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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #821EB6 it is the complementary color #7DE149. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #821EB6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #821EB6 shade: #871EB1, #9830C4, #A942D7, #BA54EA and #CB66FD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #821EB6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #821EB6 shade: #821EB6, #710CA3, #600090, #4F007D and #3E006A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #821EB6 shade: #831DB8, #AD1DB8, #B81D99, #B81D70 and #B81D46

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #821EB6 shade: #831DB8, #591DB8, #301DB8 and #1D1DB8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #821EB6 shade matches the following richer shades: #831DB8 and #880CC9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #821EB6 shade: #831DB8, #7D2FA6, #784095, #735184 and #6D6372

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #821EB6 shade: #2F1DB8, #591DB8, #821DB8, #AB1DB8 and #B81D9B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #821EB6 shade: #501271, #6A1894, #831DB8, #9C24DB and #AC47E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #821EB6 shade: #821EB6, #B81D35 and #1DB844

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #821EB6 shade: #821EB6, #B8821D and #1DB882

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #821EB6 shade: #821EB6, #B81D35, #53B81D and #1DB8A1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #821EB6 shade: #821EB6, #B8351D, #53B81D and #1DA1B8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 84 / 0 / 29

HEX #821EB6

RGB 130 30 182

HSL 279.47, 0.72%, 0.42%

LAB 36.08, 63.24, -59.23

 

Complementary color

CMYK 44 / 0 / 68 / 12

HEX #7DE149

RGB 125 225 73

HSL 99.47, 0.72%, 0.58%

LAB 81.12, -54.91, 62.57

 

CMYK 24 / 83 / 0 / 31

HEX #871EB1

RGB 135 30 177

HSL 282.86, 0.71%, 0.41%

LAB 36.47, 63.04, -55.6

 

CMYK 22 / 76 / 0 / 23

HEX #9830C4

RGB 152 48 196

HSL 282.16, 0.61%, 0.48%

LAB 42.42, 64.08, -57.02

 

CMYK 21 / 69 / 0 / 16

HEX #A942D7

RGB 169 66 215

HSL 281.48, 0.65%, 0.55%

LAB 48.56, 64.33, -57.96

 

CMYK 21 / 64 / 0 / 8

HEX #BA54EA

RGB 186 84 234

HSL 280.8, 0.78%, 0.62%

LAB 54.78, 64.12, -58.59

 

CMYK 20 / 60 / 0 / 1

HEX #CB66FD

RGB 203 102 253

HSL 280.13, 0.97%, 0.7%

LAB 61.04, 63.64, -59.02

 

CMYK 29 / 84 / 0 / 29

HEX #821EB6

RGB 130 30 182

HSL 279.47, 0.72%, 0.42%

LAB 36.08, 63.24, -59.23

 

CMYK 31 / 93 / 0 / 36

HEX #710CA3

RGB 113 12 163

HSL 280.13, 0.86%, 0.34%

LAB 30.44, 61.03, -57.16

 

CMYK 33 / 100 / 0 / 44

HEX #600090

RGB 96 0 144

HSL 280, 1%, 0.28%

LAB 25.26, 57.07, -54.1

 

CMYK 37 / 100 / 0 / 51

HEX #4F007D

RGB 79 0 125

HSL 277.92, 1%, 0.25%

LAB 20.61, 51.05, -49.89

 

CMYK 42 / 100 / 0 / 58

HEX #3E006A

RGB 62 0 106

HSL 275.09, 1%, 0.21%

LAB 15.82, 44.89, -45.58

 

CMYK 29 / 84 / 0 / 28

HEX #831DB8

RGB 131 29 184

HSL 279.48, 0.73%, 0.42%

LAB 36.3, 64.08, -60.06

 

CMYK 6 / 84 / 0 / 28

HEX #AD1DB8

RGB 173 29 184

HSL 295.74, 0.73%, 0.42%

LAB 43.1, 71.19, -48.73

 

CMYK 0 / 84 / 17 / 28

HEX #B81D99

RGB 184 29 153

HSL 312, 0.73%, 0.42%

LAB 43.31, 68.73, -29.8

 

CMYK 0 / 84 / 39 / 28

HEX #B81D70

RGB 184 29 112

HSL 327.87, 0.73%, 0.42%

LAB 41.59, 63.92, -7.27

 

CMYK 0 / 84 / 62 / 28

HEX #B81D46

RGB 184 29 70

HSL 344.13, 0.73%, 0.42%

LAB 40.43, 60.53, 17.58

 

CMYK 29 / 84 / 0 / 28

HEX #831DB8

RGB 131 29 184

HSL 279.48, 0.73%, 0.42%

LAB 36.3, 64.08, -60.06

 

CMYK 52 / 84 / 0 / 28

HEX #591DB8

RGB 89 29 184

HSL 263.23, 0.73%, 0.42%

LAB 30.55, 58.34, -69.7

 

CMYK 74 / 84 / 0 / 28

HEX #301DB8

RGB 48 29 184

HSL 247.35, 0.73%, 0.42%

LAB 26.64, 54.65, -76.29

 

CMYK 84 / 84 / 0 / 28

HEX #1D1DB8

RGB 29 29 184

HSL 240, 0.73%, 0.42%

LAB 25.57, 53.67, -78.11

 

CMYK 29 / 84 / 0 / 28

HEX #831DB8

RGB 131 29 184

HSL 279.48, 0.73%, 0.42%

LAB 36.3, 64.08, -60.06

 

CMYK 32 / 94 / 0 / 21

HEX #880CC9

RGB 136 12 201

HSL 279.37, 0.89%, 0.42%

LAB 37.32, 71.59, -68.34

 

