #7EEE1D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8111E2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8111E2 shade: #8611DD, #9723F0, #A835FF, #B947FF and #CA59FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8111E2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8111E2 shade: #8111E2, #7000CF, #5F00BC, #4E00A9 and #3D0096

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8111E2 shade: #8111E3, #BA11E3, #E311D3, #E3119B and #E31162

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8111E2 shade: #8111E3, #4911E3 and #1111E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8111E2 shade matches the following richer shades: #8111E3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8111E2 shade: #8111E3, #8024CF, #7F38BC, #7D4CA8 and #7C6094

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8111E2 shade: #1111E3, #4911E3, #8111E3, #B911E3 and #E311D5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8111E2 shade: #560B96, #6C0EBD, #8111E3, #952EEF and #A955F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8111E2 shade: #8111E2, #E31149 and #11E32D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8111E2 shade: #8111E2, #E38111 and #11E381

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8111E2 shade: #8111E2, #E31149, #73E311 and #11E3AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8111E2 shade: #8111E2, #E31811, #73E311 and #11DCE3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 92 / 0 / 11

HEX #8111E2

RGB 129 17 226

HSL 272.15, 0.86%, 0.48%

LAB 38.83, 75.17, -80.34

 

Complementary color

CMYK 47 / 0 / 88 / 7

HEX #7EEE1D

RGB 126 238 29

HSL 92.15, 0.86%, 0.52%

LAB 84.83, -61.8, 78.59

 

CMYK 39 / 92 / 0 / 13

HEX #8611DD

RGB 134 17 221

HSL 274.41, 0.86%, 0.47%

LAB 39.05, 74.66, -77.08

 

CMYK 37 / 85 / 0 / 6

HEX #9723F0

RGB 151 35 240

HSL 273.95, 0.87%, 0.54%

LAB 44.34, 76.89, -79.12

 

CMYK 34 / 79 / 0 / 0

HEX #A835FF

RGB 168 53 255

HSL 274.16, 1%, 0.6%

LAB 49.61, 77.2, -78.82

 

CMYK 27 / 72 / 0 / 0

HEX #B947FF

RGB 185 71 255

HSL 277.17, 1%, 0.64%

LAB 54.07, 73.64, -71.46

 

CMYK 21 / 65 / 0 / 0

HEX #CA59FF

RGB 202 89 255

HSL 280.84, 1%, 0.67%

LAB 58.9, 69.65, -63.55

 

CMYK 43 / 92 / 0 / 11

HEX #8111E2

RGB 129 17 226

HSL 272.15, 0.86%, 0.48%

LAB 38.83, 75.17, -80.34

 

CMYK 46 / 100 / 0 / 19

HEX #7000CF

RGB 112 0 207

HSL 272.46, 1%, 0.41%

LAB 33.88, 71.85, -77.63

 

CMYK 49 / 100 / 0 / 26

HEX #5F00BC

RGB 95 0 188

HSL 270.32, 1%, 0.37%

LAB 29.57, 66.34, -73.66

 

CMYK 54 / 100 / 0 / 34

HEX #4E00A9

RGB 78 0 169

HSL 267.69, 1%, 0.33%

LAB 25.21, 60.77, -69.58

 

CMYK 59 / 100 / 0 / 41

HEX #3D0096

RGB 61 0 150

HSL 264.4, 1%, 0.29%

LAB 20.81, 55.14, -65.34

 

CMYK 43 / 93 / 0 / 11

HEX #8111E3

RGB 129 17 227

HSL 272, 0.86%, 0.48%

LAB 38.92, 75.38, -80.75

 

CMYK 18 / 93 / 0 / 11

HEX #BA11E3

RGB 186 17 227

HSL 288.29, 0.86%, 0.48%

LAB 47.48, 82.42, -66.42

 

CMYK 0 / 93 / 7 / 11

HEX #E311D3

RGB 227 17 211

HSL 304.57, 0.86%, 0.48%

LAB 53.42, 86.49, -47.37

 

CMYK 0 / 93 / 32 / 11

HEX #E3119B

RGB 227 17 155

HSL 320.57, 0.86%, 0.48%

LAB 50.8, 79.74, -18.76

 

CMYK 0 / 93 / 57 / 11

HEX #E31162

RGB 227 17 98

HSL 336.86, 0.86%, 0.48%

LAB 49.02, 74.95, 13.23

 

CMYK 43 / 93 / 0 / 11

HEX #8111E3

RGB 129 17 227

HSL 272, 0.86%, 0.48%

LAB 38.92, 75.38, -80.75

 

CMYK 68 / 93 / 0 / 11

HEX #4911E3

RGB 73 17 227

HSL 256, 0.86%, 0.48%

LAB 32.62, 71.11, -91.38

 

CMYK 93 / 93 / 0 / 11

HEX #1111E3

RGB 17 17 227

HSL 240, 0.86%, 0.48%

LAB 29.58, 69.45, -96.53

 

CMYK 43 / 93 / 0 / 11

HEX #8111E3

RGB 129 17 227

HSL 272, 0.86%, 0.48%

LAB 38.92, 75.38, -80.75

 

CMYK 43 / 93 / 0 / 11

HEX #8111E3

RGB 129 17 227

HSL 272, 0.86%, 0.48%

LAB 38.92, 75.38, -80.75

 

CMYK 38 / 83 / 0 / 19

HEX #8024CF

RGB 128 36 207

HSL 272.28, 0.7%, 0.48%

LAB 38.47, 66.49, -69.99

 

