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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #825A5B it is the complementary color #7DA5A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #825A5B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #825A5B shade: #875A56, #986C69, #A97E7C, #BA908F and #CBA2A2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #825A5B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #825A5B shade: #825A5B, #714848, #603635, #4F2422 and #3E120F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #825A5B shade: #81595A and #815959

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #825A5B shade: #81595A, #815965, #815970, #81597A and #7D5981

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #825A5B shade matches the following richer shades: #81595A, #93484A, #A43639, #B62428 and #C81217

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #825A5B shade: #81595A, #6F6B6B, #5D7D7C, #4C8F8D and #3AA09E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #825A5B shade: #815970, #815965, #81595B, #816359 and #816D59

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #825A5B shade: #503838, #694849, #81595A, #986B6C and #A98485

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #825A5B shade: #825A5B, #7A8159 and #596B81

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #825A5B shade: #825A5B, #5B8159 and #595B81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #825A5B shade: #825A5B, #7A8159, #598180 and #605981

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #825A5B shade: #825A5B, #6E8159, #598180 and #6C5981

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 30 / 49

HEX #825A5B

RGB 130 90 91

HSL 358.5, 0.18%, 0.43%

LAB 42.48, 16.62, 6.04

 

Complementary color

CMYK 24 / 0 / 1 / 35

HEX #7DA5A4

RGB 125 165 164

HSL 178.5, 0.18%, 0.57%

LAB 64.92, -13.7, -3.92

 

CMYK 0 / 33 / 36 / 47

HEX #875A56

RGB 135 90 86

HSL 4.9, 0.22%, 0.43%

LAB 42.97, 17.99, 9.86

 

CMYK 0 / 29 / 31 / 40

HEX #986C69

RGB 152 108 105

HSL 3.83, 0.19%, 0.5%

LAB 50, 17.11, 8.65

 

CMYK 0 / 25 / 27 / 34

HEX #A97E7C

RGB 169 126 124

HSL 2.67, 0.21%, 0.57%

LAB 56.89, 16.36, 7.59

 

CMYK 0 / 23 / 23 / 27

HEX #BA908F

RGB 186 144 143

HSL 1.4, 0.24%, 0.65%

LAB 63.65, 15.69, 6.63

 

CMYK 0 / 20 / 20 / 20

HEX #CBA2A2

RGB 203 162 162

HSL 0, 0.28%, 0.72%

LAB 70.28, 15.11, 5.75

 

CMYK 0 / 31 / 30 / 49

HEX #825A5B

RGB 130 90 91

HSL 358.5, 0.18%, 0.43%

LAB 42.48, 16.62, 6.04

 

CMYK 0 / 36 / 36 / 56

HEX #714848

RGB 113 72 72

HSL 0, 0.22%, 0.36%

LAB 35.23, 17.54, 7.26

 

CMYK 0 / 44 / 45 / 62

HEX #603635

RGB 96 54 53

HSL 1.4, 0.29%, 0.29%

LAB 27.8, 18.64, 8.75

 

CMYK 0 / 54 / 57 / 69

HEX #4F2422

RGB 79 36 34

HSL 2.67, 0.4%, 0.22%

LAB 20.2, 19.94, 10.71

 

CMYK 0 / 71 / 76 / 76

HEX #3E120F

RGB 62 18 15

HSL 3.83, 0.61%, 0.15%

LAB 12.55, 21.32, 12.79

 

CMYK 0 / 31 / 30 / 49

HEX #81595A

RGB 129 89 90

HSL 358.5, 0.18%, 0.43%

LAB 42.08, 16.65, 6.06

 

CMYK 0 / 31 / 31 / 49

HEX #815959

RGB 129 89 89

HSL 0, 0.18%, 0.43%

LAB 42.05, 16.51, 6.63

 

CMYK 0 / 31 / 30 / 49

HEX #81595A

RGB 129 89 90

HSL 358.5, 0.18%, 0.43%

LAB 42.08, 16.65, 6.06

 

CMYK 0 / 31 / 22 / 49

HEX #815965

RGB 129 89 101

HSL 342, 0.18%, 0.43%

LAB 42.39, 18.38, -0.24

 

CMYK 0 / 31 / 13 / 49

HEX #815970

RGB 129 89 112

HSL 325.5, 0.18%, 0.43%

LAB 42.74, 20.29, -6.46

 

CMYK 0 / 31 / 5 / 49

HEX #81597A

RGB 129 89 122

HSL 310.5, 0.18%, 0.43%

LAB 43.09, 22.18, -12.03

 

CMYK 3 / 31 / 0 / 49

HEX #7D5981

RGB 125 89 129

HSL 294, 0.18%, 0.43%

LAB 42.9, 22.16, -16.61

 

CMYK 0 / 31 / 30 / 49

HEX #81595A

RGB 129 89 90

HSL 358.5, 0.18%, 0.43%

LAB 42.08, 16.65, 6.06

 

CMYK 0 / 51 / 50 / 42

HEX #93484A

RGB 147 72 74

HSL 358.4, 0.34%, 0.43%

LAB 40.13, 31.72, 13.56

 

CMYK 0 / 67 / 65 / 36

HEX #A43639

RGB 164 54 57

HSL 358.36, 0.5%, 0.43%

LAB 39.29, 45.43, 23.49

 

CMYK 0 / 80 / 78 / 29

HEX #B62428

RGB 182 36 40

HSL 358.36, 0.67%, 0.43%

LAB 40.18, 56.74, 35.6

 

CMYK 0 / 91 / 89 / 22

HEX #C81217

RGB 200 18 23

HSL 358.35, 0.83%, 0.43%

LAB 42.42, 65.05, 47.94

 

