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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #814F9A it is the complementary color #7EB065. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #814F9A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #814F9A shade: #864F95, #9761A8, #A873BB, #B985CE and #CA97E1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #814F9A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #814F9A shade: #814F9A, #703D87, #5F2B74, #4E1961 and #3D074E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #814F9A shade: #814F9A, #964F9A, #9A4F8B, #9A4F77 and #9A4F62

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #814F9A shade: #814F9A, #6D4F9A, #594F9A and #4F4F9A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #814F9A shade matches the following richer shades: #814F9A, #883CAD, #8E29C0, #9416D3 and #9B03E6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #814F9A shade: #814F9A, #7B6287, #757574, #6E8861 and #689B4E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #814F9A shade: #594F9A, #6D4F9A, #814F9A, #954F9A and #9A4F8B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #814F9A shade: #543364, #6A417F, #814F9A, #9664AF and #A87FBD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #814F9A shade: #814F9A, #9A4F59 and #4F9A63

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #814F9A shade: #814F9A, #9A814F and #4F9A81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #814F9A shade: #814F9A, #9A4F59, #689A4F and #4F9A90

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #814F9A shade: #814F9A, #9A5C4F, #689A4F and #4F8E9A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 49 / 0 / 40

HEX #814F9A

RGB 129 79 154

HSL 280, 0.32%, 0.46%

LAB 42.14, 34.82, -32.82

 

Complementary color

CMYK 28 / 0 / 43 / 31

HEX #7EB065

RGB 126 176 101

HSL 100, 0.32%, 0.54%

LAB 66.84, -30.53, 33.18

 

CMYK 10 / 47 / 0 / 42

HEX #864F95

RGB 134 79 149

HSL 287.14, 0.31%, 0.45%

LAB 42.51, 35.23, -29.21

 

CMYK 10 / 42 / 0 / 34

HEX #9761A8

RGB 151 97 168

HSL 285.63, 0.29%, 0.52%

LAB 49.44, 34.41, -29.5

 

CMYK 10 / 39 / 0 / 27

HEX #A873BB

RGB 168 115 187

HSL 284.17, 0.35%, 0.59%

LAB 56.26, 33.62, -29.74

 

CMYK 10 / 35 / 0 / 19

HEX #B985CE

RGB 185 133 206

HSL 282.74, 0.43%, 0.66%

LAB 62.97, 32.87, -29.98

 

CMYK 10 / 33 / 0 / 12

HEX #CA97E1

RGB 202 151 225

HSL 281.35, 0.55%, 0.74%

LAB 69.56, 32.17, -30.2

 

CMYK 16 / 49 / 0 / 40

HEX #814F9A

RGB 129 79 154

HSL 280, 0.32%, 0.46%

LAB 42.14, 34.82, -32.82

 

CMYK 17 / 55 / 0 / 47

HEX #703D87

RGB 112 61 135

HSL 281.35, 0.38%, 0.38%

LAB 35.07, 35.67, -32.6

 

CMYK 18 / 63 / 0 / 55

HEX #5F2B74

RGB 95 43 116

HSL 282.74, 0.46%, 0.31%

LAB 27.9, 36.4, -32.23

 

CMYK 20 / 74 / 0 / 62

HEX #4E1961

RGB 78 25 97

HSL 284.17, 0.59%, 0.24%

LAB 20.74, 36.73, -31.53

 

CMYK 22 / 91 / 0 / 69

HEX #3D074E

RGB 61 7 78

HSL 285.63, 0.84%, 0.17%

LAB 13.79, 35.94, -30.09

 

CMYK 16 / 49 / 0 / 40

HEX #814F9A

RGB 129 79 154

HSL 280, 0.32%, 0.46%

LAB 42.14, 34.82, -32.82

 

CMYK 3 / 49 / 0 / 40

HEX #964F9A

RGB 150 79 154

HSL 296.8, 0.32%, 0.46%

LAB 44.81, 41.13, -28.45

 

