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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #813AEC it is the complementary color #7EC513. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #813AEC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #813AEC shade: #863AE7, #974CFA, #A85EFF, #B970FF and #CA82FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #813AEC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #813AEC shade: #813AEC, #7028D9, #5F16C6, #4E04B3 and #3D00A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #813AEC shade: #823CEB, #B13CEB, #E03CEB, #EB3CC7 and #EB3C97

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #813AEC shade: #823CEB, #523CEB and #3C3CEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #813AEC shade matches the following richer shades: #823CEB and #7E2AFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #813AEC shade: #823CEB, #854DDA, #895EC9, #8C70B7 and #9081A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #813AEC shade: #3C56EB, #503CEB, #7F3CEB, #AE3CEB and #DD3CEB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #813AEC shade: #5813C2, #6A16E7, #823CEB, #9A61EF and #B287F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #813AEC shade: #813AEC, #EB3C85 and #3FEB3C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #813AEC shade: #813AEC, #EB7F3C and #3CEB7F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #813AEC shade: #813AEC, #EB3C85, #A8EB3C and #3CEBA2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #813AEC shade: #813AEC, #EB3C50, #A8EB3C and #3CEBD7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 75 / 0 / 7

HEX #813AEC

RGB 129 58 236

HSL 263.93, 0.82%, 0.58%

LAB 43.87, 65.28, -77.74

 

Complementary color

CMYK 36 / 0 / 90 / 23

HEX #7EC513

RGB 126 197 19

HSL 83.93, 0.82%, 0.42%

LAB 72.51, -46.09, 69.97

 

CMYK 42 / 75 / 0 / 9

HEX #863AE7

RGB 134 58 231

HSL 266.36, 0.78%, 0.57%

LAB 44.04, 64.83, -74.61

 

CMYK 40 / 70 / 0 / 2

HEX #974CFA

RGB 151 76 250

HSL 265.86, 0.95%, 0.64%

LAB 50.28, 64.33, -75.03

 

CMYK 34 / 63 / 0 / 0

HEX #A85EFF

RGB 168 94 255

HSL 267.58, 1%, 0.68%

LAB 55.63, 60.22, -69.03

 

CMYK 27 / 56 / 0 / 0

HEX #B970FF

RGB 185 112 255

HSL 270.63, 1%, 0.72%

LAB 60.89, 54.93, -60.48

 

CMYK 21 / 49 / 0 / 0

HEX #CA82FF

RGB 202 130 255

HSL 274.56, 1%, 0.75%

LAB 66.32, 49.84, -51.72

 

CMYK 45 / 75 / 0 / 7

HEX #813AEC

RGB 129 58 236

HSL 263.93, 0.82%, 0.58%

LAB 43.87, 65.28, -77.74

 

CMYK 48 / 82 / 0 / 15

HEX #7028D9

RGB 112 40 217

HSL 264.41, 0.7%, 0.5%

LAB 37.79, 65.36, -76.96

 

CMYK 52 / 89 / 0 / 22

HEX #5F16C6

RGB 95 22 198

HSL 264.89, 0.8%, 0.43%

LAB 32, 64.51, -75.55

 

CMYK 56 / 98 / 0 / 30

HEX #4E04B3

RGB 78 4 179

HSL 265.37, 0.96%, 0.36%

LAB 26.62, 62.29, -73.25

 

CMYK 62 / 100 / 0 / 37

HEX #3D00A0

RGB 61 0 160

HSL 262.88, 1%, 0.31%

LAB 22.05, 57.54, -69.41

 

CMYK 45 / 74 / 0 / 8

HEX #823CEB

RGB 130 60 235

HSL 264, 0.81%, 0.58%

LAB 44.2, 64.34, -76.63

 

CMYK 25 / 74 / 0 / 8

HEX #B13CEB

RGB 177 60 235

HSL 280.11, 0.81%, 0.58%

LAB 50.19, 72.21, -66.62

 

CMYK 5 / 74 / 0 / 8

HEX #E03CEB

RGB 224 60 235

HSL 296.23, 0.81%, 0.58%

LAB 57.15, 81.07, -55.05

 

CMYK 0 / 74 / 15 / 8

HEX #EB3CC7

RGB 235 60 199

HSL 312.34, 0.81%, 0.58%

LAB 57.09, 78.04, -34.63

 

CMYK 0 / 74 / 36 / 8

HEX #EB3C97

RGB 235 60 151

HSL 328.8, 0.81%, 0.58%

LAB 55.2, 72.29, -9.59

 

CMYK 45 / 74 / 0 / 8

HEX #823CEB

RGB 130 60 235

HSL 264, 0.81%, 0.58%

LAB 44.2, 64.34, -76.63

 

CMYK 65 / 74 / 0 / 8

HEX #523CEB

RGB 82 60 235

HSL 247.54, 0.81%, 0.58%

LAB 39.62, 58.1, -84.32

 

CMYK 74 / 74 / 0 / 8

HEX #3C3CEB

RGB 60 60 235

HSL 240, 0.81%, 0.58%

LAB 38.18, 56.09, -86.74

 

CMYK 45 / 74 / 0 / 8

HEX #823CEB

RGB 130 60 235

HSL 264, 0.81%, 0.58%

LAB 44.2, 64.34, -76.63

 

CMYK 50 / 83 / 0 / 1

HEX #7E2AFD

RGB 126 42 253

HSL 263.89, 0.98%, 0.58%

LAB 43.04, 74.86, -88.68

 

CMYK 45 / 74 / 0 / 8

HEX #823CEB

RGB 130 60 235

HSL 264, 0.81%, 0.58%

LAB 44.2, 64.34, -76.63

 

