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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #813F4A it is the complementary color #7EC0B5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #813F4A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #813F4A shade: #863F45, #975158, #A8636B, #B9757E and #CA8791

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #813F4A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #813F4A shade: #813F4A, #702D37, #5F1B24, #4E0911 and #3D0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #813F4A shade: #813F4A and #813F3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #813F4A shade: #813F4A, #813F5C, #813F6E, #813F80 and #713F81

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #813F4A shade matches the following richer shades: #813F4A, #913040, #A12036, #B0102B and #C00121

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #813F4A shade: #813F4A, #724F55, #625F5F, #526E6A and #437E74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #813F4A shade: #813F6E, #813F5C, #813F4A, #81463F and #81583F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #813F4A shade: #4A242B, #66323A, #813F4A, #9D4D5A and #B1626F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #813F4A shade: #813F4A, #7F813F and #3F6581

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #813F4A shade: #813F4A, #4A813F and #3F4A81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #813F4A shade: #813F4A, #7F813F, #3F8176 and #423F81

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #813F4A shade: #813F4A, #6B813F, #3F8176 and #553F81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 43 / 49

HEX #813F4A

RGB 129 63 74

HSL 350, 0.34%, 0.38%

LAB 35.43, 29.6, 6.6

 

Complementary color

CMYK 34 / 0 / 6 / 25

HEX #7EC0B5

RGB 126 192 181

HSL 170, 0.34%, 0.62%

LAB 73.2, -23.41, -1.13

 

CMYK 0 / 53 / 49 / 47

HEX #863F45

RGB 134 63 69

HSL 354.93, 0.36%, 0.39%

LAB 36.09, 31, 10.81

 

CMYK 0 / 46 / 42 / 41

HEX #975158

RGB 151 81 88

HSL 354, 0.3%, 0.45%

LAB 43.02, 29.88, 9.02

 

CMYK 0 / 41 / 36 / 34

HEX #A8636B

RGB 168 99 107

HSL 353.04, 0.28%, 0.52%

LAB 49.87, 28.84, 7.55

 

CMYK 0 / 37 / 32 / 27

HEX #B9757E

RGB 185 117 126

HSL 352.06, 0.33%, 0.59%

LAB 56.63, 27.89, 6.3

 

CMYK 0 / 33 / 28 / 21

HEX #CA8791

RGB 202 135 145

HSL 351.04, 0.39%, 0.66%

LAB 63.28, 27.03, 5.21

 

CMYK 0 / 51 / 43 / 49

HEX #813F4A

RGB 129 63 74

HSL 350, 0.34%, 0.38%

LAB 35.43, 29.6, 6.6

 

CMYK 0 / 60 / 51 / 56

HEX #702D37

RGB 112 45 55

HSL 351.04, 0.43%, 0.31%

LAB 28.37, 30.65, 8.63

 

CMYK 0 / 72 / 62 / 63

HEX #5F1B24

RGB 95 27 36

HSL 352.06, 0.56%, 0.24%

LAB 21.37, 31.48, 11.42

 

CMYK 0 / 88 / 78 / 69

HEX #4E0911

RGB 78 9 17

HSL 353.04, 0.79%, 0.17%

LAB 14.71, 31.41, 15.17

 

CMYK 0 / 100 / 100 / 76

HEX #3D0000

RGB 61 0 0

HSL 0, 1%, 0.12%

LAB 8.93, 28.84, 14.1

 

CMYK 0 / 51 / 43 / 49

HEX #813F4A

RGB 129 63 74

HSL 350, 0.34%, 0.38%

LAB 35.43, 29.6, 6.6

 

CMYK 0 / 51 / 51 / 49

HEX #813F3F

RGB 129 63 63

HSL 0, 0.34%, 0.38%

LAB 35.16, 28.39, 13.22

 

CMYK 0 / 51 / 43 / 49

HEX #813F4A

RGB 129 63 74

HSL 350, 0.34%, 0.38%

LAB 35.43, 29.6, 6.6

 

CMYK 0 / 51 / 29 / 49

HEX #813F5C

RGB 129 63 92

HSL 333.64, 0.34%, 0.38%

LAB 35.97, 32.01, -4.07

 

CMYK 0 / 51 / 15 / 49

HEX #813F6E

RGB 129 63 110

HSL 317.27, 0.34%, 0.38%

LAB 36.65, 34.89, -14.41

 

CMYK 0 / 51 / 1 / 49

HEX #813F80

RGB 129 63 128

HSL 300.91, 0.34%, 0.38%

LAB 37.45, 38.18, -24.38

 

CMYK 12 / 51 / 0 / 49

HEX #713F81

RGB 113 63 129

HSL 285.45, 0.34%, 0.38%

LAB 35.3, 33.47, -28.51

 

CMYK 0 / 51 / 43 / 49

HEX #813F4A

RGB 129 63 74

HSL 350, 0.34%, 0.38%

LAB 35.43, 29.6, 6.6

 

CMYK 0 / 67 / 56 / 43

HEX #913040

RGB 145 48 64

HSL 350.1, 0.5%, 0.38%

LAB 35.01, 42.03, 12.82

 

CMYK 0 / 80 / 66 / 37

HEX #A12036

RGB 161 32 54

HSL 349.77, 0.67%, 0.38%

LAB 35.75, 52.35, 20.76

 

CMYK 0 / 91 / 76 / 31

HEX #B0102B

RGB 176 16 43

HSL 349.88, 0.83%, 0.38%

LAB 37.44, 59.57, 30.44

 

CMYK 0 / 99 / 83 / 25

HEX #C00121

RGB 192 1 33

HSL 349.95, 0.99%, 0.38%

LAB 40.14, 65.1, 40.21

 

