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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #820E84 it is the complementary color #7DF17B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #820E84. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #820E84 shade: #870E7F, #982092, #A932A5, #BA44B8 and #CB56CB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #820E84. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #820E84 shade: #820E84, #710071, #60005E, #4F004B and #3E0038

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #820E84 shade: #830E85, #850E67, #850E47, #850E26 and #850E0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #820E84 shade: #830E85, #630E85, #430E85, #220E85 and #0E0E85

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #820E84 shade matches the following richer shades: #830E85 and #8F0291

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #820E84 shade: #830E85, #781A79, #6C256D, #613161 and #553D55

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #820E84 shade: #410E85, #610E85, #810E85, #850E69 and #850E49

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #820E84 shade: #3A063B, #5F0A60, #830E85, #A811AB and #CD15D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #820E84 shade: #820E84, #85220E and #0E8551

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #820E84 shade: #820E84, #85810E and #0E8581

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #820E84 shade: #820E84, #85220E, #12850E and #0E7185

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #820E84 shade: #820E84, #85450E, #12850E and #0E4D85

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 89 / 0 / 48

HEX #820E84

RGB 130 14 132

HSL 298.98, 0.81%, 0.29%

LAB 31.17, 57.72, -36.76

 

Complementary color

CMYK 48 / 0 / 49 / 5

HEX #7DF17B

RGB 125 241 123

HSL 118.98, 0.81%, 0.71%

LAB 86.36, -55.9, 46.76

 

CMYK 0 / 90 / 6 / 47

HEX #870E7F

RGB 135 14 127

HSL 303.97, 0.81%, 0.29%

LAB 31.8, 57.89, -32.57

 

CMYK 0 / 79 / 4 / 40

HEX #982092

RGB 152 32 146

HSL 303, 0.65%, 0.36%

LAB 37.45, 60.17, -35.18

 

CMYK 0 / 70 / 2 / 34

HEX #A932A5

RGB 169 50 165

HSL 302.02, 0.54%, 0.43%

LAB 43.41, 61.25, -37.02

 

CMYK 0 / 63 / 1 / 27

HEX #BA44B8

RGB 186 68 184

HSL 301.02, 0.46%, 0.5%

LAB 49.54, 61.57, -38.36

 

CMYK 0 / 58 / 0 / 20

HEX #CB56CB

RGB 203 86 203

HSL 300, 0.53%, 0.57%

LAB 55.75, 61.44, -39.37

 

CMYK 2 / 89 / 0 / 48

HEX #820E84

RGB 130 14 132

HSL 298.98, 0.81%, 0.29%

LAB 31.17, 57.72, -36.76

 

CMYK 0 / 100 / 0 / 56

HEX #710071

RGB 113 0 113

HSL 300, 1%, 0.22%

LAB 25.87, 53.9, -33.38

 

CMYK 0 / 100 / 2 / 62

HEX #60005E

RGB 96 0 94

HSL 301.25, 1%, 0.19%

LAB 21.19, 47.72, -28.65

 

CMYK 0 / 100 / 5 / 69

HEX #4F004B

RGB 79 0 75

HSL 303.04, 1%, 0.15%

LAB 16.36, 41.34, -23.71

 

CMYK 0 / 100 / 10 / 76

HEX #3E0038

RGB 62 0 56

HSL 305.81, 1%, 0.12%

LAB 11.34, 34.71, -18.51

 

CMYK 2 / 89 / 0 / 48

HEX #830E85

RGB 131 14 133

HSL 298.99, 0.81%, 0.29%

LAB 31.42, 58.07, -36.97

 

CMYK 0 / 89 / 23 / 48

HEX #850E67

RGB 133 14 103

HSL 315.13, 0.81%, 0.29%

LAB 30.11, 54.01, -19.98

 

CMYK 0 / 89 / 47 / 48

HEX #850E47

RGB 133 14 71

HSL 331.26, 0.81%, 0.29%

LAB 28.79, 50.37, -0.92

 

CMYK 0 / 89 / 71 / 48

HEX #850E26

RGB 133 14 38

HSL 347.9, 0.81%, 0.29%

LAB 27.95, 47.99, 20.12

 

CMYK 0 / 89 / 89 / 48

HEX #850E0E

RGB 133 14 14

HSL 0, 0.81%, 0.29%

LAB 27.66, 47.13, 34.5

 

CMYK 2 / 89 / 0 / 48

HEX #830E85

RGB 131 14 133

HSL 298.99, 0.81%, 0.29%

LAB 31.42, 58.07, -36.97

 

CMYK 26 / 89 / 0 / 48

HEX #630E85

RGB 99 14 133

HSL 282.86, 0.81%, 0.29%

LAB 25.74, 52.41, -46.42

 

CMYK 50 / 89 / 0 / 48

HEX #430E85

RGB 67 14 133

HSL 266.72, 0.81%, 0.29%

LAB 20.83, 47.85, -54.66

 

CMYK 74 / 89 / 0 / 48

HEX #220E85

RGB 34 14 133

HSL 250.08, 0.81%, 0.29%

LAB 17.21, 44.81, -60.76

 

CMYK 89 / 89 / 0 / 48

HEX #0E0E85

RGB 14 14 133

HSL 240, 0.81%, 0.29%

LAB 16.01, 43.87, -62.8

 

CMYK 2 / 89 / 0 / 48

HEX #830E85

RGB 131 14 133

HSL 298.99, 0.81%, 0.29%

LAB 31.42, 58.07, -36.97

 

CMYK 1 / 99 / 0 / 43

HEX #8F0291

RGB 143 2 145

HSL 299.16, 0.97%, 0.29%

LAB 33.83, 63.91, -40.43

 

