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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8217B5 it is the complementary color #7DE84A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8217B5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8217B5 shade: #8717B0, #9829C3, #A93BD6, #BA4DE9 and #CB5FFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8217B5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8217B5 shade: #8217B5, #7105A2, #60008F, #4F007C and #3E0069

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8217B5 shade: #8117B4, #AC17B4, #B41792, #B41768 and #B4173D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8217B5 shade: #8117B4, #5717B4, #2D17B4 and #1717B4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8217B5 shade matches the following richer shades: #8117B4 and #8706C5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8217B5 shade: #8117B4, #7B27A4, #763893, #704883 and #6A5972

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8217B5 shade: #2C17B4, #5617B4, #8017B4, #AA17B4 and #B41795

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8217B5 shade: #4D0D6B, #671290, #8117B4, #9C1CD9 and #AD39E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8217B5 shade: #8217B5, #B4172C and #17B441

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8217B5 shade: #8217B5, #B48017 and #17B480

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8217B5 shade: #8217B5, #B4172C, #4BB417 and #17B49F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8217B5 shade: #8217B5, #B43117, #4BB417 and #179AB4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 87 / 0 / 29

HEX #8217B5

RGB 130 23 181

HSL 280.63, 0.77%, 0.4%

LAB 35.39, 64.84, -59.77

 

Complementary color

CMYK 46 / 0 / 68 / 9

HEX #7DE84A

RGB 125 232 74

HSL 100.63, 0.77%, 0.6%

LAB 83.21, -57.54, 64.38

 

CMYK 23 / 87 / 0 / 31

HEX #8717B0

RGB 135 23 176

HSL 283.92, 0.77%, 0.39%

LAB 35.79, 64.62, -56.11

 

CMYK 22 / 79 / 0 / 24

HEX #9829C3

RGB 152 41 195

HSL 283.25, 0.65%, 0.46%

LAB 41.53, 66.24, -57.87

 

CMYK 21 / 72 / 0 / 16

HEX #A93BD6

RGB 169 59 214

HSL 282.58, 0.65%, 0.54%

LAB 47.52, 66.89, -59.06

 

CMYK 20 / 67 / 0 / 9

HEX #BA4DE9

RGB 186 77 233

HSL 281.92, 0.78%, 0.61%

LAB 53.63, 66.94, -59.87

 

CMYK 19 / 62 / 0 / 1

HEX #CB5FFC

RGB 203 95 252

HSL 281.27, 0.96%, 0.68%

LAB 59.81, 66.64, -60.44

 

CMYK 28 / 87 / 0 / 29

HEX #8217B5

RGB 130 23 181

HSL 280.63, 0.77%, 0.4%

LAB 35.39, 64.84, -59.77

 

CMYK 30 / 97 / 0 / 36

HEX #7105A2

RGB 113 5 162

HSL 281.27, 0.94%, 0.33%

LAB 29.98, 61.95, -57.31

 

CMYK 33 / 100 / 0 / 44

HEX #60008F

RGB 96 0 143

HSL 280.28, 1%, 0.28%

LAB 25.17, 56.87, -53.63

 

CMYK 36 / 100 / 0 / 51

HEX #4F007C

RGB 79 0 124

HSL 278.23, 1%, 0.24%

LAB 20.51, 50.84, -49.42

 

CMYK 41 / 100 / 0 / 59

HEX #3E0069

RGB 62 0 105

HSL 275.43, 1%, 0.21%

LAB 15.72, 44.66, -45.09

 

CMYK 28 / 87 / 0 / 29

HEX #8117B4

RGB 129 23 180

HSL 280.51, 0.77%, 0.4%

LAB 35.15, 64.49, -59.56

 

CMYK 4 / 87 / 0 / 29

HEX #AC17B4

RGB 172 23 180

HSL 296.94, 0.77%, 0.4%

LAB 42.28, 71.54, -47.7

 

CMYK 0 / 87 / 19 / 29

HEX #B41792

RGB 180 23 146

HSL 312.99, 0.77%, 0.4%

LAB 41.83, 68.14, -27.93

 

CMYK 0 / 87 / 42 / 29

HEX #B41768

RGB 180 23 104

HSL 329.04, 0.77%, 0.4%

LAB 40.11, 63.41, -4.55

 

CMYK 0 / 87 / 66 / 29

HEX #B4173D

RGB 180 23 61

HSL 345.48, 0.77%, 0.4%

LAB 38.99, 60.23, 21.25

 

CMYK 28 / 87 / 0 / 29

HEX #8117B4

RGB 129 23 180

HSL 280.51, 0.77%, 0.4%

LAB 35.15, 64.49, -59.56

 

CMYK 52 / 87 / 0 / 29

HEX #5717B4

RGB 87 23 180

HSL 264.46, 0.77%, 0.4%

LAB 29.25, 59.07, -69.48

 

CMYK 75 / 87 / 0 / 29

HEX #2D17B4

RGB 45 23 180

HSL 248.41, 0.77%, 0.4%

LAB 25.16, 55.67, -76.38

 

CMYK 87 / 87 / 0 / 29

HEX #1717B4

RGB 23 23 180

HSL 240, 0.77%, 0.4%

LAB 23.97, 54.76, -78.39

 

CMYK 28 / 87 / 0 / 29

HEX #8117B4

RGB 129 23 180

HSL 280.51, 0.77%, 0.4%

LAB 35.15, 64.49, -59.56

 

CMYK 31 / 97 / 0 / 23

HEX #8706C5

RGB 135 6 197

HSL 280.52, 0.94%, 0.4%

LAB 36.58, 71.43, -67.23

 

