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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #825EAA it is the complementary color #7DA155. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #825EAA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #825EAA shade: #875EA5, #9870B8, #A982CB, #BA94DE and #CBA6F1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #825EAA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #825EAA shade: #825EAA, #714C97, #603A84, #4F2871 and #3E165E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #825EAA shade: #825EAA, #975EAA, #AA5EA9, #AA5E95 and #AA5E80

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #825EAA shade: #825EAA, #6E5EAA and #5E5EAA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #825EAA shade matches the following richer shades: #825EAA, #814ABE, #8037D2, #7F23E5 and #7E0FF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #825EAA shade: #825EAA, #837296, #848682, #859A6F and #86AD5B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #825EAA shade: #5E63AA, #6D5EAA, #825EAA, #965EAA and #AA5EAA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #825EAA shade: #593F77, #6E4D92, #825EAA, #9779B8 and #AC94C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #825EAA shade: #825EAA, #AA5E77 and #5EAA63

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #825EAA shade: #825EAA, #AA825E and #5EAA82

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #825EAA shade: #825EAA, #AA5E77, #87AA5E and #5EAA91

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #825EAA shade: #825EAA, #AA5E61, #87AA5E and #5EAAA8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 45 / 0 / 33

HEX #825EAA

RGB 130 94 170

HSL 268.42, 0.31%, 0.52%

LAB 46.52, 30.21, -35.42

 

Complementary color

CMYK 22 / 0 / 47 / 37

HEX #7DA155

RGB 125 161 85

HSL 88.42, 0.31%, 0.48%

LAB 62.09, -25.72, 35.45

 

CMYK 18 / 43 / 0 / 35

HEX #875EA5

RGB 135 94 165

HSL 274.65, 0.28%, 0.51%

LAB 46.81, 30.52, -31.98

 

CMYK 17 / 39 / 0 / 28

HEX #9870B8

RGB 152 112 184

HSL 273.33, 0.34%, 0.58%

LAB 53.73, 29.7, -32.09

 

CMYK 17 / 36 / 0 / 20

HEX #A982CB

RGB 169 130 203

HSL 272.05, 0.41%, 0.65%

LAB 60.53, 28.95, -32.2

 

CMYK 16 / 33 / 0 / 13

HEX #BA94DE

RGB 186 148 222

HSL 270.81, 0.53%, 0.73%

LAB 67.2, 28.26, -32.33

 

CMYK 16 / 31 / 0 / 5

HEX #CBA6F1

RGB 203 166 241

HSL 269.6, 0.73%, 0.8%

LAB 73.75, 27.61, -32.47

 

CMYK 24 / 45 / 0 / 33

HEX #825EAA

RGB 130 94 170

HSL 268.42, 0.31%, 0.52%

LAB 46.52, 30.21, -35.42

 

CMYK 25 / 50 / 0 / 41

HEX #714C97

RGB 113 76 151

HSL 269.6, 0.33%, 0.45%

LAB 39.44, 31.14, -35.42

 

CMYK 27 / 56 / 0 / 48

HEX #603A84

RGB 96 58 132

HSL 270.81, 0.39%, 0.37%

LAB 32.21, 32.12, -35.4

 

CMYK 30 / 65 / 0 / 56

HEX #4F2871

RGB 79 40 113

HSL 272.05, 0.48%, 0.3%

LAB 24.87, 33.08, -35.3

 

CMYK 34 / 77 / 0 / 63

HEX #3E165E

RGB 62 22 94

HSL 273.33, 0.62%, 0.23%

LAB 17.49, 33.73, -34.92

 

CMYK 24 / 45 / 0 / 33

HEX #825EAA

RGB 130 94 170

HSL 268.42, 0.31%, 0.52%

LAB 46.52, 30.21, -35.42

 

CMYK 11 / 45 / 0 / 33

HEX #975EAA

RGB 151 94 170

HSL 285, 0.31%, 0.52%

LAB 48.87, 36.52, -31.56

 

