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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #825325 it is the complementary color #7DACDA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #825325. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #825325 shade: #875320, #986533, #A97746, #BA8959 and #CB9B6C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #825325. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #825325 shade: #825325, #714112, #602F00, #4F1D00 and #3E0B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #825325 shade: #835325, #833A25 and #832525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #825325 shade: #835325, #836D25, #808325, #668325 and #4D8325

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #825325 shade matches the following richer shades: #835325, #905317 and #9E5309

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #825325 shade: #835325, #755332, #685340, #5A544D and #4C545B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #825325 shade: #832529, #833925, #835225, #836B25 and #818325

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #825325 shade: #422A12, #633F1B, #835325, #A3682E and #C37C37

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #825325 shade: #825325, #428325 and #2C2583

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #825325 shade: #825325, #258352 and #522583

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #825325 shade: #825325, #428325, #255583 and #652583

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #825325 shade: #825325, #268325, #255583 and #812583

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 72 / 49

HEX #825325

RGB 130 83 37

HSL 29.68, 0.56%, 0.33%

LAB 39.69, 15.12, 34.17

 

Complementary color

CMYK 43 / 21 / 0 / 15

HEX #7DACDA

RGB 125 172 218

HSL 209.68, 0.56%, 0.67%

LAB 68.7, -3.77, -28.17

 

CMYK 0 / 39 / 76 / 47

HEX #875320

RGB 135 83 32

HSL 29.71, 0.62%, 0.33%

LAB 40.31, 17.14, 37.56

 

CMYK 0 / 34 / 66 / 40

HEX #986533

RGB 152 101 51

HSL 29.7, 0.5%, 0.4%

LAB 47.26, 15.5, 36.03

 

CMYK 0 / 30 / 59 / 34

HEX #A97746

RGB 169 119 70

HSL 29.7, 0.41%, 0.47%

LAB 54.1, 14.15, 34.44

 

CMYK 0 / 26 / 52 / 27

HEX #BA8959

RGB 186 137 89

HSL 29.69, 0.41%, 0.54%

LAB 60.83, 13.02, 32.92

 

CMYK 0 / 24 / 47 / 20

HEX #CB9B6C

RGB 203 155 108

HSL 29.68, 0.48%, 0.61%

LAB 67.44, 12.06, 31.49

 

CMYK 0 / 36 / 72 / 49

HEX #825325

RGB 130 83 37

HSL 29.68, 0.56%, 0.33%

LAB 39.69, 15.12, 34.17

 

CMYK 0 / 42 / 84 / 56

HEX #714112

RGB 113 65 18

HSL 29.68, 0.73%, 0.26%

LAB 32.56, 16.98, 35.52

 

CMYK 0 / 51 / 100 / 62

HEX #602F00

RGB 96 47 0

HSL 29.38, 1%, 0.19%

LAB 25.32, 19.2, 35.58

 

CMYK 0 / 63 / 100 / 69

HEX #4F1D00

RGB 79 29 0

HSL 22.03, 1%, 0.15%

LAB 18.1, 21.91, 26.96

 

CMYK 0 / 82 / 100 / 76

HEX #3E0B00

RGB 62 11 0

HSL 10.65, 1%, 0.12%

LAB 11.02, 23.99, 17.1

 

CMYK 0 / 37 / 72 / 49

HEX #835325

RGB 131 83 37

HSL 29.36, 0.56%, 0.33%

LAB 39.82, 15.58, 34.35

 

CMYK 0 / 56 / 72 / 49

HEX #833A25

RGB 131 58 37

HSL 13.4, 0.56%, 0.33%

LAB 33.95, 29.87, 27.8

 

CMYK 0 / 72 / 72 / 49

HEX #832525

RGB 131 37 37

HSL 0, 0.56%, 0.33%

LAB 30.11, 40.04, 23.3

 

CMYK 0 / 37 / 72 / 49

HEX #835325

RGB 131 83 37

HSL 29.36, 0.56%, 0.33%

LAB 39.82, 15.58, 34.35

 

CMYK 0 / 17 / 72 / 49

HEX #836D25

RGB 131 109 37

HSL 45.96, 0.56%, 0.33%

LAB 46.84, 0.32, 41.75

 

CMYK 2 / 0 / 72 / 49

HEX #808325

RGB 128 131 37

HSL 61.91, 0.56%, 0.33%

LAB 52.9, -13.34, 47.75

 

CMYK 22 / 0 / 72 / 49

HEX #668325

RGB 102 131 37

HSL 78.51, 0.56%, 0.33%

LAB 50.91, -24.79, 45.1

 

CMYK 41 / 0 / 72 / 49

HEX #4D8325

RGB 77 131 37

HSL 94.47, 0.56%, 0.33%

LAB 49.43, -34.64, 43.11

 

CMYK 0 / 37 / 72 / 49

HEX #835325

RGB 131 83 37

HSL 29.36, 0.56%, 0.33%

LAB 39.82, 15.58, 34.35

 

CMYK 0 / 42 / 84 / 44

HEX #905317

RGB 144 83 23

HSL 29.75, 0.72%, 0.33%

LAB 41.5, 20.86, 43.18

 

CMYK 0 / 47 / 94 / 38

HEX #9E5309

RGB 158 83 9

HSL 29.8, 0.89%, 0.33%

LAB 43.47, 26.71, 50.2

 

CMYK 0 / 37 / 72 / 49

HEX #835325

RGB 131 83 37

HSL 29.36, 0.56%, 0.33%

LAB 39.82, 15.58, 34.35

 

