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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #825F62 it is the complementary color #7DA09D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #825F62. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #825F62 shade: #875F5D, #987170, #A98383, #BA9596 and #CBA7A9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #825F62. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #825F62 shade: #825F62, #714D4F, #603B3C, #4F2929 and #3E1716

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #825F62 shade: #825E61 and #825E5E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #825F62 shade: #825E61, #825E6B, #825E74, #825E7E and #7C5E82

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #825F62 shade matches the following richer shades: #825E61, #944C52, #A63943, #B82734 and #CA1525

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #825F62 shade: #825E61, #6F7070, #5D827F, #4B948E and #39A69D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #825F62 shade: #825E74, #825E6B, #825E61, #82645E and #826D5E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #825F62 shade: #523B3D, #6A4C4F, #825E61, #987174 and #A9898B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #825F62 shade: #825F62, #7E825E and #5E7082

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #825F62 shade: #825F62, #61825E and #5E6182

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #825F62 shade: #825F62, #7E825E, #5E827E and #615E82

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #825F62 shade: #825F62, #73825E, #5E827E and #6C5E82

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 25 / 49

HEX #825F62

RGB 130 95 98

HSL 354.86, 0.16%, 0.44%

LAB 43.96, 14.73, 3.89

 

Complementary color

CMYK 22 / 0 / 2 / 37

HEX #7DA09D

RGB 125 160 157

HSL 174.86, 0.16%, 0.56%

LAB 63.29, -12.62, -2.4

 

CMYK 0 / 30 / 31 / 47

HEX #875F5D

RGB 135 95 93

HSL 2.86, 0.18%, 0.45%

LAB 44.41, 16.02, 7.65

 

CMYK 0 / 26 / 26 / 40

HEX #987170

RGB 152 113 112

HSL 1.5, 0.16%, 0.52%

LAB 51.45, 15.25, 6.57

 

CMYK 0 / 22 / 22 / 34

HEX #A98383

RGB 169 131 131

HSL 0, 0.18%, 0.59%

LAB 58.33, 14.58, 5.61

 

CMYK 0 / 20 / 19 / 27

HEX #BA9596

RGB 186 149 150

HSL 358.38, 0.21%, 0.66%

LAB 65.07, 14, 4.73

 

CMYK 0 / 18 / 17 / 20

HEX #CBA7A9

RGB 203 167 169

HSL 356.67, 0.26%, 0.73%

LAB 71.69, 13.48, 3.92

 

CMYK 0 / 27 / 25 / 49

HEX #825F62

RGB 130 95 98

HSL 354.86, 0.16%, 0.44%

LAB 43.96, 14.73, 3.89

 

CMYK 0 / 32 / 30 / 56

HEX #714D4F

RGB 113 77 79

HSL 356.67, 0.19%, 0.37%

LAB 36.71, 15.53, 4.95

 

CMYK 0 / 39 / 38 / 62

HEX #603B3C

RGB 96 59 60

HSL 358.38, 0.24%, 0.3%

LAB 29.26, 16.49, 6.22

 

CMYK 0 / 48 / 48 / 69

HEX #4F2929

RGB 79 41 41

HSL 0, 0.32%, 0.24%

LAB 21.61, 17.66, 7.83

 

CMYK 0 / 63 / 65 / 76

HEX #3E1716

RGB 62 23 22

HSL 1.5, 0.48%, 0.16%

LAB 13.8, 19.02, 10.09

 

CMYK 0 / 28 / 25 / 49

HEX #825E61

RGB 130 94 97

HSL 355, 0.16%, 0.44%

LAB 43.67, 15.16, 4.08

 

CMYK 0 / 28 / 28 / 49

HEX #825E5E

RGB 130 94 94

HSL 0, 0.16%, 0.44%

LAB 43.59, 14.7, 5.79

 

CMYK 0 / 28 / 25 / 49

HEX #825E61

RGB 130 94 97

HSL 355, 0.16%, 0.44%

LAB 43.67, 15.16, 4.08

 

CMYK 0 / 28 / 18 / 49

HEX #825E6B

RGB 130 94 107

HSL 338.33, 0.16%, 0.44%

LAB 43.96, 16.82, -1.58

 

CMYK 0 / 28 / 11 / 49

HEX #825E74

RGB 130 94 116

HSL 323.33, 0.16%, 0.44%

LAB 44.25, 18.44, -6.62

 

CMYK 0 / 28 / 3 / 49

HEX #825E7E

RGB 130 94 126

HSL 306.67, 0.16%, 0.44%

LAB 44.6, 20.36, -12.15

 

CMYK 5 / 28 / 0 / 49

HEX #7C5E82

RGB 124 94 130

HSL 290, 0.16%, 0.44%

LAB 44.09, 19.02, -15.4

 

CMYK 0 / 28 / 25 / 49

HEX #825E61

RGB 130 94 97

HSL 355, 0.16%, 0.44%

LAB 43.67, 15.16, 4.08

 

CMYK 0 / 49 / 45 / 42

HEX #944C52

RGB 148 76 82

HSL 355, 0.32%, 0.44%

LAB 41.33, 30.78, 10.29

 

CMYK 0 / 66 / 60 / 35

HEX #A63943

RGB 166 57 67

HSL 354.5, 0.49%, 0.44%

LAB 40.31, 45.49, 18.69

 

CMYK 0 / 79 / 72 / 28

HEX #B82734

RGB 184 39 52

HSL 354.62, 0.65%, 0.44%

LAB 41.04, 56.95, 29.55

 

CMYK 0 / 90 / 82 / 21

HEX #CA1525

RGB 202 21 37

HSL 354.7, 0.81%, 0.44%

LAB 43.1, 65.43, 41.58

 

