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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8204EF it is the complementary color #7DFB10. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8204EF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8204EF shade: #8704EA, #9816FD, #A928FF, #BA3AFF and #CB4CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8204EF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8204EF shade: #8204EF, #7100DC, #6000C9, #4F00B6 and #3E00A3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8204EF shade: #8203F1, #C303F1, #F103DF, #F1039F and #F1035F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8204EF shade: #8203F1, #4203F1 and #0303F1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8204EF shade matches the following richer shades: #8203F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8204EF shade: #8203F1, #8117DD, #802BC9, #7E3FB5 and #7D52A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8204EF shade: #0303F1, #4203F1, #8203F1, #C103F1 and #F103E1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8204EF shade: #56029F, #6C03C8, #8203F1, #9622FB and #AA4BFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8204EF shade: #8204EF, #F10342 and #03F123

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8204EF shade: #8204EF, #F18203 and #03F182

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8204EF shade: #8204EF, #F10342, #72F103 and #03F1B1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8204EF shade: #8204EF, #F10B03, #72F103 and #03E9F1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 98 / 0 / 6

HEX #8204EF

RGB 130 4 239

HSL 272.17, 0.97%, 0.48%

LAB 39.69, 79.59, -86.31

 

Complementary color

CMYK 50 / 0 / 94 / 2

HEX #7DFB10

RGB 125 251 16

HSL 92.17, 0.97%, 0.52%

LAB 88.63, -67.03, 83.49

 

CMYK 42 / 98 / 0 / 8

HEX #8704EA

RGB 135 4 234

HSL 274.17, 0.97%, 0.47%

LAB 39.88, 79.02, -83.14

 

CMYK 40 / 91 / 0 / 1

HEX #9816FD

RGB 152 22 253

HSL 273.77, 0.98%, 0.54%

LAB 44.72, 82.33, -85.79

 

CMYK 34 / 84 / 0 / 0

HEX #A928FF

RGB 169 40 255

HSL 276, 1%, 0.58%

LAB 48.48, 81.05, -80.66

 

CMYK 27 / 77 / 0 / 0

HEX #BA3AFF

RGB 186 58 255

HSL 278.98, 1%, 0.61%

LAB 52.6, 78.41, -73.83

 

CMYK 20 / 70 / 0 / 0

HEX #CB4CFF

RGB 203 76 255

HSL 282.57, 1%, 0.65%

LAB 57.16, 75.12, -66.35

 

CMYK 46 / 98 / 0 / 6

HEX #8204EF

RGB 130 4 239

HSL 272.17, 0.97%, 0.48%

LAB 39.69, 79.59, -86.31

 

CMYK 49 / 100 / 0 / 14

HEX #7100DC

RGB 113 0 220

HSL 270.82, 1%, 0.43%

LAB 35.36, 74.68, -82.7

 

CMYK 52 / 100 / 0 / 21

HEX #6000C9

RGB 96 0 201

HSL 268.66, 1%, 0.39%

LAB 31.12, 69.27, -78.75

 

CMYK 57 / 100 / 0 / 29

HEX #4F00B6

RGB 79 0 182

HSL 266.04, 1%, 0.36%

LAB 26.85, 63.81, -74.67

 

CMYK 62 / 100 / 0 / 36

HEX #3E00A3

RGB 62 0 163

HSL 262.82, 1%, 0.32%

LAB 22.54, 58.31, -70.43

 

CMYK 46 / 99 / 0 / 5

HEX #8203F1

RGB 130 3 241

HSL 272.02, 0.98%, 0.48%

LAB 39.85, 80.11, -87.17

 

CMYK 19 / 99 / 0 / 5

HEX #C303F1

RGB 195 3 241

HSL 288.4, 0.98%, 0.48%

LAB 49.52, 87.27, -70.96

 

CMYK 0 / 99 / 7 / 5

HEX #F103DF

RGB 241 3 223

HSL 304.54, 0.98%, 0.48%

LAB 56.18, 91.5, -49.67

 

CMYK 0 / 99 / 34 / 5

HEX #F1039F

RGB 241 3 159

HSL 320.67, 0.98%, 0.48%

LAB 53.24, 84.08, -17.18

 

CMYK 0 / 99 / 61 / 5

HEX #F1035F

RGB 241 3 95

HSL 336.81, 0.98%, 0.48%

LAB 51.37, 79.15, 18.74

 

CMYK 46 / 99 / 0 / 5

HEX #8203F1

RGB 130 3 241

HSL 272.02, 0.98%, 0.48%

LAB 39.85, 80.11, -87.17

 

CMYK 73 / 99 / 0 / 5

HEX #4203F1

RGB 66 3 241

HSL 255.88, 0.98%, 0.48%

LAB 33.08, 76.41, -98.61

 

CMYK 99 / 99 / 0 / 5

HEX #0303F1

RGB 3 3 241

HSL 240, 0.98%, 0.48%

LAB 30.49, 75.41, -103.01

 

CMYK 46 / 99 / 0 / 5

HEX #8203F1

RGB 130 3 241

HSL 272.02, 0.98%, 0.48%

LAB 39.85, 80.11, -87.17

 

CMYK 46 / 99 / 0 / 5

HEX #8203F1

RGB 130 3 241

HSL 272.02, 0.98%, 0.48%

LAB 39.85, 80.11, -87.17

 

CMYK 42 / 90 / 0 / 13

HEX #8117DD

RGB 129 23 221

HSL 272.12, 0.81%, 0.48%

LAB 38.73, 73.01, -77.64

 

