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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #812C3A it is the complementary color #7ED3C5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #812C3A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #812C3A shade: #862C35, #973E48, #A8505B, #B9626E and #CA7481

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #812C3A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #812C3A shade: #812C3A, #701A27, #5F0814, #4E0001 and #3D0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #812C3A shade: #812C3A and #812C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #812C3A shade: #812C3A, #812C51, #812C68, #812C7E and #6C2C81

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #812C3A shade matches the following richer shades: #812C3A, #8F1E30, #9D1027 and #AB021D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #812C3A shade: #812C3A, #733A43, #65484D, #575656 and #49645F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #812C3A shade: #812C67, #812C51, #812C3A, #81342C and #814B2C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #812C3A shade: #43171E, #62212C, #812C3A, #9F3648 and #BE4156

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #812C3A shade: #812C3A, #7E812C and #2C5C81

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #812C3A shade: #812C3A, #3A812C and #2C3A81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #812C3A shade: #812C3A, #7E812C, #2C8173 and #2F2C81

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #812C3A shade: #812C3A, #64812C, #2C8173 and #482C81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 55 / 49

HEX #812C3A

RGB 129 44 58

HSL 350.12, 0.49%, 0.34%

LAB 31.29, 37.74, 11.14

 

Complementary color

CMYK 40 / 0 / 7 / 17

HEX #7ED3C5

RGB 126 211 197

HSL 170.12, 0.49%, 0.66%

LAB 79.07, -29.03, -1.17

 

CMYK 0 / 67 / 60 / 47

HEX #862C35

RGB 134 44 53

HSL 354, 0.51%, 0.35%

LAB 32.09, 39.1, 15.64

 

CMYK 0 / 59 / 52 / 41

HEX #973E48

RGB 151 62 72

HSL 353.26, 0.42%, 0.42%

LAB 38.71, 38.25, 12.97

 

CMYK 0 / 52 / 46 / 34

HEX #A8505B

RGB 168 80 91

HSL 352.5, 0.35%, 0.49%

LAB 45.38, 37.23, 10.87

 

CMYK 0 / 47 / 41 / 27

HEX #B9626E

RGB 185 98 110

HSL 351.72, 0.38%, 0.55%

LAB 52.03, 36.2, 9.16

 

CMYK 0 / 43 / 36 / 21

HEX #CA7481

RGB 202 116 129

HSL 350.93, 0.45%, 0.62%

LAB 58.63, 35.2, 7.72

 

CMYK 0 / 66 / 55 / 49

HEX #812C3A

RGB 129 44 58

HSL 350.12, 0.49%, 0.34%

LAB 31.29, 37.74, 11.14

 

CMYK 0 / 77 / 65 / 56

HEX #701A27

RGB 112 26 39

HSL 350.93, 0.62%, 0.27%

LAB 24.73, 38.1, 14.43

 

CMYK 0 / 92 / 79 / 63

HEX #5F0814

RGB 95 8 20

HSL 351.72, 0.84%, 0.2%

LAB 18.61, 37.3, 19.01

 

CMYK 0 / 100 / 99 / 69

HEX #4E0001

RGB 78 0 1

HSL 359.23, 1%, 0.15%

LAB 13.36, 34, 20.52

 

CMYK 0 / 100 / 100 / 76

HEX #3D0000

RGB 61 0 0

HSL 0, 1%, 0.12%

LAB 8.93, 28.84, 14.1

 

CMYK 0 / 66 / 55 / 49

HEX #812C3A

RGB 129 44 58

HSL 350.12, 0.49%, 0.34%

LAB 31.29, 37.74, 11.14

 

CMYK 0 / 66 / 66 / 49

HEX #812C2C

RGB 129 44 44

HSL 0, 0.49%, 0.34%

LAB 31, 36.64, 19.84

 

CMYK 0 / 66 / 55 / 49

HEX #812C3A

RGB 129 44 58

HSL 350.12, 0.49%, 0.34%

LAB 31.29, 37.74, 11.14

 

CMYK 0 / 66 / 37 / 49

HEX #812C51

RGB 129 44 81

HSL 333.88, 0.49%, 0.34%

LAB 31.95, 40.19, -2.96

 

CMYK 0 / 66 / 19 / 49

HEX #812C68

RGB 129 44 104

HSL 317.65, 0.49%, 0.34%

LAB 32.85, 43.39, -16.44

 

CMYK 0 / 66 / 2 / 49

HEX #812C7E

RGB 129 44 126

HSL 302.12, 0.49%, 0.34%

LAB 33.93, 47.07, -28.64

 

CMYK 16 / 66 / 0 / 49

HEX #6C2C81

RGB 108 44 129

HSL 285.18, 0.49%, 0.34%

LAB 30.82, 42.21, -35.66

 

CMYK 0 / 66 / 55 / 49

HEX #812C3A

RGB 129 44 58

HSL 350.12, 0.49%, 0.34%

LAB 31.29, 37.74, 11.14

 

CMYK 0 / 79 / 66 / 44

HEX #8F1E30

RGB 143 30 48

HSL 350.44, 0.65%, 0.34%

LAB 31.76, 47.2, 18.8

 

CMYK 0 / 90 / 75 / 38

HEX #9D1027

RGB 157 16 39

HSL 350.21, 0.82%, 0.34%

LAB 33.32, 54.32, 27.14

 

CMYK 0 / 99 / 83 / 33

HEX #AB021D

RGB 171 2 29

HSL 350.41, 0.98%, 0.34%

LAB 35.58, 59.61, 36.5

 

CMYK 0 / 66 / 55 / 49

HEX #812C3A

RGB 129 44 58

HSL 350.12, 0.49%, 0.34%

LAB 31.29, 37.74, 11.14

 

