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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #812996 it is the complementary color #7ED669. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #812996. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #812996 shade: #862991, #973BA4, #A84DB7, #B95FCA and #CA71DD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #812996. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #812996 shade: #812996, #701783, #5F0570, #4E005D and #3D004A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #812996 shade: #7F2894, #94288B, #94286E, #942851 and #942834

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #812996 shade: #7F2894, #622894, #452894 and #282894

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #812996 shade matches the following richer shades: #7F2894, #8819A3 and #920AB2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #812996 shade: #7F2894, #763784, #6C4775, #635666 and #596557

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #812996 shade: #452894, #612894, #7E2894, #94288C and #942870

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #812996 shade: #471653, #631F73, #7F2894, #9B31B4 and #B143CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #812996 shade: #812996, #942828 and #289453

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #812996 shade: #812996, #947E28 and #28947E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #812996 shade: #812996, #942828, #3E9428 and #289494

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #812996 shade: #812996, #944828, #3E9428 and #287394

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 73 / 0 / 41

HEX #812996

RGB 129 41 150

HSL 288.44, 0.57%, 0.37%

LAB 34.91, 52.84, -41.89

 

Complementary color

CMYK 41 / 0 / 51 / 16

HEX #7ED669

RGB 126 214 105

HSL 108.44, 0.57%, 0.63%

LAB 78.2, -46.96, 45.33

 

CMYK 8 / 72 / 0 / 43

HEX #862991

RGB 134 41 145

HSL 293.65, 0.56%, 0.36%

LAB 35.4, 53.01, -38.02

 

CMYK 8 / 64 / 0 / 36

HEX #973BA4

RGB 151 59 164

HSL 292.57, 0.47%, 0.44%

LAB 41.83, 53.15, -39.11

 

CMYK 8 / 58 / 0 / 28

HEX #A84DB7

RGB 168 77 183

HSL 291.51, 0.42%, 0.51%

LAB 48.32, 52.83, -39.87

 

CMYK 8 / 53 / 0 / 21

HEX #B95FCA

RGB 185 95 202

HSL 290.47, 0.5%, 0.58%

LAB 54.83, 52.27, -40.42

 

CMYK 9 / 49 / 0 / 13

HEX #CA71DD

RGB 202 113 221

HSL 289.44, 0.61%, 0.65%

LAB 61.3, 51.59, -40.84

 

CMYK 14 / 73 / 0 / 41

HEX #812996

RGB 129 41 150

HSL 288.44, 0.57%, 0.37%

LAB 34.91, 52.84, -41.89

 

CMYK 15 / 82 / 0 / 49

HEX #701783

RGB 112 23 131

HSL 289.44, 0.7%, 0.3%

LAB 28.63, 51.91, -40.38

 

CMYK 15 / 96 / 0 / 56

HEX #5F0570

RGB 95 5 112

HSL 290.47, 0.91%, 0.23%

LAB 22.69, 49.55, -38.03

 

CMYK 16 / 100 / 0 / 64

HEX #4E005D

RGB 78 0 93

HSL 290.32, 1%, 0.18%

LAB 17.51, 44.38, -34.09

 

CMYK 18 / 100 / 0 / 71

HEX #3D004A

RGB 61 0 74

HSL 289.46, 1%, 0.15%

LAB 12.52, 37.84, -29.38

 

CMYK 14 / 73 / 0 / 42

HEX #7F2894

RGB 127 40 148

HSL 288.33, 0.57%, 0.37%

LAB 34.33, 52.4, -41.62

 

CMYK 0 / 73 / 6 / 42

HEX #94288B

RGB 148 40 139

HSL 305, 0.57%, 0.37%

LAB 37.26, 55.6, -31.24

 

CMYK 0 / 73 / 26 / 42

HEX #94286E

RGB 148 40 110

HSL 321.11, 0.57%, 0.37%

LAB 35.87, 51.28, -15.33

 

CMYK 0 / 73 / 45 / 42

HEX #942851

RGB 148 40 81

HSL 337.22, 0.57%, 0.37%

LAB 34.82, 47.86, 1.65

 

CMYK 0 / 73 / 65 / 42

HEX #942834

RGB 148 40 52

HSL 353.33, 0.57%, 0.37%

LAB 34.11, 45.47, 19.42

 

CMYK 14 / 73 / 0 / 42

HEX #7F2894

RGB 127 40 148

HSL 288.33, 0.57%, 0.37%

LAB 34.33, 52.4, -41.62

 

CMYK 34 / 73 / 0 / 42

HEX #622894

RGB 98 40 148

HSL 272.22, 0.57%, 0.37%

LAB 30.04, 46.25, -48.76

 

CMYK 53 / 73 / 0 / 42

HEX #452894

RGB 69 40 148

HSL 256.11, 0.57%, 0.37%

LAB 26.51, 40.88, -54.67

 

CMYK 73 / 73 / 0 / 42

HEX #282894

RGB 40 40 148

HSL 240, 0.57%, 0.37%

LAB 24.02, 36.87, -58.85

 

CMYK 14 / 73 / 0 / 42

HEX #7F2894

RGB 127 40 148

HSL 288.33, 0.57%, 0.37%

LAB 34.33, 52.4, -41.62

 

CMYK 17 / 85 / 0 / 36

HEX #8819A3

RGB 136 25 163

HSL 288.26, 0.73%, 0.37%

LAB 35.15, 61.85, -49.34

 

CMYK 18 / 94 / 0 / 30

HEX #920AB2

RGB 146 10 178

HSL 288.57, 0.89%, 0.37%

LAB 37.01, 68.9, -55.24

 

