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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #823ED0 it is the complementary color #7DC12F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #823ED0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #823ED0 shade: #873ECB, #9850DE, #A962F1, #BA74FF and #CB86FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #823ED0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #823ED0 shade: #823ED0, #712CBD, #601AAA, #4F0897 and #3E0084

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #823ED0 shade: #823ED0, #A93ED0, #D03ECF, #D03EA8 and #D03E80

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #823ED0 shade: #823ED0, #5A3ED0 and #3E3ED0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #823ED0 shade matches the following richer shades: #823ED0, #802AE3 and #7F17F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #823ED0 shade: #823ED0, #8351BC, #8464A9, #867896 and #878B82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #823ED0 shade: #3E4AD0, #583ED0, #7F3ED0, #A63ED0 and #CD3ED0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #823ED0 shade: #592497, #6D2CB8, #823ED0, #975FD8 and #AD80E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #823ED0 shade: #823ED0, #D03E71 and #3ED045

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #823ED0 shade: #823ED0, #D07F3E and #3ED07F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #823ED0 shade: #823ED0, #D03E71, #8ED03E and #3ED09D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #823ED0 shade: #823ED0, #D03E45, #8ED03E and #3ED0C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 70 / 0 / 18

HEX #823ED0

RGB 130 62 208

HSL 267.95, 0.61%, 0.53%

LAB 42.38, 56.82, -64.19

 

Complementary color

CMYK 35 / 0 / 76 / 24

HEX #7DC12F

RGB 125 193 47

HSL 87.95, 0.61%, 0.47%

LAB 71.35, -43.67, 62.05

 

CMYK 33 / 69 / 0 / 20

HEX #873ECB

RGB 135 62 203

HSL 271.06, 0.58%, 0.52%

LAB 42.62, 56.58, -60.87

 

CMYK 32 / 64 / 0 / 13

HEX #9850DE

RGB 152 80 222

HSL 270.42, 0.68%, 0.59%

LAB 49.11, 55.95, -61.16

 

CMYK 30 / 59 / 0 / 5

HEX #A962F1

RGB 169 98 241

HSL 269.79, 0.84%, 0.66%

LAB 55.61, 55.14, -61.29

 

CMYK 27 / 55 / 0 / 0

HEX #BA74FF

RGB 186 116 255

HSL 270.22, 1%, 0.73%

LAB 61.78, 53.11, -59.04

 

CMYK 20 / 47 / 0 / 0

HEX #CB86FF

RGB 203 134 255

HSL 274.21, 1%, 0.76%

LAB 67.25, 48, -50.25

 

CMYK 38 / 70 / 0 / 18

HEX #823ED0

RGB 130 62 208

HSL 267.95, 0.61%, 0.53%

LAB 42.38, 56.82, -64.19

 

CMYK 40 / 77 / 0 / 26

HEX #712CBD

RGB 113 44 189

HSL 268.55, 0.62%, 0.46%

LAB 35.96, 57.18, -63.67

 

CMYK 44 / 85 / 0 / 33

HEX #601AAA

RGB 96 26 170

HSL 269.17, 0.73%, 0.38%

LAB 29.73, 56.8, -62.65

 

CMYK 48 / 95 / 0 / 41

HEX #4F0897

RGB 79 8 151

HSL 269.79, 0.9%, 0.31%

LAB 23.9, 55.03, -60.76

 

CMYK 53 / 100 / 0 / 48

HEX #3E0084

RGB 62 0 132

HSL 268.18, 1%, 0.26%

LAB 18.76, 50.93, -57.48

 

CMYK 38 / 70 / 0 / 18

HEX #823ED0

RGB 130 62 208

HSL 267.95, 0.61%, 0.53%

LAB 42.38, 56.82, -64.19

 

CMYK 19 / 70 / 0 / 18

HEX #A93ED0

RGB 169 62 208

HSL 283.97, 0.61%, 0.53%

LAB 47.54, 64.54, -55.59

 

CMYK 0 / 70 / 0 / 18

HEX #D03ECF

RGB 208 62 207

HSL 300.41, 0.61%, 0.53%

LAB 53.34, 72.65, -45.41

 

CMYK 0 / 70 / 19 / 18

HEX #D03EA8

RGB 208 62 168

HSL 316.44, 0.61%, 0.53%

LAB 51.48, 66.86, -25.71

 

CMYK 0 / 70 / 38 / 18

HEX #D03E80

RGB 208 62 128

HSL 332.88, 0.61%, 0.53%

LAB 49.99, 62.04, -4.12

 

CMYK 38 / 70 / 0 / 18

HEX #823ED0

RGB 130 62 208

HSL 267.95, 0.61%, 0.53%

LAB 42.38, 56.82, -64.19

 

CMYK 57 / 70 / 0 / 18

HEX #5A3ED0

RGB 90 62 208

HSL 251.51, 0.61%, 0.53%

LAB 38.15, 50.08, -71.26

 

CMYK 70 / 70 / 0 / 18

HEX #3E3ED0

RGB 62 62 208

HSL 240, 0.61%, 0.53%

LAB 36.03, 46.5, -74.83

 

CMYK 38 / 70 / 0 / 18

HEX #823ED0

RGB 130 62 208

HSL 267.95, 0.61%, 0.53%

LAB 42.38, 56.82, -64.19

 

CMYK 44 / 81 / 0 / 11

HEX #802AE3

RGB 128 42 227

HSL 267.89, 0.77%, 0.53%

LAB 40.88, 69.06, -77.53

 

CMYK 49 / 91 / 0 / 3

HEX #7F17F7

RGB 127 23 247

HSL 267.86, 0.93%, 0.53%

LAB 40.96, 78.42, -88.73

 

