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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #825A37 it is the complementary color #7DA5C8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #825A37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #825A37 shade: #875A32, #986C45, #A97E58, #BA906B and #CBA27E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #825A37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #825A37 shade: #825A37, #714824, #603611, #4F2400 and #3E1200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #825A37 shade: #815936, #814436 and #813636

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #825A37 shade: #815936, #816D36, #808136, #6C8136 and #588136

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #825A37 shade matches the following richer shades: #815936, #905827, #9F5718 and #AD5609

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #825A37 shade: #815936, #725A45, #635B53, #545C62 and #465D71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #825A37 shade: #81363B, #814536, #815936, #816D36 and #818136

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #825A37 shade: #47311D, #644529, #815936, #9E6D42 and #B78153

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #825A37 shade: #825A37, #4F8136 and #3B3681

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #825A37 shade: #825A37, #368159 and #593681

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #825A37 shade: #825A37, #4F8136, #365E81 and #683681

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #825A37 shade: #825A37, #388136, #365E81 and #7E3681

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 58 / 49

HEX #825A37

RGB 130 90 55

HSL 28, 0.41%, 0.36%

LAB 41.74, 12.32, 26.62

 

Complementary color

CMYK 38 / 18 / 0 / 22

HEX #7DA5C8

RGB 125 165 200

HSL 208, 0.41%, 0.64%

LAB 66.09, -4.78, -22.23

 

CMYK 0 / 33 / 63 / 47

HEX #875A32

RGB 135 90 50

HSL 28.24, 0.46%, 0.36%

LAB 42.3, 14.17, 30.27

 

CMYK 0 / 29 / 55 / 40

HEX #986C45

RGB 152 108 69

HSL 28.19, 0.38%, 0.43%

LAB 49.29, 12.9, 28.63

 

CMYK 0 / 25 / 48 / 34

HEX #A97E58

RGB 169 126 88

HSL 28.15, 0.32%, 0.5%

LAB 56.15, 11.85, 27.12

 

CMYK 0 / 23 / 42 / 27

HEX #BA906B

RGB 186 144 107

HSL 28.1, 0.36%, 0.57%

LAB 62.88, 10.97, 25.74

 

CMYK 0 / 20 / 38 / 20

HEX #CBA27E

RGB 203 162 126

HSL 28.05, 0.43%, 0.65%

LAB 69.5, 10.22, 24.47

 

CMYK 0 / 31 / 58 / 49

HEX #825A37

RGB 130 90 55

HSL 28, 0.41%, 0.36%

LAB 41.74, 12.32, 26.62

 

CMYK 0 / 36 / 68 / 56

HEX #714824

RGB 113 72 36

HSL 28.05, 0.52%, 0.29%

LAB 34.54, 13.73, 28.34

 

CMYK 0 / 44 / 82 / 62

HEX #603611

RGB 96 54 17

HSL 28.1, 0.7%, 0.22%

LAB 27.2, 15.54, 30

 

CMYK 0 / 54 / 100 / 69

HEX #4F2400

RGB 79 36 0

HSL 27.34, 1%, 0.15%

LAB 19.74, 17.76, 28.86

 

CMYK 0 / 71 / 100 / 76

HEX #3E1200

RGB 62 18 0

HSL 17.42, 1%, 0.12%

LAB 12.33, 20.44, 18.9

 

CMYK 0 / 31 / 58 / 49

HEX #815936

RGB 129 89 54

HSL 28, 0.41%, 0.36%

LAB 41.34, 12.37, 26.67

 

CMYK 0 / 47 / 58 / 49

HEX #814436

RGB 129 68 54

HSL 11.2, 0.41%, 0.36%

LAB 36.11, 24.7, 20.1

 

CMYK 0 / 58 / 58 / 49

HEX #813636

RGB 129 54 54

HSL 0, 0.41%, 0.36%

LAB 33.07, 32.42, 16.14

 

CMYK 0 / 31 / 58 / 49

HEX #815936

RGB 129 89 54

HSL 28, 0.41%, 0.36%

LAB 41.34, 12.37, 26.67

 

CMYK 0 / 16 / 58 / 49

HEX #816D36

RGB 129 109 54

HSL 44, 0.41%, 0.36%

LAB 46.8, 0.62, 33.24

 

CMYK 1 / 0 / 58 / 49

HEX #808136

RGB 128 129 54

HSL 60.8, 0.41%, 0.36%

LAB 52.46, -11.08, 39.71

 

CMYK 16 / 0 / 58 / 49

HEX #6C8136

RGB 108 129 54

HSL 76.8, 0.41%, 0.36%

LAB 50.87, -19.83, 37.48

 

CMYK 32 / 0 / 58 / 49

HEX #588136

RGB 88 129 54

HSL 92.8, 0.41%, 0.36%

LAB 49.55, -27.98, 35.61

 

CMYK 0 / 31 / 58 / 49

HEX #815936

RGB 129 89 54

HSL 28, 0.41%, 0.36%

LAB 41.34, 12.37, 26.67

 

CMYK 0 / 39 / 73 / 44

HEX #905827

RGB 144 88 39

HSL 28, 0.57%, 0.36%

LAB 42.85, 18.68, 37.09

 

CMYK 0 / 45 / 85 / 38

HEX #9F5718

RGB 159 87 24

HSL 28, 0.74%, 0.36%

LAB 44.59, 25.26, 46.34

 

CMYK 0 / 50 / 95 / 32

HEX #AD5609

RGB 173 86 9

HSL 28.17, 0.9%, 0.36%

LAB 46.39, 31.46, 53.3

 

