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Color name
HEX #825AA6

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #825AA6 it is the complementary color #7DA559. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #825AA6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #825AA6 shade: #875AA1, #986CB4, #A97EC7, #BA90DA and #CBA2ED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #825AA6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #825AA6 shade: #825AA6, #714893, #603680, #4F246D and #3E125A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #825AA6 shade: #8159A5, #9659A5, #A559A0, #A5598C and #A55977

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #825AA6 shade: #8159A5, #6C59A5 and #5959A5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #825AA6 shade matches the following richer shades: #8159A5, #8244BA, #832FCF, #841BE3 and #8506F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #825AA6 shade: #8159A5, #806D91, #7F827C, #7E9767 and #7DAB53

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #825AA6 shade: #595AA5, #6C59A5, #8059A5, #9559A5 and #A559A1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #825AA6 shade: #573C70, #6C4A8A, #8159A5, #9574B4 and #AA8EC2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #825AA6 shade: #825AA6, #A5596E and #59A562

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #825AA6 shade: #825AA6, #A58059 and #59A580

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #825AA6 shade: #825AA6, #A5596E, #7EA559 and #59A590

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #825AA6 shade: #825AA6, #A55A59, #7EA559 and #59A4A5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 46 / 0 / 35

HEX #825AA6

RGB 130 90 166

HSL 271.58, 0.3%, 0.5%

LAB 45.37, 31.58, -34.86

 

Complementary color

CMYK 24 / 0 / 46 / 35

HEX #7DA559

RGB 125 165 89

HSL 91.58, 0.3%, 0.5%

LAB 63.34, -27.19, 34.94

 

CMYK 16 / 44 / 0 / 37

HEX #875AA1

RGB 135 90 161

HSL 278.03, 0.28%, 0.49%

LAB 45.68, 31.92, -31.38

 

CMYK 16 / 40 / 0 / 29

HEX #986CB4

RGB 152 108 180

HSL 276.67, 0.32%, 0.56%

LAB 52.61, 31.09, -31.52

 

CMYK 15 / 37 / 0 / 22

HEX #A97EC7

RGB 169 126 199

HSL 275.34, 0.39%, 0.64%

LAB 59.42, 30.32, -31.67

 

CMYK 15 / 34 / 0 / 15

HEX #BA90DA

RGB 186 144 218

HSL 274.05, 0.5%, 0.71%

LAB 66.1, 29.61, -31.82

 

CMYK 14 / 32 / 0 / 7

HEX #CBA2ED

RGB 203 162 237

HSL 272.8, 0.68%, 0.78%

LAB 72.66, 28.95, -31.98

 

CMYK 22 / 46 / 0 / 35

HEX #825AA6

RGB 130 90 166

HSL 271.58, 0.3%, 0.5%

LAB 45.37, 31.58, -34.86

 

CMYK 23 / 51 / 0 / 42

HEX #714893

RGB 113 72 147

HSL 272.8, 0.34%, 0.43%

LAB 38.29, 32.5, -34.81

 

CMYK 25 / 58 / 0 / 50

HEX #603680

RGB 96 54 128

HSL 274.05, 0.41%, 0.36%

LAB 31.08, 33.44, -34.72

 

CMYK 28 / 67 / 0 / 57

HEX #4F246D

RGB 79 36 109

HSL 275.34, 0.5%, 0.28%

LAB 23.76, 34.28, -34.5

 

CMYK 31 / 80 / 0 / 65

HEX #3E125A

RGB 62 18 90

HSL 276.67, 0.67%, 0.21%

LAB 16.48, 34.62, -33.88

 

CMYK 22 / 46 / 0 / 35

HEX #8159A5

RGB 129 89 165

HSL 271.58, 0.3%, 0.5%

LAB 44.98, 31.63, -34.9

 

CMYK 9 / 46 / 0 / 35

HEX #9659A5

RGB 150 89 165

HSL 288.16, 0.3%, 0.5%

LAB 47.42, 37.93, -30.89

 