CMYK 0 / 29 / 57 / 54

HEX #755332

RGB 117 83 50

HSL 29.55, 0.4%, 0.33%

LAB 38.2, 10.09, 24.78

 

CMYK 0 / 20 / 38 / 59

HEX #685340

RGB 104 83 64

HSL 28.5, 0.24%, 0.33%

LAB 36.93, 5.74, 14.43

 

CMYK 0 / 7 / 14 / 65

HEX #5A544D

RGB 90 84 77

HSL 32.31, 0.08%, 0.33%

LAB 36.08, 1.08, 4.97

 

CMYK 16 / 8 / 0 / 64

HEX #4C545B

RGB 76 84 91

HSL 208, 0.09%, 0.33%

LAB 35.27, -1.5, -5.15

 

CMYK 0 / 72 / 69 / 49

HEX #832529

RGB 131 37 41

HSL 357.45, 0.56%, 0.33%

LAB 30.18, 40.27, 20.82

 

CMYK 0 / 56 / 72 / 49

HEX #833925

RGB 131 57 37

HSL 12.77, 0.56%, 0.33%

LAB 33.74, 30.41, 27.56

 

CMYK 0 / 37 / 72 / 49

HEX #835225

RGB 131 82 37

HSL 28.72, 0.56%, 0.33%

LAB 39.57, 16.17, 34.07

 

CMYK 0 / 18 / 72 / 49

HEX #836B25

RGB 131 107 37

HSL 44.68, 0.56%, 0.33%

LAB 46.28, 1.48, 41.17

 

CMYK 2 / 0 / 72 / 49

HEX #818325

RGB 129 131 37

HSL 61.28, 0.56%, 0.33%

LAB 52.99, -12.89, 47.86

 

CMYK 0 / 36 / 73 / 74

HEX #422A12

RGB 66 42 18

HSL 30, 0.57%, 0.16%

LAB 19.47, 8.31, 19.89

 

CMYK 0 / 36 / 73 / 61

HEX #633F1B

RGB 99 63 27

HSL 30, 0.57%, 0.25%

LAB 30.12, 11.97, 27.88

 

CMYK 0 / 37 / 72 / 49

HEX #835325

RGB 131 83 37

HSL 29.36, 0.56%, 0.33%

LAB 39.82, 15.58, 34.35

 

CMYK 0 / 36 / 72 / 36

HEX #A3682E

RGB 163 104 46

HSL 29.74, 0.56%, 0.41%

LAB 49.36, 18.38, 41.28

 

CMYK 0 / 36 / 72 / 24

HEX #C37C37

RGB 195 124 55

HSL 29.57, 0.56%, 0.49%

LAB 58.31, 21.63, 47.68

 

CMYK 0 / 36 / 72 / 49

HEX #825325

RGB 130 83 37

HSL 29.68, 0.56%, 0.33%

LAB 39.69, 15.12, 34.17

 

CMYK 50 / 0 / 72 / 49

HEX #428325

RGB 66 131 37

HSL 101.49, 0.56%, 0.33%

LAB 48.91, -38.4, 42.42

 

CMYK 66 / 72 / 0 / 49

HEX #2C2583

RGB 44 37 131

HSL 244.47, 0.56%, 0.33%

LAB 21.93, 33.3, -51.67

 

CMYK 0 / 36 / 72 / 49

HEX #825325

RGB 130 83 37

HSL 29.68, 0.56%, 0.33%

LAB 39.69, 15.12, 34.17

 

CMYK 72 / 0 / 37 / 49

HEX #258352

RGB 37 131 82

HSL 148.72, 0.56%, 0.33%

LAB 48.55, -39.09, 18.83

 

CMYK 37 / 72 / 0 / 49

HEX #522583

RGB 82 37 131

HSL 268.72, 0.56%, 0.33%

LAB 26.03, 40.12, -44.82

 

CMYK 0 / 36 / 72 / 49

HEX #825325

RGB 130 83 37

HSL 29.68, 0.56%, 0.33%

LAB 39.69, 15.12, 34.17

 

CMYK 50 / 0 / 72 / 49

HEX #428325

RGB 66 131 37

HSL 101.49, 0.56%, 0.33%

LAB 48.91, -38.4, 42.42

 

CMYK 72 / 35 / 0 / 49

HEX #255583

RGB 37 85 131

HSL 209.36, 0.56%, 0.33%

LAB 35.06, 0.01, -30.54

 

CMYK 23 / 72 / 0 / 49

HEX #652583

RGB 101 37 131

HSL 280.85, 0.56%, 0.33%

LAB 28.72, 44.28, -40.34

 

CMYK 0 / 36 / 72 / 49

HEX #825325

RGB 130 83 37

HSL 29.68, 0.56%, 0.33%

LAB 39.69, 15.12, 34.17

 

CMYK 71 / 0 / 72 / 49

HEX #268325

RGB 38 131 37

HSL 119.36, 0.56%, 0.33%

LAB 47.98, -45.79, 41.15

 

CMYK 72 / 35 / 0 / 49

HEX #255583

RGB 37 85 131

HSL 209.36, 0.56%, 0.33%

LAB 35.06, 0.01, -30.54

 

CMYK 2 / 72 / 0 / 49

HEX #812583

RGB 129 37 131

HSL 298.72, 0.56%, 0.33%

LAB 33.2, 50.81, -32.92

 

Description

Color code: HEX #825325 | qconv.com Color code: HEX #825325 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 83 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 83 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 72 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 72% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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