CMYK 0 / 49 / 10 / 40

HEX #9A4F8B

RGB 154 79 139

HSL 312, 0.32%, 0.46%

LAB 44.7, 39.6, -19.58

 

CMYK 0 / 49 / 23 / 40

HEX #9A4F77

RGB 154 79 119

HSL 328, 0.32%, 0.46%

LAB 43.94, 36.31, -8.6

 

CMYK 0 / 49 / 36 / 40

HEX #9A4F62

RGB 154 79 98

HSL 344.8, 0.32%, 0.46%

LAB 43.28, 33.36, 3.3

 

CMYK 16 / 49 / 0 / 40

HEX #814F9A

RGB 129 79 154

HSL 280, 0.32%, 0.46%

LAB 42.14, 34.82, -32.82

 

CMYK 29 / 49 / 0 / 40

HEX #6D4F9A

RGB 109 79 154

HSL 264, 0.32%, 0.46%

LAB 39.88, 28.97, -36.55

 

CMYK 42 / 49 / 0 / 40

HEX #594F9A

RGB 89 79 154

HSL 248, 0.32%, 0.46%

LAB 37.93, 23.49, -39.77

 

CMYK 49 / 49 / 0 / 40

HEX #4F4F9A

RGB 79 79 154

HSL 240, 0.32%, 0.46%

LAB 37.09, 20.96, -41.15

 

CMYK 16 / 49 / 0 / 40

HEX #814F9A

RGB 129 79 154

HSL 280, 0.32%, 0.46%

LAB 42.14, 34.82, -32.82

 

CMYK 21 / 65 / 0 / 32

HEX #883CAD

RGB 136 60 173

HSL 280.35, 0.48%, 0.46%

LAB 40.38, 50.92, -46.9

 

CMYK 26 / 79 / 0 / 25

HEX #8E29C0

RGB 142 41 192

HSL 280.13, 0.65%, 0.46%

LAB 39.82, 63.87, -58.97

 

CMYK 30 / 90 / 0 / 17

HEX #9416D3

RGB 148 22 211

HSL 280, 0.81%, 0.46%

LAB 40.53, 73.5, -68.82

 

CMYK 33 / 99 / 0 / 10

HEX #9B03E6

RGB 155 3 230

HSL 280.18, 0.97%, 0.46%

LAB 42.38, 80.4, -76.65

 

CMYK 16 / 49 / 0 / 40

HEX #814F9A

RGB 129 79 154

HSL 280, 0.32%, 0.46%

LAB 42.14, 34.82, -32.82

 

CMYK 9 / 27 / 0 / 47

HEX #7B6287

RGB 123 98 135

HSL 280.54, 0.16%, 0.46%

LAB 45.21, 17.36, -16.71

 

CMYK 0 / 0 / 1 / 54

HEX #757574

RGB 117 117 116

HSL 60, 0%, 0.46%

LAB 49.21, -0.2, 0.54

 

CMYK 19 / 0 / 29 / 47

HEX #6E8861

RGB 110 136 97

HSL 100, 0.17%, 0.46%

LAB 53.8, -17, 17.98

 

CMYK 33 / 0 / 50 / 39

HEX #689B4E

RGB 104 155 78

HSL 99.74, 0.33%, 0.46%

LAB 58.91, -31.56, 34.86

 

CMYK 42 / 49 / 0 / 40

HEX #594F9A

RGB 89 79 154

HSL 248, 0.32%, 0.46%

LAB 37.93, 23.49, -39.77

 

CMYK 29 / 49 / 0 / 40

HEX #6D4F9A

RGB 109 79 154

HSL 264, 0.32%, 0.46%

LAB 39.88, 28.97, -36.55

 

CMYK 16 / 49 / 0 / 40

HEX #814F9A

RGB 129 79 154

HSL 280, 0.32%, 0.46%

LAB 42.14, 34.82, -32.82

 

CMYK 3 / 49 / 0 / 40

HEX #954F9A

RGB 149 79 154

HSL 296, 0.32%, 0.46%

LAB 44.68, 40.83, -28.66

 

