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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #81B0CF it is the complementary color #7E4F30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #81B0CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #81B0CF shade: #86B0CA, #97C2DD, #A8D4F0, #B9E6FF and #CAF8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #81B0CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #81B0CF shade: #81B0CF, #709EBC, #5F8CA9, #4E7A96 and #3D6883

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #81B0CF shade: #81B0CF, #819BCF, #8186CF, #9181CF and #A681CF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #81B0CF shade: #81B0CF, #819BCF, #8186CF and #8181CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #81B0CF shade matches the following richer shades: #81B0CF, #73B3DD, #65B6EB and #57B8F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #81B0CF shade: #81B0CF, #8FADC1, #9DAAB3, #ABA7A5 and #B9A497

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #81B0CF shade: #81CFC3, #81C6CF, #81B1CF, #819CCF and #8187CF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #81B0CF shade: #458AB8, #639DC3, #81B0CF, #9FC3DA and #BDD5E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #81B0CF shade: #81B0CF, #AE81CF and #CFCE81

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #81B0CF shade: #81B0CF, #CF81B1 and #B1CF81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #81B0CF shade: #81B0CF, #AE81CF, #CF9F81 and #A1CF81

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #81B0CF shade: #81B0CF, #C681CF, #CF9F81 and #8ACF81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 15 / 0 / 19

HEX #81B0CF

RGB 129 176 207

HSL 203.85, 0.45%, 0.66%

LAB 69.63, -7.86, -20.69

 

Complementary color

CMYK 0 / 37 / 62 / 51

HEX #7E4F30

RGB 126 79 48

HSL 23.85, 0.45%, 0.34%

LAB 38.27, 16.44, 26.3

 

CMYK 34 / 13 / 0 / 21

HEX #86B0CA

RGB 134 176 202

HSL 202.94, 0.39%, 0.66%

LAB 69.74, -7.75, -17.74

 

CMYK 32 / 12 / 0 / 13

HEX #97C2DD

RGB 151 194 221

HSL 203.14, 0.51%, 0.73%

LAB 76.3, -7.86, -18.08

 

CMYK 30 / 12 / 0 / 6

HEX #A8D4F0

RGB 168 212 240

HSL 203.33, 0.71%, 0.8%

LAB 82.76, -7.95, -18.42

 

CMYK 27 / 10 / 0 / 0

HEX #B9E6FF

RGB 185 230 255

HSL 201.43, 1%, 0.86%

LAB 88.98, -8.96, -16.85

 

CMYK 21 / 3 / 0 / 0

HEX #CAF8FF

RGB 202 248 255

HSL 187.92, 1%, 0.9%

LAB 94.7, -13.13, -8.21

 

CMYK 38 / 15 / 0 / 19

HEX #81B0CF

RGB 129 176 207

HSL 203.85, 0.45%, 0.66%

LAB 69.63, -7.86, -20.69

 

CMYK 40 / 16 / 0 / 26

HEX #709EBC

RGB 112 158 188

HSL 203.68, 0.36%, 0.59%

LAB 62.95, -7.67, -20.39

 

CMYK 44 / 17 / 0 / 34

HEX #5F8CA9

RGB 95 140 169

HSL 203.51, 0.3%, 0.52%

LAB 56.14, -7.45, -20.11

 

CMYK 48 / 19 / 0 / 41

HEX #4E7A96

RGB 78 122 150

HSL 203.33, 0.32%, 0.45%

LAB 49.18, -7.15, -19.83

 

CMYK 53 / 21 / 0 / 49

HEX #3D6883

RGB 61 104 131

HSL 203.14, 0.36%, 0.38%

LAB 42.05, -6.76, -19.57

 

CMYK 38 / 15 / 0 / 19

HEX #81B0CF

RGB 129 176 207

HSL 203.85, 0.45%, 0.66%

LAB 69.63, -7.86, -20.69

 

CMYK 38 / 25 / 0 / 19

HEX #819BCF

RGB 129 155 207

HSL 220, 0.45%, 0.66%

LAB 63.85, 3.8, -29.55

 