CMYK 29 / 84 / 0 / 28

HEX #831DB8

RGB 131 29 184

HSL 279.48, 0.73%, 0.42%

LAB 36.3, 64.08, -60.06

 

CMYK 25 / 72 / 0 / 35

HEX #7D2FA6

RGB 125 47 166

HSL 279.33, 0.56%, 0.42%

LAB 36.26, 52.84, -49.43

 

CMYK 19 / 57 / 0 / 42

HEX #784095

RGB 120 64 149

HSL 279.53, 0.4%, 0.42%

LAB 37.54, 39.47, -37.17

 

CMYK 13 / 39 / 0 / 48

HEX #735184

RGB 115 81 132

HSL 280, 0.24%, 0.42%

LAB 39.91, 24.19, -23.14

 

CMYK 4 / 13 / 0 / 55

HEX #6D6372

RGB 109 99 114

HSL 280, 0.07%, 0.42%

LAB 43.34, 7.04, -6.99

 

CMYK 74 / 84 / 0 / 28

HEX #2F1DB8

RGB 47 29 184

HSL 246.97, 0.73%, 0.42%

LAB 26.57, 54.59, -76.41

 

CMYK 52 / 84 / 0 / 28

HEX #591DB8

RGB 89 29 184

HSL 263.23, 0.73%, 0.42%

LAB 30.55, 58.34, -69.7

 

CMYK 29 / 84 / 0 / 28

HEX #821DB8

RGB 130 29 184

HSL 279.1, 0.73%, 0.42%

LAB 36.15, 63.93, -60.31

 

CMYK 7 / 84 / 0 / 28

HEX #AB1DB8

RGB 171 29 184

HSL 294.97, 0.73%, 0.42%

LAB 42.76, 70.83, -49.29

 

CMYK 0 / 84 / 16 / 28

HEX #B81D9B

RGB 184 29 155

HSL 311.23, 0.73%, 0.42%

LAB 43.41, 69, -30.85

 

CMYK 29 / 84 / 0 / 56

HEX #501271

RGB 80 18 113

HSL 279.16, 0.73%, 0.26%

LAB 21.32, 43.66, -41.02

 

CMYK 28 / 84 / 0 / 42

HEX #6A1894

RGB 106 24 148

HSL 279.68, 0.72%, 0.34%

LAB 29.05, 53.97, -50.32

 

CMYK 29 / 84 / 0 / 28

HEX #831DB8

RGB 131 29 184

HSL 279.48, 0.73%, 0.42%

LAB 36.3, 64.08, -60.06

 

CMYK 29 / 84 / 0 / 14

HEX #9C24DB

RGB 156 36 219

HSL 279.34, 0.72%, 0.5%

LAB 43.42, 73.06, -68.65

 

CMYK 24 / 68 / 0 / 12

HEX #AC47E1

RGB 172 71 225

HSL 279.35, 0.72%, 0.58%

LAB 50.35, 64.92, -60.74

 

CMYK 29 / 84 / 0 / 29

HEX #821EB6

RGB 130 30 182

HSL 279.47, 0.72%, 0.42%

LAB 36.08, 63.24, -59.23

 

CMYK 0 / 84 / 71 / 28

HEX #B81D35

RGB 184 29 53

HSL 350.71, 0.73%, 0.42%

LAB 40.12, 59.63, 27.85

 

CMYK 84 / 0 / 63 / 28

HEX #1DB844

RGB 29 184 68

HSL 135.1, 0.73%, 0.42%

LAB 65.72, -61.47, 47.09

 

CMYK 29 / 84 / 0 / 29

HEX #821EB6

RGB 130 30 182

HSL 279.47, 0.72%, 0.42%

LAB 36.08, 63.24, -59.23

 

CMYK 0 / 29 / 84 / 28

HEX #B8821D

RGB 184 130 29

HSL 39.1, 0.73%, 0.42%

LAB 58.27, 12.46, 57.62

 

CMYK 84 / 0 / 29 / 28

HEX #1DB882

RGB 29 184 130

HSL 159.1, 0.73%, 0.42%

LAB 66.64, -50.71, 16.9

 

CMYK 29 / 84 / 0 / 29

HEX #821EB6

RGB 130 30 182

HSL 279.47, 0.72%, 0.42%

LAB 36.08, 63.24, -59.23

 

CMYK 0 / 84 / 71 / 28

HEX #B81D35

RGB 184 29 53

HSL 350.71, 0.73%, 0.42%

LAB 40.12, 59.63, 27.85

 

CMYK 55 / 0 / 84 / 28

HEX #53B81D

RGB 83 184 29

HSL 99.1, 0.73%, 0.42%

LAB 66.68, -54.44, 62.25

 

CMYK 84 / 0 / 13 / 28

HEX #1DB8A1

RGB 29 184 161

HSL 171.1, 0.73%, 0.42%

LAB 67.36, -42.94, 0.95

 

CMYK 29 / 84 / 0 / 29

HEX #821EB6

RGB 130 30 182

HSL 279.47, 0.72%, 0.42%

LAB 36.08, 63.24, -59.23

 

CMYK 0 / 71 / 84 / 28

HEX #B8351D

RGB 184 53 29

HSL 9.29, 0.73%, 0.42%

LAB 42.5, 51.37, 43.88

 

CMYK 55 / 0 / 84 / 28

HEX #53B81D

RGB 83 184 29

HSL 99.1, 0.73%, 0.42%

LAB 66.68, -54.44, 62.25

 

CMYK 84 / 13 / 0 / 28

HEX #1DA1B8

RGB 29 161 184

HSL 188.9, 0.73%, 0.42%

LAB 60.97, -25.21, -21.42

 

Description

Color code: HEX #821EB6 | qconv.com Color code: HEX #821EB6 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 30 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 30 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 84 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 84% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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