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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #812BE2 it is the complementary color #7ED41D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #812BE2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #812BE2 shade: #862BDD, #973DF0, #A84FFF, #B961FF and #CA73FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #812BE2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #812BE2 shade: #812BE2, #7019CF, #5F07BC, #4E00A9 and #3D0096

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #812BE2 shade: #812CE2, #B22CE2, #E22CE0, #E22CAF and #E22C7E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #812BE2 shade: #812CE2, #502CE2 and #2C2CE2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #812BE2 shade matches the following richer shades: #812CE2 and #8018F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #812BE2 shade: #812CE2, #823FCE, #8452BB, #8566A8 and #867994

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #812BE2 shade: #2C38E2, #502CE2, #812CE2, #B12CE2 and #E22CE2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #812BE2 shade: #5916A5, #6D1BC9, #812CE2, #9750E7 and #AC74EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #812BE2 shade: #812BE2, #E22C68 and #2CE238

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #812BE2 shade: #812BE2, #E2812C and #2CE281

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #812BE2 shade: #812BE2, #E22C68, #8DE22C and #2CE2A5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #812BE2 shade: #812BE2, #E22C32, #8DE22C and #2CE2DC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 81 / 0 / 11

HEX #812BE2

RGB 129 43 226

HSL 268.2, 0.76%, 0.53%

LAB 41.03, 68.62, -76.71

 

Complementary color

CMYK 41 / 0 / 86 / 17

HEX #7ED41D

RGB 126 212 29

HSL 88.2, 0.76%, 0.47%

LAB 77.05, -51.9, 71.98

 

CMYK 39 / 81 / 0 / 13

HEX #862BDD

RGB 134 43 221

HSL 270.67, 0.72%, 0.52%

LAB 41.24, 68.18, -73.49

 

CMYK 37 / 75 / 0 / 6

HEX #973DF0

RGB 151 61 240

HSL 270.17, 0.86%, 0.59%

LAB 47.25, 68.42, -74.37

 

CMYK 34 / 69 / 0 / 0

HEX #A84FFF

RGB 168 79 255

HSL 270.34, 1%, 0.65%

LAB 53.1, 67.22, -73.13

 

CMYK 27 / 62 / 0 / 0

HEX #B961FF

RGB 185 97 255

HSL 273.42, 1%, 0.69%

LAB 58.12, 62.37, -64.93

 

CMYK 21 / 55 / 0 / 0

HEX #CA73FF

RGB 202 115 255

HSL 277.29, 1%, 0.73%

LAB 63.37, 57.52, -56.4

 

CMYK 43 / 81 / 0 / 11

HEX #812BE2

RGB 129 43 226

HSL 268.2, 0.76%, 0.53%

LAB 41.03, 68.62, -76.71

 

CMYK 46 / 88 / 0 / 19

HEX #7019CF

RGB 112 25 207

HSL 268.68, 0.78%, 0.45%

LAB 35.29, 67.59, -75.29

 

CMYK 49 / 96 / 0 / 26

HEX #5F07BC

RGB 95 7 188

HSL 269.17, 0.93%, 0.38%

LAB 29.95, 65.19, -73.04

 

CMYK 54 / 100 / 0 / 34

HEX #4E00A9

RGB 78 0 169

HSL 267.69, 1%, 0.33%

LAB 25.21, 60.77, -69.58

 

CMYK 59 / 100 / 0 / 41

HEX #3D0096

RGB 61 0 150

HSL 264.4, 1%, 0.29%

LAB 20.81, 55.14, -65.34

 

CMYK 43 / 81 / 0 / 11

HEX #812CE2

RGB 129 44 226

HSL 268.02, 0.76%, 0.53%

LAB 41.15, 68.28, -76.52

 

CMYK 21 / 81 / 0 / 11

HEX #B22CE2

RGB 178 44 226

HSL 284.18, 0.76%, 0.53%

LAB 47.95, 75.72, -65.14

 

CMYK 0 / 81 / 1 / 11

HEX #E22CE0

RGB 226 44 224

HSL 300.66, 0.76%, 0.53%

LAB 55.43, 83.86, -51.58

 

CMYK 0 / 81 / 23 / 11

HEX #E22CAF

RGB 226 44 175

HSL 316.81, 0.76%, 0.53%

LAB 53.02, 77.2, -27.18

 

CMYK 0 / 81 / 44 / 11

HEX #E22C7E

RGB 226 44 126

HSL 332.97, 0.76%, 0.53%

LAB 51.24, 72.04, -0.71

 

CMYK 43 / 81 / 0 / 11

HEX #812CE2

RGB 129 44 226

HSL 268.02, 0.76%, 0.53%

LAB 41.15, 68.28, -76.52

 

CMYK 65 / 81 / 0 / 11

HEX #502CE2

RGB 80 44 226

HSL 251.87, 0.76%, 0.53%

LAB 35.98, 62.74, -85.22

 

CMYK 81 / 81 / 0 / 11

HEX #2C2CE2

RGB 44 44 226

HSL 240, 0.76%, 0.53%

LAB 33.62, 60.26, -89.2

 

CMYK 43 / 81 / 0 / 11

HEX #812CE2

RGB 129 44 226

HSL 268.02, 0.76%, 0.53%

LAB 41.15, 68.28, -76.52

 

CMYK 48 / 90 / 0 / 4

HEX #8018F5

RGB 128 24 245

HSL 268.24, 0.92%, 0.53%

LAB 40.95, 77.88, -87.62

 

CMYK 43 / 81 / 0 / 11

HEX #812CE2

RGB 129 44 226

HSL 268.02, 0.76%, 0.53%

LAB 41.15, 68.28, -76.52

 

