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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8182BB it is the complementary color #7E7D44. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8182BB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8182BB shade: #8682B6, #9794C9, #A8A6DC, #B9B8EF and #CACAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8182BB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8182BB shade: #8182BB, #7070A8, #5F5E95, #4E4C82 and #3D3A6F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8182BB shade: #8182BB, #8F81BB, #9F81BB, #AF81BB and #BB81B7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8182BB shade: #8182BB and #8181BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8182BB shade matches the following richer shades: #8182BB, #7172CA, #6163DA, #5154EA and #4245F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8182BB shade: #8182BB, #9091AB, #A0A09B, #B0AF8C and #BFBE7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8182BB shade: #81A1BB, #8192BB, #8182BB, #8E81BB and #9E81BB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8182BB shade: #515297, #6667AC, #8182BB, #9B9CC9 and #B6B7D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8182BB shade: #8182BB, #BB81B1 and #9ABB81

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8182BB shade: #8182BB, #BB8182 and #82BB81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8182BB shade: #8182BB, #BB81B1, #BBB981 and #81BB8A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8182BB shade: #8182BB, #BB81A0, #BBB981 and #81BB9C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 30 / 0 / 27

HEX #8182BB

RGB 129 130 187

HSL 238.97, 0.3%, 0.62%

LAB 56.31, 12.93, -29.96

 

Complementary color

CMYK 0 / 1 / 46 / 51

HEX #7E7D44

RGB 126 125 68

HSL 58.97, 0.3%, 0.38%

LAB 51.29, -8.44, 31.08

 

CMYK 26 / 29 / 0 / 29

HEX #8682B6

RGB 134 130 182

HSL 244.62, 0.26%, 0.61%

LAB 56.5, 13.16, -26.78

 

CMYK 25 / 26 / 0 / 21

HEX #9794C9

RGB 151 148 201

HSL 243.4, 0.33%, 0.68%

LAB 63.32, 12.66, -26.88

 

CMYK 24 / 25 / 0 / 14

HEX #A8A6DC

RGB 168 166 220

HSL 242.22, 0.44%, 0.76%

LAB 70.01, 12.22, -27.01

 

CMYK 23 / 23 / 0 / 6

HEX #B9B8EF

RGB 185 184 239

HSL 241.09, 0.63%, 0.83%

LAB 76.57, 11.81, -27.17

 

CMYK 21 / 21 / 0 / 0

HEX #CACAFF

RGB 202 202 255

HSL 240, 1%, 0.9%

LAB 82.92, 10.77, -25.92

 

CMYK 31 / 30 / 0 / 27

HEX #8182BB

RGB 129 130 187

HSL 238.97, 0.3%, 0.62%

LAB 56.31, 12.93, -29.96

 

CMYK 33 / 33 / 0 / 34

HEX #7070A8

RGB 112 112 168

HSL 240, 0.24%, 0.55%

LAB 49.33, 13.54, -29.96

 

CMYK 36 / 37 / 0 / 42

HEX #5F5E95

RGB 95 94 149

HSL 241.09, 0.23%, 0.48%

LAB 42.17, 14.26, -30.03

 

CMYK 40 / 42 / 0 / 49

HEX #4E4C82

RGB 78 76 130

HSL 242.22, 0.26%, 0.4%

LAB 34.8, 15.13, -30.17

 

CMYK 45 / 48 / 0 / 56

HEX #3D3A6F

RGB 61 58 111

HSL 243.4, 0.31%, 0.33%

LAB 27.2, 16.21, -30.4

 

CMYK 31 / 30 / 0 / 27

HEX #8182BB

RGB 129 130 187

HSL 238.97, 0.3%, 0.62%

LAB 56.31, 12.93, -29.96

 

CMYK 24 / 31 / 0 / 27

HEX #8F81BB

RGB 143 129 187

HSL 254.48, 0.3%, 0.62%

LAB 57.2, 17.76, -28.48

 

