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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #826443 it is the complementary color #7D9BBC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #826443. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #826443 shade: #87643E, #987651, #A98864, #BA9A77 and #CBAC8A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #826443. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #826443 shade: #826443, #715230, #60401D, #4F2E0A and #3E1C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #826443 shade: #836443, #835343 and #834343

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #826443 shade: #836443, #837643, #7F8343, #6E8343 and #5C8343

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #826443 shade matches the following richer shades: #836443, #936533, #A36623, #B36713 and #C36803

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #826443 shade: #836443, #736453, #636363, #536273 and #426183

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #826443 shade: #834344, #835343, #836443, #837543 and #808343

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #826443 shade: #4C3B27, #685035, #836443, #9E7951 and #B18E68

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #826443 shade: #826443, #558343 and #4B4383

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #826443 shade: #826443, #438364 and #644383

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #826443 shade: #826443, #558343, #436283 and #714383

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #826443 shade: #826443, #438344, #436283 and #834382

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 48 / 49

HEX #826443

RGB 130 100 67

HSL 31.43, 0.32%, 0.39%

LAB 44.61, 7.6, 23.31

 

Complementary color

CMYK 34 / 18 / 0 / 26

HEX #7D9BBC

RGB 125 155 188

HSL 211.43, 0.32%, 0.61%

LAB 62.87, -2.37, -20.45

 

CMYK 0 / 26 / 54 / 47

HEX #87643E

RGB 135 100 62

HSL 31.23, 0.37%, 0.39%

LAB 45.1, 9.33, 26.92

 

CMYK 0 / 22 / 47 / 40

HEX #987651

RGB 152 118 81

HSL 31.27, 0.3%, 0.46%

LAB 52.09, 8.35, 25.43

 

CMYK 0 / 20 / 41 / 34

HEX #A98864

RGB 169 136 100

HSL 31.3, 0.29%, 0.53%

LAB 58.94, 7.55, 24.08

 

CMYK 0 / 17 / 36 / 27

HEX #BA9A77

RGB 186 154 119

HSL 31.34, 0.33%, 0.6%

LAB 65.66, 6.87, 22.84

 

CMYK 0 / 15 / 32 / 20

HEX #CBAC8A

RGB 203 172 138

HSL 31.38, 0.38%, 0.67%

LAB 72.25, 6.3, 21.69

 

CMYK 0 / 23 / 48 / 49

HEX #826443

RGB 130 100 67

HSL 31.43, 0.32%, 0.39%

LAB 44.61, 7.6, 23.31

 

CMYK 0 / 27 / 58 / 56

HEX #715230

RGB 113 82 48

HSL 31.38, 0.4%, 0.32%

LAB 37.41, 8.65, 24.86

 

CMYK 0 / 33 / 70 / 62

HEX #60401D

RGB 96 64 29

HSL 31.34, 0.54%, 0.25%

LAB 30.02, 10.03, 26.53

 

CMYK 0 / 42 / 87 / 69

HEX #4F2E0A

RGB 79 46 10

HSL 31.3, 0.78%, 0.17%

LAB 22.44, 11.88, 27.74

 

CMYK 0 / 55 / 100 / 76

HEX #3E1C00

RGB 62 28 0

HSL 27.1, 1%, 0.12%

LAB 14.71, 14.38, 22.04

 

CMYK 0 / 24 / 49 / 49

HEX #836443

RGB 131 100 67

HSL 30.94, 0.32%, 0.39%

LAB 44.72, 8.04, 23.48

 

CMYK 0 / 37 / 49 / 49

HEX #835343

RGB 131 83 67

HSL 15, 0.32%, 0.39%

LAB 40.27, 18.1, 17.66

 

CMYK 0 / 49 / 49 / 49

HEX #834343

RGB 131 67 67

HSL 0, 0.32%, 0.39%

LAB 36.45, 27.37, 12.5

 

CMYK 0 / 24 / 49 / 49

HEX #836443

RGB 131 100 67

HSL 30.94, 0.32%, 0.39%

LAB 44.72, 8.04, 23.48

 

CMYK 0 / 10 / 49 / 49

HEX #837643

RGB 131 118 67

HSL 47.81, 0.32%, 0.39%

LAB 49.72, -2.4, 29.78

 

CMYK 3 / 0 / 49 / 49

HEX #7F8343

RGB 127 131 67

HSL 63.75, 0.32%, 0.39%

LAB 53.11, -11.4, 33.85

 

CMYK 16 / 0 / 49 / 49

HEX #6E8343

RGB 110 131 67

HSL 79.69, 0.32%, 0.39%

LAB 51.78, -18.65, 31.93

 

CMYK 30 / 0 / 49 / 49

HEX #5C8343

RGB 92 131 67

HSL 96.56, 0.32%, 0.39%

LAB 50.59, -25.85, 30.18

 

CMYK 0 / 24 / 49 / 49

HEX #836443

RGB 131 100 67

HSL 30.94, 0.32%, 0.39%

LAB 44.72, 8.04, 23.48

 

CMYK 0 / 31 / 65 / 42

HEX #936533

RGB 147 101 51

HSL 31.25, 0.48%, 0.39%

LAB 46.64, 13.25, 35.16

 

CMYK 0 / 37 / 79 / 36

HEX #A36623

RGB 163 102 35

HSL 31.41, 0.65%, 0.39%

LAB 48.77, 18.99, 45.82

 

CMYK 0 / 42 / 89 / 30

HEX #B36713

RGB 179 103 19

HSL 31.5, 0.81%, 0.39%

LAB 51.07, 24.97, 54.53

 

CMYK 0 / 47 / 98 / 24

HEX #C36803

RGB 195 104 3

HSL 31.56, 0.97%, 0.39%

LAB 53.5, 31.01, 60.87

 

