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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #81DD30 it is the complementary color #7E22CF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #81DD30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #81DD30 shade: #86DD2B, #97EF3E, #A8FF51, #B9FF64 and #CAFF77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #81DD30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #81DD30 shade: #81DD30, #70CB1D, #5FB90A, #4EA700 and #3D9500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #81DD30 shade: #81DD30, #B0DD30, #DDDC30, #DDAD30 and #DD7F30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #81DD30 shade: #81DD30, #53DD30, #30DD3D, #30DD6B and #30DD9A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #81DD30 shade matches the following richer shades: #81DD30 and #80F01D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #81DD30 shade: #81DD30, #82CA44, #84B657, #85A36B and #868F7E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #81DD30 shade: #DDDA30, #B2DD30, #84DD30, #56DD30 and #30DD39

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #81DD30 shade: #59A11A, #6DC420, #81DD30, #97E354 and #ACE877

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #81DD30 shade: #81DD30, #30DDAC and #DD30C9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #81DD30 shade: #81DD30, #3084DD and #DD3084

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #81DD30 shade: #81DD30, #30DDAC, #8A30DD and #DD3061

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #81DD30 shade: #81DD30, #30DADD, #8A30DD and #DD3330

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 78 / 13

HEX #81DD30

RGB 129 221 48

HSL 91.91, 0.72%, 0.53%

LAB 79.95, -53.69, 69.94

 

Complementary color

CMYK 39 / 84 / 0 / 19

HEX #7E22CF

RGB 126 34 207

HSL 271.91, 0.72%, 0.47%

LAB 37.99, 66.82, -70.79

 

CMYK 39 / 0 / 81 / 13

HEX #86DD2B

RGB 134 221 43

HSL 89.33, 0.72%, 0.52%

LAB 80.15, -52.28, 71.59

 

CMYK 37 / 0 / 74 / 6

HEX #97EF3E

RGB 151 239 62

HSL 89.83, 0.85%, 0.59%

LAB 86.34, -52.86, 72.09

 

CMYK 34 / 0 / 68 / 0

HEX #A8FF51

RGB 168 255 81

HSL 90, 1%, 0.66%

LAB 91.88, -52.45, 71.38

 

CMYK 27 / 0 / 61 / 0

HEX #B9FF64

RGB 185 255 100

HSL 87.1, 1%, 0.7%

LAB 92.91, -45.16, 65.35

 

CMYK 21 / 0 / 53 / 0

HEX #CAFF77

RGB 202 255 119

HSL 83.38, 1%, 0.73%

LAB 94.06, -37.41, 58.76

 

CMYK 42 / 0 / 78 / 13

HEX #81DD30

RGB 129 221 48

HSL 91.91, 0.72%, 0.53%

LAB 79.95, -53.69, 69.94

 

CMYK 45 / 0 / 86 / 20

HEX #70CB1D

RGB 112 203 29

HSL 91.38, 0.75%, 0.45%

LAB 73.7, -52.94, 68.85

 

CMYK 49 / 0 / 95 / 27

HEX #5FB90A

RGB 95 185 10

HSL 90.86, 0.9%, 0.38%

LAB 67.39, -51.88, 66.45

 

CMYK 53 / 0 / 100 / 35

HEX #4EA700

RGB 78 167 0

HSL 91.98, 1%, 0.33%

LAB 61.01, -50.44, 62.35

 

CMYK 59 / 0 / 100 / 42

HEX #3D9500

RGB 61 149 0

HSL 95.44, 1%, 0.29%

LAB 54.54, -48.62, 57

 

CMYK 42 / 0 / 78 / 13

HEX #81DD30

RGB 129 221 48

HSL 91.91, 0.72%, 0.53%

LAB 79.95, -53.69, 69.94

 

CMYK 20 / 0 / 78 / 13

HEX #B0DD30

RGB 176 221 48

HSL 75.61, 0.72%, 0.53%

LAB 82.46, -36.76, 73.17

 

