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Color name
HEX #825A4E

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #825A4E it is the complementary color #7DA5B1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #825A4E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #825A4E shade: #875A49, #986C5C, #A97E6F, #BA9082 and #CBA295

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #825A4E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #825A4E shade: #825A4E, #71483B, #603628, #4F2415 and #3E1202

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #825A4E shade: #825A4E and #824E4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #825A4E shade: #825A4E, #82684E, #82764E, #80824E and #72824E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #825A4E shade matches the following richer shades: #825A4E, #93513D, #A4482C, #B53F1B and #C6360A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #825A4E shade: #825A4E, #71635F, #606C70, #4F7581 and #3F7E92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #825A4E shade: #824E5E, #824E51, #82594E, #82674E and #82754E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #825A4E shade: #4F362F, #68483E, #825A4E, #9C6C5D and #AD8376

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #825A4E shade: #825A4E, #6C824E and #4E5782

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #825A4E shade: #825A4E, #4E8259 and #594E82

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #825A4E shade: #825A4E, #6C824E, #4E7782 and #644E82

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #825A4E shade: #825A4E, #5D824E, #4E7782 and #734E82

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 40 / 49

HEX #825A4E

RGB 130 90 78

HSL 13.85, 0.25%, 0.41%

LAB 42.17, 14.82, 13.52

 

Complementary color

CMYK 29 / 7 / 0 / 31

HEX #7DA5B1

RGB 125 165 177

HSL 193.85, 0.25%, 0.59%

LAB 65.31, -10.63, -10.6

 

CMYK 0 / 33 / 46 / 47

HEX #875A49

RGB 135 90 73

HSL 16.45, 0.3%, 0.41%

LAB 42.68, 16.37, 17.34

 

CMYK 0 / 29 / 39 / 40

HEX #986C5C

RGB 152 108 92

HSL 16, 0.25%, 0.48%

LAB 49.71, 15.38, 15.91

 

CMYK 0 / 25 / 34 / 34

HEX #A97E6F

RGB 169 126 111

HSL 15.52, 0.25%, 0.55%

LAB 56.59, 14.55, 14.66

 

CMYK 0 / 23 / 30 / 27

HEX #BA9082

RGB 186 144 130

HSL 15, 0.29%, 0.62%

LAB 63.34, 13.83, 13.53

 

CMYK 0 / 20 / 27 / 20

HEX #CBA295

RGB 203 162 149

HSL 14.44, 0.34%, 0.69%

LAB 69.97, 13.2, 12.5

 

CMYK 0 / 31 / 40 / 49

HEX #825A4E

RGB 130 90 78

HSL 13.85, 0.25%, 0.41%

LAB 42.17, 14.82, 13.52

 

CMYK 0 / 36 / 48 / 56

HEX #71483B

RGB 113 72 59

HSL 14.44, 0.31%, 0.34%

LAB 34.93, 15.88, 15.02

 

CMYK 0 / 44 / 58 / 62

HEX #603628

RGB 96 54 40

HSL 15, 0.41%, 0.27%

LAB 27.51, 17.18, 16.83

 

CMYK 0 / 54 / 73 / 69

HEX #4F2415

RGB 79 36 21

HSL 15.52, 0.58%, 0.2%

LAB 19.96, 18.8, 19.1

 

CMYK 0 / 71 / 97 / 76

HEX #3E1202

RGB 62 18 2

HSL 16, 0.94%, 0.13%

LAB 12.36, 20.56, 18.12

 

CMYK 0 / 31 / 40 / 49

HEX #825A4E

RGB 130 90 78

HSL 13.85, 0.25%, 0.41%

LAB 42.17, 14.82, 13.52

 

CMYK 0 / 40 / 40 / 49

HEX #824E4E

RGB 130 78 78

HSL 0, 0.25%, 0.41%

LAB 39.15, 21.91, 9.34

 