CMYK 0 / 46 / 3 / 35

HEX #A559A0

RGB 165 89 160

HSL 303.95, 0.3%, 0.5%

LAB 49.11, 41.57, -25.18

 

CMYK 0 / 46 / 15 / 35

HEX #A5598C

RGB 165 89 140

HSL 319.74, 0.3%, 0.5%

LAB 48.31, 38.06, -14.53

 

CMYK 0 / 46 / 28 / 35

HEX #A55977

RGB 165 89 119

HSL 336.32, 0.3%, 0.5%

LAB 47.59, 34.83, -3

 

CMYK 22 / 46 / 0 / 35

HEX #8159A5

RGB 129 89 165

HSL 271.58, 0.3%, 0.5%

LAB 44.98, 31.63, -34.9

 

CMYK 35 / 46 / 0 / 35

HEX #6C59A5

RGB 108 89 165

HSL 255, 0.3%, 0.5%

LAB 42.84, 25.58, -38.43

 

CMYK 46 / 46 / 0 / 35

HEX #5959A5

RGB 89 89 165

HSL 240, 0.3%, 0.5%

LAB 41.19, 20.55, -41.14

 

CMYK 22 / 46 / 0 / 35

HEX #8159A5

RGB 129 89 165

HSL 271.58, 0.3%, 0.5%

LAB 44.98, 31.63, -34.9

 

CMYK 30 / 63 / 0 / 27

HEX #8244BA

RGB 130 68 186

HSL 271.53, 0.46%, 0.5%

LAB 41.88, 48.57, -52.19

 

CMYK 37 / 77 / 0 / 19

HEX #832FCF

RGB 131 47 207

HSL 271.5, 0.63%, 0.5%

LAB 40.19, 63.13, -67.17

 

CMYK 42 / 88 / 0 / 11

HEX #841BE3

RGB 132 27 227

HSL 271.5, 0.79%, 0.5%

LAB 39.97, 73.76, -79.01

 

CMYK 46 / 98 / 0 / 3

HEX #8506F8

RGB 133 6 248

HSL 271.49, 0.95%, 0.5%

LAB 41.05, 81.49, -89.13

 

CMYK 22 / 46 / 0 / 35

HEX #8159A5

RGB 129 89 165

HSL 271.58, 0.3%, 0.5%

LAB 44.98, 31.63, -34.9

 

CMYK 12 / 25 / 0 / 43

HEX #806D91

RGB 128 109 145

HSL 271.67, 0.14%, 0.5%

LAB 48.97, 14.75, -16.89

 

CMYK 2 / 0 / 5 / 49

HEX #7F827C

RGB 127 130 124

HSL 90, 0.02%, 0.5%

LAB 53.96, -2.3, 2.85

 

CMYK 17 / 0 / 32 / 41

HEX #7E9767

RGB 126 151 103

HSL 91.25, 0.19%, 0.5%

LAB 59.48, -17.79, 22.48

 

CMYK 27 / 0 / 51 / 33

HEX #7DAB53

RGB 125 171 83

HSL 91.36, 0.35%, 0.5%

LAB 65.05, -30.79, 40.08

 

CMYK 46 / 45 / 0 / 35

HEX #595AA5

RGB 89 90 165

HSL 239.21, 0.3%, 0.5%

LAB 41.46, 19.92, -40.72

 

CMYK 35 / 46 / 0 / 35

HEX #6C59A5

RGB 108 89 165

HSL 255, 0.3%, 0.5%

LAB 42.84, 25.58, -38.43

 

CMYK 22 / 46 / 0 / 35

HEX #8059A5

RGB 128 89 165

HSL 270.79, 0.3%, 0.5%

LAB 44.87, 31.33, -35.08

 

CMYK 10 / 46 / 0 / 35

HEX #9559A5

RGB 149 89 165

HSL 287.37, 0.3%, 0.5%

LAB 47.3, 37.63, -31.09

 

