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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #81475C it is the complementary color #7EB8A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #81475C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #81475C shade: #864757, #97596A, #A86B7D, #B97D90 and #CA8FA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #81475C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #81475C shade: #81475C, #703549, #5F2336, #4E1123 and #3D0010

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #81475C shade: #80465B, #80464B and #804646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #81475C shade: #80465B, #80466B, #80467A, #764680 and #664680

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #81475C shade matches the following richer shades: #80465B, #903657, #A02652, #B0164E and #C00649

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #81475C shade: #80465B, #70565F, #606664, #507668 and #3F866D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #81475C shade: #80467A, #80466B, #80465B, #80464C and #805046

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #81475C shade: #4B2935, #653748, #80465B, #9A556E and #AD6B83

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #81475C shade: #81475C, #807646 and #467280

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #81475C shade: #81475C, #5B8046 and #465B80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #81475C shade: #81475C, #807646, #46806B and #465080

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #81475C shade: #81475C, #788046, #46806B and #4E4680

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 29 / 49

HEX #81475C

RGB 129 71 92

HSL 338.28, 0.29%, 0.39%

LAB 37.75, 27.52, -1.45

 

Complementary color

CMYK 32 / 0 / 11 / 28

HEX #7EB8A3

RGB 126 184 163

HSL 158.28, 0.29%, 0.61%

LAB 70.43, -23.42, 4.67

 

CMYK 0 / 47 / 35 / 47

HEX #864757

RGB 134 71 87

HSL 344.76, 0.31%, 0.4%

LAB 38.31, 28.73, 2.6

 

CMYK 0 / 41 / 30 / 41

HEX #97596A

RGB 151 89 106

HSL 343.55, 0.26%, 0.47%

LAB 45.31, 27.76, 1.31

 

CMYK 0 / 36 / 26 / 34

HEX #A86B7D

RGB 168 107 125

HSL 342.3, 0.26%, 0.54%

LAB 52.2, 26.86, 0.22

 

CMYK 0 / 32 / 22 / 27

HEX #B97D90

RGB 185 125 144

HSL 341, 0.3%, 0.61%

LAB 58.97, 26.04, -0.72

 

CMYK 0 / 29 / 19 / 21

HEX #CA8FA3

RGB 202 143 163

HSL 339.66, 0.36%, 0.68%

LAB 65.63, 25.3, -1.57

 

CMYK 0 / 45 / 29 / 49

HEX #81475C

RGB 129 71 92

HSL 338.28, 0.29%, 0.39%

LAB 37.75, 27.52, -1.45

 

CMYK 0 / 53 / 35 / 56

HEX #703549

RGB 112 53 73

HSL 339.66, 0.36%, 0.32%

LAB 30.57, 28.47, -0.09

 

CMYK 0 / 63 / 43 / 63

HEX #5F2336

RGB 95 35 54

HSL 341, 0.46%, 0.25%

LAB 23.34, 29.35, 1.75

 

CMYK 0 / 78 / 55 / 69

HEX #4E1123

RGB 78 17 35

HSL 342.3, 0.64%, 0.19%

LAB 16.22, 29.76, 4.49

 

CMYK 0 / 100 / 74 / 76

HEX #3D0010

RGB 61 0 16

HSL 344.26, 1%, 0.12%

LAB 9.23, 29.68, 7.59

 

CMYK 0 / 45 / 29 / 50

HEX #80465B

RGB 128 70 91

HSL 338.28, 0.29%, 0.39%

LAB 37.34, 27.56, -1.43

 

CMYK 0 / 45 / 41 / 50

HEX #80464B

RGB 128 70 75

HSL 354.83, 0.29%, 0.39%

LAB 36.89, 25.37, 8

 

CMYK 0 / 45 / 45 / 50

HEX #804646

RGB 128 70 70

HSL 0, 0.29%, 0.39%

LAB 36.77, 24.77, 10.98

 

CMYK 0 / 45 / 29 / 50

HEX #80465B

RGB 128 70 91

HSL 338.28, 0.29%, 0.39%

LAB 37.34, 27.56, -1.43

 

CMYK 0 / 45 / 16 / 50

HEX #80466B

RGB 128 70 107

HSL 321.72, 0.29%, 0.39%

LAB 37.9, 30.13, -10.64

 

CMYK 0 / 45 / 5 / 50

HEX #80467A

RGB 128 70 122

HSL 306.21, 0.29%, 0.39%

LAB 38.51, 32.87, -19.04

 

CMYK 8 / 45 / 0 / 50

HEX #764680

RGB 118 70 128

HSL 289.66, 0.29%, 0.39%

LAB 37.46, 30.8, -24.46

 

CMYK 20 / 45 / 0 / 50

HEX #664680

RGB 102 70 128

HSL 273.1, 0.29%, 0.39%

LAB 35.53, 25.68, -27.63

 

CMYK 0 / 45 / 29 / 50

HEX #80465B

RGB 128 70 91

HSL 338.28, 0.29%, 0.39%

LAB 37.34, 27.56, -1.43

 

CMYK 0 / 63 / 40 / 44

HEX #903657

RGB 144 54 87

HSL 338, 0.45%, 0.39%

LAB 36.47, 41.24, 0.12

 

CMYK 0 / 76 / 49 / 37

HEX #A02652

RGB 160 38 82

HSL 338.36, 0.62%, 0.39%

LAB 36.87, 52.22, 4.27

 

CMYK 0 / 88 / 56 / 31

HEX #B0164E

RGB 176 22 78

HSL 338.18, 0.78%, 0.39%

LAB 38.47, 60.44, 9.54

 

CMYK 0 / 97 / 62 / 25

HEX #C00649

RGB 192 6 73

HSL 338.39, 0.94%, 0.39%

LAB 40.92, 66.24, 16.63

 