CMYK 37 / 69 / 0 / 19

HEX #823FCE

RGB 130 63 206

HSL 268.11, 0.59%, 0.53%

LAB 42.39, 55.87, -63

 

CMYK 29 / 56 / 0 / 27

HEX #8452BB

RGB 132 82 187

HSL 268.57, 0.44%, 0.53%

LAB 44.98, 41.82, -47.8

 

CMYK 21 / 39 / 0 / 34

HEX #8566A8

RGB 133 102 168

HSL 268.18, 0.28%, 0.53%

LAB 48.66, 25.92, -30.87

 

CMYK 9 / 18 / 0 / 42

HEX #867994

RGB 134 121 148

HSL 268.89, 0.11%, 0.53%

LAB 52.82, 10.43, -12.76

 

CMYK 81 / 75 / 0 / 11

HEX #2C38E2

RGB 44 56 226

HSL 236.04, 0.76%, 0.53%

LAB 35.7, 54.25, -85.75

 

CMYK 65 / 81 / 0 / 11

HEX #502CE2

RGB 80 44 226

HSL 251.87, 0.76%, 0.53%

LAB 35.98, 62.74, -85.22

 

CMYK 43 / 81 / 0 / 11

HEX #812CE2

RGB 129 44 226

HSL 268.02, 0.76%, 0.53%

LAB 41.15, 68.28, -76.52

 

CMYK 22 / 81 / 0 / 11

HEX #B12CE2

RGB 177 44 226

HSL 283.85, 0.76%, 0.53%

LAB 47.8, 75.56, -65.39

 

CMYK 0 / 81 / 0 / 11

HEX #E22CE2

RGB 226 44 226

HSL 300, 0.76%, 0.53%

LAB 55.54, 84.16, -52.53

 

CMYK 46 / 87 / 0 / 35

HEX #5916A5

RGB 89 22 165

HSL 268.11, 0.76%, 0.37%

LAB 27.88, 55.96, -62.7

 

CMYK 46 / 87 / 0 / 21

HEX #6D1BC9

RGB 109 27 201

HSL 268.28, 0.76%, 0.45%

LAB 34.5, 65.36, -73.11

 

CMYK 43 / 81 / 0 / 11

HEX #812CE2

RGB 129 44 226

HSL 268.02, 0.76%, 0.53%

LAB 41.15, 68.28, -76.52

 

CMYK 35 / 65 / 0 / 9

HEX #9750E7

RGB 151 80 231

HSL 268.21, 0.76%, 0.61%

LAB 49.6, 57.88, -65.47

 

CMYK 27 / 51 / 0 / 7

HEX #AC74EC

RGB 172 116 236

HSL 268, 0.76%, 0.69%

LAB 59.27, 45.2, -52.64

 

CMYK 43 / 81 / 0 / 11

HEX #812BE2

RGB 129 43 226

HSL 268.2, 0.76%, 0.53%

LAB 41.03, 68.62, -76.71

 

CMYK 0 / 81 / 54 / 11

HEX #E22C68

RGB 226 44 104

HSL 340.22, 0.76%, 0.53%

LAB 50.65, 70.28, 11.79

 

CMYK 81 / 0 / 75 / 11

HEX #2CE238

RGB 44 226 56

HSL 123.96, 0.76%, 0.53%

LAB 79.16, -73.78, 65.92

 

CMYK 43 / 81 / 0 / 11

HEX #812BE2

RGB 129 43 226

HSL 268.2, 0.76%, 0.53%

LAB 41.03, 68.62, -76.71

 

CMYK 0 / 43 / 81 / 11

HEX #E2812C

RGB 226 129 44

HSL 28.02, 0.76%, 0.53%

LAB 63.39, 31.48, 58.79

 

CMYK 81 / 0 / 43 / 11

HEX #2CE281

RGB 44 226 129

HSL 148.02, 0.76%, 0.53%

LAB 79.9, -64.83, 35.24

 

CMYK 43 / 81 / 0 / 11

HEX #812BE2

RGB 129 43 226

HSL 268.2, 0.76%, 0.53%

LAB 41.03, 68.62, -76.71

 

CMYK 0 / 81 / 54 / 11

HEX #E22C68

RGB 226 44 104

HSL 340.22, 0.76%, 0.53%

LAB 50.65, 70.28, 11.79

 

CMYK 38 / 0 / 81 / 11

HEX #8DE22C

RGB 141 226 44

HSL 88.02, 0.76%, 0.53%

LAB 81.97, -51.89, 73.09

 

CMYK 81 / 0 / 27 / 11

HEX #2CE2A5

RGB 44 226 165

HSL 159.89, 0.76%, 0.53%

LAB 80.54, -57.65, 17.61

 

CMYK 43 / 81 / 0 / 11

HEX #812BE2

RGB 129 43 226

HSL 268.2, 0.76%, 0.53%

LAB 41.03, 68.62, -76.71

 

CMYK 0 / 81 / 78 / 11

HEX #E22C32

RGB 226 44 50

HSL 358.02, 0.76%, 0.53%

LAB 49.74, 67.5, 42.69

 

CMYK 38 / 0 / 81 / 11

HEX #8DE22C

RGB 141 226 44

HSL 88.02, 0.76%, 0.53%

LAB 81.97, -51.89, 73.09

 

CMYK 81 / 0 / 3 / 11

HEX #2CE2DC

RGB 44 226 220

HSL 178.02, 0.76%, 0.53%

LAB 81.89, -43.68, -9.52

 

Description

Color code: HEX #812BE2 | qconv.com Color code: HEX #812BE2 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 43 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 43 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 81 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 81% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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