CMYK 0 / 31 / 40 / 49

HEX #825A4E

RGB 130 90 78

HSL 13.85, 0.25%, 0.41%

LAB 42.17, 14.82, 13.52

 

CMYK 0 / 20 / 40 / 49

HEX #82684E

RGB 130 104 78

HSL 30, 0.25%, 0.41%

LAB 45.9, 6.54, 18.58

 

CMYK 0 / 9 / 40 / 49

HEX #82764E

RGB 130 118 78

HSL 46.15, 0.25%, 0.41%

LAB 49.8, -1.58, 23.72

 

CMYK 2 / 0 / 40 / 49

HEX #80824E

RGB 128 130 78

HSL 62.31, 0.25%, 0.41%

LAB 53.06, -9.18, 27.89

 

CMYK 12 / 0 / 40 / 49

HEX #72824E

RGB 114 130 78

HSL 78.46, 0.25%, 0.41%

LAB 51.94, -15.08, 26.23

 

CMYK 0 / 31 / 40 / 49

HEX #825A4E

RGB 130 90 78

HSL 13.85, 0.25%, 0.41%

LAB 42.17, 14.82, 13.52

 

CMYK 0 / 45 / 59 / 42

HEX #93513D

RGB 147 81 61

HSL 13.95, 0.41%, 0.41%

LAB 41.88, 25.52, 23.78

 

CMYK 0 / 56 / 73 / 36

HEX #A4482C

RGB 164 72 44

HSL 14, 0.58%, 0.41%

LAB 42.32, 36.18, 34.72

 

CMYK 0 / 65 / 85 / 29

HEX #B53F1B

RGB 181 63 27

HSL 14.03, 0.74%, 0.41%

LAB 43.45, 46.19, 45.45

 

CMYK 0 / 73 / 95 / 22

HEX #C6360A

RGB 198 54 10

HSL 14.04, 0.9%, 0.41%

LAB 45.17, 55.23, 54.35

 

CMYK 0 / 31 / 40 / 49

HEX #825A4E

RGB 130 90 78

HSL 13.85, 0.25%, 0.41%

LAB 42.17, 14.82, 13.52

 

CMYK 0 / 12 / 16 / 56

HEX #71635F

RGB 113 99 95

HSL 13.33, 0.09%, 0.41%

LAB 43.15, 4.85, 4.31

 

CMYK 14 / 4 / 0 / 56

HEX #606C70

RGB 96 108 112

HSL 195, 0.08%, 0.41%

LAB 44.78, -3.62, -3.78

 

CMYK 39 / 9 / 0 / 49

HEX #4F7581

RGB 79 117 129

HSL 194.4, 0.24%, 0.41%

LAB 46.93, -10.08, -10.84

 

CMYK 57 / 14 / 0 / 43

HEX #3F7E92

RGB 63 126 146

HSL 194.46, 0.4%, 0.41%

LAB 49.56, -14.21, -16.97

 

CMYK 0 / 40 / 28 / 49

HEX #824E5E

RGB 130 78 94

HSL 341.54, 0.25%, 0.41%

LAB 39.59, 24.16, 0.01

 

CMYK 0 / 40 / 38 / 49

HEX #824E51

RGB 130 78 81

HSL 356.54, 0.25%, 0.41%

LAB 39.22, 22.3, 7.58

 

CMYK 0 / 32 / 40 / 49

HEX #82594E

RGB 130 89 78

HSL 12.69, 0.25%, 0.41%

LAB 41.91, 15.42, 13.16

 

CMYK 0 / 21 / 40 / 49

HEX #82674E

RGB 130 103 78

HSL 28.85, 0.25%, 0.41%

LAB 45.63, 7.12, 18.21

 

CMYK 0 / 10 / 40 / 49

HEX #82754E

RGB 130 117 78

HSL 45, 0.25%, 0.41%

LAB 49.52, -1.01, 23.36

 