CMYK 0 / 46 / 2 / 35

HEX #A559A1

RGB 165 89 161

HSL 303.16, 0.3%, 0.5%

LAB 49.15, 41.75, -25.7

 

CMYK 22 / 46 / 0 / 56

HEX #573C70

RGB 87 60 112

HSL 271.15, 0.3%, 0.34%

LAB 30.47, 23.05, -25.69

 

CMYK 22 / 46 / 0 / 46

HEX #6C4A8A

RGB 108 74 138

HSL 271.88, 0.3%, 0.42%

LAB 37.7, 27.6, -30.31

 

CMYK 22 / 46 / 0 / 35

HEX #8159A5

RGB 129 89 165

HSL 271.58, 0.3%, 0.5%

LAB 44.98, 31.63, -34.9

 

CMYK 17 / 36 / 0 / 29

HEX #9574B4

RGB 149 116 180

HSL 270.94, 0.3%, 0.58%

LAB 54.21, 25.55, -29.06

 

CMYK 12 / 27 / 0 / 24

HEX #AA8EC2

RGB 170 142 194

HSL 272.31, 0.3%, 0.66%

LAB 63.17, 20.49, -23.05

 

CMYK 22 / 46 / 0 / 35

HEX #825AA6

RGB 130 90 166

HSL 271.58, 0.3%, 0.5%

LAB 45.37, 31.58, -34.86

 

CMYK 0 / 46 / 33 / 35

HEX #A5596E

RGB 165 89 110

HSL 343.42, 0.3%, 0.5%

LAB 47.33, 33.59, 2.05

 

CMYK 46 / 0 / 41 / 35

HEX #59A562

RGB 89 165 98

HSL 127.11, 0.3%, 0.5%

LAB 61.58, -38.11, 27.59

 

CMYK 22 / 46 / 0 / 35

HEX #825AA6

RGB 130 90 166

HSL 271.58, 0.3%, 0.5%

LAB 45.37, 31.58, -34.86

 

CMYK 0 / 22 / 46 / 35

HEX #A58059

RGB 165 128 89

HSL 30.79, 0.3%, 0.5%

LAB 56.25, 9.12, 26.6

 

CMYK 46 / 0 / 22 / 35

HEX #59A580

RGB 89 165 128

HSL 150.79, 0.3%, 0.5%

LAB 62.16, -32.39, 11.98

 

CMYK 22 / 46 / 0 / 35

HEX #825AA6

RGB 130 90 166

HSL 271.58, 0.3%, 0.5%

LAB 45.37, 31.58, -34.86

 

CMYK 0 / 46 / 33 / 35

HEX #A5596E

RGB 165 89 110

HSL 343.42, 0.3%, 0.5%

LAB 47.33, 33.59, 2.05

 

CMYK 24 / 0 / 46 / 35

HEX #7EA559

RGB 126 165 89

HSL 90.79, 0.3%, 0.5%

LAB 63.4, -26.81, 35.04

 

CMYK 46 / 0 / 13 / 35

HEX #59A590

RGB 89 165 144

HSL 163.42, 0.3%, 0.5%

LAB 62.55, -28.77, 3.59

 

CMYK 22 / 46 / 0 / 35

HEX #825AA6

RGB 130 90 166

HSL 271.58, 0.3%, 0.5%

LAB 45.37, 31.58, -34.86

 

CMYK 0 / 45 / 46 / 35

HEX #A55A59

RGB 165 90 89

HSL 0.79, 0.3%, 0.5%

LAB 47.02, 30.53, 14.28

 

CMYK 24 / 0 / 46 / 35

HEX #7EA559

RGB 126 165 89

HSL 90.79, 0.3%, 0.5%

LAB 63.4, -26.81, 35.04

 

CMYK 46 / 1 / 0 / 35

HEX #59A4A5

RGB 89 164 165

HSL 180.79, 0.3%, 0.5%

LAB 62.84, -22.97, -7.77

 

Description

Color code: HEX #825AA6 | qconv.com Color code: HEX #825AA6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 90 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 90 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 46 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 46% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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