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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #82264A it is the complementary color #7DD9B5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #82264A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #82264A shade: #872645, #983858, #A94A6B, #BA5C7E and #CB6E91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #82264A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #82264A shade: #82264A, #711437, #600224, #4F0011 and #3E0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #82264A shade: #82254A, #822531 and #822525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #82264A shade: #82254A, #822563, #82257C, #6F2582 and #562582

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #82264A shade matches the following richer shades: #82254A, #901847 and #9D0A44

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #82264A shade: #82254A, #74334D, #674150, #594E52 and #4B5C55

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #82264A shade: #82257C, #822563, #82254A, #822532 and #823225

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #82264A shade: #421325, #621C37, #82254A, #A22F5C and #C2386E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #82264A shade: #82264A, #826F25 and #256F82

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #82264A shade: #82264A, #4A8225 and #254A82

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #82264A shade: #82264A, #826F25, #25825D and #253882

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #82264A shade: #82264A, #798225, #25825D and #2F2582

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 43 / 49

HEX #82264A

RGB 130 38 74

HSL 336.52, 0.55%, 0.33%

LAB 30.94, 42.32, 0.17

 

Complementary color

CMYK 42 / 0 / 17 / 15

HEX #7DD9B5

RGB 125 217 181

HSL 156.52, 0.55%, 0.67%

LAB 80.36, -35.69, 9.22

 

CMYK 0 / 72 / 49 / 47

HEX #872645

RGB 135 38 69

HSL 340.82, 0.56%, 0.34%

LAB 31.73, 43.4, 4.71

 

CMYK 0 / 63 / 42 / 40

HEX #983858

RGB 152 56 88

HSL 340, 0.46%, 0.41%

LAB 38.21, 43.11, 2.19

 

CMYK 0 / 56 / 37 / 34

HEX #A94A6B

RGB 169 74 107

HSL 339.16, 0.39%, 0.48%

LAB 44.79, 42.45, 0.26

 

CMYK 0 / 51 / 32 / 27

HEX #BA5C7E

RGB 186 92 126

HSL 338.3, 0.41%, 0.55%

LAB 51.38, 41.63, -1.28

 

CMYK 0 / 46 / 29 / 20

HEX #CB6E91

RGB 203 110 145

HSL 337.42, 0.47%, 0.61%

LAB 57.94, 40.77, -2.56

 

CMYK 0 / 71 / 43 / 49

HEX #82264A

RGB 130 38 74

HSL 336.52, 0.55%, 0.33%

LAB 30.94, 42.32, 0.17

 

CMYK 0 / 82 / 51 / 56

HEX #711437

RGB 113 20 55

HSL 337.42, 0.7%, 0.26%

LAB 24.6, 41.82, 3.33

 

CMYK 0 / 98 / 63 / 62

HEX #600224

RGB 96 2 36

HSL 338.3, 0.96%, 0.19%

LAB 18.62, 40.16, 7.72

 

CMYK 0 / 100 / 78 / 69

HEX #4F0011

RGB 79 0 17

HSL 347.09, 1%, 0.15%

LAB 13.84, 34.9, 14.09

 

CMYK 0 / 100 / 100 / 76

HEX #3E0000

RGB 62 0 0

HSL 0, 1%, 0.12%

LAB 9.19, 29.15, 14.52

 

CMYK 0 / 72 / 43 / 49

HEX #82254A

RGB 130 37 74

HSL 336.13, 0.56%, 0.33%

LAB 30.79, 42.74, -0.05

 

CMYK 0 / 72 / 62 / 49

HEX #822531

RGB 130 37 49

HSL 352.26, 0.56%, 0.33%

LAB 30.13, 40.46, 15.53

 

CMYK 0 / 72 / 72 / 49

HEX #822525

RGB 130 37 37

HSL 0, 0.56%, 0.33%

LAB 29.92, 39.7, 23.02

 

CMYK 0 / 72 / 43 / 49

HEX #82254A

RGB 130 37 74

HSL 336.13, 0.56%, 0.33%

LAB 30.79, 42.74, -0.05

 

CMYK 0 / 72 / 24 / 49

HEX #822563

RGB 130 37 99

HSL 320, 0.56%, 0.33%

LAB 31.74, 45.9, -14.92

 

CMYK 0 / 72 / 5 / 49

HEX #82257C

RGB 130 37 124

HSL 303.87, 0.56%, 0.33%

LAB 32.97, 49.83, -28.89

 

CMYK 15 / 72 / 0 / 49

HEX #6F2582

RGB 111 37 130

HSL 287.74, 0.56%, 0.33%

LAB 30.19, 46.36, -37.26

 

CMYK 34 / 72 / 0 / 49

HEX #562582

RGB 86 37 130

HSL 271.61, 0.56%, 0.33%

LAB 26.49, 40.72, -43.42

 

CMYK 0 / 72 / 43 / 49

HEX #82254A

RGB 130 37 74

HSL 336.13, 0.56%, 0.33%

LAB 30.79, 42.74, -0.05

 

CMYK 0 / 83 / 51 / 44

HEX #901847

RGB 144 24 71

HSL 336.5, 0.71%, 0.33%

LAB 31.89, 50.96, 3.86

 

CMYK 0 / 94 / 57 / 38

HEX #9D0A44

RGB 157 10 68

HSL 336.33, 0.88%, 0.33%

LAB 33.57, 56.88, 8.6

 

CMYK 0 / 72 / 43 / 49

HEX #82254A

RGB 130 37 74

HSL 336.13, 0.56%, 0.33%

LAB 30.79, 42.74, -0.05

 

