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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #81A8D9 it is the complementary color #7E5726. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #81A8D9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #81A8D9 shade: #86A8D4, #97BAE7, #A8CCFA, #B9DEFF and #CAF0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #81A8D9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #81A8D9 shade: #81A8D9, #7096C6, #5F84B3, #4E72A0 and #3D608D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #81A8D9 shade: #81A8D9, #8190D9, #8981D9, #A181D9 and #B981D9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #81A8D9 shade: #81A8D9, #8190D9 and #8181D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #81A8D9 shade matches the following richer shades: #81A8D9, #74A6E6 and #66A5F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #81A8D9 shade: #81A8D9, #8EA9CC, #9BABBF, #A8ACB1 and #B6AEA4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #81A8D9 shade: #81D7D9, #81C0D9, #81A8D9, #8191D9 and #8881D9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #81A8D9 shade: #417CC6, #6192CF, #81A8D9, #A1BEE2 and #C0D4EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #81A8D9 shade: #81A8D9, #C381D9 and #CCD981

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #81A8D9 shade: #81A8D9, #D981A8 and #A8D981

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #81A8D9 shade: #81A8D9, #C381D9, #D9B181 and #97D981

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #81A8D9 shade: #81A8D9, #D981D5, #D9B181 and #81D985

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 23 / 0 / 15

HEX #81A8D9

RGB 129 168 217

HSL 213.41, 0.54%, 0.68%

LAB 67.79, -0.79, -29.01

 

Complementary color

CMYK 0 / 31 / 70 / 51

HEX #7E5726

RGB 126 87 38

HSL 33.41, 0.54%, 0.32%

LAB 40.23, 10.95, 34.09

 

CMYK 37 / 21 / 0 / 17

HEX #86A8D4

RGB 134 168 212

HSL 213.85, 0.48%, 0.68%

LAB 67.89, -0.79, -26.06

 

CMYK 35 / 19 / 0 / 9

HEX #97BAE7

RGB 151 186 231

HSL 213.75, 0.63%, 0.75%

LAB 74.49, -1.07, -26.25

 

CMYK 33 / 18 / 0 / 2

HEX #A8CCFA

RGB 168 204 250

HSL 213.66, 0.89%, 0.82%

LAB 80.97, -1.32, -26.45

 

CMYK 27 / 13 / 0 / 0

HEX #B9DEFF

RGB 185 222 255

HSL 208.29, 1%, 0.86%

LAB 86.89, -4.83, -20.01

 

CMYK 21 / 6 / 0 / 0

HEX #CAF0FF

RGB 202 240 255

HSL 196.98, 1%, 0.9%

LAB 92.62, -9.1, -11.31

 

CMYK 41 / 23 / 0 / 15

HEX #81A8D9

RGB 129 168 217

HSL 213.41, 0.54%, 0.68%

LAB 67.79, -0.79, -29.01

 

CMYK 43 / 24 / 0 / 22

HEX #7096C6

RGB 112 150 198

HSL 213.49, 0.43%, 0.61%

LAB 61.08, -0.4, -28.89

 

CMYK 47 / 26 / 0 / 30

HEX #5F84B3

RGB 95 132 179

HSL 213.57, 0.36%, 0.54%

LAB 54.23, 0.08, -28.79

 

CMYK 51 / 29 / 0 / 37

HEX #4E72A0

RGB 78 114 160

HSL 213.66, 0.34%, 0.47%

LAB 47.23, 0.67, -28.73

 

CMYK 57 / 32 / 0 / 45

HEX #3D608D

RGB 61 96 141

HSL 213.75, 0.4%, 0.4%

LAB 40.05, 1.44, -28.7

 

CMYK 41 / 23 / 0 / 15

HEX #81A8D9

RGB 129 168 217

HSL 213.41, 0.54%, 0.68%

LAB 67.79, -0.79, -29.01

 

