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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #82389E it is the complementary color #7DC761. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #82389E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #82389E shade: #873899, #984AAC, #A95CBF, #BA6ED2 and #CB80E5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #82389E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #82389E shade: #82389E, #71268B, #601478, #4F0265 and #3E0052

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #82389E shade: #82379E, #9E379E, #9E3783, #9E3767 and #9E374B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #82389E shade: #82379E, #66379E, #4A379E and #37379E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #82389E shade matches the following richer shades: #82379E, #8A26AF, #9115C1 and #9903D2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #82389E shade: #82379E, #7A498D, #725A7B, #6A6B6A and #637D59

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #82389E shade: #4A379E, #65379E, #81379E, #9C379E and #9E3784

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #82389E shade: #502261, #692C7F, #82379E, #9B42BC and #AB61C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #82389E shade: #82389E, #9E3740 and #379E58

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #82389E shade: #82389E, #9E8137 and #379E81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #82389E shade: #82389E, #9E3740, #549E37 and #379E95

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #82389E shade: #82389E, #9E4D37, #549E37 and #37889E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 65 / 0 / 38

HEX #82389E

RGB 130 56 158

HSL 283.53, 0.48%, 0.42%

LAB 37.92, 48.15, -41.92

 

Complementary color

CMYK 37 / 0 / 51 / 22

HEX #7DC761

RGB 125 199 97

HSL 103.53, 0.48%, 0.58%

LAB 73.59, -41.85, 43.56

 

CMYK 12 / 63 / 0 / 40

HEX #873899

RGB 135 56 153

HSL 288.87, 0.46%, 0.41%

LAB 38.34, 48.35, -38.19

 

CMYK 12 / 57 / 0 / 33

HEX #984AAC

RGB 152 74 172

HSL 287.76, 0.4%, 0.48%

LAB 45.01, 47.88, -38.8

 

CMYK 12 / 52 / 0 / 25

HEX #A95CBF

RGB 169 92 191

HSL 286.67, 0.44%, 0.55%

LAB 51.67, 47.21, -39.22

 

CMYK 11 / 48 / 0 / 18

HEX #BA6ED2

RGB 186 110 210

HSL 285.6, 0.53%, 0.63%

LAB 58.27, 46.46, -39.54

 

CMYK 11 / 44 / 0 / 10

HEX #CB80E5

RGB 203 128 229

HSL 284.55, 0.66%, 0.7%

LAB 64.8, 45.69, -39.8

 

CMYK 18 / 65 / 0 / 38

HEX #82389E

RGB 130 56 158

HSL 283.53, 0.48%, 0.42%

LAB 37.92, 48.15, -41.92

 

CMYK 19 / 73 / 0 / 45

HEX #71268B

RGB 113 38 139

HSL 284.55, 0.57%, 0.35%

LAB 31.26, 48.27, -41.14

 

CMYK 20 / 83 / 0 / 53

HEX #601478

RGB 96 20 120

HSL 285.6, 0.71%, 0.27%

LAB 24.77, 47.53, -39.79

 

CMYK 22 / 98 / 0 / 60

HEX #4F0265

RGB 79 2 101

HSL 286.67, 0.96%, 0.2%

LAB 18.56, 45.52, -37.68

 

CMYK 24 / 100 / 0 / 68

HEX #3E0052

RGB 62 0 82

HSL 285.37, 1%, 0.16%

LAB 13.43, 39.64, -33.42

 

CMYK 18 / 65 / 0 / 38

HEX #82379E

RGB 130 55 158

HSL 283.69, 0.48%, 0.42%

LAB 37.75, 48.62, -42.2

 

CMYK 0 / 65 / 0 / 38

HEX #9E379E

RGB 158 55 158

HSL 300, 0.48%, 0.42%

LAB 41.95, 55.5, -35.25

 

CMYK 0 / 65 / 17 / 38

HEX #9E3783

RGB 158 55 131

HSL 315.73, 0.48%, 0.42%

LAB 40.64, 51.08, -20.92

 