CMYK 15 / 31 / 0 / 27

HEX #9F81BB

RGB 159 129 187

HSL 271.03, 0.3%, 0.62%

LAB 58.66, 22.81, -26.11

 

CMYK 6 / 31 / 0 / 27

HEX #AF81BB

RGB 175 129 187

HSL 287.59, 0.3%, 0.62%

LAB 60.25, 28, -23.53

 

CMYK 0 / 31 / 2 / 27

HEX #BB81B7

RGB 187 129 183

HSL 304.14, 0.3%, 0.62%

LAB 61.38, 31.19, -19.42

 

CMYK 31 / 30 / 0 / 27

HEX #8182BB

RGB 129 130 187

HSL 238.97, 0.3%, 0.62%

LAB 56.31, 12.93, -29.96

 

CMYK 31 / 31 / 0 / 27

HEX #8181BB

RGB 129 129 187

HSL 240, 0.3%, 0.62%

LAB 56.04, 13.52, -30.37

 

CMYK 31 / 30 / 0 / 27

HEX #8182BB

RGB 129 130 187

HSL 238.97, 0.3%, 0.62%

LAB 56.31, 12.93, -29.96

 

CMYK 44 / 44 / 0 / 21

HEX #7172CA

RGB 113 114 202

HSL 239.33, 0.46%, 0.62%

LAB 51.62, 22.3, -45.97

 

CMYK 56 / 55 / 0 / 15

HEX #6163DA

RGB 97 99 218

HSL 239.01, 0.62%, 0.62%

LAB 47.66, 32.82, -61.5

 

CMYK 65 / 64 / 0 / 8

HEX #5154EA

RGB 81 84 234

HSL 238.82, 0.78%, 0.62%

LAB 44.28, 44.44, -76.11

 

CMYK 73 / 72 / 0 / 2

HEX #4245F9

RGB 66 69 249

HSL 239.02, 0.94%, 0.62%

LAB 41.62, 56.18, -88.95

 

CMYK 31 / 30 / 0 / 27

HEX #8182BB

RGB 129 130 187

HSL 238.97, 0.3%, 0.62%

LAB 56.31, 12.93, -29.96

 

CMYK 16 / 15 / 0 / 33

HEX #9091AB

RGB 144 145 171

HSL 237.78, 0.14%, 0.62%

LAB 60.89, 5.11, -13.74

 

CMYK 0 / 0 / 3 / 37

HEX #A0A09B

RGB 160 160 155

HSL 60, 0.03%, 0.62%

LAB 65.73, -0.94, 2.59

 

CMYK 0 / 1 / 20 / 31

HEX #B0AF8C

RGB 176 175 140

HSL 58.33, 0.19%, 0.62%

LAB 70.72, -5.56, 18.12

 

CMYK 0 / 1 / 35 / 25

HEX #BFBE7C

RGB 191 190 124

HSL 59.1, 0.34%, 0.62%

LAB 75.67, -9.72, 33.5

 

CMYK 31 / 14 / 0 / 27

HEX #81A1BB

RGB 129 161 187

HSL 206.9, 0.3%, 0.62%

LAB 64.76, -4.79, -17

 

CMYK 31 / 22 / 0 / 27

HEX #8192BB

RGB 129 146 187

HSL 222.41, 0.3%, 0.62%

LAB 60.62, 3.64, -23.31

 

CMYK 31 / 30 / 0 / 27

HEX #8182BB

RGB 129 130 187

HSL 238.97, 0.3%, 0.62%

LAB 56.31, 12.93, -29.96

 

CMYK 24 / 31 / 0 / 27

HEX #8E81BB

RGB 142 129 187

HSL 253.45, 0.3%, 0.62%

LAB 57.11, 17.45, -28.62

 

CMYK 16 / 31 / 0 / 27

HEX #9E81BB

RGB 158 129 187

HSL 270, 0.3%, 0.62%

LAB 58.56, 22.49, -26.27

 

