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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #824456 it is the complementary color #7DBBA9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #824456. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #824456 shade: #874451, #985664, #A96877, #BA7A8A and #CB8C9D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #824456. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #824456 shade: #824456, #713243, #602030, #4F0E1D and #3E000A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #824456 shade: #824456, #824445 and #824444

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #824456 shade: #824456, #824467, #824477, #7C4482 and #6B4482

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #824456 shade matches the following richer shades: #824456, #92344F, #A22449, #B21442 and #C2043B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #824456 shade: #824456, #72545D, #626464, #52746A and #418471

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #824456 shade: #824478, #824467, #824457, #824446 and #825344

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #824456 shade: #4C2832, #673644, #824456, #9D5268 and #B0697D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #824456 shade: #824456, #827C44 and #446F82

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #824456 shade: #824456, #578244 and #445782

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #824456 shade: #824456, #827C44, #44826F and #444A82

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #824456 shade: #824456, #758244, #44826F and #504482

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 34 / 49

HEX #824456

RGB 130 68 86

HSL 342.58, 0.31%, 0.39%

LAB 37.03, 28.74, 1.29

 

Complementary color

CMYK 33 / 0 / 10 / 27

HEX #7DBBA9

RGB 125 187 169

HSL 162.58, 0.31%, 0.61%

LAB 71.4, -23.91, 2.78

 

CMYK 0 / 50 / 40 / 47

HEX #874451

RGB 135 68 81

HSL 348.36, 0.33%, 0.4%

LAB 37.62, 30.02, 5.41

 

CMYK 0 / 43 / 34 / 40

HEX #985664

RGB 152 86 100

HSL 347.27, 0.28%, 0.47%

LAB 44.59, 29, 3.94

 

CMYK 0 / 38 / 30 / 34

HEX #A96877

RGB 169 104 119

HSL 346.15, 0.27%, 0.54%

LAB 51.46, 28.05, 2.71

 

CMYK 0 / 34 / 26 / 27

HEX #BA7A8A

RGB 186 122 138

HSL 345, 0.32%, 0.6%

LAB 58.22, 27.18, 1.66

 

CMYK 0 / 31 / 23 / 20

HEX #CB8C9D

RGB 203 140 157

HSL 343.81, 0.38%, 0.67%

LAB 64.87, 26.39, 0.72

 

CMYK 0 / 48 / 34 / 49

HEX #824456

RGB 130 68 86

HSL 342.58, 0.31%, 0.39%

LAB 37.03, 28.74, 1.29

 

CMYK 0 / 56 / 41 / 56

HEX #713243

RGB 113 50 67

HSL 343.81, 0.39%, 0.32%

LAB 29.9, 29.73, 2.9

 

CMYK 0 / 67 / 50 / 62

HEX #602030

RGB 96 32 48

HSL 345, 0.5%, 0.25%

LAB 22.77, 30.57, 5.08

 

CMYK 0 / 82 / 63 / 69

HEX #4F0E1D

RGB 79 14 29

HSL 346.15, 0.7%, 0.18%

LAB 15.82, 30.79, 8.34

 

CMYK 0 / 100 / 84 / 76

HEX #3E000A

RGB 62 0 10

HSL 350.32, 1%, 0.12%

LAB 9.37, 29.63, 10.7

 

CMYK 0 / 48 / 34 / 49

HEX #824456

RGB 130 68 86

HSL 342.58, 0.31%, 0.39%

LAB 37.03, 28.74, 1.29

 

CMYK 0 / 48 / 47 / 49

HEX #824445

RGB 130 68 69

HSL 359.03, 0.31%, 0.39%

LAB 36.57, 26.62, 11.39

 

CMYK 0 / 48 / 48 / 49

HEX #824444

RGB 130 68 68

HSL 0, 0.31%, 0.39%

LAB 36.55, 26.51, 11.98

 

CMYK 0 / 48 / 34 / 49

HEX #824456

RGB 130 68 86

HSL 342.58, 0.31%, 0.39%

LAB 37.03, 28.74, 1.29

 

CMYK 0 / 48 / 21 / 49

HEX #824467

RGB 130 68 103

HSL 326.13, 0.31%, 0.39%

LAB 37.59, 31.31, -8.58

 

CMYK 0 / 48 / 8 / 49

HEX #824477

RGB 130 68 119

HSL 310.65, 0.31%, 0.39%

LAB 38.22, 34.09, -17.6

 

CMYK 5 / 48 / 0 / 49

HEX #7C4482

RGB 124 68 130

HSL 294.19, 0.31%, 0.39%

LAB 37.9, 34.28, -24.96

 

CMYK 18 / 48 / 0 / 49

HEX #6B4482

RGB 107 68 130

HSL 277.74, 0.31%, 0.39%

LAB 35.74, 28.94, -28.5

 

CMYK 0 / 48 / 34 / 49

HEX #824456

RGB 130 68 86

HSL 342.58, 0.31%, 0.39%

LAB 37.03, 28.74, 1.29

 

CMYK 0 / 64 / 46 / 43

HEX #92344F

RGB 146 52 79

HSL 342.77, 0.47%, 0.39%

LAB 36.24, 41.97, 4.94

 

CMYK 0 / 78 / 55 / 36

HEX #A22449

RGB 162 36 73

HSL 342.38, 0.64%, 0.39%

LAB 36.79, 52.7, 9.99

 

CMYK 0 / 89 / 63 / 30

HEX #B21442

RGB 178 20 66

HSL 342.53, 0.8%, 0.39%

LAB 38.48, 60.55, 17.31

 

CMYK 0 / 98 / 70 / 24

HEX #C2043B

RGB 194 4 59

HSL 342.63, 0.96%, 0.39%

LAB 41.01, 66.2, 25.68

 