CMYK 0 / 51 / 43 / 49

HEX #813F4A

RGB 129 63 74

HSL 350, 0.34%, 0.38%

LAB 35.43, 29.6, 6.6

 

CMYK 0 / 31 / 25 / 55

HEX #724F55

RGB 114 79 85

HSL 349.71, 0.18%, 0.38%

LAB 37.53, 15.68, 2.38

 

CMYK 0 / 3 / 3 / 62

HEX #625F5F

RGB 98 95 95

HSL 0, 0.02%, 0.38%

LAB 40.59, 1.19, 0.42

 

CMYK 25 / 0 / 4 / 57

HEX #526E6A

RGB 82 110 106

HSL 171.43, 0.15%, 0.38%

LAB 44.21, -11.12, -1.11

 

CMYK 47 / 0 / 8 / 51

HEX #437E74

RGB 67 126 116

HSL 169.83, 0.31%, 0.38%

LAB 48.73, -21.87, -0.54

 

CMYK 0 / 51 / 15 / 49

HEX #813F6E

RGB 129 63 110

HSL 317.27, 0.34%, 0.38%

LAB 36.65, 34.89, -14.41

 

CMYK 0 / 51 / 29 / 49

HEX #813F5C

RGB 129 63 92

HSL 333.64, 0.34%, 0.38%

LAB 35.97, 32.01, -4.07

 

CMYK 0 / 51 / 43 / 49

HEX #813F4A

RGB 129 63 74

HSL 350, 0.34%, 0.38%

LAB 35.43, 29.6, 6.6

 

CMYK 0 / 46 / 51 / 49

HEX #81463F

RGB 129 70 63

HSL 6.36, 0.34%, 0.38%

LAB 36.76, 24.42, 15.37

 

CMYK 0 / 32 / 51 / 49

HEX #81583F

RGB 129 88 63

HSL 22.73, 0.34%, 0.38%

LAB 41.22, 13.83, 21.26

 

CMYK 0 / 51 / 42 / 71

HEX #4A242B

RGB 74 36 43

HSL 348.95, 0.35%, 0.22%

LAB 19.61, 18.85, 3.51

 

CMYK 0 / 51 / 43 / 60

HEX #66323A

RGB 102 50 58

HSL 350.77, 0.34%, 0.3%

LAB 27.88, 24.22, 5.7

 

CMYK 0 / 51 / 43 / 49

HEX #813F4A

RGB 129 63 74

HSL 350, 0.34%, 0.38%

LAB 35.43, 29.6, 6.6

 

CMYK 0 / 51 / 43 / 38

HEX #9D4D5A

RGB 157 77 90

HSL 350.25, 0.34%, 0.46%

LAB 43.08, 34.59, 8.01

 

CMYK 0 / 45 / 37 / 31

HEX #B1626F

RGB 177 98 111

HSL 350.13, 0.34%, 0.54%

LAB 50.96, 33.32, 6.88

 

CMYK 0 / 51 / 43 / 49

HEX #813F4A

RGB 129 63 74

HSL 350, 0.34%, 0.38%

LAB 35.43, 29.6, 6.6

 

CMYK 2 / 0 / 51 / 49

HEX #7F813F

RGB 127 129 63

HSL 61.82, 0.34%, 0.38%

LAB 52.48, -10.71, 35.18

 

CMYK 51 / 22 / 0 / 49

HEX #3F6581

RGB 63 101 129

HSL 205.45, 0.34%, 0.38%

LAB 41.14, -5.1, -19.76

 

CMYK 0 / 51 / 43 / 49

HEX #813F4A

RGB 129 63 74

HSL 350, 0.34%, 0.38%

LAB 35.43, 29.6, 6.6

 

CMYK 43 / 0 / 51 / 49

HEX #4A813F

RGB 74 129 63

HSL 110, 0.34%, 0.38%

LAB 48.9, -31.94, 30.01

 

CMYK 51 / 43 / 0 / 49

HEX #3F4A81

RGB 63 74 129

HSL 230, 0.34%, 0.38%

LAB 33, 12.03, -32.47

 

CMYK 0 / 51 / 43 / 49

HEX #813F4A

RGB 129 63 74

HSL 350, 0.34%, 0.38%

LAB 35.43, 29.6, 6.6

 

CMYK 2 / 0 / 51 / 49

HEX #7F813F

RGB 127 129 63

HSL 61.82, 0.34%, 0.38%

LAB 52.48, -10.71, 35.18

 

CMYK 51 / 0 / 9 / 49

HEX #3F8176

RGB 63 129 118

HSL 170, 0.34%, 0.38%

LAB 49.58, -23.92, -0.5

 

CMYK 49 / 51 / 0 / 49

HEX #423F81

RGB 66 63 129

HSL 242.73, 0.34%, 0.38%

LAB 30.15, 20.07, -37

 

CMYK 0 / 51 / 43 / 49

HEX #813F4A

RGB 129 63 74

HSL 350, 0.34%, 0.38%

LAB 35.43, 29.6, 6.6

 

CMYK 17 / 0 / 51 / 49

HEX #6B813F

RGB 107 129 63

HSL 80, 0.34%, 0.38%

LAB 50.9, -19.31, 32.91

 

CMYK 51 / 0 / 9 / 49

HEX #3F8176

RGB 63 129 118

HSL 170, 0.34%, 0.38%

LAB 49.58, -23.92, -0.5

 

CMYK 34 / 51 / 0 / 49

HEX #553F81

RGB 85 63 129

HSL 260, 0.34%, 0.38%

LAB 31.97, 25.17, -34

 

Description

Color code: HEX #813F4A | qconv.com Color code: HEX #813F4A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 63 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 63 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 43 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 43% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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