CMYK 46 / 46 / 0 / 41

HEX #515297

RGB 81 82 151

HSL 239.14, 0.3%, 0.45%

LAB 37.88, 18.59, -38.09

 

CMYK 41 / 40 / 0 / 33

HEX #6667AC

RGB 102 103 172

HSL 239.14, 0.3%, 0.54%

LAB 46.32, 17.33, -37.08

 

CMYK 31 / 30 / 0 / 27

HEX #8182BB

RGB 129 130 187

HSL 238.97, 0.3%, 0.62%

LAB 56.31, 12.93, -29.96

 

CMYK 23 / 22 / 0 / 21

HEX #9B9CC9

RGB 155 156 201

HSL 238.7, 0.3%, 0.7%

LAB 65.72, 9.35, -23.17

 

CMYK 16 / 15 / 0 / 15

HEX #B6B7D8

RGB 182 183 216

HSL 238.24, 0.3%, 0.78%

LAB 75.31, 6.31, -16.67

 

CMYK 31 / 30 / 0 / 27

HEX #8182BB

RGB 129 130 187

HSL 238.97, 0.3%, 0.62%

LAB 56.31, 12.93, -29.96

 

CMYK 0 / 31 / 5 / 27

HEX #BB81B1

RGB 187 129 177

HSL 310.34, 0.3%, 0.62%

LAB 61.17, 30.08, -16.33

 

CMYK 18 / 0 / 31 / 27

HEX #9ABB81

RGB 154 187 129

HSL 94.14, 0.3%, 0.62%

LAB 72.23, -21.7, 25.82

 

CMYK 31 / 30 / 0 / 27

HEX #8182BB

RGB 129 130 187

HSL 238.97, 0.3%, 0.62%

LAB 56.31, 12.93, -29.96

 

CMYK 0 / 31 / 30 / 27

HEX #BB8182

RGB 187 129 130

HSL 358.97, 0.3%, 0.62%

LAB 59.78, 22.55, 8.52

 

CMYK 30 / 0 / 31 / 27

HEX #82BB81

RGB 130 187 129

HSL 118.97, 0.3%, 0.62%

LAB 70.78, -30.11, 23.63

 

CMYK 31 / 30 / 0 / 27

HEX #8182BB

RGB 129 130 187

HSL 238.97, 0.3%, 0.62%

LAB 56.31, 12.93, -29.96

 

CMYK 0 / 31 / 5 / 27

HEX #BB81B1

RGB 187 129 177

HSL 310.34, 0.3%, 0.62%

LAB 61.17, 30.08, -16.33

 

CMYK 0 / 1 / 31 / 27

HEX #BBB981

RGB 187 185 129

HSL 57.93, 0.3%, 0.62%

LAB 74.09, -8.08, 28.74

 

CMYK 31 / 0 / 26 / 27

HEX #81BB8A

RGB 129 187 138

HSL 129.31, 0.3%, 0.62%

LAB 70.9, -28.88, 18.96

 

CMYK 31 / 30 / 0 / 27

HEX #8182BB

RGB 129 130 187

HSL 238.97, 0.3%, 0.62%

LAB 56.31, 12.93, -29.96

 

CMYK 0 / 31 / 14 / 27

HEX #BB81A0

RGB 187 129 160

HSL 327.93, 0.3%, 0.62%

LAB 60.61, 27.11, -7.47

 

CMYK 0 / 1 / 31 / 27

HEX #BBB981

RGB 187 185 129

HSL 57.93, 0.3%, 0.62%

LAB 74.09, -8.08, 28.74

 

CMYK 31 / 0 / 17 / 27

HEX #81BB9C

RGB 129 187 156

HSL 147.93, 0.3%, 0.62%

LAB 71.29, -25.45, 9.75

 

Description

Color code: HEX #8182BB | qconv.com Color code: HEX #8182BB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 130 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 130 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 30 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 30% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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