CMYK 0 / 31 / 58 / 49

HEX #815936

RGB 129 89 54

HSL 28, 0.41%, 0.36%

LAB 41.34, 12.37, 26.67

 

CMYK 0 / 21 / 39 / 55

HEX #725A45

RGB 114 90 69

HSL 28, 0.25%, 0.36%

LAB 40.11, 6.64, 15.87

 

CMYK 0 / 8 / 16 / 61

HEX #635B53

RGB 99 91 83

HSL 30, 0.09%, 0.36%

LAB 39.17, 1.71, 5.77

 

CMYK 14 / 6 / 0 / 62

HEX #545C62

RGB 84 92 98

HSL 205.71, 0.08%, 0.36%

LAB 38.59, -1.73, -4.51

 

CMYK 38 / 18 / 0 / 56

HEX #465D71

RGB 70 93 113

HSL 207.91, 0.23%, 0.36%

LAB 38.42, -3.16, -14.12

 

CMYK 0 / 58 / 54 / 49

HEX #81363B

RGB 129 54 59

HSL 356, 0.41%, 0.36%

LAB 33.18, 32.86, 13.08

 

CMYK 0 / 47 / 58 / 49

HEX #814536

RGB 129 69 54

HSL 12, 0.41%, 0.36%

LAB 36.35, 24.13, 20.4

 

CMYK 0 / 31 / 58 / 49

HEX #815936

RGB 129 89 54

HSL 28, 0.41%, 0.36%

LAB 41.34, 12.37, 26.67

 

CMYK 0 / 16 / 58 / 49

HEX #816D36

RGB 129 109 54

HSL 44, 0.41%, 0.36%

LAB 46.8, 0.62, 33.24

 

CMYK 0 / 0 / 58 / 49

HEX #818136

RGB 129 129 54

HSL 60, 0.41%, 0.36%

LAB 52.55, -10.64, 39.83

 

CMYK 0 / 31 / 59 / 72

HEX #47311D

RGB 71 49 29

HSL 28.57, 0.42%, 0.2%

LAB 22.39, 7.25, 16.64

 

CMYK 0 / 31 / 59 / 61

HEX #644529

RGB 100 69 41

HSL 28.47, 0.42%, 0.28%

LAB 32.09, 9.84, 22.09

 

CMYK 0 / 31 / 58 / 49

HEX #815936

RGB 129 89 54

HSL 28, 0.41%, 0.36%

LAB 41.34, 12.37, 26.67

 

CMYK 0 / 31 / 58 / 38

HEX #9E6D42

RGB 158 109 66

HSL 28.04, 0.41%, 0.44%

LAB 50.22, 14.7, 31.6

 

CMYK 0 / 30 / 55 / 28

HEX #B78153

RGB 183 129 83

HSL 27.6, 0.41%, 0.52%

LAB 58.41, 15.65, 33.06

 

CMYK 0 / 31 / 58 / 49

HEX #825A37

RGB 130 90 55

HSL 28, 0.41%, 0.36%

LAB 41.74, 12.32, 26.62

 

CMYK 39 / 0 / 58 / 49

HEX #4F8136

RGB 79 129 54

HSL 100, 0.41%, 0.36%

LAB 49.04, -31.35, 34.89

 

CMYK 54 / 58 / 0 / 49

HEX #3B3681

RGB 59 54 129

HSL 244, 0.41%, 0.36%

LAB 27.17, 24.37, -41.84

 

CMYK 0 / 31 / 58 / 49

HEX #825A37

RGB 130 90 55

HSL 28, 0.41%, 0.36%

LAB 41.74, 12.32, 26.62

 

CMYK 58 / 0 / 31 / 49

HEX #368159

RGB 54 129 89

HSL 148, 0.41%, 0.36%

LAB 48.52, -33.15, 14.86

 

CMYK 31 / 58 / 0 / 49

HEX #593681

RGB 89 54 129

HSL 268, 0.41%, 0.36%

LAB 30.27, 31.79, -36.68

 

CMYK 0 / 31 / 58 / 49

HEX #825A37

RGB 130 90 55

HSL 28, 0.41%, 0.36%

LAB 41.74, 12.32, 26.62

 

CMYK 39 / 0 / 58 / 49

HEX #4F8136

RGB 79 129 54

HSL 100, 0.41%, 0.36%

LAB 49.04, -31.35, 34.89

 

CMYK 58 / 27 / 0 / 49

HEX #365E81

RGB 54 94 129

HSL 208, 0.41%, 0.36%

LAB 38.51, -3.01, -23.86

 

CMYK 19 / 58 / 0 / 49

HEX #683681

RGB 104 54 129

HSL 280, 0.41%, 0.36%

LAB 32.18, 35.91, -33.52

 

CMYK 0 / 31 / 58 / 49

HEX #825A37

RGB 130 90 55

HSL 28, 0.41%, 0.36%

LAB 41.74, 12.32, 26.62

 

CMYK 57 / 0 / 58 / 49

HEX #388136

RGB 56 129 54

HSL 118.4, 0.41%, 0.36%

LAB 48.02, -38.74, 33.43

 

CMYK 58 / 27 / 0 / 49

HEX #365E81

RGB 54 94 129

HSL 208, 0.41%, 0.36%

LAB 38.51, -3.01, -23.86

 

CMYK 2 / 58 / 0 / 49

HEX #7E3681

RGB 126 54 129

HSL 297.6, 0.41%, 0.36%

LAB 35.32, 42.14, -28.36

 

Description

Color code: HEX #825A37 | qconv.com Color code: HEX #825A37 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 90 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 90 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 58 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 58% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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