CMYK 0 / 50 / 42 / 55

HEX #733A43

RGB 115 58 67

HSL 350.53, 0.33%, 0.34%

LAB 31.98, 26.01, 5.9

 

CMYK 0 / 29 / 24 / 60

HEX #65484D

RGB 101 72 77

HSL 349.66, 0.17%, 0.34%

LAB 33.85, 13.22, 1.91

 

CMYK 0 / 1 / 1 / 66

HEX #575656

RGB 87 86 86

HSL 0, 0.01%, 0.34%

LAB 36.66, 0.4, 0.14

 

CMYK 27 / 0 / 5 / 61

HEX #49645F

RGB 73 100 95

HSL 168.89, 0.16%, 0.34%

LAB 40.18, -11.15, -0.41

 

CMYK 0 / 66 / 20 / 49

HEX #812C67

RGB 129 44 103

HSL 318.35, 0.49%, 0.34%

LAB 32.81, 43.24, -15.87

 

CMYK 0 / 66 / 37 / 49

HEX #812C51

RGB 129 44 81

HSL 333.88, 0.49%, 0.34%

LAB 31.95, 40.19, -2.96

 

CMYK 0 / 66 / 55 / 49

HEX #812C3A

RGB 129 44 58

HSL 350.12, 0.49%, 0.34%

LAB 31.29, 37.74, 11.14

 

CMYK 0 / 60 / 66 / 49

HEX #81342C

RGB 129 52 44

HSL 5.65, 0.49%, 0.34%

LAB 32.49, 32.68, 21.71

 

CMYK 0 / 42 / 66 / 49

HEX #814B2C

RGB 129 75 44

HSL 21.88, 0.49%, 0.34%

LAB 37.63, 19.84, 27.94

 

CMYK 0 / 66 / 55 / 74

HEX #43171E

RGB 67 23 30

HSL 350.45, 0.49%, 0.18%

LAB 14.95, 22.02, 6.02

 

CMYK 0 / 66 / 55 / 62

HEX #62212C

RGB 98 33 44

HSL 349.85, 0.5%, 0.26%

LAB 23.22, 30.41, 8.52

 

CMYK 0 / 66 / 55 / 49

HEX #812C3A

RGB 129 44 58

HSL 350.12, 0.49%, 0.34%

LAB 31.29, 37.74, 11.14

 

CMYK 0 / 66 / 55 / 38

HEX #9F3648

RGB 159 54 72

HSL 349.71, 0.49%, 0.42%

LAB 38.69, 44.82, 13.15

 

CMYK 0 / 66 / 55 / 25

HEX #BE4156

RGB 190 65 86

HSL 349.92, 0.49%, 0.5%

LAB 46.18, 51.52, 15.58

 

CMYK 0 / 66 / 55 / 49

HEX #812C3A

RGB 129 44 58

HSL 350.12, 0.49%, 0.34%

LAB 31.29, 37.74, 11.14

 

CMYK 2 / 0 / 66 / 49

HEX #7E812C

RGB 126 129 44

HSL 62.12, 0.49%, 0.34%

LAB 52.19, -12.73, 44.04

 

CMYK 66 / 29 / 0 / 49

HEX #2C5C81

RGB 44 92 129

HSL 206.12, 0.49%, 0.34%

LAB 37.44, -3.89, -25.57

 

CMYK 0 / 66 / 55 / 49

HEX #812C3A

RGB 129 44 58

HSL 350.12, 0.49%, 0.34%

LAB 31.29, 37.74, 11.14

 

CMYK 55 / 0 / 66 / 49

HEX #3A812C

RGB 58 129 44

HSL 110.12, 0.49%, 0.34%

LAB 47.98, -39.36, 38.26

 

CMYK 66 / 55 / 0 / 49

HEX #2C3A81

RGB 44 58 129

HSL 230.12, 0.49%, 0.34%

LAB 27.15, 18.63, -41.92

 

CMYK 0 / 66 / 55 / 49

HEX #812C3A

RGB 129 44 58

HSL 350.12, 0.49%, 0.34%

LAB 31.29, 37.74, 11.14

 

CMYK 2 / 0 / 66 / 49

HEX #7E812C

RGB 126 129 44

HSL 62.12, 0.49%, 0.34%

LAB 52.19, -12.73, 44.04

 

CMYK 66 / 0 / 11 / 49

HEX #2C8173

RGB 44 129 115

HSL 170.12, 0.49%, 0.34%

LAB 48.85, -28.81, 0.13

 

CMYK 64 / 66 / 0 / 49

HEX #2F2C81

RGB 47 44 129

HSL 242.12, 0.49%, 0.34%

LAB 23.64, 28.61, -47.61

 

CMYK 0 / 66 / 55 / 49

HEX #812C3A

RGB 129 44 58

HSL 350.12, 0.49%, 0.34%

LAB 31.29, 37.74, 11.14

 

CMYK 22 / 0 / 66 / 49

HEX #64812C

RGB 100 129 44

HSL 80.47, 0.49%, 0.34%

LAB 50.21, -24.11, 41.32

 

CMYK 66 / 0 / 11 / 49

HEX #2C8173

RGB 44 129 115

HSL 170.12, 0.49%, 0.34%

LAB 48.85, -28.81, 0.13

 

CMYK 44 / 66 / 0 / 49

HEX #482C81

RGB 72 44 129

HSL 259.76, 0.49%, 0.34%

LAB 26.05, 33.54, -43.58

 

Description

Color code: HEX #812C3A | qconv.com Color code: HEX #812C3A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 44 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 44 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 55 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 55% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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