CMYK 0 / 0 / 78 / 13

HEX #DDDC30

RGB 221 220 48

HSL 59.65, 0.72%, 0.53%

LAB 85.39, -17.99, 77

 

CMYK 0 / 22 / 78 / 13

HEX #DDAD30

RGB 221 173 48

HSL 43.35, 0.72%, 0.53%

LAB 73.2, 6.06, 66.08

 

CMYK 0 / 43 / 78 / 13

HEX #DD7F30

RGB 221 127 48

HSL 27.4, 0.72%, 0.53%

LAB 62.31, 30.62, 55.92

 

CMYK 42 / 0 / 78 / 13

HEX #81DD30

RGB 129 221 48

HSL 91.91, 0.72%, 0.53%

LAB 79.95, -53.69, 69.94

 

CMYK 62 / 0 / 78 / 13

HEX #53DD30

RGB 83 221 48

HSL 107.86, 0.72%, 0.53%

LAB 78.32, -66.3, 67.83

 

CMYK 78 / 0 / 72 / 13

HEX #30DD3D

RGB 48 221 61

HSL 124.51, 0.72%, 0.53%

LAB 77.68, -71.45, 62.76

 

CMYK 78 / 0 / 52 / 13

HEX #30DD6B

RGB 48 221 107

HSL 140.46, 0.72%, 0.53%

LAB 78.11, -66.25, 43.76

 

CMYK 78 / 0 / 30 / 13

HEX #30DD9A

RGB 48 221 154

HSL 156.76, 0.72%, 0.53%

LAB 78.85, -57.76, 21.03

 

CMYK 42 / 0 / 78 / 13

HEX #81DD30

RGB 129 221 48

HSL 91.91, 0.72%, 0.53%

LAB 79.95, -53.69, 69.94

 

CMYK 47 / 0 / 88 / 6

HEX #80F01D

RGB 128 240 29

HSL 91.85, 0.88%, 0.53%

LAB 85.5, -61.93, 79.19

 

CMYK 42 / 0 / 78 / 13

HEX #81DD30

RGB 129 221 48

HSL 91.91, 0.72%, 0.53%

LAB 79.95, -53.69, 69.94

 

CMYK 36 / 0 / 66 / 21

HEX #82CA44

RGB 130 202 68

HSL 92.24, 0.56%, 0.53%

LAB 74.45, -44.32, 57.55

 

CMYK 27 / 0 / 52 / 29

HEX #84B657

RGB 132 182 87

HSL 91.58, 0.39%, 0.53%

LAB 68.79, -32.91, 42.71

 

CMYK 18 / 0 / 34 / 36

HEX #85A36B

RGB 133 163 107

HSL 92.14, 0.23%, 0.53%

LAB 63.54, -20.7, 25.79

 

CMYK 6 / 0 / 12 / 44

HEX #868F7E

RGB 134 143 126

HSL 91.76, 0.07%, 0.53%

LAB 58.24, -6.56, 7.93

 

CMYK 0 / 1 / 78 / 13

HEX #DDDA30

RGB 221 218 48

HSL 58.96, 0.72%, 0.53%

LAB 84.86, -17.01, 76.53

 

CMYK 19 / 0 / 78 / 13

HEX #B2DD30

RGB 178 221 48

HSL 74.91, 0.72%, 0.53%

LAB 82.59, -35.98, 73.33

 

CMYK 40 / 0 / 78 / 13

HEX #84DD30

RGB 132 221 48

HSL 90.87, 0.72%, 0.53%

LAB 80.08, -52.71, 70.11

 

CMYK 61 / 0 / 78 / 13

HEX #56DD30

RGB 86 221 48

HSL 106.82, 0.72%, 0.53%

LAB 78.41, -65.63, 67.94

 

CMYK 78 / 0 / 74 / 13

HEX #30DD39

RGB 48 221 57

HSL 123.12, 0.72%, 0.53%

LAB 77.66, -71.75, 64.11

 