CMYK 2 / 89 / 0 / 48

HEX #830E85

RGB 131 14 133

HSL 298.99, 0.81%, 0.29%

LAB 31.42, 58.07, -36.97

 

CMYK 1 / 79 / 0 / 53

HEX #781A79

RGB 120 26 121

HSL 299.37, 0.65%, 0.29%

LAB 29.69, 50.82, -32.31

 

CMYK 1 / 66 / 0 / 57

HEX #6C256D

RGB 108 37 109

HSL 299.17, 0.49%, 0.29%

LAB 28.42, 41.43, -26.81

 

CMYK 0 / 49 / 0 / 62

HEX #613161

RGB 97 49 97

HSL 300, 0.33%, 0.29%

LAB 28.38, 29.5, -19.26

 

CMYK 0 / 28 / 0 / 67

HEX #553D55

RGB 85 61 85

HSL 300, 0.16%, 0.29%

LAB 29.22, 15.21, -10.32

 

CMYK 51 / 89 / 0 / 48

HEX #410E85

RGB 65 14 133

HSL 265.71, 0.81%, 0.29%

LAB 20.56, 47.61, -55.11

 

CMYK 27 / 89 / 0 / 48

HEX #610E85

RGB 97 14 133

HSL 281.85, 0.81%, 0.29%

LAB 25.41, 52.08, -46.98

 

CMYK 3 / 89 / 0 / 48

HEX #810E85

RGB 129 14 133

HSL 297.98, 0.81%, 0.29%

LAB 31.05, 57.69, -37.58

 

CMYK 0 / 89 / 21 / 48

HEX #850E69

RGB 133 14 105

HSL 314.12, 0.81%, 0.29%

LAB 30.21, 54.28, -21.11

 

CMYK 0 / 89 / 45 / 48

HEX #850E49

RGB 133 14 73

HSL 330.25, 0.81%, 0.29%

LAB 28.85, 50.56, -2.16

 

CMYK 2 / 90 / 0 / 77

HEX #3A063B

RGB 58 6 59

HSL 298.87, 0.82%, 0.13%

LAB 11.59, 31.72, -20.33

 

CMYK 1 / 90 / 0 / 62

HEX #5F0A60

RGB 95 10 96

HSL 299.3, 0.81%, 0.21%

LAB 21.92, 45.51, -28.81

 

CMYK 2 / 89 / 0 / 48

HEX #830E85

RGB 131 14 133

HSL 298.99, 0.81%, 0.29%

LAB 31.42, 58.07, -36.97

 

CMYK 2 / 90 / 0 / 33

HEX #A811AB

RGB 168 17 171

HSL 298.83, 0.82%, 0.37%

LAB 40.68, 70.39, -44.95

 

CMYK 1 / 90 / 0 / 18

HEX #CD15D0

RGB 205 21 208

HSL 299.04, 0.82%, 0.45%

LAB 49.58, 81.85, -52

 

CMYK 2 / 89 / 0 / 48

HEX #820E84

RGB 130 14 132

HSL 298.98, 0.81%, 0.29%

LAB 31.17, 57.72, -36.76

 

CMYK 0 / 74 / 89 / 48

HEX #85220E

RGB 133 34 14

HSL 10.08, 0.81%, 0.29%

LAB 29.82, 41.07, 36.28

 

CMYK 89 / 0 / 39 / 48

HEX #0E8551

RGB 14 133 81

HSL 153.78, 0.81%, 0.29%

LAB 48.84, -43.01, 19.71

 

CMYK 2 / 89 / 0 / 48

HEX #820E84

RGB 130 14 132

HSL 298.98, 0.81%, 0.29%

LAB 31.17, 57.72, -36.76

 

CMYK 0 / 3 / 89 / 48

HEX #85810E

RGB 133 129 14

HSL 57.98, 0.81%, 0.29%

LAB 52.64, -10.86, 54.83

 

CMYK 89 / 0 / 3 / 48

HEX #0E8581

RGB 14 133 129

HSL 177.98, 0.81%, 0.29%

LAB 50.04, -30.18, -6.39

 

CMYK 2 / 89 / 0 / 48

HEX #820E84

RGB 130 14 132

HSL 298.98, 0.81%, 0.29%

LAB 31.17, 57.72, -36.76

 

CMYK 0 / 74 / 89 / 48

HEX #85220E

RGB 133 34 14

HSL 10.08, 0.81%, 0.29%

LAB 29.82, 41.07, 36.28

 

CMYK 86 / 0 / 89 / 48

HEX #12850E

RGB 18 133 14

HSL 117.98, 0.81%, 0.29%

LAB 48.18, -51.16, 48.77

 

CMYK 89 / 15 / 0 / 48

HEX #0E7185

RGB 14 113 133

HSL 190.08, 0.81%, 0.29%

LAB 43.65, -18.58, -18.42

 

CMYK 2 / 89 / 0 / 48

HEX #820E84

RGB 130 14 132

HSL 298.98, 0.81%, 0.29%

LAB 31.17, 57.72, -36.76

 

CMYK 0 / 48 / 89 / 48

HEX #85450E

RGB 133 69 14

HSL 27.73, 0.81%, 0.29%

LAB 36.51, 23.67, 41.75

 

CMYK 86 / 0 / 89 / 48

HEX #12850E

RGB 18 133 14

HSL 117.98, 0.81%, 0.29%

LAB 48.18, -51.16, 48.77

 

CMYK 89 / 42 / 0 / 48

HEX #0E4D85

RGB 14 77 133

HSL 208.24, 0.81%, 0.29%

LAB 32.02, 3.28, -36.64

 

Description

Color code: HEX #820E84 | qconv.com Color code: HEX #820E84 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 14 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 14 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 89 magenta, none yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 89% 0% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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