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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #824B4C it is the complementary color #7DB4B3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #824B4C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #824B4C shade: #874B47, #985D5A, #A96F6D, #BA8180 and #CB9393

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #824B4C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #824B4C shade: #824B4C, #713939, #602726, #4F1513 and #3E0300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #824B4C shade: #814A4B and #814A4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #824B4C shade: #814A4B, #814A5A, #814A69, #814A78 and #7C4A81

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #824B4C shade matches the following richer shades: #814A4B, #92393B, #A2292B, #B3181B and #C3080B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #824B4C shade: #814A4B, #715A5B, #606B6B, #507B7B and #3F8C8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #824B4C shade: #814A69, #814A5A, #814A4C, #81574A and #81664A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #824B4C shade: #4D2C2C, #673B3C, #814A4B, #9B595A and #AD7172

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #824B4C shade: #824B4C, #78814A and #4A6281

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #824B4C shade: #824B4C, #4C814A and #4A4C81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #824B4C shade: #824B4C, #78814A, #4A817F and #534A81

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #824B4C shade: #824B4C, #67814A, #4A817F and #644A81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 42 / 49

HEX #824B4C

RGB 130 75 76

HSL 358.91, 0.27%, 0.4%

LAB 38.38, 23.41, 9.5

 

Complementary color

CMYK 31 / 0 / 1 / 29

HEX #7DB4B3

RGB 125 180 179

HSL 178.91, 0.27%, 0.6%

LAB 69.65, -18.07, -5.26

 

CMYK 0 / 44 / 47 / 47

HEX #874B47

RGB 135 75 71

HSL 3.75, 0.31%, 0.4%

LAB 38.96, 24.89, 13.53

 

CMYK 0 / 39 / 41 / 40

HEX #985D5A

RGB 152 93 90

HSL 2.9, 0.26%, 0.47%

LAB 45.96, 23.76, 11.94

 

CMYK 0 / 34 / 36 / 34

HEX #A96F6D

RGB 169 111 109

HSL 2, 0.26%, 0.55%

LAB 52.85, 22.77, 10.6

 

CMYK 0 / 31 / 31 / 27

HEX #BA8180

RGB 186 129 128

HSL 1.03, 0.3%, 0.62%

LAB 59.62, 21.89, 9.42

 

CMYK 0 / 28 / 28 / 20

HEX #CB9393

RGB 203 147 147

HSL 0, 0.35%, 0.69%

LAB 66.27, 21.12, 8.37

 

CMYK 0 / 42 / 42 / 49

HEX #824B4C

RGB 130 75 76

HSL 358.91, 0.27%, 0.4%

LAB 38.38, 23.41, 9.5

 

CMYK 0 / 50 / 50 / 56

HEX #713939

RGB 113 57 57

HSL 0, 0.33%, 0.33%

LAB 31.19, 24.59, 11.23

 

CMYK 0 / 59 / 60 / 62

HEX #602726

RGB 96 39 38

HSL 1.03, 0.43%, 0.26%

LAB 23.93, 25.87, 13.47

 

CMYK 0 / 73 / 76 / 69

HEX #4F1513

RGB 79 21 19

HSL 2, 0.61%, 0.19%

LAB 16.73, 27.01, 16.55

 

CMYK 0 / 95 / 100 / 76

HEX #3E0300

RGB 62 3 0

HSL 2.9, 1%, 0.12%

LAB 9.71, 27.64, 15.26

 

CMYK 0 / 43 / 42 / 49

HEX #814A4B

RGB 129 74 75

HSL 358.91, 0.27%, 0.4%

LAB 37.97, 23.46, 9.54

 

CMYK 0 / 43 / 43 / 49

HEX #814A4A

RGB 129 74 74

HSL 0, 0.27%, 0.4%

LAB 37.95, 23.34, 10.13

 

CMYK 0 / 43 / 42 / 49

HEX #814A4B

RGB 129 74 75

HSL 358.91, 0.27%, 0.4%

LAB 37.97, 23.46, 9.54

 

CMYK 0 / 43 / 30 / 49

HEX #814A5A

RGB 129 74 90

HSL 342.55, 0.27%, 0.4%

LAB 38.38, 25.49, 0.73

 

CMYK 0 / 43 / 19 / 49

HEX #814A69

RGB 129 74 105

HSL 326.18, 0.27%, 0.4%

LAB 38.87, 27.87, -7.92

 

CMYK 0 / 43 / 7 / 49

HEX #814A78

RGB 129 74 120

HSL 309.82, 0.27%, 0.4%

LAB 39.45, 30.56, -16.35

 

CMYK 4 / 43 / 0 / 49

HEX #7C4A81

RGB 124 74 129

HSL 294.55, 0.27%, 0.4%

LAB 39.19, 30.66, -22.34

 

CMYK 0 / 43 / 42 / 49

HEX #814A4B

RGB 129 74 75

HSL 358.91, 0.27%, 0.4%

LAB 37.97, 23.46, 9.54

 

CMYK 0 / 61 / 60 / 43

HEX #92393B

RGB 146 57 59

HSL 358.65, 0.44%, 0.4%

LAB 36.66, 37.76, 18.23

 

CMYK 0 / 75 / 73 / 36

HEX #A2292B

RGB 162 41 43

HSL 359.01, 0.6%, 0.4%

LAB 36.82, 49.14, 28.98

 

CMYK 0 / 87 / 85 / 30

HEX #B3181B

RGB 179 24 27

HSL 358.84, 0.76%, 0.4%

LAB 38.4, 58.44, 40.85

 

CMYK 0 / 96 / 94 / 24

HEX #C3080B

RGB 195 8 11

HSL 359.04, 0.92%, 0.4%

LAB 40.9, 64.76, 51.24

 