CMYK 0 / 45 / 1 / 33

HEX #AA5EA9

RGB 170 94 169

HSL 300.79, 0.31%, 0.52%

LAB 51.17, 42.14, -27.22

 

CMYK 0 / 45 / 12 / 33

HEX #AA5E95

RGB 170 94 149

HSL 316.58, 0.31%, 0.52%

LAB 50.36, 38.56, -16.7

 

CMYK 0 / 45 / 25 / 33

HEX #AA5E80

RGB 170 94 128

HSL 333.16, 0.31%, 0.52%

LAB 49.63, 35.22, -5.31

 

CMYK 24 / 45 / 0 / 33

HEX #825EAA

RGB 130 94 170

HSL 268.42, 0.31%, 0.52%

LAB 46.52, 30.21, -35.42

 

CMYK 35 / 45 / 0 / 33

HEX #6E5EAA

RGB 110 94 170

HSL 252.63, 0.31%, 0.52%

LAB 44.55, 24.47, -38.65

 

CMYK 45 / 45 / 0 / 33

HEX #5E5EAA

RGB 94 94 170

HSL 240, 0.31%, 0.52%

LAB 43.19, 20.21, -40.89

 

CMYK 24 / 45 / 0 / 33

HEX #825EAA

RGB 130 94 170

HSL 268.42, 0.31%, 0.52%

LAB 46.52, 30.21, -35.42

 

CMYK 32 / 61 / 0 / 25

HEX #814ABE

RGB 129 74 190

HSL 268.45, 0.47%, 0.52%

LAB 43.19, 46.18, -52.44

 

CMYK 39 / 74 / 0 / 18

HEX #8037D2

RGB 128 55 210

HSL 268.26, 0.63%, 0.52%

LAB 41.18, 60.09, -67.31

 

CMYK 45 / 85 / 0 / 10

HEX #7F23E5

RGB 127 35 229

HSL 268.45, 0.79%, 0.52%

LAB 40.2, 71.57, -79.8

 

CMYK 49 / 94 / 0 / 2

HEX #7E0FF9

RGB 126 15 249

HSL 268.46, 0.95%, 0.52%

LAB 40.6, 80.08, -90.46

 

CMYK 24 / 45 / 0 / 33

HEX #825EAA

RGB 130 94 170

HSL 268.42, 0.31%, 0.52%

LAB 46.52, 30.21, -35.42

 

CMYK 13 / 24 / 0 / 41

HEX #837296

RGB 131 114 150

HSL 268.33, 0.15%, 0.52%

LAB 50.76, 13.95, -17.08

 

CMYK 1 / 0 / 3 / 47

HEX #848682

RGB 132 134 130

HSL 90, 0.02%, 0.52%

LAB 55.65, -1.52, 1.88

 

CMYK 14 / 0 / 28 / 40

HEX #859A6F

RGB 133 154 111

HSL 89.3, 0.18%, 0.52%

LAB 61, -15.43, 20.19

 

CMYK 23 / 0 / 47 / 32

HEX #86AD5B

RGB 134 173 91

HSL 88.54, 0.33%, 0.52%

LAB 66.3, -27.42, 37.72

 

CMYK 45 / 42 / 0 / 33

HEX #5E63AA

RGB 94 99 170

HSL 236.05, 0.31%, 0.52%

LAB 44.53, 17.09, -38.78

 

CMYK 36 / 45 / 0 / 33

HEX #6D5EAA

RGB 109 94 170

HSL 251.84, 0.31%, 0.52%

LAB 44.46, 24.2, -38.8

 

CMYK 24 / 45 / 0 / 33

HEX #825EAA

RGB 130 94 170

HSL 268.42, 0.31%, 0.52%

LAB 46.52, 30.21, -35.42

 

CMYK 12 / 45 / 0 / 33

HEX #965EAA

RGB 150 94 170

HSL 284.21, 0.31%, 0.52%

LAB 48.75, 36.21, -31.76

 

