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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #813F41 it is the complementary color #7EC0BE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #813F41. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #813F41 shade: #863F3C, #97514F, #A86362, #B97575 and #CA8788

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #813F41. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #813F41 shade: #813F41, #702D2E, #5F1B1B, #4E0908 and #3D0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #813F41 shade: #813F41 and #813F3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #813F41 shade: #813F41, #813F53, #813F65, #813F77 and #7A3F81

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #813F41 shade matches the following richer shades: #813F41, #913033, #A12024, #B01015 and #C00107

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #813F41 shade: #813F41, #724F50, #625F5F, #526E6E and #437E7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #813F41 shade: #813F65, #813F53, #813F42, #814F3F and #81603F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #813F41 shade: #4A2425, #663233, #813F41, #9D4D4F and #B16264

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #813F41 shade: #813F41, #76813F and #3F5C81

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #813F41 shade: #813F41, #42813F and #3F4281

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #813F41 shade: #813F41, #76813F, #3F817F and #4A3F81

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #813F41 shade: #813F41, #63813F, #3F817F and #5E3F81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 50 / 49

HEX #813F41

RGB 129 63 65

HSL 358.18, 0.34%, 0.38%

LAB 35.21, 28.59, 12.01

 

Complementary color

CMYK 34 / 0 / 1 / 25

HEX #7EC0BE

RGB 126 192 190

HSL 178.18, 0.34%, 0.62%

LAB 73.45, -21.31, -5.66

 

CMYK 0 / 53 / 55 / 47

HEX #863F3C

RGB 134 63 60

HSL 2.43, 0.38%, 0.38%

LAB 35.89, 30.11, 16.22

 

CMYK 0 / 46 / 48 / 41

HEX #97514F

RGB 151 81 79

HSL 1.67, 0.31%, 0.45%

LAB 42.81, 28.88, 14.24

 

CMYK 0 / 41 / 42 / 34

HEX #A86362

RGB 168 99 98

HSL 0.86, 0.29%, 0.52%

LAB 49.65, 27.75, 12.61

 

CMYK 0 / 37 / 37 / 27

HEX #B97575

RGB 185 117 117

HSL 0, 0.33%, 0.59%

LAB 56.41, 26.73, 11.22

 

CMYK 0 / 33 / 33 / 21

HEX #CA8788

RGB 202 135 136

HSL 359.1, 0.39%, 0.66%

LAB 63.06, 25.82, 10

 

CMYK 0 / 51 / 50 / 49

HEX #813F41

RGB 129 63 65

HSL 358.18, 0.34%, 0.38%

LAB 35.21, 28.59, 12.01

 

CMYK 0 / 60 / 59 / 56

HEX #702D2E

RGB 112 45 46

HSL 359.1, 0.43%, 0.31%

LAB 28.16, 29.79, 14.28

 

CMYK 0 / 72 / 72 / 63

HEX #5F1B1B

RGB 95 27 27

HSL 0, 0.56%, 0.24%

LAB 21.19, 30.82, 17.34

 

CMYK 0 / 88 / 90 / 69

HEX #4E0908

RGB 78 9 8

HSL 0.86, 0.81%, 0.17%

LAB 14.58, 31.02, 19.27

 

CMYK 0 / 100 / 100 / 76

HEX #3D0000

RGB 61 0 0

HSL 0, 1%, 0.12%

LAB 8.93, 28.84, 14.1

 

CMYK 0 / 51 / 50 / 49

HEX #813F41

RGB 129 63 65

HSL 358.18, 0.34%, 0.38%

LAB 35.21, 28.59, 12.01

 

CMYK 0 / 51 / 51 / 49

HEX #813F3F

RGB 129 63 63

HSL 0, 0.34%, 0.38%

LAB 35.16, 28.39, 13.22

 

CMYK 0 / 51 / 50 / 49

HEX #813F41

RGB 129 63 65

HSL 358.18, 0.34%, 0.38%

LAB 35.21, 28.59, 12.01

 

CMYK 0 / 51 / 36 / 49

HEX #813F53

RGB 129 63 83

HSL 341.82, 0.34%, 0.38%

LAB 35.69, 30.75, 1.23

 

CMYK 0 / 51 / 22 / 49

HEX #813F65

RGB 129 63 101

HSL 325.45, 0.34%, 0.38%

LAB 36.29, 33.39, -9.28

 

CMYK 0 / 51 / 8 / 49

HEX #813F77

RGB 129 63 119

HSL 309.09, 0.34%, 0.38%

LAB 37.03, 36.49, -19.44

 

CMYK 5 / 51 / 0 / 49

HEX #7A3F81

RGB 122 63 129

HSL 293.64, 0.34%, 0.38%

LAB 36.51, 36.23, -26.52

 

CMYK 0 / 51 / 50 / 49

HEX #813F41

RGB 129 63 65

HSL 358.18, 0.34%, 0.38%

LAB 35.21, 28.59, 12.01

 

CMYK 0 / 67 / 65 / 43

HEX #913033

RGB 145 48 51

HSL 358.14, 0.5%, 0.38%

LAB 34.75, 41.05, 20.76

 

CMYK 0 / 80 / 78 / 37

HEX #A12024

RGB 161 32 36

HSL 358.14, 0.67%, 0.38%

LAB 35.47, 51.49, 31.63

 

CMYK 0 / 91 / 88 / 31

HEX #B01015

RGB 176 16 21

HSL 358.13, 0.83%, 0.38%

LAB 37.22, 58.95, 42.64

 

CMYK 0 / 99 / 96 / 25

HEX #C00107

RGB 192 1 7

HSL 358.12, 0.99%, 0.38%

LAB 39.99, 64.68, 51.74

 