CMYK 0 / 24 / 49 / 49

HEX #836443

RGB 131 100 67

HSL 30.94, 0.32%, 0.39%

LAB 44.72, 8.04, 23.48

 

CMYK 0 / 13 / 28 / 55

HEX #736453

RGB 115 100 83

HSL 31.88, 0.16%, 0.39%

LAB 43.34, 3.1, 11.85

 

CMYK 0 / 0 / 0 / 61

HEX #636363

RGB 99 99 99

HSL 0, 0%, 0.39%

LAB 41.96, 0, -0.01

 

CMYK 28 / 15 / 0 / 55

HEX #536273

RGB 83 98 115

HSL 211.88, 0.16%, 0.39%

LAB 40.92, -1.45, -11.47

 

CMYK 50 / 26 / 0 / 49

HEX #426183

RGB 66 97 131

HSL 211.38, 0.33%, 0.39%

LAB 40.16, -1.25, -22.47

 

CMYK 0 / 49 / 48 / 49

HEX #834344

RGB 131 67 68

HSL 359.06, 0.32%, 0.39%

LAB 36.47, 27.48, 11.9

 

CMYK 0 / 37 / 49 / 49

HEX #835343

RGB 131 83 67

HSL 15, 0.32%, 0.39%

LAB 40.27, 18.1, 17.66

 

CMYK 0 / 24 / 49 / 49

HEX #836443

RGB 131 100 67

HSL 30.94, 0.32%, 0.39%

LAB 44.72, 8.04, 23.48

 

CMYK 0 / 11 / 49 / 49

HEX #837543

RGB 131 117 67

HSL 46.88, 0.32%, 0.39%

LAB 49.44, -1.83, 29.43

 

CMYK 2 / 0 / 49 / 49

HEX #808343

RGB 128 131 67

HSL 62.81, 0.32%, 0.39%

LAB 53.2, -10.96, 33.97

 

CMYK 0 / 22 / 49 / 70

HEX #4C3B27

RGB 76 59 39

HSL 32.43, 0.32%, 0.23%

LAB 26.19, 4.38, 15.23

 

CMYK 0 / 23 / 49 / 59

HEX #685035

RGB 104 80 53

HSL 31.76, 0.32%, 0.31%

LAB 35.86, 6.19, 19.73

 

CMYK 0 / 24 / 49 / 49

HEX #836443

RGB 131 100 67

HSL 30.94, 0.32%, 0.39%

LAB 44.72, 8.04, 23.48

 

CMYK 0 / 23 / 49 / 38

HEX #9E7951

RGB 158 121 81

HSL 31.17, 0.32%, 0.47%

LAB 53.53, 9.24, 27.42

 

CMYK 0 / 20 / 41 / 31

HEX #B18E68

RGB 177 142 104

HSL 31.23, 0.32%, 0.55%

LAB 61.39, 8.01, 25.25

 

CMYK 0 / 23 / 48 / 49

HEX #826443

RGB 130 100 67

HSL 31.43, 0.32%, 0.39%

LAB 44.61, 7.6, 23.31

 

CMYK 35 / 0 / 49 / 49

HEX #558343

RGB 85 131 67

HSL 103.13, 0.32%, 0.39%

LAB 50.18, -28.46, 29.59

 

CMYK 43 / 49 / 0 / 49

HEX #4B4383

RGB 75 67 131

HSL 247.5, 0.32%, 0.39%

LAB 32.14, 20.43, -35.02

 

CMYK 0 / 23 / 48 / 49

HEX #826443

RGB 130 100 67

HSL 31.43, 0.32%, 0.39%

LAB 44.61, 7.6, 23.31

 

CMYK 49 / 0 / 24 / 49

HEX #438364

RGB 67 131 100

HSL 150.94, 0.32%, 0.39%

LAB 49.91, -28.28, 10.52

 

CMYK 24 / 49 / 0 / 49

HEX #644383

RGB 100 67 131

HSL 270.94, 0.32%, 0.39%

LAB 34.73, 27.64, -30.76

 

CMYK 0 / 23 / 48 / 49

HEX #826443

RGB 130 100 67

HSL 31.43, 0.32%, 0.39%

LAB 44.61, 7.6, 23.31

 

CMYK 35 / 0 / 49 / 49

HEX #558343

RGB 85 131 67

HSL 103.13, 0.32%, 0.39%

LAB 50.18, -28.46, 29.59

 

CMYK 49 / 25 / 0 / 49

HEX #436283

RGB 67 98 131

HSL 210.94, 0.32%, 0.39%

LAB 40.52, -1.6, -21.9

 

CMYK 14 / 49 / 0 / 49

HEX #714383

RGB 113 67 131

HSL 283.13, 0.32%, 0.39%

LAB 36.3, 31.62, -28.18

 

CMYK 0 / 23 / 48 / 49

HEX #826443

RGB 130 100 67

HSL 31.43, 0.32%, 0.39%

LAB 44.61, 7.6, 23.31

 

CMYK 49 / 0 / 48 / 49

HEX #438344

RGB 67 131 68

HSL 120.94, 0.32%, 0.39%

LAB 49.31, -34.37, 27.77

 

CMYK 49 / 25 / 0 / 49

HEX #436283

RGB 67 98 131

HSL 210.94, 0.32%, 0.39%

LAB 40.52, -1.6, -21.9

 

CMYK 0 / 49 / 1 / 49

HEX #834382

RGB 131 67 130

HSL 300.94, 0.32%, 0.39%

LAB 38.64, 37.04, -23.73

 

Description

Color code: HEX #826443 | qconv.com Color code: HEX #826443 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 100 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 100 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 48 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 48% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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