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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8241F0 it is the complementary color #7DBE0F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8241F0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8241F0 shade: #8741EB, #9853FE, #A965FF, #BA77FF and #CB89FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8241F0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8241F0 shade: #8241F0, #712FDD, #601DCA, #4F0BB7 and #3E00A4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8241F0 shade: #8242EF, #B142EF, #E042EF, #EF42D0 and #EF42A1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8241F0 shade: #8242EF, #5342EF and #4242EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8241F0 shade matches the following richer shades: #8242EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8241F0 shade: #8242EF, #8652DF, #8B63CE, #8F73BE and #9384AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8241F0 shade: #425FEF, #5342EF, #8142EF, #B042EF and #DE42EF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8241F0 shade: #5710CE, #691CEC, #8242EF, #9B68F2 and #B48EF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8241F0 shade: #8241F0, #EF428D and #48EF42

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8241F0 shade: #8241F0, #EF8142 and #42EF81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8241F0 shade: #8241F0, #EF428D, #B0EF42 and #42EFA4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8241F0 shade: #8241F0, #EF4259, #B0EF42 and #42EFD8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 73 / 0 / 6

HEX #8241F0

RGB 130 65 240

HSL 262.29, 0.85%, 0.6%

LAB 45.38, 63.39, -77.51

 

Complementary color

CMYK 34 / 0 / 92 / 25

HEX #7DBE0F

RGB 125 190 15

HSL 82.29, 0.85%, 0.4%

LAB 70.33, -43.61, 68.77

 

CMYK 43 / 72 / 0 / 8

HEX #8741EB

RGB 135 65 235

HSL 264.71, 0.81%, 0.59%

LAB 45.54, 62.94, -74.42

 

CMYK 40 / 67 / 0 / 0

HEX #9853FE

RGB 152 83 254

HSL 264.21, 0.99%, 0.66%

LAB 51.86, 62.21, -74.68

 

CMYK 34 / 60 / 0 / 0

HEX #A965FF

RGB 169 101 255

HSL 266.49, 1%, 0.7%

LAB 57.04, 56.93, -66.76

 

CMYK 27 / 53 / 0 / 0

HEX #BA77FF

RGB 186 119 255

HSL 269.56, 1%, 0.73%

LAB 62.38, 51.54, -58.09

 

CMYK 20 / 46 / 0 / 0

HEX #CB89FF

RGB 203 137 255

HSL 273.56, 1%, 0.77%

LAB 67.88, 46.41, -49.26

 

CMYK 46 / 73 / 0 / 6

HEX #8241F0

RGB 130 65 240

HSL 262.29, 0.85%, 0.6%

LAB 45.38, 63.39, -77.51

 

CMYK 49 / 79 / 0 / 13

HEX #712FDD

RGB 113 47 221

HSL 262.76, 0.72%, 0.53%

LAB 39.18, 63.84, -76.97

 

CMYK 52 / 86 / 0 / 21

HEX #601DCA

RGB 96 29 202

HSL 263.24, 0.75%, 0.45%

LAB 33.2, 63.57, -75.9

 

CMYK 57 / 94 / 0 / 28

HEX #4F0BB7

RGB 79 11 183

HSL 263.72, 0.89%, 0.38%

LAB 27.63, 62.02, -73.97

 

CMYK 62 / 100 / 0 / 36

HEX #3E00A4

RGB 62 0 164

HSL 262.68, 1%, 0.32%

LAB 22.67, 58.55, -70.83

 

CMYK 46 / 72 / 0 / 6

HEX #8242EF

RGB 130 66 239

HSL 262.2, 0.84%, 0.6%

LAB 45.46, 62.68, -76.82

 

CMYK 26 / 72 / 0 / 6

HEX #B142EF

RGB 177 66 239

HSL 278.5, 0.84%, 0.6%

LAB 51.24, 70.8, -67.17

 

CMYK 6 / 72 / 0 / 6

HEX #E042EF

RGB 224 66 239

HSL 294.8, 0.84%, 0.6%

LAB 58.01, 79.89, -55.91

 

CMYK 0 / 72 / 13 / 6

HEX #EF42D0

RGB 239 66 208

HSL 310.75, 0.84%, 0.6%

LAB 58.79, 78.36, -37.06

 

CMYK 0 / 72 / 33 / 6

HEX #EF42A1

RGB 239 66 161

HSL 327.05, 0.84%, 0.6%

LAB 56.9, 72.5, -12.85

 

CMYK 46 / 72 / 0 / 6

HEX #8242EF

RGB 130 66 239

HSL 262.2, 0.84%, 0.6%

LAB 45.46, 62.68, -76.82

 

CMYK 65 / 72 / 0 / 6

HEX #5342EF

RGB 83 66 239

HSL 245.9, 0.84%, 0.6%

LAB 41.16, 56.33, -84.04

 

CMYK 72 / 72 / 0 / 6

HEX #4242EF

RGB 66 66 239

HSL 240, 0.84%, 0.6%

LAB 40.06, 54.64, -85.9

 

CMYK 46 / 72 / 0 / 6

HEX #8242EF

RGB 130 66 239

HSL 262.2, 0.84%, 0.6%

LAB 45.46, 62.68, -76.82

 

CMYK 46 / 72 / 0 / 6

HEX #8242EF

RGB 130 66 239

HSL 262.2, 0.84%, 0.6%

LAB 45.46, 62.68, -76.82

 

CMYK 40 / 63 / 0 / 13

HEX #8652DF

RGB 134 82 223

HSL 262.13, 0.69%, 0.6%

LAB 47.53, 51.42, -64.38

 