CMYK 38 / 35 / 0 / 19

HEX #8186CF

RGB 129 134 207

HSL 236.15, 0.45%, 0.66%

LAB 58.25, 15.96, -38.27

 

CMYK 30 / 38 / 0 / 19

HEX #9181CF

RGB 145 129 207

HSL 252.31, 0.45%, 0.66%

LAB 58.25, 23.35, -38.17

 

CMYK 20 / 38 / 0 / 19

HEX #A681CF

RGB 166 129 207

HSL 268.46, 0.45%, 0.66%

LAB 60.17, 29.51, -35.03

 

CMYK 38 / 15 / 0 / 19

HEX #81B0CF

RGB 129 176 207

HSL 203.85, 0.45%, 0.66%

LAB 69.63, -7.86, -20.69

 

CMYK 38 / 25 / 0 / 19

HEX #819BCF

RGB 129 155 207

HSL 220, 0.45%, 0.66%

LAB 63.85, 3.8, -29.55

 

CMYK 38 / 35 / 0 / 19

HEX #8186CF

RGB 129 134 207

HSL 236.15, 0.45%, 0.66%

LAB 58.25, 15.96, -38.27

 

CMYK 38 / 38 / 0 / 19

HEX #8181CF

RGB 129 129 207

HSL 240, 0.45%, 0.66%

LAB 56.95, 18.9, -40.3

 

CMYK 38 / 15 / 0 / 19

HEX #81B0CF

RGB 129 176 207

HSL 203.85, 0.45%, 0.66%

LAB 69.63, -7.86, -20.69

 

CMYK 48 / 19 / 0 / 13

HEX #73B3DD

RGB 115 179 221

HSL 203.77, 0.61%, 0.66%

LAB 70.25, -9.2, -27.48

 

CMYK 57 / 23 / 0 / 8

HEX #65B6EB

RGB 101 182 235

HSL 203.73, 0.77%, 0.66%

LAB 71.02, -9.72, -33.96

 

CMYK 65 / 26 / 0 / 2

HEX #57B8F9

RGB 87 184 249

HSL 204.07, 0.93%, 0.66%

LAB 71.65, -8.93, -40.61

 

CMYK 38 / 15 / 0 / 19

HEX #81B0CF

RGB 129 176 207

HSL 203.85, 0.45%, 0.66%

LAB 69.63, -7.86, -20.69

 

CMYK 26 / 10 / 0 / 24

HEX #8FADC1

RGB 143 173 193

HSL 204, 0.29%, 0.66%

LAB 69.17, -5.68, -13.59

 

CMYK 12 / 5 / 0 / 30

HEX #9DAAB3

RGB 157 170 179

HSL 204.55, 0.13%, 0.66%

LAB 68.88, -2.69, -6.18

 

CMYK 0 / 2 / 4 / 33

HEX #ABA7A5

RGB 171 167 165

HSL 20, 0.03%, 0.66%

LAB 68.76, 1.06, 1.53

 

CMYK 0 / 11 / 18 / 27

HEX #B9A497

RGB 185 164 151

HSL 22.94, 0.2%, 0.66%

LAB 68.82, 5.51, 9.54

 

CMYK 38 / 0 / 6 / 19

HEX #81CFC3

RGB 129 207 195

HSL 170.77, 0.45%, 0.66%

LAB 78.01, -26.77, -1.63

 

CMYK 38 / 4 / 0 / 19

HEX #81C6CF

RGB 129 198 207

HSL 186.92, 0.45%, 0.66%

LAB 75.8, -19.4, -11.38

 

CMYK 38 / 14 / 0 / 19

HEX #81B1CF

RGB 129 177 207

HSL 203.08, 0.45%, 0.66%

LAB 69.91, -8.4, -20.26

 

CMYK 38 / 25 / 0 / 19

HEX #819CCF

RGB 129 156 207

HSL 219.23, 0.45%, 0.66%

LAB 64.12, 3.23, -29.13

 

