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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #825DCA it is the complementary color #7DA235. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #825DCA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #825DCA shade: #875DC5, #986FD8, #A981EB, #BA93FE and #CBA5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #825DCA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #825DCA shade: #825DCA, #714BB7, #6039A4, #4F2791 and #3E157E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #825DCA shade: #825DCA, #9F5DCA, #BD5DCA, #CA5DBA and #CA5D9C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #825DCA shade: #825DCA, #645DCA and #5D5DCA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #825DCA shade matches the following richer shades: #825DCA, #7C4BDB, #773AED and #7129FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #825DCA shade: #825DCA, #876EB9, #8D7FA7, #939196 and #98A285

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #825DCA shade: #5D73CA, #645DCA, #815DCA, #9E5DCA and #BB5DCA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #825DCA shade: #5934A1, #6A3EC0, #825DCA, #9A7CD4 and #B29BDE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #825DCA shade: #825DCA, #CA5D90 and #64CA5D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #825DCA shade: #825DCA, #CA815D and #5DCA81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #825DCA shade: #825DCA, #CA5D90, #A6CA5D and #5DCA97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #825DCA shade: #825DCA, #CA5D6F, #A6CA5D and #5DCAB8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 54 / 0 / 21

HEX #825DCA

RGB 130 93 202

HSL 260.37, 0.51%, 0.58%

LAB 48.06, 38.96, -51.57

 

Complementary color

CMYK 23 / 0 / 67 / 36

HEX #7DA235

RGB 125 162 53

HSL 80.37, 0.51%, 0.42%

LAB 62.05, -29.32, 50.5

 

CMYK 31 / 53 / 0 / 23

HEX #875DC5

RGB 135 93 197

HSL 264.23, 0.47%, 0.57%

LAB 48.27, 38.92, -48.31

 

CMYK 30 / 49 / 0 / 15

HEX #986FD8

RGB 152 111 216

HSL 263.43, 0.57%, 0.64%

LAB 55.07, 37.92, -48.22

 

CMYK 28 / 45 / 0 / 8

HEX #A981EB

RGB 169 129 235

HSL 262.64, 0.73%, 0.71%

LAB 61.77, 36.99, -48.13

 

CMYK 27 / 42 / 0 / 0

HEX #BA93FE

RGB 186 147 254

HSL 261.87, 0.98%, 0.79%

LAB 68.36, 36.13, -48.07

 

CMYK 20 / 35 / 0 / 0

HEX #CBA5FF

RGB 203 165 255

HSL 265.33, 1%, 0.82%

LAB 74.08, 31.23, -39.54

 

CMYK 36 / 54 / 0 / 21

HEX #825DCA

RGB 130 93 202

HSL 260.37, 0.51%, 0.58%

LAB 48.06, 38.96, -51.57

 

CMYK 38 / 59 / 0 / 28

HEX #714BB7

RGB 113 75 183

HSL 261.11, 0.43%, 0.51%

LAB 41.16, 40.1, -51.71

 

CMYK 41 / 65 / 0 / 36

HEX #6039A4

RGB 96 57 164

HSL 261.87, 0.48%, 0.43%

LAB 34.18, 41.26, -51.78

 

CMYK 46 / 73 / 0 / 43

HEX #4F2791

RGB 79 39 145

HSL 262.64, 0.58%, 0.36%

LAB 27.18, 42.29, -51.68

 

CMYK 51 / 83 / 0 / 51

HEX #3E157E

RGB 62 21 126

HSL 263.43, 0.71%, 0.29%

LAB 20.31, 42.81, -51.11

 

CMYK 36 / 54 / 0 / 21

HEX #825DCA

RGB 130 93 202

HSL 260.37, 0.51%, 0.58%

LAB 48.06, 38.96, -51.57

 

CMYK 21 / 54 / 0 / 21

HEX #9F5DCA

RGB 159 93 202

HSL 276.33, 0.51%, 0.58%

LAB 51.23, 46.35, -46.32

 