CMYK 0 / 31 / 30 / 49

HEX #81595A

RGB 129 89 90

HSL 358.5, 0.18%, 0.43%

LAB 42.08, 16.65, 6.06

 

CMYK 0 / 4 / 4 / 56

HEX #6F6B6B

RGB 111 107 107

HSL 0, 0.02%, 0.43%

LAB 45.57, 1.56, 0.55

 

CMYK 26 / 0 / 1 / 51

HEX #5D7D7C

RGB 93 125 124

HSL 178.13, 0.15%, 0.43%

LAB 50.04, -11.55, -3.17

 

CMYK 47 / 0 / 1 / 44

HEX #4C8F8D

RGB 76 143 141

HSL 178.21, 0.31%, 0.43%

LAB 55.18, -21.76, -5.56

 

CMYK 64 / 0 / 1 / 37

HEX #3AA09E

RGB 58 160 158

HSL 178.82, 0.47%, 0.43%

LAB 60.35, -29.29, -7.64

 

CMYK 0 / 31 / 13 / 49

HEX #815970

RGB 129 89 112

HSL 325.5, 0.18%, 0.43%

LAB 42.74, 20.29, -6.46

 

CMYK 0 / 31 / 22 / 49

HEX #815965

RGB 129 89 101

HSL 342, 0.18%, 0.43%

LAB 42.39, 18.38, -0.24

 

CMYK 0 / 31 / 29 / 49

HEX #81595B

RGB 129 89 91

HSL 357, 0.18%, 0.43%

LAB 42.1, 16.8, 5.48

 

CMYK 0 / 23 / 31 / 49

HEX #816359

RGB 129 99 89

HSL 15, 0.18%, 0.43%

LAB 44.68, 10.56, 10.33

 

CMYK 0 / 16 / 31 / 49

HEX #816D59

RGB 129 109 89

HSL 30, 0.18%, 0.43%

LAB 47.4, 4.66, 14.11

 

CMYK 0 / 30 / 30 / 69

HEX #503838

RGB 80 56 56

HSL 0, 0.18%, 0.27%

LAB 26.21, 10.69, 4.23

 

CMYK 0 / 31 / 30 / 59

HEX #694849

RGB 105 72 73

HSL 358.18, 0.19%, 0.35%

LAB 34.23, 14.27, 5.07

 

CMYK 0 / 31 / 30 / 49

HEX #81595A

RGB 129 89 90

HSL 358.5, 0.18%, 0.43%

LAB 42.08, 16.65, 6.06

 

CMYK 0 / 30 / 29 / 40

HEX #986B6C

RGB 152 107 108

HSL 358.67, 0.18%, 0.51%

LAB 49.83, 18.12, 6.62

 

CMYK 0 / 22 / 21 / 34

HEX #A98485

RGB 169 132 133

HSL 358.38, 0.18%, 0.59%

LAB 58.63, 14.33, 4.9

 

CMYK 0 / 31 / 30 / 49

HEX #825A5B

RGB 130 90 91

HSL 358.5, 0.18%, 0.43%

LAB 42.48, 16.62, 6.04

 

CMYK 5 / 0 / 31 / 49

HEX #7A8159

RGB 122 129 89

HSL 70.5, 0.18%, 0.43%

LAB 52.46, -9.69, 20.87

 

CMYK 31 / 17 / 0 / 49

HEX #596B81

RGB 89 107 129

HSL 213, 0.18%, 0.43%

LAB 44.55, -1.16, -14.38

 

CMYK 0 / 31 / 30 / 49

HEX #825A5B

RGB 130 90 91

HSL 358.5, 0.18%, 0.43%

LAB 42.48, 16.62, 6.04

 

CMYK 29 / 0 / 31 / 49

HEX #5B8159

RGB 91 129 89

HSL 117, 0.18%, 0.43%

LAB 50.27, -21.79, 17.54

 

CMYK 31 / 29 / 0 / 49

HEX #595B81

RGB 89 91 129

HSL 237, 0.18%, 0.43%

LAB 39.9, 8.65, -21.52

 

CMYK 0 / 31 / 30 / 49

HEX #825A5B

RGB 130 90 91

HSL 358.5, 0.18%, 0.43%

LAB 42.48, 16.62, 6.04

 

CMYK 5 / 0 / 31 / 49

HEX #7A8159

RGB 122 129 89

HSL 70.5, 0.18%, 0.43%

LAB 52.46, -9.69, 20.87

 

CMYK 31 / 0 / 1 / 49

HEX #598180

RGB 89 129 128

HSL 178.5, 0.18%, 0.43%

LAB 51.13, -14.06, -3.93

 

CMYK 26 / 31 / 0 / 49

HEX #605981

RGB 96 89 129

HSL 250.5, 0.18%, 0.43%

LAB 39.94, 12.17, -21.41

 

CMYK 0 / 31 / 30 / 49

HEX #825A5B

RGB 130 90 91

HSL 358.5, 0.18%, 0.43%

LAB 42.48, 16.62, 6.04

 

CMYK 15 / 0 / 31 / 49

HEX #6E8159

RGB 110 129 89

HSL 88.5, 0.18%, 0.43%

LAB 51.54, -14.55, 19.47

 

CMYK 31 / 0 / 1 / 49

HEX #598180

RGB 89 129 128

HSL 178.5, 0.18%, 0.43%

LAB 51.13, -14.06, -3.93

 

CMYK 16 / 31 / 0 / 49

HEX #6C5981

RGB 108 89 129

HSL 268.5, 0.18%, 0.43%

LAB 41.09, 16.22, -19.55

 

Description

Color code: HEX #825A5B | qconv.com Color code: HEX #825A5B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 90 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 90 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 30 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 30% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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