CMYK 0 / 43 / 42 / 49

HEX #814A4B

RGB 129 74 75

HSL 358.91, 0.27%, 0.4%

LAB 37.97, 23.46, 9.54

 

CMYK 0 / 20 / 19 / 56

HEX #715A5B

RGB 113 90 91

HSL 357.39, 0.11%, 0.4%

LAB 40.54, 9.58, 2.99

 

CMYK 10 / 0 / 0 / 58

HEX #606B6B

RGB 96 107 107

HSL 180, 0.05%, 0.4%

LAB 44.32, -4.16, -1.43

 

CMYK 35 / 0 / 0 / 52

HEX #507B7B

RGB 80 123 123

HSL 180, 0.21%, 0.4%

LAB 48.64, -14.76, -4.73

 

CMYK 55 / 0 / 1 / 45

HEX #3F8C8B

RGB 63 140 139

HSL 179.22, 0.38%, 0.4%

LAB 53.68, -23.77, -6.68

 

CMYK 0 / 43 / 19 / 49

HEX #814A69

RGB 129 74 105

HSL 326.18, 0.27%, 0.4%

LAB 38.87, 27.87, -7.92

 

CMYK 0 / 43 / 30 / 49

HEX #814A5A

RGB 129 74 90

HSL 342.55, 0.27%, 0.4%

LAB 38.38, 25.49, 0.73

 

CMYK 0 / 43 / 41 / 49

HEX #814A4C

RGB 129 74 76

HSL 357.82, 0.27%, 0.4%

LAB 38, 23.58, 8.95

 

CMYK 0 / 33 / 43 / 49

HEX #81574A

RGB 129 87 74

HSL 14.18, 0.27%, 0.4%

LAB 41.18, 15.67, 14.58

 

CMYK 0 / 21 / 43 / 49

HEX #81664A

RGB 129 102 74

HSL 30.55, 0.27%, 0.4%

LAB 45.17, 6.78, 19.94

 

CMYK 0 / 43 / 43 / 70

HEX #4D2C2C

RGB 77 44 44

HSL 0, 0.27%, 0.24%

LAB 22.16, 15.25, 6.5

 

CMYK 0 / 43 / 42 / 60

HEX #673B3C

RGB 103 59 60

HSL 358.64, 0.27%, 0.32%

LAB 30.25, 19.53, 7.75

 

CMYK 0 / 43 / 42 / 49

HEX #814A4B

RGB 129 74 75

HSL 358.91, 0.27%, 0.4%

LAB 37.97, 23.46, 9.54

 

CMYK 0 / 43 / 42 / 39

HEX #9B595A

RGB 155 89 90

HSL 359.09, 0.27%, 0.48%

LAB 45.43, 27.24, 11.26

 

CMYK 0 / 35 / 34 / 32

HEX #AD7172

RGB 173 113 114

HSL 359, 0.27%, 0.56%

LAB 53.93, 23.88, 9.26

 

CMYK 0 / 42 / 42 / 49

HEX #824B4C

RGB 130 75 76

HSL 358.91, 0.27%, 0.4%

LAB 38.38, 23.41, 9.5

 

CMYK 7 / 0 / 43 / 49

HEX #78814A

RGB 120 129 74

HSL 69.82, 0.27%, 0.4%

LAB 52.05, -12.53, 28.66

 

CMYK 43 / 24 / 0 / 49

HEX #4A6281

RGB 74 98 129

HSL 213.82, 0.27%, 0.4%

LAB 40.86, -0.28, -20.13

 

CMYK 0 / 42 / 42 / 49

HEX #824B4C

RGB 130 75 76

HSL 358.91, 0.27%, 0.4%

LAB 38.38, 23.41, 9.5

 

CMYK 41 / 0 / 43 / 49

HEX #4C814A

RGB 76 129 74

HSL 117.82, 0.27%, 0.4%

LAB 49.17, -29.6, 24.39

 

CMYK 43 / 41 / 0 / 49

HEX #4A4C81

RGB 74 76 129

HSL 237.82, 0.27%, 0.4%

LAB 34.42, 13.68, -30.19

 

CMYK 0 / 42 / 42 / 49

HEX #824B4C

RGB 130 75 76

HSL 358.91, 0.27%, 0.4%

LAB 38.38, 23.41, 9.5

 

CMYK 7 / 0 / 43 / 49

HEX #78814A

RGB 120 129 74

HSL 69.82, 0.27%, 0.4%

LAB 52.05, -12.53, 28.66

 

CMYK 43 / 0 / 2 / 49

HEX #4A817F

RGB 74 129 127

HSL 177.82, 0.27%, 0.4%

LAB 50.32, -18.67, -4.63

 

CMYK 36 / 43 / 0 / 49

HEX #534A81

RGB 83 74 129

HSL 249.82, 0.27%, 0.4%

LAB 34.64, 17.58, -29.77

 

CMYK 0 / 42 / 42 / 49

HEX #824B4C

RGB 130 75 76

HSL 358.91, 0.27%, 0.4%

LAB 38.38, 23.41, 9.5

 

CMYK 20 / 0 / 43 / 49

HEX #67814A

RGB 103 129 74

HSL 88.36, 0.27%, 0.4%

LAB 50.78, -19.58, 26.78

 

CMYK 43 / 0 / 2 / 49

HEX #4A817F

RGB 74 129 127

HSL 177.82, 0.27%, 0.4%

LAB 50.32, -18.67, -4.63

 

CMYK 22 / 43 / 0 / 49

HEX #644A81

RGB 100 74 129

HSL 268.36, 0.27%, 0.4%

LAB 36.35, 22.84, -26.97

 

Description

Color code: HEX #824B4C | qconv.com Color code: HEX #824B4C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 75 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 75 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 42 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 42% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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