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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #816A17 it is the complementary color #7E95E8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #816A17. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #816A17 shade: #866A12, #977C25, #A88E38, #B9A04B and #CAB25E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #816A17. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #816A17 shade: #816A17, #705804, #5F4600, #4E3400 and #3D2200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #816A17 shade: #826A16, #824D16, #823116 and #821616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #816A17 shade: #826A16, #7C8216, #5F8216, #428216 and #258216

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #816A17 shade matches the following richer shades: #826A16 and #8E710A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #816A17 shade: #826A16, #756323, #695C2F, #5C553C and #504E48

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #816A17 shade: #822F16, #824C16, #826916, #7E8216 and #618216

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #816A17 shade: #3B310A, #5E4E10, #826A16, #A5871D and #C8A423

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #816A17 shade: #816A17, #1A8216 and #3E1682

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #816A17 shade: #816A17, #168269 and #691682

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #816A17 shade: #816A17, #1A8216, #162F82 and #7E1682

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #816A17 shade: #816A17, #168233, #162F82 and #821665

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 82 / 49

HEX #816A17

RGB 129 106 23

HSL 46.98, 0.7%, 0.3%

LAB 45.68, 0.43, 46.24

 

Complementary color

CMYK 46 / 36 / 0 / 9

HEX #7E95E8

RGB 126 149 232

HSL 226.98, 0.7%, 0.7%

LAB 63.14, 13.52, -44.53

 

CMYK 0 / 21 / 87 / 47

HEX #866A12

RGB 134 106 18

HSL 45.52, 0.76%, 0.3%

LAB 46.2, 2.65, 48.55

 

CMYK 0 / 18 / 75 / 41

HEX #977C25

RGB 151 124 37

HSL 45.79, 0.61%, 0.37%

LAB 53.09, 1.1, 48.67

 

CMYK 0 / 15 / 67 / 34

HEX #A88E38

RGB 168 142 56

HSL 46.07, 0.5%, 0.44%

LAB 59.85, -0.15, 47.93

 

CMYK 0 / 14 / 59 / 27

HEX #B9A04B

RGB 185 160 75

HSL 46.36, 0.44%, 0.51%

LAB 66.49, -1.16, 46.84

 

CMYK 0 / 12 / 53 / 21

HEX #CAB25E

RGB 202 178 94

HSL 46.67, 0.5%, 0.58%

LAB 73.03, -2, 45.62

 

CMYK 0 / 18 / 82 / 49

HEX #816A17

RGB 129 106 23

HSL 46.98, 0.7%, 0.3%

LAB 45.68, 0.43, 46.24

 

CMYK 0 / 21 / 96 / 56

HEX #705804

RGB 112 88 4

HSL 46.67, 0.93%, 0.23%

LAB 38.61, 2.18, 45.25

 

CMYK 0 / 26 / 100 / 63

HEX #5F4600

RGB 95 70 0

HSL 44.21, 1%, 0.19%

LAB 31.38, 4.46, 40.5

 

CMYK 0 / 33 / 100 / 69

HEX #4E3400

RGB 78 52 0

HSL 40, 1%, 0.15%

LAB 23.92, 7.05, 33.28

 

CMYK 0 / 44 / 100 / 76

HEX #3D2200

RGB 61 34 0

HSL 33.44, 1%, 0.12%

LAB 16.19, 9.89, 23.89

 

CMYK 0 / 18 / 83 / 49

HEX #826A16

RGB 130 106 22

HSL 46.67, 0.71%, 0.3%

LAB 45.79, 0.87, 46.72

 

CMYK 0 / 41 / 83 / 49

HEX #824D16

RGB 130 77 22

HSL 30.56, 0.71%, 0.3%

LAB 38.04, 17.93, 39.73

 

CMYK 0 / 62 / 83 / 49

HEX #823116

RGB 130 49 22

HSL 15, 0.71%, 0.3%

LAB 31.81, 33.46, 33.86

 

CMYK 0 / 83 / 83 / 49

HEX #821616

RGB 130 22 22

HSL 0, 0.71%, 0.3%

LAB 27.78, 44.43, 29.91

 

CMYK 0 / 18 / 83 / 49

HEX #826A16

RGB 130 106 22

HSL 46.67, 0.71%, 0.3%

LAB 45.79, 0.87, 46.72

 

CMYK 5 / 0 / 83 / 49

HEX #7C8216

RGB 124 130 22

HSL 63.33, 0.71%, 0.3%

LAB 52.18, -15.31, 52.13

 

CMYK 27 / 0 / 83 / 49

HEX #5F8216

RGB 95 130 22

HSL 79.44, 0.71%, 0.3%

LAB 50.04, -28.08, 49.42

 

CMYK 49 / 0 / 83 / 49

HEX #428216

RGB 66 130 22

HSL 95.56, 0.71%, 0.3%

LAB 48.49, -39.01, 47.42

 

CMYK 72 / 0 / 83 / 49

HEX #258216

RGB 37 130 22

HSL 111.67, 0.71%, 0.3%

LAB 47.52, -46.81, 46.17

 

CMYK 0 / 18 / 83 / 49

HEX #826A16

RGB 130 106 22

HSL 46.67, 0.71%, 0.3%

LAB 45.79, 0.87, 46.72

 

CMYK 0 / 20 / 93 / 44

HEX #8E710A

RGB 142 113 10

HSL 46.82, 0.87%, 0.3%

LAB 48.99, 2.23, 53.16

 

CMYK 0 / 18 / 83 / 49

HEX #826A16

RGB 130 106 22

HSL 46.67, 0.71%, 0.3%

LAB 45.79, 0.87, 46.72

 