CMYK 38 / 70 / 0 / 18

HEX #823ED0

RGB 130 62 208

HSL 267.95, 0.61%, 0.53%

LAB 42.38, 56.82, -64.19

 

CMYK 30 / 57 / 0 / 26

HEX #8351BC

RGB 131 81 188

HSL 268.04, 0.44%, 0.53%

LAB 44.72, 42.37, -48.81

 

CMYK 22 / 41 / 0 / 34

HEX #8464A9

RGB 132 100 169

HSL 267.83, 0.29%, 0.53%

LAB 48.11, 27.04, -32.31

 

CMYK 11 / 20 / 0 / 41

HEX #867896

RGB 134 120 150

HSL 268, 0.13%, 0.53%

LAB 52.62, 11.45, -14.22

 

CMYK 3 / 0 / 6 / 45

HEX #878B82

RGB 135 139 130

HSL 86.67, 0.04%, 0.53%

LAB 57.3, -3.22, 4.29

 

CMYK 70 / 64 / 0 / 18

HEX #3E4AD0

RGB 62 74 208

HSL 235.07, 0.61%, 0.53%

LAB 38.68, 39.34, -70.47

 

CMYK 58 / 70 / 0 / 18

HEX #583ED0

RGB 88 62 208

HSL 250.68, 0.61%, 0.53%

LAB 37.97, 49.79, -71.56

 

CMYK 39 / 70 / 0 / 18

HEX #7F3ED0

RGB 127 62 208

HSL 266.71, 0.61%, 0.53%

LAB 42.02, 56.27, -64.79

 

CMYK 20 / 70 / 0 / 18

HEX #A63ED0

RGB 166 62 208

HSL 282.74, 0.61%, 0.53%

LAB 47.11, 63.92, -56.29

 

CMYK 1 / 70 / 0 / 18

HEX #CD3ED0

RGB 205 62 208

HSL 298.77, 0.61%, 0.53%

LAB 52.93, 72.17, -46.67

 

CMYK 41 / 76 / 0 / 41

HEX #592497

RGB 89 36 151

HSL 267.65, 0.61%, 0.37%

LAB 28.43, 47.14, -53.27

 

CMYK 41 / 76 / 0 / 28

HEX #6D2CB8

RGB 109 44 184

HSL 267.86, 0.61%, 0.45%

LAB 35.03, 55.31, -62.26

 

CMYK 38 / 70 / 0 / 18

HEX #823ED0

RGB 130 62 208

HSL 267.95, 0.61%, 0.53%

LAB 42.38, 56.82, -64.19

 

CMYK 30 / 56 / 0 / 15

HEX #975FD8

RGB 151 95 216

HSL 267.77, 0.61%, 0.61%

LAB 51.52, 46.53, -53.89

 

CMYK 23 / 43 / 0 / 12

HEX #AD80E0

RGB 173 128 224

HSL 268.13, 0.61%, 0.69%

LAB 61.4, 36.04, -42.58

 

CMYK 38 / 70 / 0 / 18

HEX #823ED0

RGB 130 62 208

HSL 267.95, 0.61%, 0.53%

LAB 42.38, 56.82, -64.19

 

CMYK 0 / 70 / 46 / 18

HEX #D03E71

RGB 208 62 113

HSL 339.04, 0.61%, 0.53%

LAB 49.55, 60.56, 4.31

 

CMYK 70 / 0 / 67 / 18

HEX #3ED045

RGB 62 208 69

HSL 122.88, 0.61%, 0.53%

LAB 73.91, -64.58, 55.86

 

CMYK 38 / 70 / 0 / 18

HEX #823ED0

RGB 130 62 208

HSL 267.95, 0.61%, 0.53%

LAB 42.38, 56.82, -64.19

 

CMYK 0 / 39 / 70 / 18

HEX #D07F3E

RGB 208 127 62

HSL 26.71, 0.61%, 0.53%

LAB 60.73, 25.86, 47.4

 

CMYK 70 / 0 / 39 / 18

HEX #3ED07F

RGB 62 208 127

HSL 146.71, 0.61%, 0.53%

LAB 74.62, -56.42, 29.38

 

CMYK 38 / 70 / 0 / 18

HEX #823ED0

RGB 130 62 208

HSL 267.95, 0.61%, 0.53%

LAB 42.38, 56.82, -64.19

 

CMYK 0 / 70 / 46 / 18

HEX #D03E71

RGB 208 62 113

HSL 339.04, 0.61%, 0.53%

LAB 49.55, 60.56, 4.31

 

CMYK 32 / 0 / 70 / 18

HEX #8ED03E

RGB 142 208 62

HSL 87.12, 0.61%, 0.53%

LAB 76.81, -43.08, 62.5

 

CMYK 70 / 0 / 25 / 18

HEX #3ED09D

RGB 62 208 157

HSL 159.04, 0.61%, 0.53%

LAB 75.18, -50.24, 14.38

 

CMYK 38 / 70 / 0 / 18

HEX #823ED0

RGB 130 62 208

HSL 267.95, 0.61%, 0.53%

LAB 42.38, 56.82, -64.19

 

CMYK 0 / 70 / 67 / 18

HEX #D03E45

RGB 208 62 69

HSL 357.12, 0.61%, 0.53%

LAB 48.62, 57.35, 29.61

 

CMYK 32 / 0 / 70 / 18

HEX #8ED03E

RGB 142 208 62

HSL 87.12, 0.61%, 0.53%

LAB 76.81, -43.08, 62.5

 

CMYK 70 / 0 / 4 / 18

HEX #3ED0C8

RGB 62 208 200

HSL 176.71, 0.61%, 0.53%

LAB 76.26, -39.39, -7.16

 

Description

Color code: HEX #823ED0 | qconv.com Color code: HEX #823ED0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 62 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 62 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 70 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 70% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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