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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #81E481 it is the complementary color #7E1B7E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #81E481. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #81E481 shade: #86E47C, #97F68F, #A8FFA2, #B9FFB5 and #CAFFC8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #81E481. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #81E481 shade: #81E481, #70D26E, #5FC05B, #4EAE48 and #3D9C35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #81E481 shade: #80E480, #9BE480, #B6E480, #D1E480 and #E4DC80

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #81E481 shade: #80E480, #80E49B, #80E4B6, #80E4D1 and #80DCE4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #81E481 shade matches the following richer shades: #80E480, #74F074 and #68FC68

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #81E481 shade: #80E480, #8DD78D, #99CB99, #A5BFA5 and #B2B2B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #81E481 shade: #B5E480, #9BE480, #80E480, #80E49B and #80E4B5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #81E481 shade: #3CD53C, #5EDD5E, #80E480, #A2EBA2 and #C4F2C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #81E481 shade: #81E481, #80D0E4 and #E480A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #81E481 shade: #81E481, #8080E4 and #E48080

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #81E481 shade: #81E481, #80D0E4, #E480E4 and #E49480

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #81E481 shade: #81E481, #80B2E4, #E480E4 and #E4B280

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 43 / 11

HEX #81E481

RGB 129 228 129

HSL 120, 0.65%, 0.7%

LAB 82.77, -48.7, 39.39

 

Complementary color

CMYK 0 / 79 / 0 / 51

HEX #7E1B7E

RGB 126 27 126

HSL 300, 0.65%, 0.3%

LAB 31.17, 52.7, -33.04

 

CMYK 41 / 0 / 46 / 11

HEX #86E47C

RGB 134 228 124

HSL 114.23, 0.66%, 0.69%

LAB 82.92, -47.93, 42.07

 

CMYK 39 / 0 / 42 / 4

HEX #97F68F

RGB 151 246 143

HSL 115.34, 0.85%, 0.76%

LAB 89.15, -47.78, 40.86

 

CMYK 34 / 0 / 36 / 0

HEX #A8FFA2

RGB 168 255 162

HSL 116.13, 1%, 0.82%

LAB 92.77, -43.71, 36.37

 

CMYK 27 / 0 / 29 / 0

HEX #B9FFB5

RGB 185 255 181

HSL 116.76, 1%, 0.85%

LAB 93.96, -35.46, 28.6

 

CMYK 21 / 0 / 22 / 0

HEX #CAFFC8

RGB 202 255 200

HSL 117.82, 1%, 0.89%

LAB 95.26, -26.89, 20.92

 

CMYK 43 / 0 / 43 / 11

HEX #81E481

RGB 129 228 129

HSL 120, 0.65%, 0.7%

LAB 82.77, -48.7, 39.39

 

CMYK 47 / 0 / 48 / 18

HEX #70D26E

RGB 112 210 110

HSL 118.8, 0.53%, 0.63%

LAB 76.47, -48.81, 40.65

 

CMYK 51 / 0 / 53 / 25

HEX #5FC05B

RGB 95 192 91

HSL 117.62, 0.44%, 0.55%

LAB 70.1, -48.81, 41.93

 

CMYK 55 / 0 / 59 / 32

HEX #4EAE48

RGB 78 174 72

HSL 116.47, 0.41%, 0.48%

LAB 63.64, -48.64, 43.18

 

CMYK 61 / 0 / 66 / 39

HEX #3D9C35

RGB 61 156 53

HSL 115.34, 0.49%, 0.41%

LAB 57.1, -48.2, 44.28

 

CMYK 44 / 0 / 44 / 11

HEX #80E480

RGB 128 228 128

HSL 120, 0.65%, 0.7%

LAB 82.72, -49.13, 39.8

 

CMYK 32 / 0 / 44 / 11

HEX #9BE480

RGB 155 228 128

HSL 103.8, 0.65%, 0.7%

LAB 83.97, -40.77, 41.65

 

