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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #81214E it is the complementary color #7EDEB1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #81214E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #81214E shade: #862149, #97335C, #A8456F, #B95782 and #CA6995

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #81214E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #81214E shade: #81214E, #700F3B, #5F0028, #4E0015 and #3D0002

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #81214E shade: #81214E, #812134 and #812121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #81214E shade: #81214E, #812168, #802181, #672181 and #4D2181

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #81214E shade matches the following richer shades: #81214E, #8E144D and #9C074C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #81214E shade: #81214E, #742E4F, #673B50, #5A4951 and #4C5651

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #81214E shade: #802181, #812169, #81214F, #812136 and #812621

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #81214E shade: #401026, #60183A, #81214E, #A22962 and #C33276

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #81214E shade: #81214E, #816621 and #217681

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #81214E shade: #81214E, #4F8121 and #214F81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #81214E shade: #81214E, #816621, #218153 and #213C81

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #81214E shade: #81214E, #808121, #218153 and #232181

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 40 / 49

HEX #81214E

RGB 129 33 78

HSL 331.88, 0.59%, 0.32%

LAB 30.17, 44.45, -3.63

 

Complementary color

CMYK 43 / 0 / 20 / 13

HEX #7EDEB1

RGB 126 222 177

HSL 151.88, 0.59%, 0.68%

LAB 81.76, -38.54, 13.33

 

CMYK 0 / 75 / 46 / 47

HEX #862149

RGB 134 33 73

HSL 336.24, 0.6%, 0.33%

LAB 30.97, 45.42, 0.95

 

CMYK 0 / 66 / 39 / 41

HEX #97335C

RGB 151 51 92

HSL 335.4, 0.5%, 0.4%

LAB 37.33, 45.48, -1.65

 

CMYK 0 / 59 / 34 / 34

HEX #A8456F

RGB 168 69 111

HSL 334.55, 0.42%, 0.46%

LAB 43.84, 45.03, -3.61

 

CMYK 0 / 53 / 30 / 27

HEX #B95782

RGB 185 87 130

HSL 333.67, 0.41%, 0.53%

LAB 50.38, 44.34, -5.15

 

CMYK 0 / 48 / 26 / 21

HEX #CA6995

RGB 202 105 149

HSL 332.78, 0.48%, 0.6%

LAB 56.91, 43.55, -6.42

 

CMYK 0 / 74 / 40 / 49

HEX #81214E

RGB 129 33 78

HSL 331.88, 0.59%, 0.32%

LAB 30.17, 44.45, -3.63

 

CMYK 0 / 87 / 47 / 56

HEX #700F3B

RGB 112 15 59

HSL 332.78, 0.76%, 0.25%

LAB 24.01, 43.37, -0.31

 

CMYK 0 / 100 / 58 / 63

HEX #5F0028

RGB 95 0 40

HSL 334.74, 1%, 0.19%

LAB 18.3, 40.76, 4.36

 

CMYK 0 / 100 / 73 / 69

HEX #4E0015

RGB 78 0 21

HSL 343.85, 1%, 0.15%

LAB 13.67, 34.84, 11.28

 

CMYK 0 / 100 / 97 / 76

HEX #3D0002

RGB 61 0 2

HSL 358.03, 1%, 0.12%

LAB 8.96, 28.94, 13.34

 

CMYK 0 / 74 / 40 / 49

HEX #81214E

RGB 129 33 78

HSL 331.88, 0.59%, 0.32%

LAB 30.17, 44.45, -3.63

 

CMYK 0 / 74 / 60 / 49

HEX #812134

RGB 129 33 52

HSL 348.13, 0.59%, 0.32%

LAB 29.42, 41.96, 12.56

 

CMYK 0 / 74 / 74 / 49

HEX #812121

RGB 129 33 33

HSL 0, 0.59%, 0.32%

LAB 29.07, 40.77, 24.49

 

CMYK 0 / 74 / 40 / 49

HEX #81214E

RGB 129 33 78

HSL 331.88, 0.59%, 0.32%

LAB 30.17, 44.45, -3.63

 

CMYK 0 / 74 / 19 / 49

HEX #812168

RGB 129 33 104

HSL 315.63, 0.59%, 0.32%

LAB 31.24, 47.87, -18.92

 

CMYK 1 / 74 / 0 / 49

HEX #802181

RGB 128 33 129

HSL 299.38, 0.59%, 0.32%

LAB 32.4, 51.68, -32.96

 

CMYK 20 / 74 / 0 / 49

HEX #672181

RGB 103 33 129

HSL 283.75, 0.59%, 0.32%

LAB 28.26, 46.03, -39.8

 

CMYK 40 / 74 / 0 / 49

HEX #4D2181

RGB 77 33 129

HSL 267.5, 0.59%, 0.32%

LAB 24.48, 40.6, -46.1

 

CMYK 0 / 74 / 40 / 49

HEX #81214E

RGB 129 33 78

HSL 331.88, 0.59%, 0.32%

LAB 30.17, 44.45, -3.63

 

CMYK 0 / 86 / 46 / 44

HEX #8E144D

RGB 142 20 77

HSL 331.97, 0.75%, 0.32%

LAB 31.32, 51.97, -0.98

 

CMYK 0 / 96 / 51 / 39

HEX #9C074C

RGB 156 7 76

HSL 332.21, 0.91%, 0.32%

LAB 33.44, 57.65, 3.12

 

CMYK 0 / 74 / 40 / 49

HEX #81214E

RGB 129 33 78

HSL 331.88, 0.59%, 0.32%

LAB 30.17, 44.45, -3.63

 