CMYK 0 / 45 / 29 / 50

HEX #80465B

RGB 128 70 91

HSL 338.28, 0.29%, 0.39%

LAB 37.34, 27.56, -1.43

 

CMYK 0 / 23 / 15 / 56

HEX #70565F

RGB 112 86 95

HSL 339.23, 0.13%, 0.39%

LAB 39.46, 12.32, -1.06

 

CMYK 6 / 0 / 2 / 60

HEX #606664

RGB 96 102 100

HSL 160, 0.03%, 0.39%

LAB 42.63, -2.74, 0.32

HEX #606664

CMYK 32 / 0 / 12 / 54

HEX #507668

RGB 80 118 104

HSL 157.89, 0.19%, 0.39%

LAB 46.53, -16.71, 3.44

HEX #507668

CMYK 53 / 0 / 19 / 47

HEX #3F866D

RGB 63 134 109

HSL 158.87, 0.36%, 0.39%

LAB 50.93, -28.69, 6.72

HEX #3F866D

CMYK 0 / 45 / 5 / 50

HEX #80467A

RGB 128 70 122

HSL 306.21, 0.29%, 0.39%

LAB 38.51, 32.87, -19.04

 

CMYK 0 / 45 / 16 / 50

HEX #80466B

RGB 128 70 107

HSL 321.72, 0.29%, 0.39%

LAB 37.9, 30.13, -10.64

 

CMYK 0 / 45 / 29 / 50

HEX #80465B

RGB 128 70 91

HSL 338.28, 0.29%, 0.39%

LAB 37.34, 27.56, -1.43

 

CMYK 0 / 45 / 41 / 50

HEX #80464C

RGB 128 70 76

HSL 353.79, 0.29%, 0.39%

LAB 36.91, 25.49, 7.41

 

CMYK 0 / 38 / 45 / 50

HEX #805046

RGB 128 80 70

HSL 10.34, 0.29%, 0.39%

LAB 39.19, 18.92, 14.3

 

CMYK 0 / 45 / 29 / 71

HEX #4B2935

RGB 75 41 53

HSL 338.82, 0.29%, 0.23%

LAB 21.35, 17.67, -0.87

 

CMYK 0 / 46 / 29 / 60

HEX #653748

RGB 101 55 72

HSL 337.83, 0.29%, 0.31%

LAB 29.33, 22.85, -1.45

 

CMYK 0 / 45 / 29 / 50

HEX #80465B

RGB 128 70 91

HSL 338.28, 0.29%, 0.39%

LAB 37.34, 27.56, -1.43

 

CMYK 0 / 45 / 29 / 40

HEX #9A556E

RGB 154 85 110

HSL 338.26, 0.29%, 0.47%

LAB 44.93, 31.7, -1.63

 

CMYK 0 / 38 / 24 / 32

HEX #AD6B83

RGB 173 107 131

HSL 338.18, 0.29%, 0.55%

LAB 52.99, 29.63, -2.08

 

CMYK 0 / 45 / 29 / 49

HEX #81475C

RGB 129 71 92

HSL 338.28, 0.29%, 0.39%

LAB 37.75, 27.52, -1.45

 

CMYK 0 / 8 / 45 / 50

HEX #807646

RGB 128 118 70

HSL 49.66, 0.29%, 0.39%

LAB 49.48, -3.4, 27.77

 

CMYK 45 / 11 / 0 / 50

HEX #467280

RGB 70 114 128

HSL 194.48, 0.29%, 0.39%

LAB 45.49, -11.19, -12.47

 

CMYK 0 / 45 / 29 / 49

HEX #81475C

RGB 129 71 92

HSL 338.28, 0.29%, 0.39%

LAB 37.75, 27.52, -1.45

 

CMYK 29 / 0 / 45 / 50

HEX #5B8046

RGB 91 128 70

HSL 98.28, 0.29%, 0.39%

LAB 49.62, -24.33, 27.34

 

CMYK 45 / 29 / 0 / 50

HEX #465B80

RGB 70 91 128

HSL 218.28, 0.29%, 0.39%

LAB 38.45, 2.62, -23.27

 

CMYK 0 / 45 / 29 / 49

HEX #81475C

RGB 129 71 92

HSL 338.28, 0.29%, 0.39%

LAB 37.75, 27.52, -1.45

 

CMYK 0 / 8 / 45 / 50

HEX #807646

RGB 128 118 70

HSL 49.66, 0.29%, 0.39%

LAB 49.48, -3.4, 27.77

 

CMYK 45 / 0 / 16 / 50

HEX #46806B

RGB 70 128 107

HSL 158.28, 0.29%, 0.39%

LAB 49.26, -24.33, 5.52

 

CMYK 45 / 38 / 0 / 50

HEX #465080

RGB 70 80 128

HSL 229.66, 0.29%, 0.39%

LAB 35.2, 9.64, -28.36

 

CMYK 0 / 45 / 29 / 49

HEX #81475C

RGB 129 71 92

HSL 338.28, 0.29%, 0.39%

LAB 37.75, 27.52, -1.45

 

CMYK 6 / 0 / 45 / 50

HEX #788046

RGB 120 128 70

HSL 68.28, 0.29%, 0.39%

LAB 51.69, -12.46, 30.38

 

CMYK 45 / 0 / 16 / 50

HEX #46806B

RGB 70 128 107

HSL 158.28, 0.29%, 0.39%

LAB 49.26, -24.33, 5.52

 

CMYK 39 / 45 / 0 / 50

HEX #4E4680

RGB 78 70 128

HSL 248.28, 0.29%, 0.39%

LAB 33.05, 18.4, -31.71

 

Description

Color code: HEX #81475C | qconv.com Color code: HEX #81475C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 71 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 71 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 29 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 29% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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