CMYK 6 / 54 / 0 / 21

HEX #BD5DCA

RGB 189 93 202

HSL 292.84, 0.51%, 0.58%

LAB 54.98, 54.33, -40.14

 

CMYK 0 / 54 / 8 / 21

HEX #CA5DBA

RGB 202 93 186

HSL 308.81, 0.51%, 0.58%

LAB 56.02, 55.1, -29.22

 

CMYK 0 / 54 / 23 / 21

HEX #CA5D9C

RGB 202 93 156

HSL 325.32, 0.51%, 0.58%

LAB 54.85, 50.49, -13.59

 

CMYK 36 / 54 / 0 / 21

HEX #825DCA

RGB 130 93 202

HSL 260.37, 0.51%, 0.58%

LAB 48.06, 38.96, -51.57

 

CMYK 50 / 54 / 0 / 21

HEX #645DCA

RGB 100 93 202

HSL 243.85, 0.51%, 0.58%

LAB 45.36, 32.06, -56.04

 

CMYK 54 / 54 / 0 / 21

HEX #5D5DCA

RGB 93 93 202

HSL 240, 0.51%, 0.58%

LAB 44.83, 30.61, -56.92

 

CMYK 36 / 54 / 0 / 21

HEX #825DCA

RGB 130 93 202

HSL 260.37, 0.51%, 0.58%

LAB 48.06, 38.96, -51.57

 

CMYK 43 / 66 / 0 / 14

HEX #7C4BDB

RGB 124 75 219

HSL 260.42, 0.67%, 0.58%

LAB 44.85, 52.06, -66.51

 

CMYK 50 / 76 / 0 / 7

HEX #773AED

RGB 119 58 237

HSL 260.45, 0.83%, 0.58%

LAB 42.86, 64.11, -80.01

 

CMYK 56 / 84 / 0 / 0

HEX #7129FE

RGB 113 41 254

HSL 260.28, 0.99%, 0.58%

LAB 41.61, 74.11, -91.63

 

CMYK 36 / 54 / 0 / 21

HEX #825DCA

RGB 130 93 202

HSL 260.37, 0.51%, 0.58%

LAB 48.06, 38.96, -51.57

 

CMYK 27 / 41 / 0 / 27

HEX #876EB9

RGB 135 110 185

HSL 260, 0.35%, 0.58%

LAB 51.62, 26, -36.1

 

CMYK 16 / 24 / 0 / 35

HEX #8D7FA7

RGB 141 127 167

HSL 261, 0.19%, 0.58%

LAB 55.72, 13.56, -19.32

 

CMYK 2 / 3 / 0 / 41

HEX #939196

RGB 147 145 150

HSL 264, 0.02%, 0.58%

LAB 60.48, 1.71, -2.39

 

CMYK 6 / 0 / 18 / 36

HEX #98A285

RGB 152 162 133

HSL 80.69, 0.13%, 0.58%

LAB 65.13, -8.87, 13.91

 

CMYK 54 / 43 / 0 / 21

HEX #5D73CA

RGB 93 115 202

HSL 227.89, 0.51%, 0.58%

LAB 50.51, 17.03, -47.81

 

CMYK 50 / 54 / 0 / 21

HEX #645DCA

RGB 100 93 202

HSL 243.85, 0.51%, 0.58%

LAB 45.36, 32.06, -56.04

 

CMYK 36 / 54 / 0 / 21

HEX #815DCA

RGB 129 93 202

HSL 259.82, 0.51%, 0.58%

LAB 47.96, 38.72, -51.73

 

CMYK 22 / 54 / 0 / 21

HEX #9E5DCA

RGB 158 93 202

HSL 275.78, 0.51%, 0.58%

LAB 51.11, 46.09, -46.52

 

CMYK 7 / 54 / 0 / 21

HEX #BB5DCA

RGB 187 93 202

HSL 291.74, 0.51%, 0.58%

LAB 54.72, 53.8, -40.57

 