CMYK 20 / 0 / 44 / 11

HEX #B6E480

RGB 182 228 128

HSL 87.6, 0.65%, 0.7%

LAB 85.5, -31.38, 43.9

 

CMYK 8 / 0 / 44 / 11

HEX #D1E480

RGB 209 228 128

HSL 71.4, 0.65%, 0.7%

LAB 87.29, -21.28, 46.52

 

CMYK 0 / 4 / 44 / 11

HEX #E4DC80

RGB 228 220 128

HSL 55.2, 0.65%, 0.7%

LAB 86.62, -9.91, 46.01

 

CMYK 44 / 0 / 44 / 11

HEX #80E480

RGB 128 228 128

HSL 120, 0.65%, 0.7%

LAB 82.72, -49.13, 39.8

 

CMYK 44 / 0 / 32 / 11

HEX #80E49B

RGB 128 228 155

HSL 136.2, 0.65%, 0.7%

LAB 83.15, -44.83, 26.73

 

CMYK 44 / 0 / 20 / 11

HEX #80E4B6

RGB 128 228 182

HSL 152.4, 0.65%, 0.7%

LAB 83.68, -39.7, 13.43

 

CMYK 44 / 0 / 8 / 11

HEX #80E4D1

RGB 128 228 209

HSL 168.6, 0.65%, 0.7%

LAB 84.32, -33.81, 0.13

 

CMYK 44 / 4 / 0 / 11

HEX #80DCE4

RGB 128 220 228

HSL 184.8, 0.65%, 0.7%

LAB 82.58, -25.37, -12.5

 

CMYK 44 / 0 / 44 / 11

HEX #80E480

RGB 128 228 128

HSL 120, 0.65%, 0.7%

LAB 82.72, -49.13, 39.8

 

CMYK 52 / 0 / 52 / 6

HEX #74F074

RGB 116 240 116

HSL 120, 0.81%, 0.7%

LAB 85.65, -58.79, 49.11

 

CMYK 59 / 0 / 59 / 1

HEX #68FC68

RGB 104 252 104

HSL 120, 0.96%, 0.7%

LAB 88.72, -67.47, 58.03

 

CMYK 44 / 0 / 44 / 11

HEX #80E480

RGB 128 228 128

HSL 120, 0.65%, 0.7%

LAB 82.72, -49.13, 39.8

 

CMYK 34 / 0 / 34 / 16

HEX #8DD78D

RGB 141 215 141

HSL 120, 0.48%, 0.7%

LAB 79.72, -37.6, 29.44

 

CMYK 25 / 0 / 25 / 20

HEX #99CB99

RGB 153 203 153

HSL 120, 0.32%, 0.7%

LAB 77.15, -26.07, 19.78

 

CMYK 14 / 0 / 14 / 25

HEX #A5BFA5

RGB 165 191 165

HSL 120, 0.17%, 0.7%

LAB 74.81, -13.82, 10.18

 

CMYK 0 / 0 / 0 / 30

HEX #B2B2B2

RGB 178 178 178

HSL 0, 0%, 0.7%

LAB 72.57, 0, -0.01

 

CMYK 21 / 0 / 44 / 11

HEX #B5E480

RGB 181 228 128

HSL 88.2, 0.65%, 0.7%

LAB 85.44, -31.74, 43.81

 

CMYK 32 / 0 / 44 / 11

HEX #9BE480

RGB 155 228 128

HSL 103.8, 0.65%, 0.7%

LAB 83.97, -40.77, 41.65

 

CMYK 44 / 0 / 44 / 11

HEX #80E480

RGB 128 228 128

HSL 120, 0.65%, 0.7%

LAB 82.72, -49.13, 39.8

 

CMYK 44 / 0 / 32 / 11

HEX #80E49B

RGB 128 228 155

HSL 136.2, 0.65%, 0.7%

LAB 83.15, -44.83, 26.73

 