CMYK 45 / 0 / 84 / 37

HEX #59A11A

RGB 89 161 26

HSL 92, 0.72%, 0.37%

LAB 59.61, -43.89, 56.77

 

CMYK 44 / 0 / 84 / 23

HEX #6DC420

RGB 109 196 32

HSL 91.83, 0.72%, 0.45%

LAB 71.44, -51.06, 66.14

 

CMYK 42 / 0 / 78 / 13

HEX #81DD30

RGB 129 221 48

HSL 91.91, 0.72%, 0.53%

LAB 79.95, -53.69, 69.94

 

CMYK 33 / 0 / 63 / 11

HEX #97E354

RGB 151 227 84

HSL 91.89, 0.72%, 0.61%

LAB 83, -46.38, 60.55

 

CMYK 26 / 0 / 49 / 9

HEX #ACE877

RGB 172 232 119

HSL 91.86, 0.71%, 0.69%

LAB 85.91, -37.82, 48.61

 

CMYK 42 / 0 / 78 / 13

HEX #81DD30

RGB 129 221 48

HSL 91.91, 0.72%, 0.53%

LAB 79.95, -53.69, 69.94

 

CMYK 78 / 0 / 22 / 13

HEX #30DDAC

RGB 48 221 172

HSL 163.01, 0.72%, 0.53%

LAB 79.23, -53.71, 12.08

 

CMYK 0 / 78 / 9 / 13

HEX #DD30C9

RGB 221 48 201

HSL 306.94, 0.72%, 0.53%

LAB 53.71, 78.6, -41.25

 

CMYK 42 / 0 / 78 / 13

HEX #81DD30

RGB 129 221 48

HSL 91.91, 0.72%, 0.53%

LAB 79.95, -53.69, 69.94

 

CMYK 78 / 40 / 0 / 13

HEX #3084DD

RGB 48 132 221

HSL 210.87, 0.72%, 0.53%

LAB 54.4, 5.96, -52.49

 

CMYK 0 / 78 / 40 / 13

HEX #DD3084

RGB 221 48 132

HSL 330.87, 0.72%, 0.53%

LAB 50.86, 70.31, -4.99

 

CMYK 42 / 0 / 78 / 13

HEX #81DD30

RGB 129 221 48

HSL 91.91, 0.72%, 0.53%

LAB 79.95, -53.69, 69.94

 

CMYK 78 / 0 / 22 / 13

HEX #30DDAC

RGB 48 221 172

HSL 163.01, 0.72%, 0.53%

LAB 79.23, -53.71, 12.08

 

CMYK 38 / 78 / 0 / 13

HEX #8A30DD

RGB 138 48 221

HSL 271.21, 0.72%, 0.53%

LAB 42.37, 67.02, -71.63

 

CMYK 0 / 78 / 56 / 13

HEX #DD3061

RGB 221 48 97

HSL 343.01, 0.72%, 0.53%

LAB 49.92, 67.42, 14.89

 

CMYK 42 / 0 / 78 / 13

HEX #81DD30

RGB 129 221 48

HSL 91.91, 0.72%, 0.53%

LAB 79.95, -53.69, 69.94

 

CMYK 78 / 1 / 0 / 13

HEX #30DADD

RGB 48 218 221

HSL 181.04, 0.72%, 0.53%

LAB 79.61, -39.48, -13.45

 

CMYK 38 / 78 / 0 / 13

HEX #8A30DD

RGB 138 48 221

HSL 271.21, 0.72%, 0.53%

LAB 42.37, 67.02, -71.63

 

CMYK 0 / 77 / 78 / 13

HEX #DD3330

RGB 221 51 48

HSL 1.04, 0.72%, 0.53%

LAB 49.44, 64.08, 43.17

 

Description

Color code: HEX #81DD30 | qconv.com Color code: HEX #81DD30 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 221 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 221 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 78 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 78% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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