CMYK 0 / 65 / 35 / 38

HEX #9E3767

RGB 158 55 103

HSL 332.04, 0.48%, 0.42%

LAB 39.55, 47.25, -5.19

 

CMYK 0 / 65 / 53 / 38

HEX #9E374B

RGB 158 55 75

HSL 348.35, 0.48%, 0.42%

LAB 38.74, 44.3, 11.31

 

CMYK 18 / 65 / 0 / 38

HEX #82379E

RGB 130 55 158

HSL 283.69, 0.48%, 0.42%

LAB 37.75, 48.62, -42.2

 

CMYK 35 / 65 / 0 / 38

HEX #66379E

RGB 102 55 158

HSL 267.38, 0.48%, 0.42%

LAB 34.04, 42.05, -48.36

 

CMYK 53 / 65 / 0 / 38

HEX #4A379E

RGB 74 55 158

HSL 251.07, 0.48%, 0.42%

LAB 31.01, 36.22, -53.4

 

CMYK 65 / 65 / 0 / 38

HEX #37379E

RGB 55 55 158

HSL 240, 0.48%, 0.42%

LAB 29.45, 32.96, -56.03

 

CMYK 18 / 65 / 0 / 38

HEX #82379E

RGB 130 55 158

HSL 283.69, 0.48%, 0.42%

LAB 37.75, 48.62, -42.2

 

CMYK 21 / 78 / 0 / 31

HEX #8A26AF

RGB 138 38 175

HSL 283.8, 0.64%, 0.42%

LAB 37.63, 60.72, -52.5

 

CMYK 25 / 89 / 0 / 24

HEX #9115C1

RGB 145 21 193

HSL 283.26, 0.8%, 0.42%

LAB 38.56, 69.8, -61.58

 

CMYK 27 / 99 / 0 / 18

HEX #9903D2

RGB 153 3 210

HSL 283.48, 0.97%, 0.42%

LAB 40.39, 76.43, -68.43

 

CMYK 18 / 65 / 0 / 38

HEX #82379E

RGB 130 55 158

HSL 283.69, 0.48%, 0.42%

LAB 37.75, 48.62, -42.2

 

CMYK 13 / 48 / 0 / 45

HEX #7A498D

RGB 122 73 141

HSL 283.24, 0.32%, 0.42%

LAB 39.29, 33.19, -29.53

 

CMYK 7 / 27 / 0 / 52

HEX #725A7B

RGB 114 90 123

HSL 283.64, 0.15%, 0.42%

LAB 41.72, 16.33, -14.87

 

CMYK 1 / 0 / 1 / 58

HEX #6A6B6A

RGB 106 107 106

HSL 120, 0%, 0.42%

LAB 45.11, -0.59, 0.42

 

CMYK 21 / 0 / 29 / 51

HEX #637D59

RGB 99 125 89

HSL 103.33, 0.17%, 0.42%

LAB 49.55, -16.7, 16.64

 

CMYK 53 / 65 / 0 / 38

HEX #4A379E

RGB 74 55 158

HSL 251.07, 0.48%, 0.42%

LAB 31.01, 36.22, -53.4

 

CMYK 36 / 65 / 0 / 38

HEX #65379E

RGB 101 55 158

HSL 266.8, 0.48%, 0.42%

LAB 33.92, 41.83, -48.56

 

CMYK 18 / 65 / 0 / 38

HEX #81379E

RGB 129 55 158

HSL 283.11, 0.48%, 0.42%

LAB 37.6, 48.38, -42.43

 

CMYK 1 / 65 / 0 / 38

HEX #9C379E

RGB 156 55 158

HSL 298.83, 0.48%, 0.42%

LAB 41.64, 55.01, -35.77

 

CMYK 0 / 65 / 16 / 38

HEX #9E3784

RGB 158 55 132

HSL 315.15, 0.48%, 0.42%

LAB 40.68, 51.24, -21.46

 