CMYK 38 / 35 / 0 / 19

HEX #8187CF

RGB 129 135 207

HSL 235.38, 0.45%, 0.66%

LAB 58.51, 15.37, -37.86

 

CMYK 63 / 25 / 0 / 28

HEX #458AB8

RGB 69 138 184

HSL 204, 0.45%, 0.5%

LAB 54.97, -7.56, -30.59

 

CMYK 49 / 19 / 0 / 24

HEX #639DC3

RGB 99 157 195

HSL 203.75, 0.44%, 0.58%

LAB 62.26, -8.43, -25.44

 

CMYK 38 / 15 / 0 / 19

HEX #81B0CF

RGB 129 176 207

HSL 203.85, 0.45%, 0.66%

LAB 69.63, -7.86, -20.69

 

CMYK 27 / 11 / 0 / 15

HEX #9FC3DA

RGB 159 195 218

HSL 203.39, 0.44%, 0.74%

LAB 76.96, -6.79, -15.42

 

CMYK 18 / 7 / 0 / 10

HEX #BDD5E6

RGB 189 213 230

HSL 204.88, 0.45%, 0.82%

LAB 84.03, -4.48, -11.06

 

CMYK 38 / 15 / 0 / 19

HEX #81B0CF

RGB 129 176 207

HSL 203.85, 0.45%, 0.66%

LAB 69.63, -7.86, -20.69

 

CMYK 16 / 38 / 0 / 19

HEX #AE81CF

RGB 174 129 207

HSL 274.62, 0.45%, 0.66%

LAB 60.96, 31.93, -33.74

 

CMYK 0 / 0 / 38 / 19

HEX #CFCE81

RGB 207 206 129

HSL 59.23, 0.45%, 0.66%

LAB 81.29, -11.02, 38.43

 

CMYK 38 / 15 / 0 / 19

HEX #81B0CF

RGB 129 176 207

HSL 203.85, 0.45%, 0.66%

LAB 69.63, -7.86, -20.69

 

CMYK 0 / 38 / 14 / 19

HEX #CF81B1

RGB 207 129 177

HSL 323.08, 0.45%, 0.66%

LAB 63.46, 36.88, -12.65

 

CMYK 14 / 0 / 38 / 19

HEX #B1CF81

RGB 177 207 129

HSL 83.08, 0.45%, 0.66%

LAB 79.36, -23.06, 35.51

 

CMYK 38 / 15 / 0 / 19

HEX #81B0CF

RGB 129 176 207

HSL 203.85, 0.45%, 0.66%

LAB 69.63, -7.86, -20.69

 

CMYK 16 / 38 / 0 / 19

HEX #AE81CF

RGB 174 129 207

HSL 274.62, 0.45%, 0.66%

LAB 60.96, 31.93, -33.74

 

CMYK 0 / 23 / 38 / 19

HEX #CF9F81

RGB 207 159 129

HSL 23.08, 0.45%, 0.66%

LAB 69.22, 13.8, 22.52

 

CMYK 22 / 0 / 38 / 19

HEX #A1CF81

RGB 161 207 129

HSL 95.38, 0.45%, 0.66%

LAB 78.34, -28.92, 33.98

 

CMYK 38 / 15 / 0 / 19

HEX #81B0CF

RGB 129 176 207

HSL 203.85, 0.45%, 0.66%

LAB 69.63, -7.86, -20.69

 

CMYK 4 / 38 / 0 / 19

HEX #C681CF

RGB 198 129 207

HSL 293.08, 0.45%, 0.66%

LAB 63.52, 39.3, -29.57

 

CMYK 0 / 23 / 38 / 19

HEX #CF9F81

RGB 207 159 129

HSL 23.08, 0.45%, 0.66%

LAB 69.22, 13.8, 22.52

 

CMYK 33 / 0 / 38 / 19

HEX #8ACF81

RGB 138 207 129

HSL 113.08, 0.45%, 0.66%

LAB 77.05, -36.8, 32.06

 

Description

Color code: HEX #81B0CF | qconv.com Color code: HEX #81B0CF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 176 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 176 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 15 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 15% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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