CMYK 0 / 49 / 10 / 40

HEX #9A4F8B

RGB 154 79 139

HSL 312, 0.32%, 0.46%

LAB 44.7, 39.6, -19.58

 

CMYK 16 / 49 / 0 / 61

HEX #543364

RGB 84 51 100

HSL 280.41, 0.32%, 0.3%

LAB 27.22, 24.68, -23.15

 

CMYK 17 / 49 / 0 / 50

HEX #6A417F

RGB 106 65 127

HSL 279.68, 0.32%, 0.38%

LAB 34.76, 29.7, -28.19

 

CMYK 16 / 49 / 0 / 40

HEX #814F9A

RGB 129 79 154

HSL 280, 0.32%, 0.46%

LAB 42.14, 34.82, -32.82

 

CMYK 14 / 43 / 0 / 31

HEX #9664AF

RGB 150 100 175

HSL 280, 0.32%, 0.54%

LAB 50.33, 33.92, -32.21

 

CMYK 11 / 33 / 0 / 26

HEX #A87FBD

RGB 168 127 189

HSL 279.68, 0.32%, 0.62%

LAB 59.14, 27.28, -26.43

 

CMYK 16 / 49 / 0 / 40

HEX #814F9A

RGB 129 79 154

HSL 280, 0.32%, 0.46%

LAB 42.14, 34.82, -32.82

 

CMYK 0 / 49 / 42 / 40

HEX #9A4F59

RGB 154 79 89

HSL 352, 0.32%, 0.46%

LAB 43.04, 32.26, 8.5

 

CMYK 49 / 0 / 36 / 40

HEX #4F9A63

RGB 79 154 99

HSL 136, 0.32%, 0.46%

LAB 57.73, -35.9, 21.88

 

CMYK 16 / 49 / 0 / 40

HEX #814F9A

RGB 129 79 154

HSL 280, 0.32%, 0.46%

LAB 42.14, 34.82, -32.82

 

CMYK 0 / 16 / 49 / 40

HEX #9A814F

RGB 154 129 79

HSL 40, 0.32%, 0.46%

LAB 55.21, 2.76, 30.56

 

CMYK 49 / 0 / 16 / 40

HEX #4F9A81

RGB 79 154 129

HSL 160, 0.32%, 0.46%

LAB 58.38, -29.56, 5.98

 

CMYK 16 / 49 / 0 / 40

HEX #814F9A

RGB 129 79 154

HSL 280, 0.32%, 0.46%

LAB 42.14, 34.82, -32.82

 

CMYK 0 / 49 / 42 / 40

HEX #9A4F59

RGB 154 79 89

HSL 352, 0.32%, 0.46%

LAB 43.04, 32.26, 8.5

 

CMYK 32 / 0 / 49 / 40

HEX #689A4F

RGB 104 154 79

HSL 100, 0.32%, 0.46%

LAB 58.62, -30.96, 33.98

 

CMYK 49 / 0 / 6 / 40

HEX #4F9A90

RGB 79 154 144

HSL 172, 0.32%, 0.46%

LAB 58.78, -25.84, -1.95

 

CMYK 16 / 49 / 0 / 40

HEX #814F9A

RGB 129 79 154

HSL 280, 0.32%, 0.46%

LAB 42.14, 34.82, -32.82

 

CMYK 0 / 40 / 49 / 40

HEX #9A5C4F

RGB 154 92 79

HSL 10.4, 0.32%, 0.46%

LAB 45.76, 23.92, 18.3

 

CMYK 32 / 0 / 49 / 40

HEX #689A4F

RGB 104 154 79

HSL 100, 0.32%, 0.46%

LAB 58.62, -30.96, 33.98

 

CMYK 49 / 8 / 0 / 40

HEX #4F8E9A

RGB 79 142 154

HSL 189.6, 0.32%, 0.46%

LAB 55.42, -16.89, -12.66

 

Description

Color code: HEX #814F9A | qconv.com Color code: HEX #814F9A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 79 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 79 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 49 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 49% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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