CMYK 28 / 87 / 0 / 29

HEX #8117B4

RGB 129 23 180

HSL 280.51, 0.77%, 0.4%

LAB 35.15, 64.49, -59.56

 

CMYK 25 / 76 / 0 / 36

HEX #7B27A4

RGB 123 39 164

HSL 280.32, 0.62%, 0.4%

LAB 34.69, 55.25, -50.79

 

CMYK 20 / 62 / 0 / 42

HEX #763893

RGB 118 56 147

HSL 280.88, 0.45%, 0.4%

LAB 35.57, 42.73, -39.1

 

CMYK 15 / 45 / 0 / 49

HEX #704883

RGB 112 72 131

HSL 280.68, 0.29%, 0.4%

LAB 37.33, 28.37, -26.57

 

CMYK 7 / 22 / 0 / 55

HEX #6A5972

RGB 106 89 114

HSL 280.8, 0.12%, 0.4%

LAB 40.29, 12.02, -11.62

 

CMYK 76 / 87 / 0 / 29

HEX #2C17B4

RGB 44 23 180

HSL 248.03, 0.77%, 0.4%

LAB 25.09, 55.62, -76.5

 

CMYK 52 / 87 / 0 / 29

HEX #5617B4

RGB 86 23 180

HSL 264.08, 0.77%, 0.4%

LAB 29.12, 58.97, -69.69

 

CMYK 29 / 87 / 0 / 29

HEX #8017B4

RGB 128 23 180

HSL 280.13, 0.77%, 0.4%

LAB 35, 64.34, -59.82

 

CMYK 6 / 87 / 0 / 29

HEX #AA17B4

RGB 170 23 180

HSL 296.18, 0.77%, 0.4%

LAB 41.93, 71.19, -48.28

 

CMYK 0 / 87 / 17 / 29

HEX #B41795

RGB 180 23 149

HSL 311.85, 0.77%, 0.4%

LAB 41.98, 68.53, -29.52

 

CMYK 28 / 88 / 0 / 58

HEX #4D0D6B

RGB 77 13 107

HSL 280.85, 0.78%, 0.24%

LAB 19.75, 43.41, -39.71

 

CMYK 28 / 88 / 0 / 44

HEX #671290

RGB 103 18 144

HSL 280.48, 0.78%, 0.32%

LAB 27.65, 54.34, -50.14

 

CMYK 28 / 87 / 0 / 29

HEX #8117B4

RGB 129 23 180

HSL 280.51, 0.77%, 0.4%

LAB 35.15, 64.49, -59.56

 

CMYK 28 / 87 / 0 / 15

HEX #9C1CD9

RGB 156 28 217

HSL 280.63, 0.77%, 0.48%

LAB 42.62, 74.57, -68.81

 

CMYK 24 / 75 / 0 / 10

HEX #AD39E5

RGB 173 57 229

HSL 280.47, 0.77%, 0.56%

LAB 48.84, 71.35, -65.43

 

CMYK 28 / 87 / 0 / 29

HEX #8217B5

RGB 130 23 181

HSL 280.63, 0.77%, 0.4%

LAB 35.39, 64.84, -59.77

 

CMYK 0 / 87 / 76 / 29

HEX #B4172C

RGB 180 23 44

HSL 351.97, 0.77%, 0.4%

LAB 38.72, 59.45, 31.51

 

CMYK 87 / 0 / 64 / 29

HEX #17B441

RGB 23 180 65

HSL 136.05, 0.77%, 0.4%

LAB 64.33, -61.1, 46.84

 

CMYK 28 / 87 / 0 / 29

HEX #8217B5

RGB 130 23 181

HSL 280.63, 0.77%, 0.4%

LAB 35.39, 64.84, -59.77

 

CMYK 0 / 29 / 87 / 29

HEX #B48017

RGB 180 128 23

HSL 40.13, 0.77%, 0.4%

LAB 57.27, 11.61, 58.39

 

CMYK 87 / 0 / 29 / 29

HEX #17B480

RGB 23 180 128

HSL 160.13, 0.77%, 0.4%

LAB 65.27, -50.08, 16.07

 

CMYK 28 / 87 / 0 / 29

HEX #8217B5

RGB 130 23 181

HSL 280.63, 0.77%, 0.4%

LAB 35.39, 64.84, -59.77

 

CMYK 0 / 87 / 76 / 29

HEX #B4172C

RGB 180 23 44

HSL 351.97, 0.77%, 0.4%

LAB 38.72, 59.45, 31.51

 

CMYK 58 / 0 / 87 / 29

HEX #4BB417

RGB 75 180 23

HSL 100.13, 0.77%, 0.4%

LAB 65.12, -55.38, 62.14

 

CMYK 87 / 0 / 12 / 29

HEX #17B49F

RGB 23 180 159

HSL 171.97, 0.77%, 0.4%

LAB 66, -42.19, 0.07

 

CMYK 28 / 87 / 0 / 29

HEX #8217B5

RGB 130 23 181

HSL 280.63, 0.77%, 0.4%

LAB 35.39, 64.84, -59.77

 

CMYK 0 / 73 / 87 / 29

HEX #B43117

RGB 180 49 23

HSL 9.94, 0.77%, 0.4%

LAB 41.16, 51.41, 45.24

 

CMYK 58 / 0 / 87 / 29

HEX #4BB417

RGB 75 180 23

HSL 100.13, 0.77%, 0.4%

LAB 65.12, -55.38, 62.14

 

CMYK 87 / 14 / 0 / 29

HEX #179AB4

RGB 23 154 180

HSL 189.94, 0.77%, 0.4%

LAB 58.59, -23.39, -22.81

 

Description

Color code: HEX #8217B5 | qconv.com Color code: HEX #8217B5 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 23 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 23 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 87 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 87% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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