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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #812FED it is the complementary color #7ED012. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #812FED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #812FED shade: #862FE8, #9741FB, #A853FF, #B965FF and #CA77FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #812FED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #812FED shade: #812FED, #701DDA, #5F0BC7, #4E00B4 and #3D00A1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #812FED shade: #8130ED, #B430ED, #E730ED, #ED30BF and #ED308C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #812FED shade: #8130ED, #4F30ED and #3030ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #812FED shade matches the following richer shades: #8130ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #812FED shade: #8130ED, #8442DA, #8654C8, #8967B6 and #8B79A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #812FED shade: #3046ED, #4C30ED, #7F30ED, #B130ED and #E330ED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #812FED shade: #5910BA, #6C13E0, #8130ED, #9856F0 and #AF7CF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #812FED shade: #812FED, #ED3078 and #30ED33

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #812FED shade: #812FED, #ED7F30 and #30ED7F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #812FED shade: #812FED, #ED3078, #9EED30 and #30EDA4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #812FED shade: #812FED, #ED3040, #9EED30 and #30EDDD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 80 / 0 / 7

HEX #812FED

RGB 129 47 237

HSL 265.89, 0.84%, 0.56%

LAB 42.48, 69.79, -80.58

 

Complementary color

CMYK 39 / 0 / 91 / 18

HEX #7ED012

RGB 126 208 18

HSL 85.89, 0.84%, 0.44%

LAB 75.82, -50.6, 72.84

 

CMYK 42 / 80 / 0 / 9

HEX #862FE8

RGB 134 47 232

HSL 268.22, 0.8%, 0.55%

LAB 42.65, 69.3, -77.44

 

CMYK 40 / 74 / 0 / 2

HEX #9741FB

RGB 151 65 251

HSL 267.74, 0.96%, 0.62%

LAB 48.67, 69.34, -78.21

 

CMYK 34 / 67 / 0 / 0

HEX #A853FF

RGB 168 83 255

HSL 269.65, 1%, 0.66%

LAB 53.74, 65.43, -72.09

 

CMYK 27 / 60 / 0 / 0

HEX #B965FF

RGB 185 101 255

HSL 272.73, 1%, 0.7%

LAB 58.83, 60.44, -63.78

 

CMYK 21 / 53 / 0 / 0

HEX #CA77FF

RGB 202 119 255

HSL 276.62, 1%, 0.73%

LAB 64.14, 55.51, -55.19

 

CMYK 46 / 80 / 0 / 7

HEX #812FED

RGB 129 47 237

HSL 265.89, 0.84%, 0.56%

LAB 42.48, 69.79, -80.58

 

CMYK 49 / 87 / 0 / 15

HEX #701DDA

RGB 112 29 218

HSL 266.35, 0.77%, 0.48%

LAB 36.72, 69.06, -79.31

 

CMYK 52 / 94 / 0 / 22

HEX #5F0BC7

RGB 95 11 199

HSL 266.81, 0.9%, 0.41%

LAB 31.34, 67.05, -77.23

 

CMYK 57 / 100 / 0 / 29

HEX #4E00B4

RGB 78 0 180

HSL 266, 1%, 0.35%

LAB 26.49, 63.29, -74.07

 

CMYK 62 / 100 / 0 / 37

HEX #3D00A1

RGB 61 0 161

HSL 262.73, 1%, 0.32%

LAB 22.18, 57.77, -69.82

 

CMYK 46 / 80 / 0 / 7

HEX #8130ED

RGB 129 48 237

HSL 265.71, 0.84%, 0.56%

LAB 42.61, 69.43, -80.38

 

CMYK 24 / 80 / 0 / 7

HEX #B430ED

RGB 180 48 237

HSL 281.9, 0.84%, 0.56%

LAB 49.41, 76.99, -68.98

 

CMYK 3 / 80 / 0 / 7

HEX #E730ED

RGB 231 48 237

HSL 298.1, 0.84%, 0.56%

LAB 57.29, 85.84, -55.89

 

CMYK 0 / 80 / 19 / 7

HEX #ED30BF

RGB 237 48 191

HSL 314.6, 0.84%, 0.56%

LAB 55.97, 80.6, -31.75

 

CMYK 0 / 80 / 41 / 7

HEX #ED308C

RGB 237 48 140

HSL 330.79, 0.84%, 0.56%

LAB 54.04, 75.02, -4.76

 

CMYK 46 / 80 / 0 / 7

HEX #8130ED

RGB 129 48 237

HSL 265.71, 0.84%, 0.56%

LAB 42.61, 69.43, -80.38

 

CMYK 67 / 80 / 0 / 7

HEX #4F30ED

RGB 79 48 237

HSL 249.84, 0.84%, 0.56%

LAB 37.65, 64.01, -88.73

 

CMYK 80 / 80 / 0 / 7

HEX #3030ED

RGB 48 48 237

HSL 240, 0.84%, 0.56%

LAB 35.71, 61.91, -92

 

CMYK 46 / 80 / 0 / 7

HEX #8130ED

RGB 129 48 237

HSL 265.71, 0.84%, 0.56%

LAB 42.61, 69.43, -80.38

 

CMYK 46 / 80 / 0 / 7

HEX #8130ED

RGB 129 48 237

HSL 265.71, 0.84%, 0.56%

LAB 42.61, 69.43, -80.38

 

CMYK 39 / 70 / 0 / 15

HEX #8442DA

RGB 132 66 218

HSL 266.05, 0.67%, 0.56%

LAB 44.04, 57.77, -67.22

 