CMYK 18 / 65 / 0 / 62

HEX #502261

RGB 80 34 97

HSL 283.81, 0.48%, 0.26%

LAB 22.7, 32.71, -28.38

 

CMYK 17 / 65 / 0 / 50

HEX #692C7F

RGB 105 44 127

HSL 284.1, 0.49%, 0.34%

LAB 30.25, 41.01, -35.35

 

CMYK 18 / 65 / 0 / 38

HEX #82379E

RGB 130 55 158

HSL 283.69, 0.48%, 0.42%

LAB 37.75, 48.62, -42.2

 

CMYK 18 / 65 / 0 / 26

HEX #9B42BC

RGB 155 66 188

HSL 283.77, 0.48%, 0.5%

LAB 44.94, 55.74, -48.29

 

CMYK 14 / 51 / 0 / 22

HEX #AB61C7

RGB 171 97 199

HSL 283.53, 0.48%, 0.58%

LAB 53.31, 46.82, -41.21

 

CMYK 18 / 65 / 0 / 38

HEX #82389E

RGB 130 56 158

HSL 283.53, 0.48%, 0.42%

LAB 37.92, 48.15, -41.92

 

CMYK 0 / 65 / 59 / 38

HEX #9E3740

RGB 158 55 64

HSL 354.76, 0.48%, 0.42%

LAB 38.5, 43.39, 17.91

 

CMYK 65 / 0 / 44 / 38

HEX #379E58

RGB 55 158 88

HSL 139.22, 0.48%, 0.42%

LAB 58.01, -45.46, 28.06

 

CMYK 18 / 65 / 0 / 38

HEX #82389E

RGB 130 56 158

HSL 283.53, 0.48%, 0.42%

LAB 37.92, 48.15, -41.92

 

CMYK 0 / 18 / 65 / 38

HEX #9E8137

RGB 158 129 55

HSL 43.11, 0.48%, 0.42%

LAB 55.32, 2.51, 43.21

 

CMYK 65 / 0 / 18 / 38

HEX #379E81

RGB 55 158 129

HSL 163.11, 0.48%, 0.42%

LAB 58.84, -36.69, 6.53

 

CMYK 18 / 65 / 0 / 38

HEX #82389E

RGB 130 56 158

HSL 283.53, 0.48%, 0.42%

LAB 37.92, 48.15, -41.92

 

CMYK 0 / 65 / 59 / 38

HEX #9E3740

RGB 158 55 64

HSL 354.76, 0.48%, 0.42%

LAB 38.5, 43.39, 17.91

 

CMYK 47 / 0 / 65 / 38

HEX #549E37

RGB 84 158 55

HSL 103.11, 0.48%, 0.42%

LAB 58.62, -42.29, 45.31

 

CMYK 65 / 0 / 6 / 38

HEX #379E95

RGB 55 158 149

HSL 174.76, 0.48%, 0.42%

LAB 59.38, -31.38, -4

 

CMYK 18 / 65 / 0 / 38

HEX #82389E

RGB 130 56 158

HSL 283.53, 0.48%, 0.42%

LAB 37.92, 48.15, -41.92

 

CMYK 0 / 51 / 65 / 38

HEX #9E4D37

RGB 158 77 55

HSL 12.82, 0.48%, 0.42%

LAB 42.54, 31.82, 28.48

 

CMYK 47 / 0 / 65 / 38

HEX #549E37

RGB 84 158 55

HSL 103.11, 0.48%, 0.42%

LAB 58.62, -42.29, 45.31

 

CMYK 65 / 14 / 0 / 38

HEX #37889E

RGB 55 136 158

HSL 192.82, 0.48%, 0.42%

LAB 52.83, -17.46, -18.99

 

Description

Color code: HEX #82389E | qconv.com Color code: HEX #82389E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 56 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 56 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 65 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 65% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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