CMYK 0 / 32 / 41 / 69

HEX #4F362F

RGB 79 54 47

HSL 13.13, 0.25%, 0.25%

LAB 25.28, 10.13, 8.86

 

CMYK 0 / 31 / 40 / 59

HEX #68483E

RGB 104 72 62

HSL 14.29, 0.25%, 0.33%

LAB 33.83, 12.24, 11.45

 

CMYK 0 / 31 / 40 / 49

HEX #825A4E

RGB 130 90 78

HSL 13.85, 0.25%, 0.41%

LAB 42.17, 14.82, 13.52

 

CMYK 0 / 31 / 40 / 39

HEX #9C6C5D

RGB 156 108 93

HSL 14.29, 0.25%, 0.49%

LAB 50.2, 17.18, 16.07

 

CMYK 0 / 24 / 32 / 32

HEX #AD8376

RGB 173 131 118

HSL 14.18, 0.25%, 0.57%

LAB 58.44, 14.28, 13.28

 

CMYK 0 / 31 / 40 / 49

HEX #825A4E

RGB 130 90 78

HSL 13.85, 0.25%, 0.41%

LAB 42.17, 14.82, 13.52

 

CMYK 17 / 0 / 40 / 49

HEX #6C824E

RGB 108 130 78

HSL 85.38, 0.25%, 0.41%

LAB 51.5, -17.53, 25.57

 

CMYK 40 / 33 / 0 / 49

HEX #4E5782

RGB 78 87 130

HSL 229.62, 0.25%, 0.41%

LAB 37.93, 8.07, -25.26

 

CMYK 0 / 31 / 40 / 49

HEX #825A4E

RGB 130 90 78

HSL 13.85, 0.25%, 0.41%

LAB 42.17, 14.82, 13.52

 

CMYK 40 / 0 / 32 / 49

HEX #4E8259

RGB 78 130 89

HSL 132.69, 0.25%, 0.41%

LAB 49.87, -26.77, 16.87

 

CMYK 32 / 40 / 0 / 49

HEX #594E82

RGB 89 78 130

HSL 252.69, 0.25%, 0.41%

LAB 36.34, 17.13, -27.69

 

CMYK 0 / 31 / 40 / 49

HEX #825A4E

RGB 130 90 78

HSL 13.85, 0.25%, 0.41%

LAB 42.17, 14.82, 13.52

 

CMYK 17 / 0 / 40 / 49

HEX #6C824E

RGB 108 130 78

HSL 85.38, 0.25%, 0.41%

LAB 51.5, -17.53, 25.57

 

CMYK 40 / 8 / 0 / 49

HEX #4E7782

RGB 78 119 130

HSL 192.69, 0.25%, 0.41%

LAB 47.53, -11.23, -10.55

 

CMYK 23 / 40 / 0 / 49

HEX #644E82

RGB 100 78 130

HSL 265.38, 0.25%, 0.41%

LAB 37.43, 20.61, -25.9

 

CMYK 0 / 31 / 40 / 49

HEX #825A4E

RGB 130 90 78

HSL 13.85, 0.25%, 0.41%

LAB 42.17, 14.82, 13.52

 

CMYK 28 / 0 / 40 / 49

HEX #5D824E

RGB 93 130 78

HSL 102.69, 0.25%, 0.41%

LAB 50.5, -23.4, 24.08

 

CMYK 40 / 8 / 0 / 49

HEX #4E7782

RGB 78 119 130

HSL 192.69, 0.25%, 0.41%

LAB 47.53, -11.23, -10.55

 

CMYK 12 / 40 / 0 / 49

HEX #734E82

RGB 115 78 130

HSL 282.69, 0.25%, 0.41%

LAB 39.08, 25.53, -23.2

 

Description

Color code: HEX #825A4E | qconv.com Color code: HEX #825A4E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 90 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 90 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 40 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 40% 49% C M Y K

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Provide designers and agencies with accurate color values.

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