CMYK 0 / 45 / 0 / 33

HEX #AA5EAA

RGB 170 94 170

HSL 300, 0.31%, 0.52%

LAB 51.21, 42.33, -27.73

 

CMYK 25 / 47 / 0 / 53

HEX #593F77

RGB 89 63 119

HSL 267.86, 0.31%, 0.36%

LAB 31.83, 23.63, -27.94

 

CMYK 25 / 47 / 0 / 43

HEX #6E4D92

RGB 110 77 146

HSL 268.7, 0.31%, 0.44%

LAB 39.07, 28.4, -33

 

CMYK 24 / 45 / 0 / 33

HEX #825EAA

RGB 130 94 170

HSL 268.42, 0.31%, 0.52%

LAB 46.52, 30.21, -35.42

 

CMYK 18 / 34 / 0 / 28

HEX #9779B8

RGB 151 121 184

HSL 268.57, 0.31%, 0.6%

LAB 55.8, 24.2, -28.88

 

CMYK 14 / 26 / 0 / 22

HEX #AC94C7

RGB 172 148 199

HSL 268.24, 0.31%, 0.68%

LAB 65.02, 18.83, -23

 

CMYK 24 / 45 / 0 / 33

HEX #825EAA

RGB 130 94 170

HSL 268.42, 0.31%, 0.52%

LAB 46.52, 30.21, -35.42

 

CMYK 0 / 45 / 30 / 33

HEX #AA5E77

RGB 170 94 119

HSL 340.26, 0.31%, 0.52%

LAB 49.35, 33.93, -0.33

 

CMYK 45 / 0 / 42 / 33

HEX #5EAA63

RGB 94 170 99

HSL 123.95, 0.31%, 0.52%

LAB 63.37, -38.67, 29.43

 

CMYK 24 / 45 / 0 / 33

HEX #825EAA

RGB 130 94 170

HSL 268.42, 0.31%, 0.52%

LAB 46.52, 30.21, -35.42

 

CMYK 0 / 24 / 45 / 33

HEX #AA825E

RGB 170 130 94

HSL 28.42, 0.31%, 0.52%

LAB 57.39, 10.66, 25.4

 

CMYK 45 / 0 / 24 / 33

HEX #5EAA82

RGB 94 170 130

HSL 148.42, 0.31%, 0.52%

LAB 63.95, -32.95, 13.41

 

CMYK 24 / 45 / 0 / 33

HEX #825EAA

RGB 130 94 170

HSL 268.42, 0.31%, 0.52%

LAB 46.52, 30.21, -35.42

 

CMYK 0 / 45 / 30 / 33

HEX #AA5E77

RGB 170 94 119

HSL 340.26, 0.31%, 0.52%

LAB 49.35, 33.93, -0.33

 

CMYK 21 / 0 / 45 / 33

HEX #87AA5E

RGB 135 170 94

HSL 87.63, 0.31%, 0.52%

LAB 65.52, -25.21, 35.24

 

CMYK 45 / 0 / 15 / 33

HEX #5EAA91

RGB 94 170 145

HSL 160.26, 0.31%, 0.52%

LAB 64.3, -29.65, 5.59

 

CMYK 24 / 45 / 0 / 33

HEX #825EAA

RGB 130 94 170

HSL 268.42, 0.31%, 0.52%

LAB 46.52, 30.21, -35.42

 

CMYK 0 / 45 / 43 / 33

HEX #AA5E61

RGB 170 94 97

HSL 357.63, 0.31%, 0.52%

LAB 48.78, 31.17, 12.03

 

CMYK 21 / 0 / 45 / 33

HEX #87AA5E

RGB 135 170 94

HSL 87.63, 0.31%, 0.52%

LAB 65.52, -25.21, 35.24

 

CMYK 45 / 0 / 1 / 33

HEX #5EAAA8

RGB 94 170 168

HSL 178.42, 0.31%, 0.52%

LAB 64.93, -24.01, -6.32

 

Description

Color code: HEX #825EAA | qconv.com Color code: HEX #825EAA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 94 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 94 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 45 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 45% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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