CMYK 0 / 15 / 70 / 54

HEX #756323

RGB 117 99 35

HSL 46.83, 0.54%, 0.3%

LAB 42.5, -0.62, 37.71

 

CMYK 0 / 12 / 55 / 59

HEX #695C2F

RGB 105 92 47

HSL 46.55, 0.38%, 0.3%

LAB 39.35, -1.23, 27.58

 

CMYK 0 / 8 / 35 / 64

HEX #5C553C

RGB 92 85 60

HSL 46.88, 0.21%, 0.3%

LAB 36.17, -1.48, 15.65

 

CMYK 0 / 2 / 10 / 69

HEX #504E48

RGB 80 78 72

HSL 45, 0.05%, 0.3%

LAB 33.18, -0.41, 3.84

 

CMYK 0 / 64 / 83 / 49

HEX #822F16

RGB 130 47 22

HSL 13.89, 0.71%, 0.3%

LAB 31.43, 34.45, 33.49

 

CMYK 0 / 42 / 83 / 49

HEX #824C16

RGB 130 76 22

HSL 30, 0.71%, 0.3%

LAB 37.79, 18.51, 39.5

 

CMYK 0 / 19 / 83 / 49

HEX #826916

RGB 130 105 22

HSL 46.11, 0.71%, 0.3%

LAB 45.51, 1.45, 46.47

 

CMYK 3 / 0 / 83 / 49

HEX #7E8216

RGB 126 130 22

HSL 62.22, 0.71%, 0.3%

LAB 52.35, -14.4, 52.34

 

CMYK 25 / 0 / 83 / 49

HEX #618216

RGB 97 130 22

HSL 78.33, 0.71%, 0.3%

LAB 50.17, -27.24, 49.58

 

CMYK 0 / 17 / 83 / 77

HEX #3B310A

RGB 59 49 10

HSL 47.76, 0.71%, 0.14%

LAB 20.63, -0.63, 25

 

CMYK 0 / 17 / 83 / 63

HEX #5E4E10

RGB 94 78 16

HSL 47.69, 0.71%, 0.22%

LAB 33.7, -0.4, 36.54

 

CMYK 0 / 18 / 83 / 49

HEX #826A16

RGB 130 106 22

HSL 46.67, 0.71%, 0.3%

LAB 45.79, 0.87, 46.72

 

CMYK 0 / 18 / 82 / 35

HEX #A5871D

RGB 165 135 29

HSL 46.76, 0.7%, 0.38%

LAB 57.48, 1.07, 56.12

 

CMYK 0 / 18 / 83 / 22

HEX #C8A423

RGB 200 164 35

HSL 46.91, 0.7%, 0.46%

LAB 68.72, 1.23, 65.42

 

CMYK 0 / 18 / 82 / 49

HEX #816A17

RGB 129 106 23

HSL 46.98, 0.7%, 0.3%

LAB 45.68, 0.43, 46.24

 

CMYK 80 / 0 / 83 / 49

HEX #1A8216

RGB 26 130 22

HSL 117.78, 0.71%, 0.3%

LAB 47.29, -48.74, 45.88

 

CMYK 52 / 83 / 0 / 49

HEX #3E1682

RGB 62 22 130

HSL 262.22, 0.71%, 0.3%

LAB 20.86, 43.48, -52.73

 

CMYK 0 / 18 / 82 / 49

HEX #816A17

RGB 129 106 23

HSL 46.98, 0.7%, 0.3%

LAB 45.68, 0.43, 46.24

 

CMYK 83 / 0 / 19 / 49

HEX #168269

RGB 22 130 105

HSL 166.11, 0.71%, 0.3%

LAB 48.46, -35.18, 5.36

 

CMYK 19 / 83 / 0 / 49

HEX #691682

RGB 105 22 130

HSL 286.11, 0.71%, 0.3%

LAB 27.27, 50.66, -42.02

 

CMYK 0 / 18 / 82 / 49

HEX #816A17

RGB 129 106 23

HSL 46.98, 0.7%, 0.3%

LAB 45.68, 0.43, 46.24

 

CMYK 80 / 0 / 83 / 49

HEX #1A8216

RGB 26 130 22

HSL 117.78, 0.71%, 0.3%

LAB 47.29, -48.74, 45.88

 

CMYK 83 / 64 / 0 / 49

HEX #162F82

RGB 22 47 130

HSL 226.11, 0.71%, 0.3%

LAB 23.05, 23.61, -49.26

 

CMYK 3 / 83 / 0 / 49

HEX #7E1682

RGB 126 22 130

HSL 297.78, 0.71%, 0.3%

LAB 30.93, 54.81, -35.94

 

CMYK 0 / 18 / 82 / 49

HEX #816A17

RGB 129 106 23

HSL 46.98, 0.7%, 0.3%

LAB 45.68, 0.43, 46.24

 

CMYK 83 / 0 / 61 / 49

HEX #168233

RGB 22 130 51

HSL 136.11, 0.71%, 0.3%

LAB 47.46, -46.4, 34.07

 

CMYK 83 / 64 / 0 / 49

HEX #162F82

RGB 22 47 130

HSL 226.11, 0.71%, 0.3%

LAB 23.05, 23.61, -49.26

 

CMYK 0 / 83 / 22 / 49

HEX #821665

RGB 130 22 101

HSL 316.11, 0.71%, 0.3%

LAB 30.06, 51.2, -18.81

 

Description

Color code: HEX #816A17 | qconv.com Color code: HEX #816A17 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 106 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 106 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 82 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 82% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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