CMYK 0 / 56 / 34 / 55

HEX #74334D

RGB 116 51 77

HSL 336, 0.39%, 0.33%

LAB 30.92, 31.64, -2.12

 

CMYK 0 / 37 / 22 / 60

HEX #674150

RGB 103 65 80

HSL 336.32, 0.23%, 0.33%

LAB 32.35, 18.89, -2.16

 

CMYK 0 / 12 / 8 / 65

HEX #594E52

RGB 89 78 82

HSL 338.18, 0.07%, 0.33%

LAB 34.36, 5.36, -0.68

 

CMYK 18 / 0 / 8 / 64

HEX #4B5C55

RGB 75 92 85

HSL 155.29, 0.1%, 0.33%

LAB 37.49, -8.13, 1.85

 

CMYK 0 / 72 / 5 / 49

HEX #82257C

RGB 130 37 124

HSL 303.87, 0.56%, 0.33%

LAB 32.97, 49.83, -28.89

 

CMYK 0 / 72 / 24 / 49

HEX #822563

RGB 130 37 99

HSL 320, 0.56%, 0.33%

LAB 31.74, 45.9, -14.92

 

CMYK 0 / 72 / 43 / 49

HEX #82254A

RGB 130 37 74

HSL 336.13, 0.56%, 0.33%

LAB 30.79, 42.74, -0.05

 

CMYK 0 / 72 / 62 / 49

HEX #822532

RGB 130 37 50

HSL 351.61, 0.56%, 0.33%

LAB 30.16, 40.53, 14.9

 

CMYK 0 / 62 / 72 / 49

HEX #823225

RGB 130 50 37

HSL 8.39, 0.56%, 0.33%

LAB 32.17, 33.65, 25.68

 

CMYK 0 / 71 / 44 / 74

HEX #421325

RGB 66 19 37

HSL 337.02, 0.55%, 0.17%

LAB 14.16, 24.67, -0.25

 

CMYK 0 / 71 / 44 / 62

HEX #621C37

RGB 98 28 55

HSL 336.86, 0.56%, 0.25%

LAB 22.66, 33.99, 0.15

 

CMYK 0 / 72 / 43 / 49

HEX #82254A

RGB 130 37 74

HSL 336.13, 0.56%, 0.33%

LAB 30.79, 42.74, -0.05

 

CMYK 0 / 71 / 43 / 36

HEX #A22F5C

RGB 162 47 92

HSL 336.52, 0.55%, 0.41%

LAB 38.7, 50.54, 0.58

 

CMYK 0 / 71 / 43 / 24

HEX #C2386E

RGB 194 56 110

HSL 336.52, 0.55%, 0.49%

LAB 46.21, 58.41, 0.99

 

CMYK 0 / 71 / 43 / 49

HEX #82264A

RGB 130 38 74

HSL 336.52, 0.55%, 0.33%

LAB 30.94, 42.32, 0.17

 

CMYK 0 / 15 / 72 / 49

HEX #826F25

RGB 130 111 37

HSL 47.74, 0.56%, 0.33%

LAB 47.3, -1.3, 42.19

 

CMYK 72 / 15 / 0 / 49

HEX #256F82

RGB 37 111 130

HSL 192.26, 0.56%, 0.33%

LAB 43.32, -15.96, -17.09

 

CMYK 0 / 71 / 43 / 49

HEX #82264A

RGB 130 38 74

HSL 336.52, 0.55%, 0.33%

LAB 30.94, 42.32, 0.17

 

CMYK 43 / 0 / 72 / 49

HEX #4A8225

RGB 74 130 37

HSL 96.13, 0.56%, 0.33%

LAB 48.95, -35.27, 42.57

 

CMYK 72 / 43 / 0 / 49

HEX #254A82

RGB 37 74 130

HSL 216.13, 0.56%, 0.33%

LAB 31.58, 6.86, -35.44

 

CMYK 0 / 71 / 43 / 49

HEX #82264A

RGB 130 38 74

HSL 336.52, 0.55%, 0.33%

LAB 30.94, 42.32, 0.17

 

CMYK 0 / 15 / 72 / 49

HEX #826F25

RGB 130 111 37

HSL 47.74, 0.56%, 0.33%

LAB 47.3, -1.3, 42.19

 

CMYK 72 / 0 / 28 / 49

HEX #25825D

RGB 37 130 93

HSL 156.13, 0.56%, 0.33%

LAB 48.45, -36.2, 12.38

 

CMYK 72 / 57 / 0 / 49

HEX #253882

RGB 37 56 130

HSL 227.74, 0.56%, 0.33%

LAB 26.25, 19.21, -44.02

 

CMYK 0 / 71 / 43 / 49

HEX #82264A

RGB 130 38 74

HSL 336.52, 0.55%, 0.33%

LAB 30.94, 42.32, 0.17

 

CMYK 7 / 0 / 72 / 49

HEX #798225

RGB 121 130 37

HSL 65.81, 0.56%, 0.33%

LAB 52.02, -15.97, 46.68

 

CMYK 72 / 0 / 28 / 49

HEX #25825D

RGB 37 130 93

HSL 156.13, 0.56%, 0.33%

LAB 48.45, -36.2, 12.38

 

CMYK 64 / 72 / 0 / 49

HEX #2F2582

RGB 47 37 130

HSL 246.45, 0.56%, 0.33%

LAB 22.09, 33.4, -50.79

 

Description

Color code: HEX #82264A | qconv.com Color code: HEX #82264A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 38 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 38 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 43 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 43% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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