CMYK 0 / 51 / 50 / 49

HEX #813F41

RGB 129 63 65

HSL 358.18, 0.34%, 0.38%

LAB 35.21, 28.59, 12.01

 

CMYK 0 / 31 / 30 / 55

HEX #724F50

RGB 114 79 80

HSL 358.29, 0.18%, 0.38%

LAB 37.39, 14.89, 5.31

 

CMYK 0 / 3 / 3 / 62

HEX #625F5F

RGB 98 95 95

HSL 0, 0.02%, 0.38%

LAB 40.59, 1.19, 0.42

 

CMYK 25 / 0 / 0 / 57

HEX #526E6E

RGB 82 110 110

HSL 180, 0.15%, 0.38%

LAB 44.34, -10.14, -3.33

 

CMYK 47 / 0 / 2 / 51

HEX #437E7C

RGB 67 126 124

HSL 177.97, 0.31%, 0.38%

LAB 48.97, -19.73, -4.9

 

CMYK 0 / 51 / 22 / 49

HEX #813F65

RGB 129 63 101

HSL 325.45, 0.34%, 0.38%

LAB 36.29, 33.39, -9.28

 

CMYK 0 / 51 / 36 / 49

HEX #813F53

RGB 129 63 83

HSL 341.82, 0.34%, 0.38%

LAB 35.69, 30.75, 1.23

 

CMYK 0 / 51 / 49 / 49

HEX #813F42

RGB 129 63 66

HSL 357.27, 0.34%, 0.38%

LAB 35.23, 28.7, 11.41

 

CMYK 0 / 39 / 51 / 49

HEX #814F3F

RGB 129 79 63

HSL 14.55, 0.34%, 0.38%

LAB 38.93, 19.16, 18.26

 

CMYK 0 / 26 / 51 / 49

HEX #81603F

RGB 129 96 63

HSL 30, 0.34%, 0.38%

LAB 43.35, 9.08, 23.99

 

CMYK 0 / 51 / 50 / 71

HEX #4A2425

RGB 74 36 37

HSL 358.42, 0.35%, 0.22%

LAB 19.44, 18.05, 7.46

 

CMYK 0 / 51 / 50 / 60

HEX #663233

RGB 102 50 51

HSL 358.85, 0.34%, 0.3%

LAB 27.7, 23.39, 10.08

 

CMYK 0 / 51 / 50 / 49

HEX #813F41

RGB 129 63 65

HSL 358.18, 0.34%, 0.38%

LAB 35.21, 28.59, 12.01

 

CMYK 0 / 51 / 50 / 38

HEX #9D4D4F

RGB 157 77 79

HSL 358.5, 0.34%, 0.46%

LAB 42.82, 33.42, 14.41

 

CMYK 0 / 45 / 44 / 31

HEX #B16264

RGB 177 98 100

HSL 358.48, 0.34%, 0.54%

LAB 50.69, 32.04, 13.04

 

CMYK 0 / 51 / 50 / 49

HEX #813F41

RGB 129 63 65

HSL 358.18, 0.34%, 0.38%

LAB 35.21, 28.59, 12.01

 

CMYK 9 / 0 / 51 / 49

HEX #76813F

RGB 118 129 63

HSL 70, 0.34%, 0.38%

LAB 51.74, -14.64, 34.11

 

CMYK 51 / 29 / 0 / 49

HEX #3F5C81

RGB 63 92 129

HSL 213.64, 0.34%, 0.38%

LAB 38.37, 0.43, -24.04

 

CMYK 0 / 51 / 50 / 49

HEX #813F41

RGB 129 63 65

HSL 358.18, 0.34%, 0.38%

LAB 35.21, 28.59, 12.01

 

CMYK 49 / 0 / 51 / 49

HEX #42813F

RGB 66 129 63

HSL 117.27, 0.34%, 0.38%

LAB 48.53, -34.54, 29.48

 

CMYK 51 / 49 / 0 / 49

HEX #3F4281

RGB 63 66 129

HSL 237.27, 0.34%, 0.38%

LAB 30.73, 17.33, -36.09

 

CMYK 0 / 51 / 50 / 49

HEX #813F41

RGB 129 63 65

HSL 358.18, 0.34%, 0.38%

LAB 35.21, 28.59, 12.01

 

CMYK 9 / 0 / 51 / 49

HEX #76813F

RGB 118 129 63

HSL 70, 0.34%, 0.38%

LAB 51.74, -14.64, 34.11

 

CMYK 51 / 0 / 2 / 49

HEX #3F817F

RGB 63 129 127

HSL 178.18, 0.34%, 0.38%

LAB 49.85, -21.46, -5.39

 

CMYK 43 / 51 / 0 / 49

HEX #4A3F81

RGB 74 63 129

HSL 250, 0.34%, 0.38%

LAB 30.87, 22.14, -35.82

 

CMYK 0 / 51 / 50 / 49

HEX #813F41

RGB 129 63 65

HSL 358.18, 0.34%, 0.38%

LAB 35.21, 28.59, 12.01

 

CMYK 23 / 0 / 51 / 49

HEX #63813F

RGB 99 129 63

HSL 87.27, 0.34%, 0.38%

LAB 50.35, -22.6, 32.11

 

CMYK 51 / 0 / 2 / 49

HEX #3F817F

RGB 63 129 127

HSL 178.18, 0.34%, 0.38%

LAB 49.85, -21.46, -5.39

 

CMYK 27 / 51 / 0 / 49

HEX #5E3F81

RGB 94 63 129

HSL 268.18, 0.34%, 0.38%

LAB 32.96, 27.77, -32.36

 

Description

Color code: HEX #813F41 | qconv.com Color code: HEX #813F41 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 63 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 63 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 50 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 50% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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