CMYK 0 / 28 / 25 / 49

HEX #825E61

RGB 130 94 97

HSL 355, 0.16%, 0.44%

LAB 43.67, 15.16, 4.08

 

CMYK 1 / 0 / 0 / 56

HEX #6F7070

RGB 111 112 112

HSL 180, 0%, 0.44%

LAB 47.15, -0.38, -0.14

 

CMYK 28 / 0 / 2 / 49

HEX #5D827F

RGB 93 130 127

HSL 175.14, 0.17%, 0.44%

LAB 51.64, -13.6, -2.57

 

CMYK 49 / 0 / 4 / 42

HEX #4B948E

RGB 75 148 142

HSL 175.07, 0.33%, 0.44%

LAB 56.71, -24.31, -3.87

 

CMYK 66 / 0 / 5 / 35

HEX #39A69D

RGB 57 166 157

HSL 175.05, 0.49%, 0.44%

LAB 62.15, -32.62, -4.41

 

CMYK 0 / 28 / 11 / 49

HEX #825E74

RGB 130 94 116

HSL 323.33, 0.16%, 0.44%

LAB 44.25, 18.44, -6.62

 

CMYK 0 / 28 / 18 / 49

HEX #825E6B

RGB 130 94 107

HSL 338.33, 0.16%, 0.44%

LAB 43.96, 16.82, -1.58

 

CMYK 0 / 28 / 25 / 49

HEX #825E61

RGB 130 94 97

HSL 355, 0.16%, 0.44%

LAB 43.67, 15.16, 4.08

 

CMYK 0 / 23 / 28 / 49

HEX #82645E

RGB 130 100 94

HSL 10, 0.16%, 0.44%

LAB 45.18, 11.13, 8.04

 

CMYK 0 / 16 / 28 / 49

HEX #826D5E

RGB 130 109 94

HSL 25, 0.16%, 0.44%

LAB 47.61, 5.83, 11.47

 

CMYK 0 / 28 / 26 / 68

HEX #523B3D

RGB 82 59 61

HSL 354.78, 0.16%, 0.28%

LAB 27.46, 10.49, 2.74

 

CMYK 0 / 28 / 25 / 58

HEX #6A4C4F

RGB 106 76 79

HSL 354, 0.16%, 0.36%

LAB 35.59, 13.19, 3.24

 

CMYK 0 / 28 / 25 / 49

HEX #825E61

RGB 130 94 97

HSL 355, 0.16%, 0.44%

LAB 43.67, 15.16, 4.08

 

CMYK 0 / 26 / 24 / 40

HEX #987174

RGB 152 113 116

HSL 355.38, 0.16%, 0.52%

LAB 51.55, 15.86, 4.36

 

CMYK 0 / 19 / 18 / 34

HEX #A9898B

RGB 169 137 139

HSL 356.25, 0.16%, 0.6%

LAB 60.06, 12.47, 3.52

 

CMYK 0 / 27 / 25 / 49

HEX #825F62

RGB 130 95 98

HSL 354.86, 0.16%, 0.44%

LAB 43.96, 14.73, 3.89

 

CMYK 3 / 0 / 28 / 49

HEX #7E825E

RGB 126 130 94

HSL 66.67, 0.16%, 0.44%

LAB 53.18, -7.85, 19.05

 

CMYK 28 / 14 / 0 / 49

HEX #5E7082

RGB 94 112 130

HSL 210, 0.16%, 0.44%

LAB 46.42, -2.25, -12.12

 

CMYK 0 / 27 / 25 / 49

HEX #825F62

RGB 130 95 98

HSL 354.86, 0.16%, 0.44%

LAB 43.96, 14.73, 3.89

 

CMYK 25 / 0 / 28 / 49

HEX #61825E

RGB 97 130 94

HSL 115, 0.16%, 0.44%

LAB 51.05, -19.23, 15.8

 

CMYK 28 / 25 / 0 / 49

HEX #5E6182

RGB 94 97 130

HSL 235, 0.16%, 0.44%

LAB 42.06, 6.81, -18.76

 

CMYK 0 / 27 / 25 / 49

HEX #825F62

RGB 130 95 98

HSL 354.86, 0.16%, 0.44%

LAB 43.96, 14.73, 3.89

 

CMYK 3 / 0 / 28 / 49

HEX #7E825E

RGB 126 130 94

HSL 66.67, 0.16%, 0.44%

LAB 53.18, -7.85, 19.05

 

CMYK 28 / 0 / 3 / 49

HEX #5E827E

RGB 94 130 126

HSL 173.33, 0.16%, 0.44%

LAB 51.67, -13.52, -1.93

 

CMYK 25 / 28 / 0 / 49

HEX #615E82

RGB 97 94 130

HSL 245, 0.16%, 0.44%

LAB 41.47, 9.66, -19.65

 

CMYK 0 / 27 / 25 / 49

HEX #825F62

RGB 130 95 98

HSL 354.86, 0.16%, 0.44%

LAB 43.96, 14.73, 3.89

 

CMYK 12 / 0 / 28 / 49

HEX #73825E

RGB 115 130 94

HSL 85, 0.16%, 0.44%

LAB 52.31, -12.31, 17.72

 

CMYK 28 / 0 / 3 / 49

HEX #5E827E

RGB 94 130 126

HSL 173.33, 0.16%, 0.44%

LAB 51.67, -13.52, -1.93

 

CMYK 17 / 28 / 0 / 49

HEX #6C5E82

RGB 108 94 130

HSL 263.33, 0.16%, 0.44%

LAB 42.47, 13.39, -18.03

 

Description

Color code: HEX #825F62 | qconv.com Color code: HEX #825F62 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 95 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 95 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 25 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 25% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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