CMYK 45 / 68 / 0 / 37

HEX #5934A1

RGB 89 52 161

HSL 260.37, 0.51%, 0.42%

LAB 32.15, 41.74, -53.3

 

CMYK 45 / 68 / 0 / 25

HEX #6A3EC0

RGB 106 62 192

HSL 260.31, 0.51%, 0.5%

LAB 38.4, 48.22, -61.48

 

CMYK 36 / 54 / 0 / 21

HEX #825DCA

RGB 130 93 202

HSL 260.37, 0.51%, 0.58%

LAB 48.06, 38.96, -51.57

 

CMYK 27 / 42 / 0 / 17

HEX #9A7CD4

RGB 154 124 212

HSL 260.45, 0.51%, 0.66%

LAB 58.07, 30.06, -41.21

 

CMYK 20 / 30 / 0 / 13

HEX #B29BDE

RGB 178 155 222

HSL 260.6, 0.5%, 0.74%

LAB 68.15, 21.89, -30.9

 

CMYK 36 / 54 / 0 / 21

HEX #825DCA

RGB 130 93 202

HSL 260.37, 0.51%, 0.58%

LAB 48.06, 38.96, -51.57

 

CMYK 0 / 54 / 29 / 21

HEX #CA5D90

RGB 202 93 144

HSL 331.93, 0.51%, 0.58%

LAB 54.45, 48.85, -7.15

 

CMYK 50 / 0 / 54 / 21

HEX #64CA5D

RGB 100 202 93

HSL 116.15, 0.51%, 0.58%

LAB 73.38, -51.17, 44.97

 

CMYK 36 / 54 / 0 / 21

HEX #825DCA

RGB 130 93 202

HSL 260.37, 0.51%, 0.58%

LAB 48.06, 38.96, -51.57

 

CMYK 0 / 36 / 54 / 21

HEX #CA815D

RGB 202 129 93

HSL 19.82, 0.51%, 0.58%

LAB 60.82, 24.44, 31.12

 

CMYK 54 / 0 / 36 / 21

HEX #5DCA81

RGB 93 202 129

HSL 139.82, 0.51%, 0.58%

LAB 73.64, -47.5, 27.2

 

CMYK 36 / 54 / 0 / 21

HEX #825DCA

RGB 130 93 202

HSL 260.37, 0.51%, 0.58%

LAB 48.06, 38.96, -51.57

 

CMYK 0 / 54 / 29 / 21

HEX #CA5D90

RGB 202 93 144

HSL 331.93, 0.51%, 0.58%

LAB 54.45, 48.85, -7.15

 

CMYK 18 / 0 / 54 / 21

HEX #A6CA5D

RGB 166 202 93

HSL 79.82, 0.51%, 0.58%

LAB 76.76, -28.86, 49.8

 

CMYK 54 / 0 / 25 / 21

HEX #5DCA97

RGB 93 202 151

HSL 151.93, 0.51%, 0.58%

LAB 74.06, -43.22, 16.14

 

CMYK 36 / 54 / 0 / 21

HEX #825DCA

RGB 130 93 202

HSL 260.37, 0.51%, 0.58%

LAB 48.06, 38.96, -51.57

 

CMYK 0 / 54 / 45 / 21

HEX #CA5D6F

RGB 202 93 111

HSL 350.09, 0.51%, 0.58%

LAB 53.53, 45, 11.02

 

CMYK 18 / 0 / 54 / 21

HEX #A6CA5D

RGB 166 202 93

HSL 79.82, 0.51%, 0.58%

LAB 76.76, -28.86, 49.8

 

CMYK 54 / 0 / 9 / 21

HEX #5DCAB8

RGB 93 202 184

HSL 170.09, 0.51%, 0.58%

LAB 74.84, -35.64, -0.51

 

Description

Color code: HEX #825DCA | qconv.com Color code: HEX #825DCA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 93 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 93 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 54 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 54% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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