CMYK 0 / 48 / 34 / 49

HEX #824456

RGB 130 68 86

HSL 342.58, 0.31%, 0.39%

LAB 37.03, 28.74, 1.29

 

CMYK 0 / 26 / 18 / 55

HEX #72545D

RGB 114 84 93

HSL 342, 0.15%, 0.39%

LAB 39.08, 13.99, -0.34

 

CMYK 2 / 0 / 0 / 61

HEX #626464

RGB 98 100 100

HSL 180, 0.01%, 0.39%

LAB 42.2, -0.78, -0.28

 

CMYK 29 / 0 / 9 / 55

HEX #52746A

RGB 82 116 106

HSL 162.35, 0.17%, 0.39%

LAB 46.08, -14.48, 1.61

 

CMYK 51 / 0 / 14 / 48

HEX #418471

RGB 65 132 113

HSL 162.99, 0.34%, 0.39%

LAB 50.47, -26.22, 3.74

 

CMYK 0 / 48 / 8 / 49

HEX #824478

RGB 130 68 120

HSL 309.68, 0.31%, 0.39%

LAB 38.26, 34.27, -18.15

 

CMYK 0 / 48 / 21 / 49

HEX #824467

RGB 130 68 103

HSL 326.13, 0.31%, 0.39%

LAB 37.59, 31.31, -8.58

 

CMYK 0 / 48 / 33 / 49

HEX #824457

RGB 130 68 87

HSL 341.61, 0.31%, 0.39%

LAB 37.06, 28.88, 0.71

 

CMYK 0 / 48 / 46 / 49

HEX #824446

RGB 130 68 70

HSL 358.06, 0.31%, 0.39%

LAB 36.6, 26.73, 10.79

 

CMYK 0 / 36 / 48 / 49

HEX #825344

RGB 130 83 68

HSL 14.52, 0.31%, 0.39%

LAB 40.16, 17.78, 16.88

 

CMYK 0 / 47 / 34 / 70

HEX #4C2832

RGB 76 40 50

HSL 343.33, 0.31%, 0.23%

LAB 21.15, 18.25, 0.92

 

CMYK 0 / 48 / 34 / 60

HEX #673644

RGB 103 54 68

HSL 342.86, 0.31%, 0.31%

LAB 29.26, 23.64, 1.11

 

CMYK 0 / 48 / 34 / 49

HEX #824456

RGB 130 68 86

HSL 342.58, 0.31%, 0.39%

LAB 37.03, 28.74, 1.29

 

CMYK 0 / 48 / 34 / 38

HEX #9D5268

RGB 157 82 104

HSL 342.4, 0.31%, 0.47%

LAB 44.52, 33.63, 1.48

 

CMYK 0 / 40 / 29 / 31

HEX #B0697D

RGB 176 105 125

HSL 343.1, 0.31%, 0.55%

LAB 52.75, 30.97, 1.14

 

CMYK 0 / 48 / 34 / 49

HEX #824456

RGB 130 68 86

HSL 342.58, 0.31%, 0.39%

LAB 37.03, 28.74, 1.29

 

CMYK 0 / 5 / 48 / 49

HEX #827C44

RGB 130 124 68

HSL 54.19, 0.31%, 0.39%

LAB 51.36, -6.12, 31.24

 

CMYK 48 / 15 / 0 / 49

HEX #446F82

RGB 68 111 130

HSL 198.39, 0.31%, 0.39%

LAB 44.53, -9.4, -15.13

 

CMYK 0 / 48 / 34 / 49

HEX #824456

RGB 130 68 86

HSL 342.58, 0.31%, 0.39%

LAB 37.03, 28.74, 1.29

 

CMYK 33 / 0 / 48 / 49

HEX #578244

RGB 87 130 68

HSL 101.61, 0.31%, 0.39%

LAB 49.99, -27.1, 28.84

 

CMYK 48 / 33 / 0 / 49

HEX #445782

RGB 68 87 130

HSL 221.61, 0.31%, 0.39%

LAB 37.22, 5.23, -26.42

 

CMYK 0 / 48 / 34 / 49

HEX #824456

RGB 130 68 86

HSL 342.58, 0.31%, 0.39%

LAB 37.03, 28.74, 1.29

 

CMYK 0 / 5 / 48 / 49

HEX #827C44

RGB 130 124 68

HSL 54.19, 0.31%, 0.39%

LAB 51.36, -6.12, 31.24

 

CMYK 48 / 0 / 15 / 49

HEX #44826F

RGB 68 130 111

HSL 161.61, 0.31%, 0.39%

LAB 49.91, -24.92, 4.11

 

CMYK 48 / 43 / 0 / 49

HEX #444A82

RGB 68 74 130

HSL 234.19, 0.31%, 0.39%

LAB 33.43, 13.66, -32.39

 

CMYK 0 / 48 / 34 / 49

HEX #824456

RGB 130 68 86

HSL 342.58, 0.31%, 0.39%

LAB 37.03, 28.74, 1.29

 

CMYK 10 / 0 / 48 / 49

HEX #758244

RGB 117 130 68

HSL 72.58, 0.31%, 0.39%

LAB 52.02, -15.06, 31.81

 

CMYK 48 / 0 / 15 / 49

HEX #44826F

RGB 68 130 111

HSL 161.61, 0.31%, 0.39%

LAB 49.91, -24.92, 4.11

 

CMYK 38 / 48 / 0 / 49

HEX #504482

RGB 80 68 130

HSL 251.61, 0.31%, 0.39%

LAB 32.81, 20.86, -33.31

 

Description

Color code: HEX #824456 | qconv.com Color code: HEX #824456 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 68 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 68 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 34 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 34% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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