CMYK 41 / 34 / 0 / 15

HEX #8190D9

RGB 129 144 217

HSL 229.77, 0.54%, 0.68%

LAB 61.33, 12.89, -39.04

 

CMYK 37 / 41 / 0 / 15

HEX #8981D9

RGB 137 129 217

HSL 245.45, 0.54%, 0.68%

LAB 58.06, 23.78, -44.13

 

CMYK 26 / 41 / 0 / 15

HEX #A181D9

RGB 161 129 217

HSL 261.82, 0.54%, 0.68%

LAB 60.15, 30.41, -40.71

 

CMYK 15 / 41 / 0 / 15

HEX #B981D9

RGB 185 129 217

HSL 278.18, 0.54%, 0.68%

LAB 62.53, 37.4, -36.81

 

CMYK 41 / 23 / 0 / 15

HEX #81A8D9

RGB 129 168 217

HSL 213.41, 0.54%, 0.68%

LAB 67.79, -0.79, -29.01

 

CMYK 41 / 34 / 0 / 15

HEX #8190D9

RGB 129 144 217

HSL 229.77, 0.54%, 0.68%

LAB 61.33, 12.89, -39.04

 

CMYK 41 / 41 / 0 / 15

HEX #8181D9

RGB 129 129 217

HSL 240, 0.54%, 0.68%

LAB 57.44, 21.7, -45.16

 

CMYK 41 / 23 / 0 / 15

HEX #81A8D9

RGB 129 168 217

HSL 213.41, 0.54%, 0.68%

LAB 67.79, -0.79, -29.01

 

CMYK 50 / 28 / 0 / 10

HEX #74A6E6

RGB 116 166 230

HSL 213.68, 0.7%, 0.68%

LAB 67.05, 0.82, -37.35

 

CMYK 58 / 32 / 0 / 5

HEX #66A5F3

RGB 102 165 243

HSL 213.19, 0.85%, 0.68%

LAB 66.68, 2.4, -45.1

 

CMYK 41 / 23 / 0 / 15

HEX #81A8D9

RGB 129 168 217

HSL 213.41, 0.54%, 0.68%

LAB 67.79, -0.79, -29.01

 

CMYK 30 / 17 / 0 / 20

HEX #8EA9CC

RGB 142 169 204

HSL 213.87, 0.38%, 0.68%

LAB 68.38, -1.12, -20.86

 

CMYK 19 / 10 / 0 / 25

HEX #9BABBF

RGB 155 171 191

HSL 213.33, 0.22%, 0.68%

LAB 69.37, -1.29, -12.1

 

CMYK 5 / 3 / 0 / 31

HEX #A8ACB1

RGB 168 172 177

HSL 213.33, 0.05%, 0.68%

LAB 70.18, -0.43, -3.06

 

CMYK 0 / 4 / 10 / 29

HEX #B6AEA4

RGB 182 174 164

HSL 33.33, 0.11%, 0.68%

LAB 71.49, 1.09, 6.14

 

CMYK 41 / 1 / 0 / 15

HEX #81D7D9

RGB 129 215 217

HSL 181.36, 0.54%, 0.68%

LAB 80.89, -25.43, -9.16

 

CMYK 41 / 12 / 0 / 15

HEX #81C0D9

RGB 129 192 217

HSL 197.05, 0.54%, 0.68%

LAB 74.43, -13.76, -18.86

 

CMYK 41 / 23 / 0 / 15

HEX #81A8D9

RGB 129 168 217

HSL 213.41, 0.54%, 0.68%

LAB 67.79, -0.79, -29.01

 

CMYK 41 / 33 / 0 / 15

HEX #8191D9

RGB 129 145 217

HSL 229.09, 0.54%, 0.68%

LAB 61.59, 12.31, -38.63

 

CMYK 37 / 41 / 0 / 15

HEX #8881D9

RGB 136 129 217

HSL 244.77, 0.54%, 0.68%

LAB 57.98, 23.52, -44.27

 

