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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #825951 it is the complementary color #7DA6AE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #825951. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #825951 shade: #87594C, #986B5F, #A97D72, #BA8F85 and #CBA198

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #825951. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #825951 shade: #825951, #71473E, #60352B, #4F2318 and #3E1105

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #825951 shade: #805850 and #805050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #825951 shade: #805850, #806550, #807250, #807F50 and #748050

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #825951 shade matches the following richer shades: #805850, #914C3F, #A2412E, #B3361D and #C42A0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #825951 shade: #805850, #6F6361, #5E6F72, #4D7A83 and #3C8594

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #825951 shade: #805062, #805056, #805750, #806450 and #807150

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #825951 shade: #4D3530, #674640, #805850, #996960 and #AA8078

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #825951 shade: #825951, #6F8050 and #505C80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #825951 shade: #825951, #508057 and #575080

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #825951 shade: #825951, #6F8050, #507980 and #615080

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #825951 shade: #825951, #618050, #507980 and #6F5080

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 38 / 49

HEX #825951

RGB 130 89 81

HSL 9.8, 0.23%, 0.41%

LAB 41.98, 15.81, 11.43

 

Complementary color

CMYK 28 / 5 / 0 / 32

HEX #7DA6AE

RGB 125 166 174

HSL 189.8, 0.23%, 0.59%

LAB 65.51, -11.89, -8.64

 

CMYK 0 / 34 / 44 / 47

HEX #87594C

RGB 135 89 76

HSL 13.22, 0.28%, 0.41%

LAB 42.49, 17.31, 15.27

 

CMYK 0 / 30 / 38 / 40

HEX #986B5F

RGB 152 107 95

HSL 12.63, 0.23%, 0.48%

LAB 49.52, 16.34, 13.89

 

CMYK 0 / 26 / 33 / 34

HEX #A97D72

RGB 169 125 114

HSL 12, 0.24%, 0.55%

LAB 56.4, 15.51, 12.67

 

CMYK 0 / 23 / 28 / 27

HEX #BA8F85

RGB 186 143 133

HSL 11.32, 0.28%, 0.63%

LAB 63.16, 14.8, 11.59

 

CMYK 0 / 21 / 25 / 20

HEX #CBA198

RGB 203 161 152

HSL 10.59, 0.33%, 0.7%

LAB 69.79, 14.17, 10.59

 

CMYK 0 / 32 / 38 / 49

HEX #825951

RGB 130 89 81

HSL 9.8, 0.23%, 0.41%

LAB 41.98, 15.81, 11.43

 

CMYK 0 / 37 / 45 / 56

HEX #71473E

RGB 113 71 62

HSL 10.59, 0.29%, 0.34%

LAB 34.73, 16.84, 12.88

 

CMYK 0 / 45 / 55 / 62

HEX #60352B

RGB 96 53 43

HSL 11.32, 0.38%, 0.27%

LAB 27.32, 18.1, 14.64

 

CMYK 0 / 56 / 70 / 69

HEX #4F2318

RGB 79 35 24

HSL 12, 0.53%, 0.2%

LAB 19.76, 19.63, 16.91

 

CMYK 0 / 73 / 92 / 76

HEX #3E1105

RGB 62 17 5

HSL 12.63, 0.85%, 0.13%

LAB 12.2, 21.27, 16.68

 

CMYK 0 / 31 / 38 / 50

HEX #805850

RGB 128 88 80

HSL 10, 0.23%, 0.41%

LAB 41.45, 15.42, 11.27

 

CMYK 0 / 38 / 38 / 50

HEX #805050

RGB 128 80 80

HSL 0, 0.23%, 0.41%

LAB 39.42, 20.17, 8.44

 

CMYK 0 / 31 / 38 / 50

HEX #805850

RGB 128 88 80

HSL 10, 0.23%, 0.41%

LAB 41.45, 15.42, 11.27

 

CMYK 0 / 21 / 38 / 50

HEX #806550

RGB 128 101 80

HSL 26.25, 0.23%, 0.41%

LAB 44.91, 7.69, 16.02

 

CMYK 0 / 11 / 38 / 50

HEX #807250

RGB 128 114 80

HSL 42.5, 0.23%, 0.41%

LAB 48.51, 0.09, 20.86

 

CMYK 0 / 1 / 38 / 50

HEX #807F50

RGB 128 127 80

HSL 58.75, 0.23%, 0.41%

LAB 52.23, -7.27, 25.71

 

CMYK 9 / 0 / 38 / 50

HEX #748050

RGB 116 128 80

HSL 75, 0.23%, 0.41%

LAB 51.53, -12.9, 24.62

 

CMYK 0 / 31 / 38 / 50

HEX #805850

RGB 128 88 80

HSL 10, 0.23%, 0.41%

LAB 41.45, 15.42, 11.27

 

CMYK 0 / 48 / 57 / 43

HEX #914C3F

RGB 145 76 63

HSL 9.51, 0.39%, 0.41%

LAB 40.49, 27.67, 20.73

 

CMYK 0 / 60 / 72 / 36

HEX #A2412E

RGB 162 65 46

HSL 9.83, 0.56%, 0.41%

LAB 40.67, 39.01, 31.64

 

CMYK 0 / 70 / 84 / 30

HEX #B3361D

RGB 179 54 29

HSL 10, 0.72%, 0.41%

LAB 41.71, 49.31, 42.82

 

CMYK 0 / 79 / 94 / 23

HEX #C42A0C

RGB 196 42 12

HSL 9.78, 0.88%, 0.41%

LAB 43.39, 58.55, 52.49

 