CMYK 44 / 0 / 21 / 11

HEX #80E4B5

RGB 128 228 181

HSL 151.8, 0.65%, 0.7%

LAB 83.66, -39.91, 13.92

 

CMYK 72 / 0 / 72 / 16

HEX #3CD53C

RGB 60 213 60

HSL 120, 0.65%, 0.54%

LAB 75.37, -67.32, 60.82

 

CMYK 57 / 0 / 57 / 13

HEX #5EDD5E

RGB 94 221 94

HSL 120, 0.65%, 0.62%

LAB 78.98, -59.8, 51.08

 

CMYK 44 / 0 / 44 / 11

HEX #80E480

RGB 128 228 128

HSL 120, 0.65%, 0.7%

LAB 82.72, -49.13, 39.8

 

CMYK 31 / 0 / 31 / 8

HEX #A2EBA2

RGB 162 235 162

HSL 120, 0.65%, 0.78%

LAB 86.85, -36.69, 28.42

 

CMYK 19 / 0 / 19 / 5

HEX #C4F2C4

RGB 196 242 196

HSL 120, 0.64%, 0.86%

LAB 91.34, -23.32, 17.43

 

CMYK 43 / 0 / 43 / 11

HEX #81E481

RGB 129 228 129

HSL 120, 0.65%, 0.7%

LAB 82.77, -48.7, 39.39

 

CMYK 44 / 9 / 0 / 11

HEX #80D0E4

RGB 128 208 228

HSL 192, 0.65%, 0.7%

LAB 79.22, -19.38, -17.56

 

CMYK 0 / 44 / 26 / 11

HEX #E480A8

RGB 228 128 168

HSL 336, 0.65%, 0.7%

LAB 65.56, 43.22, -4.14

 

CMYK 43 / 0 / 43 / 11

HEX #81E481

RGB 129 228 129

HSL 120, 0.65%, 0.7%

LAB 82.77, -48.7, 39.39

 

CMYK 44 / 44 / 0 / 11

HEX #8080E4

RGB 128 128 228

HSL 240, 0.65%, 0.7%

LAB 57.68, 25.18, -50.94

 

CMYK 0 / 44 / 44 / 11

HEX #E48080

RGB 228 128 128

HSL 0, 0.65%, 0.7%

LAB 64.56, 38.42, 17.1

 

CMYK 43 / 0 / 43 / 11

HEX #81E481

RGB 129 228 129

HSL 120, 0.65%, 0.7%

LAB 82.77, -48.7, 39.39

 

CMYK 44 / 9 / 0 / 11

HEX #80D0E4

RGB 128 208 228

HSL 192, 0.65%, 0.7%

LAB 79.22, -19.38, -17.56

 

CMYK 0 / 44 / 0 / 11

HEX #E480E4

RGB 228 128 228

HSL 300, 0.65%, 0.7%

LAB 67.68, 52.72, -34.54

 

CMYK 0 / 35 / 44 / 11

HEX #E49480

RGB 228 148 128

HSL 12, 0.65%, 0.7%

LAB 68.92, 27.9, 23.06

 

CMYK 43 / 0 / 43 / 11

HEX #81E481

RGB 129 228 129

HSL 120, 0.65%, 0.7%

LAB 82.77, -48.7, 39.39

 

CMYK 44 / 22 / 0 / 11

HEX #80B2E4

RGB 128 178 228

HSL 210, 0.65%, 0.7%

LAB 70.89, -3.54, -30.25

 

CMYK 0 / 44 / 0 / 11

HEX #E480E4

RGB 228 128 228

HSL 300, 0.65%, 0.7%

LAB 67.68, 52.72, -34.54

 

CMYK 0 / 22 / 44 / 11

HEX #E4B280

RGB 228 178 128

HSL 30, 0.65%, 0.7%

LAB 76, 11.88, 32.48

 

Description

Color code: HEX #81E481 | qconv.com Color code: HEX #81E481 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 228 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 228 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 43 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 43% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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