CMYK 33 / 52 / 0 / 19

HEX #8B63CE

RGB 139 99 206

HSL 262.43, 0.52%, 0.6%

LAB 50.53, 38.83, -49.85

 

CMYK 25 / 39 / 0 / 25

HEX #8F73BE

RGB 143 115 190

HSL 262.4, 0.37%, 0.6%

LAB 53.83, 26.67, -35.44

 

CMYK 15 / 24 / 0 / 32

HEX #9384AD

RGB 147 132 173

HSL 261.95, 0.2%, 0.6%

LAB 57.77, 14.02, -19.58

 

CMYK 72 / 60 / 0 / 6

HEX #425FEF

RGB 66 95 239

HSL 229.94, 0.84%, 0.6%

LAB 46.41, 37.6, -75.47

 

CMYK 65 / 72 / 0 / 6

HEX #5342EF

RGB 83 66 239

HSL 245.9, 0.84%, 0.6%

LAB 41.16, 56.33, -84.04

 

CMYK 46 / 72 / 0 / 6

HEX #8142EF

RGB 129 66 239

HSL 261.85, 0.84%, 0.6%

LAB 45.35, 62.52, -77

 

CMYK 26 / 72 / 0 / 6

HEX #B042EF

RGB 176 66 239

HSL 278.15, 0.84%, 0.6%

LAB 51.1, 70.61, -67.39

 

CMYK 7 / 72 / 0 / 6

HEX #DE42EF

RGB 222 66 239

HSL 294.1, 0.84%, 0.6%

LAB 57.71, 79.49, -56.42

 

CMYK 58 / 92 / 0 / 19

HEX #5710CE

RGB 87 16 206

HSL 262.42, 0.86%, 0.44%

LAB 31.47, 67.12, -81.13

 

CMYK 56 / 88 / 0 / 7

HEX #691CEC

RGB 105 28 236

HSL 262.21, 0.85%, 0.52%

LAB 37.64, 72.87, -88.09

 

CMYK 46 / 72 / 0 / 6

HEX #8242EF

RGB 130 66 239

HSL 262.2, 0.84%, 0.6%

LAB 45.46, 62.68, -76.82

 

CMYK 36 / 57 / 0 / 5

HEX #9B68F2

RGB 155 104 242

HSL 262.17, 0.84%, 0.68%

LAB 55.36, 49.07, -62.33

 

CMYK 27 / 42 / 0 / 4

HEX #B48EF5

RGB 180 142 245

HSL 262.14, 0.84%, 0.76%

LAB 66.25, 35.13, -46.51

 

CMYK 46 / 73 / 0 / 6

HEX #8241F0

RGB 130 65 240

HSL 262.29, 0.85%, 0.6%

LAB 45.38, 63.39, -77.51

 

CMYK 0 / 72 / 41 / 6

HEX #EF428D

RGB 239 66 141

HSL 333.99, 0.84%, 0.6%

LAB 56.26, 70.44, -2.04

 

CMYK 70 / 0 / 72 / 6

HEX #48EF42

RGB 72 239 66

HSL 117.92, 0.84%, 0.6%

LAB 83.71, -73.03, 67.27

 

CMYK 46 / 73 / 0 / 6

HEX #8241F0

RGB 130 65 240

HSL 262.29, 0.85%, 0.6%

LAB 45.38, 63.39, -77.51

 

CMYK 0 / 46 / 72 / 6

HEX #EF8142

RGB 239 129 66

HSL 21.85, 0.84%, 0.6%

LAB 65.31, 37.56, 51.61

 

CMYK 72 / 0 / 46 / 6

HEX #42EF81

RGB 66 239 129

HSL 141.85, 0.84%, 0.6%

LAB 84.21, -66.62, 40.84

 

CMYK 46 / 73 / 0 / 6

HEX #8241F0

RGB 130 65 240

HSL 262.29, 0.85%, 0.6%

LAB 45.38, 63.39, -77.51

 

CMYK 0 / 72 / 41 / 6

HEX #EF428D

RGB 239 66 141

HSL 333.99, 0.84%, 0.6%

LAB 56.26, 70.44, -2.04

 

CMYK 26 / 0 / 72 / 6

HEX #B0EF42

RGB 176 239 66

HSL 81.85, 0.84%, 0.6%

LAB 87.66, -43.84, 72.51

 

CMYK 72 / 0 / 31 / 6

HEX #42EFA4

RGB 66 239 164

HSL 153.99, 0.84%, 0.6%

LAB 84.78, -60.27, 24.03

 

CMYK 46 / 73 / 0 / 6

HEX #8241F0

RGB 130 65 240

HSL 262.29, 0.85%, 0.6%

LAB 45.38, 63.39, -77.51

 

CMYK 0 / 72 / 63 / 6

HEX #EF4259

RGB 239 66 89

HSL 352.02, 0.84%, 0.6%

LAB 55.04, 66.44, 27.1

 

CMYK 26 / 0 / 72 / 6

HEX #B0EF42

RGB 176 239 66

HSL 81.85, 0.84%, 0.6%

LAB 87.66, -43.84, 72.51

 

CMYK 72 / 0 / 10 / 6

HEX #42EFD8

RGB 66 239 216

HSL 172.02, 0.84%, 0.6%

LAB 85.93, -48.2, -1.41

 

Description

Color code: HEX #8241F0 | qconv.com Color code: HEX #8241F0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 65 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 65 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 73 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 73% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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