CMYK 0 / 31 / 38 / 50

HEX #805850

RGB 128 88 80

HSL 10, 0.23%, 0.41%

LAB 41.45, 15.42, 11.27

 

CMYK 0 / 11 / 13 / 56

HEX #6F6361

RGB 111 99 97

HSL 8.57, 0.07%, 0.41%

LAB 43.01, 4.4, 2.87

 

CMYK 18 / 3 / 0 / 55

HEX #5E6F72

RGB 94 111 114

HSL 189, 0.1%, 0.41%

LAB 45.58, -5.62, -3.8

 

CMYK 41 / 7 / 0 / 49

HEX #4D7A83

RGB 77 122 131

HSL 190, 0.26%, 0.41%

LAB 48.43, -12.93, -9.79

 

CMYK 59 / 10 / 0 / 42

HEX #3C8594

RGB 60 133 148

HSL 190.23, 0.42%, 0.41%

LAB 51.69, -18.05, -14.9

 

CMYK 0 / 38 / 23 / 50

HEX #805062

RGB 128 80 98

HSL 337.5, 0.23%, 0.41%

LAB 39.93, 22.83, -2.01

 

CMYK 0 / 38 / 33 / 50

HEX #805056

RGB 128 80 86

HSL 352.5, 0.23%, 0.41%

LAB 39.58, 21, 4.94

 

CMYK 0 / 32 / 38 / 50

HEX #805750

RGB 128 87 80

HSL 8.75, 0.23%, 0.41%

LAB 41.19, 16.01, 10.92

 

CMYK 0 / 22 / 38 / 50

HEX #806450

RGB 128 100 80

HSL 25, 0.23%, 0.41%

LAB 44.64, 8.28, 15.65

 

CMYK 0 / 12 / 38 / 50

HEX #807150

RGB 128 113 80

HSL 41.25, 0.23%, 0.41%

LAB 48.23, 0.67, 20.48

 

CMYK 0 / 31 / 38 / 70

HEX #4D3530

RGB 77 53 48

HSL 10.34, 0.23%, 0.25%

LAB 24.76, 10, 7.43

 

CMYK 0 / 32 / 38 / 60

HEX #674640

RGB 103 70 64

HSL 9.23, 0.23%, 0.33%

LAB 33.21, 13.31, 9.31

 

CMYK 0 / 31 / 38 / 50

HEX #805850

RGB 128 88 80

HSL 10, 0.23%, 0.41%

LAB 41.45, 15.42, 11.27

 

CMYK 0 / 31 / 37 / 40

HEX #996960

RGB 153 105 96

HSL 9.47, 0.23%, 0.49%

LAB 49.15, 18.03, 12.81

 

CMYK 0 / 25 / 29 / 33

HEX #AA8078

RGB 170 128 120

HSL 9.6, 0.23%, 0.57%

LAB 57.41, 15.04, 10.64

 

CMYK 0 / 32 / 38 / 49

HEX #825951

RGB 130 89 81

HSL 9.8, 0.23%, 0.41%

LAB 41.98, 15.81, 11.43

 

CMYK 13 / 0 / 38 / 50

HEX #6F8050

RGB 111 128 80

HSL 81.25, 0.23%, 0.41%

LAB 51.15, -14.96, 24.04

 

CMYK 38 / 28 / 0 / 50

HEX #505C80

RGB 80 92 128

HSL 225, 0.23%, 0.41%

LAB 39.44, 4.92, -21.68

 

CMYK 0 / 32 / 38 / 49

HEX #825951

RGB 130 89 81

HSL 9.8, 0.23%, 0.41%

LAB 41.98, 15.81, 11.43

 

CMYK 38 / 0 / 32 / 50

HEX #508057

RGB 80 128 87

HSL 128.75, 0.23%, 0.41%

LAB 49.29, -25.49, 17.25

 

CMYK 32 / 38 / 0 / 50

HEX #575080

RGB 87 80 128

HSL 248.75, 0.23%, 0.41%

LAB 36.6, 14.68, -26.06

 

CMYK 0 / 32 / 38 / 49

HEX #825951

RGB 130 89 81

HSL 9.8, 0.23%, 0.41%

LAB 41.98, 15.81, 11.43

 

CMYK 13 / 0 / 38 / 50

HEX #6F8050

RGB 111 128 80

HSL 81.25, 0.23%, 0.41%

LAB 51.15, -14.96, 24.04

 

CMYK 38 / 5 / 0 / 50

HEX #507980

RGB 80 121 128

HSL 188.75, 0.23%, 0.41%

LAB 48.18, -12.33, -8.37

 

CMYK 24 / 38 / 0 / 50

HEX #615080

RGB 97 80 128

HSL 261.25, 0.23%, 0.41%

LAB 37.55, 17.87, -24.51

 

CMYK 0 / 32 / 38 / 49

HEX #825951

RGB 130 89 81

HSL 9.8, 0.23%, 0.41%

LAB 41.98, 15.81, 11.43

 

CMYK 24 / 0 / 38 / 50

HEX #618050

RGB 97 128 80

HSL 98.75, 0.23%, 0.41%

LAB 50.17, -20.54, 22.57

 

CMYK 38 / 5 / 0 / 50

HEX #507980

RGB 80 121 128

HSL 188.75, 0.23%, 0.41%

LAB 48.18, -12.33, -8.37

 

CMYK 13 / 38 / 0 / 50

HEX #6F5080

RGB 111 80 128

HSL 278.75, 0.23%, 0.41%

LAB 39.03, 22.52, -22.09

 

Description

Color code: HEX #825951 | qconv.com Color code: HEX #825951 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 89 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 89 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 38 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 38% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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