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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #81B0D8 it is the complementary color #7E4F27. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #81B0D8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #81B0D8 shade: #86B0D3, #97C2E6, #A8D4F9, #B9E6FF and #CAF8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #81B0D8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #81B0D8 shade: #81B0D8, #709EC5, #5F8CB2, #4E7A9F and #3D688C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #81B0D8 shade: #82B0D8, #8299D8, #8282D8, #9982D8 and #B082D8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #81B0D8 shade: #82B0D8, #8299D8, #8282D8 and #8282D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #81B0D8 shade matches the following richer shades: #82B0D8, #74B1E5 and #67B2F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #81B0D8 shade: #82B0D8, #8FAFCB, #9CAEBE, #A9ADB1 and #B6ACA3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #81B0D8 shade: #82D8D1, #82C8D8, #82B1D8, #829AD8 and #8283D8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #81B0D8 shade: #4389C5, #629DCE, #82B0D8, #A1C4E2 and #C1D8EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #81B0D8 shade: #81B0D8, #BA82D8 and #D4D882

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #81B0D8 shade: #81B0D8, #D882B1 and #B1D882

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #81B0D8 shade: #81B0D8, #BA82D8, #D8A982 and #A0D882

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #81B0D8 shade: #81B0D8, #D482D8, #D8A982 and #86D882

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 19 / 0 / 15

HEX #81B0D8

RGB 129 176 216

HSL 207.59, 0.53%, 0.68%

LAB 69.95, -5.47, -25.14

 

Complementary color

CMYK 0 / 37 / 69 / 51

HEX #7E4F27

RGB 126 79 39

HSL 27.59, 0.53%, 0.32%

LAB 38.15, 15.78, 31.24

 

CMYK 36 / 17 / 0 / 17

HEX #86B0D3

RGB 134 176 211

HSL 207.27, 0.47%, 0.68%

LAB 70.05, -5.45, -22.21

 

CMYK 34 / 16 / 0 / 10

HEX #97C2E6

RGB 151 194 230

HSL 207.34, 0.61%, 0.75%

LAB 76.6, -5.63, -22.48

 

CMYK 33 / 15 / 0 / 2

HEX #A8D4F9

RGB 168 212 249

HSL 207.41, 0.87%, 0.82%

LAB 83.05, -5.8, -22.75

 

CMYK 27 / 10 / 0 / 0

HEX #B9E6FF

RGB 185 230 255

HSL 201.43, 1%, 0.86%

LAB 88.98, -8.96, -16.85

 

CMYK 21 / 3 / 0 / 0

HEX #CAF8FF

RGB 202 248 255

HSL 187.92, 1%, 0.9%

LAB 94.7, -13.13, -8.21

 

CMYK 40 / 19 / 0 / 15

HEX #81B0D8

RGB 129 176 216

HSL 207.59, 0.53%, 0.68%

LAB 69.95, -5.47, -25.14

 

CMYK 43 / 20 / 0 / 23

HEX #709EC5

RGB 112 158 197

HSL 207.53, 0.42%, 0.61%

LAB 63.28, -5.19, -24.92

 

CMYK 47 / 21 / 0 / 30

HEX #5F8CB2

RGB 95 140 178

HSL 207.47, 0.35%, 0.54%

LAB 56.49, -4.84, -24.72

 

CMYK 51 / 23 / 0 / 38

HEX #4E7A9F

RGB 78 122 159

HSL 207.41, 0.34%, 0.46%

LAB 49.55, -4.4, -24.54

 

CMYK 56 / 26 / 0 / 45

HEX #3D688C

RGB 61 104 140

HSL 207.34, 0.39%, 0.39%

LAB 42.44, -3.82, -24.37

 

CMYK 40 / 19 / 0 / 15

HEX #82B0D8

RGB 130 176 216

HSL 207.91, 0.52%, 0.68%

LAB 70, -5.21, -25.05

 