CMYK 39 / 65 / 0 / 15

HEX #854DDA

RGB 133 77 218

HSL 263.83, 0.66%, 0.58%

LAB 46.12, 52.53, -63.83

 

CMYK 32 / 53 / 0 / 21

HEX #895EC9

RGB 137 94 201

HSL 264.11, 0.5%, 0.58%

LAB 48.93, 39.88, -49.55

 

CMYK 23 / 39 / 0 / 28

HEX #8C70B7

RGB 140 112 183

HSL 263.66, 0.33%, 0.58%

LAB 52.49, 25.81, -33.54

 

CMYK 13 / 22 / 0 / 35

HEX #9081A6

RGB 144 129 166

HSL 264.32, 0.17%, 0.58%

LAB 56.47, 13.18, -17.57

 

CMYK 74 / 63 / 0 / 8

HEX #3C56EB

RGB 60 86 235

HSL 231.09, 0.81%, 0.58%

LAB 43.67, 41.1, -77.7

 

CMYK 66 / 74 / 0 / 8

HEX #503CEB

RGB 80 60 235

HSL 246.86, 0.81%, 0.58%

LAB 39.47, 57.89, -84.57

 

CMYK 46 / 74 / 0 / 8

HEX #7F3CEB

RGB 127 60 235

HSL 262.97, 0.81%, 0.58%

LAB 43.86, 63.89, -77.2

 

CMYK 26 / 74 / 0 / 8

HEX #AE3CEB

RGB 174 60 235

HSL 279.09, 0.81%, 0.58%

LAB 49.77, 71.67, -67.31

 

CMYK 6 / 74 / 0 / 8

HEX #DD3CEB

RGB 221 60 235

HSL 295.2, 0.81%, 0.58%

LAB 56.69, 80.48, -55.82

 

CMYK 55 / 90 / 0 / 24

HEX #5813C2

RGB 88 19 194

HSL 263.66, 0.82%, 0.42%

LAB 30.49, 63.66, -75.72

 

CMYK 54 / 90 / 0 / 9

HEX #6A16E7

RGB 106 22 231

HSL 264.11, 0.83%, 0.5%

LAB 36.76, 73.2, -86.71

 

CMYK 45 / 74 / 0 / 8

HEX #823CEB

RGB 130 60 235

HSL 264, 0.81%, 0.58%

LAB 44.2, 64.34, -76.63

 

CMYK 36 / 59 / 0 / 6

HEX #9A61EF

RGB 154 97 239

HSL 264.08, 0.82%, 0.66%

LAB 53.66, 51.83, -63.4

 

CMYK 27 / 44 / 0 / 5

HEX #B287F3

RGB 178 135 243

HSL 263.89, 0.82%, 0.74%

LAB 64.37, 38, -48.38

 

CMYK 45 / 75 / 0 / 7

HEX #813AEC

RGB 129 58 236

HSL 263.93, 0.82%, 0.58%

LAB 43.87, 65.28, -77.74

 

CMYK 0 / 74 / 43 / 8

HEX #EB3C85

RGB 235 60 133

HSL 334.97, 0.81%, 0.58%

LAB 54.64, 70.54, 0.26

 

CMYK 73 / 0 / 74 / 8

HEX #3FEB3C

RGB 63 235 60

HSL 118.97, 0.81%, 0.58%

LAB 82.27, -73.68, 67.79

 

CMYK 45 / 75 / 0 / 7

HEX #813AEC

RGB 129 58 236

HSL 263.93, 0.82%, 0.58%

LAB 43.87, 65.28, -77.74

 

CMYK 0 / 46 / 74 / 8

HEX #EB7F3C

RGB 235 127 60

HSL 22.97, 0.81%, 0.58%

LAB 64.3, 36.74, 53.21

 

CMYK 74 / 0 / 46 / 8

HEX #3CEB7F

RGB 60 235 127

HSL 142.97, 0.81%, 0.58%

LAB 82.87, -66.39, 40.08

 

CMYK 45 / 75 / 0 / 7

HEX #813AEC

RGB 129 58 236

HSL 263.93, 0.82%, 0.58%

LAB 43.87, 65.28, -77.74

 

CMYK 0 / 74 / 43 / 8

HEX #EB3C85

RGB 235 60 133

HSL 334.97, 0.81%, 0.58%

LAB 54.64, 70.54, 0.26

 

CMYK 29 / 0 / 74 / 8

HEX #A8EB3C

RGB 168 235 60

HSL 82.97, 0.81%, 0.58%

LAB 86.04, -45.36, 72.74

 

CMYK 74 / 0 / 31 / 8

HEX #3CEBA2

RGB 60 235 162

HSL 154.97, 0.81%, 0.58%

LAB 83.43, -59.96, 23.2

 

CMYK 45 / 75 / 0 / 7

HEX #813AEC

RGB 129 58 236

HSL 263.93, 0.82%, 0.58%

LAB 43.87, 65.28, -77.74

 

CMYK 0 / 74 / 66 / 8

HEX #EB3C50

RGB 235 60 80

HSL 353.14, 0.81%, 0.58%

LAB 53.46, 66.74, 30.24

 

CMYK 29 / 0 / 74 / 8

HEX #A8EB3C

RGB 168 235 60

HSL 82.97, 0.81%, 0.58%

LAB 86.04, -45.36, 72.74

 

CMYK 74 / 0 / 9 / 8

HEX #3CEBD7

RGB 60 235 215

HSL 173.14, 0.81%, 0.58%

LAB 84.63, -47.44, -2.8

 

Description

Color code: HEX #813AEC | qconv.com Color code: HEX #813AEC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 58 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 58 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 75 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 75% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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