CMYK 14 / 73 / 0 / 42

HEX #7F2894

RGB 127 40 148

HSL 288.33, 0.57%, 0.37%

LAB 34.33, 52.4, -41.62

 

CMYK 11 / 58 / 0 / 48

HEX #763784

RGB 118 55 132

HSL 289.09, 0.41%, 0.37%

LAB 34.5, 39.97, -31.59

 

CMYK 8 / 39 / 0 / 54

HEX #6C4775

RGB 108 71 117

HSL 288.26, 0.24%, 0.37%

LAB 35.94, 24.46, -20.1

 

CMYK 3 / 16 / 0 / 60

HEX #635666

RGB 99 86 102

HSL 288.75, 0.09%, 0.37%

LAB 38.32, 8.58, -7.24

 

CMYK 12 / 0 / 14 / 60

HEX #596557

RGB 89 101 87

HSL 111.43, 0.07%, 0.37%

LAB 41.41, -7.57, 6.39

 

CMYK 53 / 73 / 0 / 42

HEX #452894

RGB 69 40 148

HSL 256.11, 0.57%, 0.37%

LAB 26.51, 40.88, -54.67

 

CMYK 34 / 73 / 0 / 42

HEX #612894

RGB 97 40 148

HSL 271.67, 0.57%, 0.37%

LAB 29.9, 46.05, -48.99

 

CMYK 15 / 73 / 0 / 42

HEX #7E2894

RGB 126 40 148

HSL 287.78, 0.57%, 0.37%

LAB 34.17, 52.18, -41.88

 

CMYK 0 / 73 / 5 / 42

HEX #94288C

RGB 148 40 140

HSL 304.44, 0.57%, 0.37%

LAB 37.31, 55.77, -31.77

 

CMYK 0 / 73 / 24 / 42

HEX #942870

RGB 148 40 112

HSL 320, 0.57%, 0.37%

LAB 35.95, 51.55, -16.46

 

CMYK 14 / 73 / 0 / 67

HEX #471653

RGB 71 22 83

HSL 288.2, 0.58%, 0.21%

LAB 18.09, 33.23, -26.5

 

CMYK 14 / 73 / 0 / 55

HEX #631F73

RGB 99 31 115

HSL 288.57, 0.58%, 0.29%

LAB 26.36, 43, -34.02

 

CMYK 14 / 73 / 0 / 42

HEX #7F2894

RGB 127 40 148

HSL 288.33, 0.57%, 0.37%

LAB 34.33, 52.4, -41.62

 

CMYK 14 / 73 / 0 / 29

HEX #9B31B4

RGB 155 49 180

HSL 288.55, 0.57%, 0.45%

LAB 41.94, 61.18, -48.39

 

CMYK 13 / 67 / 0 / 20

HEX #B143CB

RGB 177 67 203

HSL 288.53, 0.57%, 0.53%

LAB 49.1, 63.28, -50.15

 

CMYK 14 / 73 / 0 / 41

HEX #812996

RGB 129 41 150

HSL 288.44, 0.57%, 0.37%

LAB 34.91, 52.84, -41.89

 

CMYK 0 / 73 / 73 / 42

HEX #942828

RGB 148 40 40

HSL 0, 0.57%, 0.37%

LAB 33.91, 44.79, 26.74

 

CMYK 73 / 0 / 44 / 42

HEX #289453

RGB 40 148 83

HSL 143.89, 0.57%, 0.37%

LAB 54.3, -45.22, 25.87

 

CMYK 14 / 73 / 0 / 41

HEX #812996

RGB 129 41 150

HSL 288.44, 0.57%, 0.37%

LAB 34.91, 52.84, -41.89

 

CMYK 0 / 15 / 73 / 42

HEX #947E28

RGB 148 126 40

HSL 47.78, 0.57%, 0.37%

LAB 53.35, -1.26, 47.6

 

CMYK 73 / 0 / 15 / 42

HEX #28947E

RGB 40 148 126

HSL 167.78, 0.57%, 0.37%

LAB 55.21, -35.37, 2.98

 

CMYK 14 / 73 / 0 / 41

HEX #812996

RGB 129 41 150

HSL 288.44, 0.57%, 0.37%

LAB 34.91, 52.84, -41.89

 

CMYK 0 / 73 / 73 / 42

HEX #942828

RGB 148 40 40

HSL 0, 0.57%, 0.37%

LAB 33.91, 44.79, 26.74

 

CMYK 58 / 0 / 73 / 42

HEX #3E9428

RGB 62 148 40

HSL 107.78, 0.57%, 0.37%

LAB 54.4, -46.12, 46.83

 

CMYK 73 / 0 / 0 / 42

HEX #289494

RGB 40 148 148

HSL 180, 0.57%, 0.37%

LAB 55.86, -29.06, -8.69

 

CMYK 14 / 73 / 0 / 41

HEX #812996

RGB 129 41 150

HSL 288.44, 0.57%, 0.37%

LAB 34.91, 52.84, -41.89

 

CMYK 0 / 51 / 73 / 42

HEX #944828

RGB 148 72 40

HSL 17.78, 0.57%, 0.37%

LAB 39.72, 29.5, 33.33

 

CMYK 58 / 0 / 73 / 42

HEX #3E9428

RGB 62 148 40

HSL 107.78, 0.57%, 0.37%

LAB 54.4, -46.12, 46.83

 

CMYK 73 / 22 / 0 / 42

HEX #287394

RGB 40 115 148

HSL 198.33, 0.57%, 0.37%

LAB 45.43, -11.52, -24.57

 

Description

Color code: HEX #812996 | qconv.com Color code: HEX #812996 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 41 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 41 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 73 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 73% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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