CMYK 40 / 29 / 0 / 15

HEX #8299D8

RGB 130 153 216

HSL 223.95, 0.52%, 0.68%

LAB 63.74, 7.67, -34.71

 

CMYK 40 / 40 / 0 / 15

HEX #8282D8

RGB 130 130 216

HSL 240, 0.52%, 0.68%

LAB 57.72, 21.08, -44.15

 

CMYK 29 / 40 / 0 / 15

HEX #9982D8

RGB 153 130 216

HSL 256.05, 0.52%, 0.68%

LAB 59.61, 27.32, -41.04

 

CMYK 19 / 40 / 0 / 15

HEX #B082D8

RGB 176 130 216

HSL 272.09, 0.52%, 0.68%

LAB 61.79, 33.97, -37.48

 

CMYK 40 / 19 / 0 / 15

HEX #82B0D8

RGB 130 176 216

HSL 207.91, 0.52%, 0.68%

LAB 70, -5.21, -25.05

 

CMYK 40 / 29 / 0 / 15

HEX #8299D8

RGB 130 153 216

HSL 223.95, 0.52%, 0.68%

LAB 63.74, 7.67, -34.71

 

CMYK 40 / 40 / 0 / 15

HEX #8282D8

RGB 130 130 216

HSL 240, 0.52%, 0.68%

LAB 57.72, 21.08, -44.15

 

CMYK 40 / 40 / 0 / 15

HEX #8282D8

RGB 130 130 216

HSL 240, 0.52%, 0.68%

LAB 57.72, 21.08, -44.15

 

CMYK 40 / 19 / 0 / 15

HEX #82B0D8

RGB 130 176 216

HSL 207.91, 0.52%, 0.68%

LAB 70, -5.21, -25.05

 

CMYK 49 / 23 / 0 / 10

HEX #74B1E5

RGB 116 177 229

HSL 207.61, 0.68%, 0.68%

LAB 70.05, -5.58, -32.16

 

CMYK 58 / 27 / 0 / 5

HEX #67B2F3

RGB 103 178 243

HSL 207.86, 0.85%, 0.68%

LAB 70.31, -4.69, -39.41

 

CMYK 40 / 19 / 0 / 15

HEX #82B0D8

RGB 130 176 216

HSL 207.91, 0.52%, 0.68%

LAB 70, -5.21, -25.05

 

CMYK 30 / 14 / 0 / 20

HEX #8FAFCB

RGB 143 175 203

HSL 208, 0.37%, 0.68%

LAB 70.04, -4.36, -17.78

 

CMYK 18 / 8 / 0 / 25

HEX #9CAEBE

RGB 156 174 190

HSL 208.24, 0.21%, 0.68%

LAB 70.22, -2.83, -10.27

 

CMYK 5 / 2 / 0 / 31

HEX #A9ADB1

RGB 169 173 177

HSL 210, 0.05%, 0.68%

LAB 70.52, -0.63, -2.55

 

CMYK 0 / 5 / 10 / 29

HEX #B6ACA3

RGB 182 172 163

HSL 28.42, 0.12%, 0.68%

LAB 70.94, 2, 5.9

 

CMYK 40 / 0 / 3 / 15

HEX #82D8D1

RGB 130 216 209

HSL 175.12, 0.52%, 0.68%

LAB 80.99, -27.6, -4.74

 

CMYK 40 / 7 / 0 / 15

HEX #82C8D8

RGB 130 200 216

HSL 191.16, 0.52%, 0.68%

LAB 76.69, -17.9, -14.91

 

CMYK 40 / 18 / 0 / 15

HEX #82B1D8

RGB 130 177 216

HSL 207.21, 0.52%, 0.68%

LAB 70.28, -5.75, -24.63

 

CMYK 40 / 29 / 0 / 15

HEX #829AD8

RGB 130 154 216

HSL 223.26, 0.52%, 0.68%

LAB 64.01, 7.1, -34.3

 

CMYK 40 / 39 / 0 / 15

HEX #8283D8

RGB 130 131 216

HSL 239.3, 0.52%, 0.68%

LAB 57.98, 20.49, -43.75

 