CMYK 0 / 60 / 32 / 55

HEX #742E4F

RGB 116 46 79

HSL 331.71, 0.43%, 0.32%

LAB 29.99, 34.55, -4.8

 

CMYK 0 / 43 / 22 / 60

HEX #673B50

RGB 103 59 80

HSL 331.36, 0.27%, 0.32%

LAB 30.86, 22.55, -4.38

 

CMYK 0 / 19 / 10 / 65

HEX #5A4951

RGB 90 73 81

HSL 331.76, 0.1%, 0.32%

LAB 32.99, 8.72, -2.05

 

CMYK 12 / 0 / 6 / 66

HEX #4C5651

RGB 76 86 81

HSL 150, 0.06%, 0.32%

LAB 35.57, -5.06, 1.57

 

CMYK 1 / 74 / 0 / 49

HEX #802181

RGB 128 33 129

HSL 299.38, 0.59%, 0.32%

LAB 32.4, 51.68, -32.96

 

CMYK 0 / 74 / 19 / 49

HEX #812169

RGB 129 33 105

HSL 315, 0.59%, 0.32%

LAB 31.29, 48.02, -19.49

 

CMYK 0 / 74 / 39 / 49

HEX #81214F

RGB 129 33 79

HSL 331.25, 0.59%, 0.32%

LAB 30.2, 44.57, -4.23

 

CMYK 0 / 74 / 58 / 49

HEX #812136

RGB 129 33 54

HSL 346.88, 0.59%, 0.32%

LAB 29.47, 42.12, 11.29

 

CMYK 0 / 71 / 74 / 49

HEX #812621

RGB 129 38 33

HSL 3.13, 0.59%, 0.32%

LAB 29.82, 38.71, 25.36

 

CMYK 0 / 75 / 41 / 75

HEX #401026

RGB 64 16 38

HSL 332.5, 0.6%, 0.16%

LAB 13.23, 25.6, -2.39

 

CMYK 0 / 75 / 40 / 62

HEX #60183A

RGB 96 24 58

HSL 331.67, 0.6%, 0.24%

LAB 21.75, 35.43, -3.32

 

CMYK 0 / 74 / 40 / 49

HEX #81214E

RGB 129 33 78

HSL 331.88, 0.59%, 0.32%

LAB 30.17, 44.45, -3.63

 

CMYK 0 / 75 / 40 / 36

HEX #A22962

RGB 162 41 98

HSL 331.74, 0.6%, 0.4%

LAB 38.11, 53.36, -4.1

 

CMYK 0 / 74 / 39 / 24

HEX #C33276

RGB 195 50 118

HSL 331.86, 0.59%, 0.48%

LAB 45.9, 61.55, -4.36

 

CMYK 0 / 74 / 40 / 49

HEX #81214E

RGB 129 33 78

HSL 331.88, 0.59%, 0.32%

LAB 30.17, 44.45, -3.63

 

CMYK 0 / 21 / 74 / 49

HEX #816621

RGB 129 102 33

HSL 43.13, 0.59%, 0.32%

LAB 44.63, 3.21, 41.23

 

CMYK 74 / 9 / 0 / 49

HEX #217681

RGB 33 118 129

HSL 186.88, 0.59%, 0.32%

LAB 45.45, -20.7, -13.26

 

CMYK 0 / 74 / 40 / 49

HEX #81214E

RGB 129 33 78

HSL 331.88, 0.59%, 0.32%

LAB 30.17, 44.45, -3.63

 

CMYK 39 / 0 / 74 / 49

HEX #4F8121

RGB 79 129 33

HSL 91.25, 0.59%, 0.32%

LAB 48.85, -33.31, 44.16

 

CMYK 74 / 39 / 0 / 49

HEX #214F81

RGB 33 79 129

HSL 211.25, 0.59%, 0.32%

LAB 32.92, 2.5, -32.71

 

CMYK 0 / 74 / 40 / 49

HEX #81214E

RGB 129 33 78

HSL 331.88, 0.59%, 0.32%

LAB 30.17, 44.45, -3.63

 

CMYK 0 / 21 / 74 / 49

HEX #816621

RGB 129 102 33

HSL 43.13, 0.59%, 0.32%

LAB 44.63, 3.21, 41.23

 

CMYK 74 / 0 / 36 / 49

HEX #218153

RGB 33 129 83

HSL 151.25, 0.59%, 0.32%

LAB 47.81, -38.71, 17.25

 

CMYK 74 / 53 / 0 / 49

HEX #213C81

RGB 33 60 129

HSL 223.13, 0.59%, 0.32%

LAB 27.13, 15.43, -41.98

 

CMYK 0 / 74 / 40 / 49

HEX #81214E

RGB 129 33 78

HSL 331.88, 0.59%, 0.32%

LAB 30.17, 44.45, -3.63

 

CMYK 1 / 0 / 74 / 49

HEX #808121

RGB 128 129 33

HSL 60.63, 0.59%, 0.32%

LAB 52.29, -12.47, 48.69

 

CMYK 74 / 0 / 36 / 49

HEX #218153

RGB 33 129 83

HSL 151.25, 0.59%, 0.32%

LAB 47.81, -38.71, 17.25

 

CMYK 73 / 74 / 0 / 49

HEX #232181

RGB 35 33 129

HSL 241.25, 0.59%, 0.32%

LAB 20.16, 33.93, -53.35

 

Description

Color code: HEX #81214E | qconv.com Color code: HEX #81214E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 33 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 33 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 40 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 40% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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