CMYK 33 / 58 / 0 / 22

HEX #8654C8

RGB 134 84 200

HSL 265.86, 0.51%, 0.56%

LAB 46.42, 44.45, -53.02

 

CMYK 25 / 43 / 0 / 29

HEX #8967B6

RGB 137 103 182

HSL 265.82, 0.35%, 0.56%

LAB 49.97, 29.94, -36.93

 

CMYK 15 / 26 / 0 / 36

HEX #8B79A4

RGB 139 121 164

HSL 265.12, 0.19%, 0.56%

LAB 53.86, 15.72, -20.44

 

CMYK 80 / 70 / 0 / 7

HEX #3046ED

RGB 48 70 237

HSL 233.02, 0.84%, 0.56%

LAB 39.79, 50.32, -85.25

 

CMYK 68 / 80 / 0 / 7

HEX #4C30ED

RGB 76 48 237

HSL 248.89, 0.84%, 0.56%

LAB 37.42, 63.76, -89.11

 

CMYK 46 / 80 / 0 / 7

HEX #7F30ED

RGB 127 48 237

HSL 265.08, 0.84%, 0.56%

LAB 42.37, 69.17, -80.77

 

CMYK 25 / 80 / 0 / 7

HEX #B130ED

RGB 177 48 237

HSL 280.95, 0.84%, 0.56%

LAB 48.98, 76.51, -69.71

 

CMYK 4 / 80 / 0 / 7

HEX #E330ED

RGB 227 48 237

HSL 296.83, 0.84%, 0.56%

LAB 56.64, 85.11, -56.96

 

CMYK 52 / 91 / 0 / 27

HEX #5910BA

RGB 89 16 186

HSL 265.76, 0.84%, 0.4%

LAB 29.51, 62.55, -72.6

 

CMYK 52 / 92 / 0 / 12

HEX #6C13E0

RGB 108 19 224

HSL 266.05, 0.84%, 0.48%

LAB 36.05, 72.39, -83.86

 

CMYK 46 / 80 / 0 / 7

HEX #8130ED

RGB 129 48 237

HSL 265.71, 0.84%, 0.56%

LAB 42.61, 69.43, -80.38

 

CMYK 37 / 64 / 0 / 6

HEX #9856F0

RGB 152 86 240

HSL 265.71, 0.84%, 0.64%

LAB 51.41, 57.3, -67.6

 

CMYK 28 / 49 / 0 / 5

HEX #AF7CF3

RGB 175 124 243

HSL 265.71, 0.83%, 0.72%

LAB 61.65, 43.27, -52.71

 

CMYK 46 / 80 / 0 / 7

HEX #812FED

RGB 129 47 237

HSL 265.89, 0.84%, 0.56%

LAB 42.48, 69.79, -80.58

 

CMYK 0 / 80 / 49 / 7

HEX #ED3078

RGB 237 48 120

HSL 337.14, 0.84%, 0.56%

LAB 53.46, 73.31, 6.38

 

CMYK 80 / 0 / 78 / 7

HEX #30ED33

RGB 48 237 51

HSL 120.95, 0.84%, 0.56%

LAB 82.61, -76.85, 70.79

 

CMYK 46 / 80 / 0 / 7

HEX #812FED

RGB 129 47 237

HSL 265.89, 0.84%, 0.56%

LAB 42.48, 69.79, -80.58

 

CMYK 0 / 46 / 80 / 7

HEX #ED7F30

RGB 237 127 48

HSL 25.08, 0.84%, 0.56%

LAB 64.48, 37.08, 58.74

 

CMYK 80 / 0 / 46 / 7

HEX #30ED7F

RGB 48 237 127

HSL 145.08, 0.84%, 0.56%

LAB 83.3, -68.5, 40.6

 

CMYK 46 / 80 / 0 / 7

HEX #812FED

RGB 129 47 237

HSL 265.89, 0.84%, 0.56%

LAB 42.48, 69.79, -80.58

 

CMYK 0 / 80 / 49 / 7

HEX #ED3078

RGB 237 48 120

HSL 337.14, 0.84%, 0.56%

LAB 53.46, 73.31, 6.38

 

CMYK 33 / 0 / 80 / 7

HEX #9EED30

RGB 158 237 48

HSL 85.08, 0.84%, 0.56%

LAB 86.03, -50.33, 76.03

 

CMYK 80 / 0 / 31 / 7

HEX #30EDA4

RGB 48 237 164

HSL 156.83, 0.84%, 0.56%

LAB 83.9, -61.61, 22.79

 

CMYK 46 / 80 / 0 / 7

HEX #812FED

RGB 129 47 237

HSL 265.89, 0.84%, 0.56%

LAB 42.48, 69.79, -80.58

 

CMYK 0 / 80 / 73 / 7

HEX #ED3040

RGB 237 48 64

HSL 354.92, 0.84%, 0.56%

LAB 52.39, 70.01, 38.32

 

CMYK 33 / 0 / 80 / 7

HEX #9EED30

RGB 158 237 48

HSL 85.08, 0.84%, 0.56%

LAB 86.03, -50.33, 76.03

 

CMYK 80 / 0 / 7 / 7

HEX #30EDDD

RGB 48 237 221

HSL 174.92, 0.84%, 0.56%

LAB 85.21, -47.84, -5.13

 

Description

Color code: HEX #812FED | qconv.com Color code: HEX #812FED | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 47 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 47 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 80 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 80% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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