CMYK 66 / 30 / 0 / 23

HEX #4389C5

RGB 67 137 197

HSL 207.69, 0.53%, 0.52%

LAB 55.19, -2.97, -37.65

 

CMYK 52 / 24 / 0 / 19

HEX #629DCE

RGB 98 157 206

HSL 207.22, 0.52%, 0.6%

LAB 62.65, -5.38, -30.99

 

CMYK 40 / 19 / 0 / 15

HEX #82B0D8

RGB 130 176 216

HSL 207.91, 0.52%, 0.68%

LAB 70, -5.21, -25.05

 

CMYK 29 / 13 / 0 / 11

HEX #A1C4E2

RGB 161 196 226

HSL 207.69, 0.53%, 0.76%

LAB 77.61, -4.85, -18.74

 

CMYK 18 / 8 / 0 / 7

HEX #C1D8EC

RGB 193 216 236

HSL 207.91, 0.53%, 0.84%

LAB 85.25, -3.53, -12.38

 

CMYK 40 / 19 / 0 / 15

HEX #81B0D8

RGB 129 176 216

HSL 207.59, 0.53%, 0.68%

LAB 69.95, -5.47, -25.14

 

CMYK 14 / 40 / 0 / 15

HEX #BA82D8

RGB 186 130 216

HSL 279.07, 0.52%, 0.68%

LAB 62.81, 36.93, -35.8

 

CMYK 2 / 0 / 40 / 15

HEX #D4D882

RGB 212 216 130

HSL 62.79, 0.52%, 0.68%

LAB 84.34, -13.99, 41.89

 

CMYK 40 / 19 / 0 / 15

HEX #81B0D8

RGB 129 176 216

HSL 207.59, 0.53%, 0.68%

LAB 69.95, -5.47, -25.14

 

CMYK 0 / 40 / 18 / 15

HEX #D882B1

RGB 216 130 177

HSL 327.21, 0.52%, 0.68%

LAB 64.75, 39.4, -10.59

 

CMYK 18 / 0 / 40 / 15

HEX #B1D882

RGB 177 216 130

HSL 87.21, 0.52%, 0.68%

LAB 81.88, -27.29, 38.25

 

CMYK 40 / 19 / 0 / 15

HEX #81B0D8

RGB 129 176 216

HSL 207.59, 0.53%, 0.68%

LAB 69.95, -5.47, -25.14

 

CMYK 14 / 40 / 0 / 15

HEX #BA82D8

RGB 186 130 216

HSL 279.07, 0.52%, 0.68%

LAB 62.81, 36.93, -35.8

 

CMYK 0 / 22 / 40 / 15

HEX #D8A982

RGB 216 169 130

HSL 27.21, 0.52%, 0.68%

LAB 72.62, 12.1, 26.72

 

CMYK 26 / 0 / 40 / 15

HEX #A0D882

RGB 160 216 130

HSL 99.07, 0.52%, 0.68%

LAB 80.85, -33.37, 36.72

 

CMYK 40 / 19 / 0 / 15

HEX #81B0D8

RGB 129 176 216

HSL 207.59, 0.53%, 0.68%

LAB 69.95, -5.47, -25.14

 

CMYK 2 / 40 / 0 / 15

HEX #D482D8

RGB 212 130 216

HSL 297.21, 0.52%, 0.68%

LAB 65.69, 44.77, -31.12

 

CMYK 0 / 22 / 40 / 15

HEX #D8A982

RGB 216 169 130

HSL 27.21, 0.52%, 0.68%

LAB 72.62, 12.1, 26.72

 

CMYK 38 / 0 / 40 / 15

HEX #86D882

RGB 134 216 130

HSL 117.21, 0.52%, 0.68%

LAB 79.5, -41.93, 34.7

 

Description

Color code: HEX #81B0D8 | qconv.com Color code: HEX #81B0D8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 176 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 176 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 19 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 19% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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