CMYK 32 / 70 / 0 / 26

HEX #7F38BC

RGB 127 56 188

HSL 272.27, 0.54%, 0.48%

LAB 39.53, 54.24, -57.19

 

CMYK 26 / 55 / 0 / 34

HEX #7D4CA8

RGB 125 76 168

HSL 271.96, 0.38%, 0.48%

LAB 41.78, 38.68, -41.78

 

CMYK 16 / 35 / 0 / 42

HEX #7C6094

RGB 124 96 148

HSL 272.31, 0.21%, 0.48%

LAB 45.34, 21.87, -24.28

 

CMYK 93 / 93 / 0 / 11

HEX #1111E3

RGB 17 17 227

HSL 240, 0.86%, 0.48%

LAB 29.58, 69.45, -96.53

 

CMYK 68 / 93 / 0 / 11

HEX #4911E3

RGB 73 17 227

HSL 256, 0.86%, 0.48%

LAB 32.62, 71.11, -91.38

 

CMYK 43 / 93 / 0 / 11

HEX #8111E3

RGB 129 17 227

HSL 272, 0.86%, 0.48%

LAB 38.92, 75.38, -80.75

 

CMYK 19 / 93 / 0 / 11

HEX #B911E3

RGB 185 17 227

HSL 288, 0.86%, 0.48%

LAB 47.32, 82.28, -66.69

 

CMYK 0 / 93 / 6 / 11

HEX #E311D5

RGB 227 17 213

HSL 304, 0.86%, 0.48%

LAB 53.53, 86.76, -48.34

 

CMYK 43 / 93 / 0 / 41

HEX #560B96

RGB 86 11 150

HSL 272.37, 0.86%, 0.32%

LAB 25.01, 54.95, -58.27

 

CMYK 43 / 93 / 0 / 26

HEX #6C0EBD

RGB 108 14 189

HSL 272.23, 0.86%, 0.4%

LAB 32.21, 65.55, -69.85

 

CMYK 43 / 93 / 0 / 11

HEX #8111E3

RGB 129 17 227

HSL 272, 0.86%, 0.48%

LAB 38.92, 75.38, -80.75

 

CMYK 38 / 81 / 0 / 6

HEX #952EEF

RGB 149 46 239

HSL 272.02, 0.86%, 0.56%

LAB 45.05, 73.28, -77.41

 

CMYK 30 / 65 / 0 / 5

HEX #A955F2

RGB 169 85 242

HSL 272.1, 0.86%, 0.64%

LAB 53.32, 61.74, -65.53

 

CMYK 43 / 92 / 0 / 11

HEX #8111E2

RGB 129 17 226

HSL 272.15, 0.86%, 0.48%

LAB 38.83, 75.17, -80.34

 

CMYK 0 / 93 / 68 / 11

HEX #E31149

RGB 227 17 73

HSL 344, 0.86%, 0.48%

LAB 48.53, 73.58, 27.9

 

CMYK 93 / 0 / 80 / 11

HEX #11E32D

RGB 17 227 45

HSL 128, 0.86%, 0.48%

LAB 79.18, -76.89, 69.13

 

CMYK 43 / 92 / 0 / 11

HEX #8111E2

RGB 129 17 226

HSL 272.15, 0.86%, 0.48%

LAB 38.83, 75.17, -80.34

 

CMYK 0 / 43 / 93 / 11

HEX #E38111

RGB 227 129 17

HSL 32, 0.86%, 0.48%

LAB 63.4, 31.28, 67.08

 

CMYK 93 / 0 / 43 / 11

HEX #11E381

RGB 17 227 129

HSL 152, 0.86%, 0.48%

LAB 79.98, -67.09, 35.29

 

CMYK 43 / 92 / 0 / 11

HEX #8111E2

RGB 129 17 226

HSL 272.15, 0.86%, 0.48%

LAB 38.83, 75.17, -80.34

 

CMYK 0 / 93 / 68 / 11

HEX #E31149

RGB 227 17 73

HSL 344, 0.86%, 0.48%

LAB 48.53, 73.58, 27.9

 

CMYK 49 / 0 / 93 / 11

HEX #73E311

RGB 115 227 17

HSL 92, 0.86%, 0.48%

LAB 81.08, -61.32, 77.09

 

CMYK 93 / 0 / 25 / 11

HEX #11E3AB

RGB 17 227 171

HSL 164, 0.86%, 0.48%

LAB 80.74, -58.42, 14.71

 

CMYK 43 / 92 / 0 / 11

HEX #8111E2

RGB 129 17 226

HSL 272.15, 0.86%, 0.48%

LAB 38.83, 75.17, -80.34

 

CMYK 0 / 89 / 93 / 11

HEX #E31811

RGB 227 24 17

HSL 2, 0.86%, 0.48%

LAB 48.29, 71.1, 57.01

 

CMYK 49 / 0 / 93 / 11

HEX #73E311

RGB 115 227 17

HSL 92, 0.86%, 0.48%

LAB 81.08, -61.32, 77.09

 

CMYK 93 / 3 / 0 / 11

HEX #11DCE3

RGB 17 220 227

HSL 182, 0.86%, 0.48%

LAB 80.1, -40.48, -15.95

 

Description

Color code: HEX #8111E2 | qconv.com Color code: HEX #8111E2 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 17 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 17 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 92 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 92% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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