CMYK 36 / 79 / 0 / 21

HEX #802BC9

RGB 128 43 201

HSL 272.28, 0.65%, 0.48%

LAB 38.78, 62.78, -66

 

CMYK 30 / 65 / 0 / 29

HEX #7E3FB5

RGB 126 63 181

HSL 272.03, 0.48%, 0.48%

LAB 40.13, 49, -52.11

 

CMYK 22 / 49 / 0 / 37

HEX #7D52A1

RGB 125 82 161

HSL 272.66, 0.33%, 0.48%

LAB 42.71, 33.56, -36.13

 

CMYK 99 / 99 / 0 / 5

HEX #0303F1

RGB 3 3 241

HSL 240, 0.98%, 0.48%

LAB 30.49, 75.41, -103.01

 

CMYK 73 / 99 / 0 / 5

HEX #4203F1

RGB 66 3 241

HSL 255.88, 0.98%, 0.48%

LAB 33.08, 76.41, -98.61

 

CMYK 46 / 99 / 0 / 5

HEX #8203F1

RGB 130 3 241

HSL 272.02, 0.98%, 0.48%

LAB 39.85, 80.11, -87.17

 

CMYK 20 / 99 / 0 / 5

HEX #C103F1

RGB 193 3 241

HSL 287.9, 0.98%, 0.48%

LAB 49.2, 87.01, -71.49

 

CMYK 0 / 99 / 7 / 5

HEX #F103E1

RGB 241 3 225

HSL 304.03, 0.98%, 0.48%

LAB 56.29, 91.76, -50.63

 

CMYK 46 / 99 / 0 / 38

HEX #56029F

RGB 86 2 159

HSL 272.1, 0.98%, 0.32%

LAB 25.34, 58.79, -63.26

 

CMYK 46 / 99 / 0 / 22

HEX #6C03C8

RGB 108 3 200

HSL 271.98, 0.97%, 0.4%

LAB 32.75, 69.58, -75.42

 

CMYK 46 / 99 / 0 / 5

HEX #8203F1

RGB 130 3 241

HSL 272.02, 0.98%, 0.48%

LAB 39.85, 80.11, -87.17

 

CMYK 40 / 86 / 0 / 2

HEX #9622FB

RGB 150 34 251

HSL 272.07, 0.96%, 0.56%

LAB 45.07, 79.31, -84.1

 

CMYK 33 / 70 / 0 / 1

HEX #AA4BFC

RGB 170 75 252

HSL 272.2, 0.97%, 0.64%

LAB 52.52, 68.65, -72.4

 

CMYK 46 / 98 / 0 / 6

HEX #8204EF

RGB 130 4 239

HSL 272.17, 0.97%, 0.48%

LAB 39.69, 79.59, -86.31

 

CMYK 0 / 99 / 73 / 5

HEX #F10342

RGB 241 3 66

HSL 344.12, 0.98%, 0.48%

LAB 50.87, 77.79, 35.61

 

CMYK 99 / 0 / 85 / 5

HEX #03F123

RGB 3 241 35

HSL 128.07, 0.98%, 0.48%

LAB 83.47, -81.65, 75.39

 

CMYK 46 / 98 / 0 / 6

HEX #8204EF

RGB 130 4 239

HSL 272.17, 0.97%, 0.48%

LAB 39.69, 79.59, -86.31

 

CMYK 0 / 46 / 99 / 5

HEX #F18203

RGB 241 130 3

HSL 32.02, 0.98%, 0.48%

LAB 65.49, 36.33, 71.64

 

CMYK 99 / 0 / 46 / 5

HEX #03F182

RGB 3 241 130

HSL 152.02, 0.98%, 0.48%

LAB 84.25, -71.94, 40.28

 

CMYK 46 / 98 / 0 / 6

HEX #8204EF

RGB 130 4 239

HSL 272.17, 0.97%, 0.48%

LAB 39.69, 79.59, -86.31

 

CMYK 0 / 99 / 73 / 5

HEX #F10342

RGB 241 3 66

HSL 344.12, 0.98%, 0.48%

LAB 50.87, 77.79, 35.61

 

CMYK 53 / 0 / 99 / 5

HEX #72F103

RGB 114 241 3

HSL 92.02, 0.98%, 0.48%

LAB 85.25, -66.75, 81.71

 

CMYK 99 / 0 / 27 / 5

HEX #03F1B1

RGB 3 241 177

HSL 163.87, 0.98%, 0.48%

LAB 85.05, -62.66, 17.62

 

CMYK 46 / 98 / 0 / 6

HEX #8204EF

RGB 130 4 239

HSL 272.17, 0.97%, 0.48%

LAB 39.69, 79.59, -86.31

 

CMYK 0 / 95 / 99 / 5

HEX #F10B03

RGB 241 11 3

HSL 2.02, 0.98%, 0.48%

LAB 50.62, 75.96, 63.69

 

CMYK 53 / 0 / 99 / 5

HEX #72F103

RGB 114 241 3

HSL 92.02, 0.98%, 0.48%

LAB 85.25, -66.75, 81.71

 

CMYK 99 / 3 / 0 / 5

HEX #03E9F1

RGB 3 233 241

HSL 182.02, 0.98%, 0.48%

LAB 84.3, -42.48, -17.04

 

Description

Color code: HEX #8204EF | qconv.com Color code: HEX #8204EF | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 4 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 4 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 98 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 98% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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