CMYK 67 / 37 / 0 / 22

HEX #417CC6

RGB 65 124 198

HSL 213.38, 0.54%, 0.52%

LAB 51.4, 4.78, -44.2

 

CMYK 53 / 29 / 0 / 19

HEX #6192CF

RGB 97 146 207

HSL 213.27, 0.53%, 0.6%

LAB 59.53, 0.97, -36.4

 

CMYK 41 / 23 / 0 / 15

HEX #81A8D9

RGB 129 168 217

HSL 213.41, 0.54%, 0.68%

LAB 67.79, -0.79, -29.01

 

CMYK 29 / 16 / 0 / 11

HEX #A1BEE2

RGB 161 190 226

HSL 213.23, 0.53%, 0.76%

LAB 76, -1.64, -21.17

 

CMYK 19 / 10 / 0 / 7

HEX #C0D4EC

RGB 192 212 236

HSL 212.73, 0.54%, 0.84%

LAB 84.15, -1.75, -14.05

 

CMYK 41 / 23 / 0 / 15

HEX #81A8D9

RGB 129 168 217

HSL 213.41, 0.54%, 0.68%

LAB 67.79, -0.79, -29.01

 

CMYK 10 / 41 / 0 / 15

HEX #C381D9

RGB 195 129 217

HSL 285, 0.54%, 0.68%

LAB 63.6, 40.38, -35.06

 

CMYK 6 / 0 / 41 / 15

HEX #CCD981

RGB 204 217 129

HSL 68.86, 0.54%, 0.68%

LAB 83.99, -17.71, 41.82

 

CMYK 41 / 23 / 0 / 15

HEX #81A8D9

RGB 129 168 217

HSL 213.41, 0.54%, 0.68%

LAB 67.79, -0.79, -29.01

 

CMYK 0 / 41 / 23 / 15

HEX #D981A8

RGB 217 129 168

HSL 333.41, 0.54%, 0.68%

LAB 64.39, 38.92, -6.03

 

CMYK 23 / 0 / 41 / 15

HEX #A8D981

RGB 168 217 129

HSL 93.41, 0.54%, 0.68%

LAB 81.59, -31.15, 38.26

 

CMYK 41 / 23 / 0 / 15

HEX #81A8D9

RGB 129 168 217

HSL 213.41, 0.54%, 0.68%

LAB 67.79, -0.79, -29.01

 

CMYK 10 / 41 / 0 / 15

HEX #C381D9

RGB 195 129 217

HSL 285, 0.54%, 0.68%

LAB 63.6, 40.38, -35.06

 

CMYK 0 / 18 / 41 / 15

HEX #D9B181

RGB 217 177 129

HSL 32.73, 0.54%, 0.68%

LAB 74.69, 8.11, 30.02

 

CMYK 30 / 0 / 41 / 15

HEX #97D981

RGB 151 217 129

HSL 105, 0.54%, 0.68%

LAB 80.62, -37.04, 36.83

 

CMYK 41 / 23 / 0 / 15

HEX #81A8D9

RGB 129 168 217

HSL 213.41, 0.54%, 0.68%

LAB 67.79, -0.79, -29.01

 

CMYK 0 / 41 / 2 / 15

HEX #D981D5

RGB 217 129 213

HSL 302.73, 0.54%, 0.68%

LAB 65.95, 46.26, -28.99

 

CMYK 0 / 18 / 41 / 15

HEX #D9B181

RGB 217 177 129

HSL 32.73, 0.54%, 0.68%

LAB 74.69, 8.11, 30.02

 

CMYK 41 / 0 / 39 / 15

HEX #81D985

RGB 129 217 133

HSL 122.73, 0.54%, 0.68%

LAB 79.61, -43.43, 33.28

 

Description

Color code: HEX #81A8D9 | qconv.com Color code: HEX #81A8D9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 168 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 168 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 23 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 23% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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